Islands (King Crimson album)

Islands is the fourth studio album by King Crimson, released December 1971. Islands would be the last King Crimson studio album before the group's trilogy of Larks' Tongues in Aspic, Starless and Bible Black and Red. It's also the last to feature the lyrics of Peter Sinfield.

Production & Release

The harmonic basis for the tune "The Letters" is derived from the Giles, Giles and Fripp song "Why Don't You Just Drop In," available on The Brondesbury Tapes compilation. The bridge section is also taken from the King Crimson version of the song, performed by the original line-up, titled simply "Drop In" and later released on the live-album Epitaph. The original basis for the song "Prelude: Song of the Gulls" is derived from the Giles, Giles and Fripp song "Suite No. 1". The first vinyl release of the album features a hidden track. At the end of side two there is a recording of studio chatter followed by Fripp saying, among other things, "...What we're going to do, umm... do it twice more, once with the oboe, once without it, and then... we finish." This was included on the initial CD release but was accidentally left off the first pressings of the 1989 Definitive Edition CD remaster. It was restored on all subsequent reissues.

Crimson

Crimson is a strong, red color, inclining to purple. It originally meant the color of the kermes dye produced from a scale insect, Kermes vermilio, but the name is now sometimes also used as a generic term for slightly bluish-red colors that are between red and rose.

History

Crimson (NR4) is produced using the dried bodies of the kermes insect, which were gathered commercially in Mediterranean countries, where they live on the kermes oak, and sold throughout Europe. Kermes dyes have been found in burial wrappings in Anglo-Scandinavian York. They fell out of use with the introduction of cochineal, because although the dyes were comparable in quality and color intensity it needed ten to twelve times as much kermes to produce the same effect as cochineal.

Carmine is the name given to the dye made from the dried bodies of the female cochineal, although the name crimson is sometimes applied to these dyes too. Cochineal appears to have been brought to Europe during the conquest of Mexico by the Spaniard Hernán Cortés, and the name 'carmine' is derived from the French carmin. It was first described by Mathioli in 1549. The pigment is also called cochineal after the insect from which it is made.

Crimson (Edge of Sanity album)

Crimson is the fifth full-length studio album by Swedish death metal band Edge of Sanity, which is their first concept album and was released in 1996 by Black Mark Production. It features a single 40-minute track, telling a story in the distant future, when human civilization is about to end.

The album, which features Opeth frontman Mikael Åkerfeldt, received substantial critical acclaim, and is considered by most fans to be Edge of Sanity's finest achievement. A sequel, Crimson II, was released in 2003 and picks up directly where the first album left off. Both albums were remixed and slightly edited for release on the 2006 compilation When All is Said.

Album story

The album's single song tells the story of a world where humans no longer can beget children. Into this time of despair a child is born to the King and Queen of the barren Earth. The Queen dies during childbirth, and the King is left to rule the Earth and raise his daughter on his own. The people think the child is a sign that God will give them back the ability to reproduce, but the child grows into a teenager and humanity remains infertile. In time, the King dies and men fight over his throne.

Crimson (Music)

Crimson is a Christian Metal band that was based out of Bakersfield, California, a product of the Rock and Metal scene that also gave birth to bands like KORN, PaperHouse and others. Crimson released 2 EPs both under the same title and primarily toured the West Coast of the U.S.

Discography

References

Hundred Islands National Park

The Hundred Islands National Park (Pangasinan: Kapulo-puloan or Taytay-Bakes) is a national park in the Philippines. The protected area is located in the city of Alaminos, in the province of Pangasinan in northern Philippines. The islands, totaling 124 at low tide and 123 at high tide, are scattered in Lingayen Gulf covering an area of 16.76 square kilometres (6.47 sq mi). Only three of them have been developed for tourism: Governor Island, Quezon Island, and Children's Island. The Lucap wharf in Alaminos, the entrance to the National Park, is about 240 kilometres (150 mi) north of Manila, the capital of the Philippines.

Geology

The islands are believed to be about two million years old. They are actually ancient corals that extend well inland, in an area previously comprising the seabed of an ancient sea. The lowering of the sea level have exposed them to the surface. The peculiar "mushroom-like" shapes of some of the islands were caused by the eroding action of the ocean waves.

Two Islands National Park

Two Islands and Two Islands Reef are part of the Three Islands Group National Park in Far North Queensland, Australia, in the Coral Sea, 1,590 km (990 mi) northwest of Brisbane, about 50 km (31 mi) north-northeast of Cooktown, 10 km (6.2 mi) southeast of Cape Flattery, and 10 km (6.2 mi) north of Three Islands and Three Islands Reef.

The islands are located within the Great Barrier Reef Marine Park Authority, and are important and protected seabird nesting sites.

See also

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore