- published: 20 Jan 2016
- views: 15715
An aulos (Ancient Greek: αὐλός, plural αὐλοί, auloi) or tibia (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology.
An aulete (αὐλητής, aulētēs) was the musician who performed on an aulos. The ancient Roman equivalent was the tibicen (plural tibicines), from the Latin tibia, "pipe, aulos." The neologism aulode is sometimes used by analogy with rhapsode and citharode (citharede) to refer to an aulos player, who may also be called an aulist.
There were several kinds of aulos. A single pipe without a reed was called the monaulos (μόναυλος, from μόνος "single"). A single pipe held horizontally, as the modern flute, was the plagiaulos (πλαγίαυλος, from πλάγιος "sideways"). The most common variety must have been a reed instrument. Archeological finds, surviving iconography and other evidence indicate that it was usually double-reeded, like an oboe, although simple variants with a single clarinet-type reed cannot be ruled out.
Though aulos is often erroneously translated as "flute", it was a reed instrument, and its sound — described as "penetrating, insisting and exciting" — was more akin to that of the bagpipes, with a chanter and (modulated) drone. Like the Great Highland Bagpipe, the aulos has been used for martial music, but it is more frequently depicted in other social settings. It was the standard accompaniment of the passionate elegiac poetry. It also accompanied physical activities such as wrestling matches, the broad jump, the discus throw and to mark the rowing cadence on triremes, as well as sacrifices and dramas.Plato associates it with the ecstatic cults of Dionysus and the Korybantes, banning it from his Republic but reintroducing it in "Laws".
Part 1 This video is about the revival of the Greco-Roman AULOS. Barnaby Brown plays a reproduction of an original in the Louvre, measured by Stefan Hagel and made by Thomas Rezanka. He announces a recent breakthrough in reed making, thanks to the work of Callum Armstrong. This takes the revival of ancient double pipes a significant step forward. Barnaby Brown is a founder member of the Workshop of Dionysus (www.doublepipes.info), established in 2013 by the Auloi/Tibiae Team of the European Music Archaeology Project (www.emaproject.eu). This video was made by James Willetts at St John's College, Cambridge on 19 January 2016. Special thanks to: Stefan Hagel - http://homepage.univie.ac.at/Stefan.H... Thomas Rezanka - http://www.rezanka.at Callum Armstrong - http://callumarmstrong.co.uk P...
Apresentação do Flautista Conrad Steinmann - Música grega da antiguidade clássica e seus desdobramentos • Produção: JZ Produções, DiegoDCvids, Rafael Adriano da Rosa, Felipe Roque JZ Produções http://www.facebook.com/jz.producoes DiegoDCvids http://www.youtube.com/user/DiegoDCvids
composer: Cristian Gentilini launeddas: Fabio Melis
In this video Stefan Hagel (Senior Research Scholar, Institute for the Study of Ancient Culture, Austrian Academy of Sciences) plays the reconstruction of an ancient instrument: the Louvre Aulos. Middlesex University, England (August 2014) Read more about Stefan Hagel: http://www.emaproject.eu/stefan-hagel.html Visit our website: http://www.emaproject.eu/ Or follow our Facebook page: https://www.facebook.com/EMAProject-236176096591669/
This video is to directly compare the Yamaha YRA-312B (III) to the Aulos 709BW E Alto recoders. Both of these recorders are made of plastic and are considered serious instruments and better than the cheaper wooden models. They seem to be direct competitors with each other and people who tend to want to buy one or the other read up about both. I wanted to do a little side-by-side playing for anyone considering purchasing one or the other. While Yamaha seems to be the bigger more trusted name, Aulos actually holds its own and is equally well built. To start learning the instrument and actually have something worth holding (these are not your cheap 3rd grade recorders folks!) either one will do equally well. I prefer the simulated wood grain on the Yamaha. The Aulos is brand new and ...
Aulos. Wood - apricot, reeds - Arundo Donax This instrument was made in our workshop ANTPLAT.RU Instrument is supplied with - wooden stand - manual booklet with fingerings table - extra reed set of two reeds. Contact for details: http://www.facebook.com/antplat e-mail: info@antplat.ru FaceBook group: http://www.facebook.com/group.php?gid=155109994529092 Группа вКонтакте: http://vkontakte.ru/antplatru Авлос. Древесина - абрикос, трости - испанский тростник. Сделан в нашей мастерской ANTPLAT.RU При заказе к инструменту прилагаются: - Деревянная подставка - Аппликатурный буклет - Запасной набор тростей
Making progress with circular breathing... This time you hear the instrumental piece preserved from the 2nd century AD in the Berlin papyrus (# 6870); it's the partially reconstructed version by Justus Willberg. Here, the full non-overblowing tonal range of the Louvre aulos is used. The instrument is the same I use in the aulos videos #1 and #3.
Rather rough demo of experimental all-elder "hedge pipes" made for/at the behest of Huw ("Clogs") Williams, partially inspired by Sardinian launeddas (qv) and ancient Greek & Roman auloi as well as Welsh pibgyrn. This video was made in the autumn of 2011 when I had completed the work on making the pipes but I have only now uploaded it in order to be able to share it with interested folk and to illustrate a discussion. Huw asked for something like an ancient Graeco-Roman aulos. Those probably used double (shawm-type) reeds, whereas these have single (bagpipe drone type) reeds. Both the tubes and the reeds are cut from native elder (sambucus niger); apart from some thread, sealing wax (very Puff!) and a little superglue, no other materials are involved. The pipes in this clip are essentiall...
This is my work done on the Animals and Creatures master classes at animationmentor.com. This is just the first term. There are still 3 more months to go. I´ll keep updating this video as there are some tweeks to be made. And hopefully some renders should come out as well. Please feel free to contact me at aulolicinio@gmail.com Cheers. #Updated 09/20 -Aulo.
*updated 11/03/12 Breakdown: 1 - Runner-Up at 11secondclub.com April/2012. Did all animation / prop modeling / shaders / lighting and rendering. Zbrush model was done by Fabio Paiva. Earings and Necklace shaders done by Diego Inácio. Malcom rig provided by animSchool. 2 - Personal Project. 3 - Coca Cola commercial. Work done for VetorZero. And I did all the animations, including the pigeons. 4 - Buga-a-boo Gang Series. Work done for Digital 21 and Mauricio de Sousa Produções. I did all the animations. 5 - Personal Project - Did all animation and prop modeling. Rig provided by animationmentor.com 6 - Did all the animations. Rigs provided by animationmentor.com and Josh Burton.
This is a brief description of what passes by my mind when I´m creating a shot. I don´t stick to this workflow all the times. This is just one approach that I found easier to this specific situation. About the shot: My goal was to work a little bit in my spare time. So there where days that I worked just 30 minutes, other days, 1 hour, or nothing at all. At total it took me 24 hours splited in 2 weeks. I know that I could improve a lot of things but, hell, I had a deadline to accomplish. And I got really happy on getting 2nd place. :) Thanks. -Aulo.
I'm responsible for all animations, otherwise mentioned. 1- Creature Animation on "Dust" - EmberLabs (USA) 2- Commercial for Coca-Cola - VetorZero (BRA) 3- Tiger Animation for O2 - Lobo (BRA) 4- Transformer Rhino Animation for Mitsubishi - Nitro (BRA) 5- Dog Animation for Prac-tic - Vagalume (BRA) 6- Brazilian world cup mascote - VetorZero (BRA) 7- Coca-cola commercial for world cup - VetorZero (BRA) 8- Runner-up on www.11secondclub.com, april 2012 competition. 9- Personal project. 10- Creature animation for "Dust" - EmberLabs (USA)
I´m happy to announce that I got 2nd place in the 11second.com this month(april-2012) . Thanks for all those who have voted or just had time to take a look. :D *UPDATE 31/10/2012 I finished up rendering this shot for studying purposes. Animation, Simulations, Prop Modeling, Lightning, Shading and Render done by me. Zbrush modeling done by Fabio Paiva. And BG, necklace and earings shaders done by Diego Inácio. The rig is a mod of "malcom" rig, a courtesy from AnimSchool.
My friend a collaborator at The Kumite, Aulo Licinio, did an awesome work of animation in a study for the 11 second club, and asked me if we at The Kumite would be interested in development of the look and get to a high quality render and comp for his study. We accepted the chalenge right away, and developed this final piece. Aulo Licinio | Direction, Animation, modeling (zbrush sculpting of the head over Malcolm basemesh) André Holzmeister | Art Direction, Look Dev, Comp (nuke) Rodrigo Augusto | Texturing, Shading, Lighting, Render, Hair Vinicius Barros | Skin Texturing, color study
Breakdown: ALL ANIMATIONS DONE BY ME. 1 - DragonSlayer - iOS/Android - Glu Mobile I was responsible for leading the animation team on this project. My tasks would vary in having to do techincal research, animation design, prototyping and writing pipeline/workflow documentation. Besides animation and rigging/skinning. 2 - Blood and Glory / Blood and Glory:Legend - iOS/Android - Glu Mobile I was responsible for animating and rigging. Also had to research technical/rigging solutions to fit our needs with our engine.
*Update 02* Ok, now that I got my new computer I can go back to this shot, lol. I still know that the lips are out of sync on some parts, i'll probably revisit this soon. Right now I'm focusing on the render and on the dynamics. *Update* Started to polish my animation. Pretty soon I will keep up the updates. Cya. Aulo.
Anthony Watkinson's Etnies advert. Filmed, Directed and Edited by: Chris Wilmshurst Light Director and Additional Filming by: Clem Hencher-Stevens Equipment: Two Canon 7D's. 50mm 1.8 Tamron 28-75mm 2.8 Samyang 8mm 3.5 Glidetrack Glidecam Music: Aulos - Wolverines part 1 Band Website: myspace.com/aulosbitches Read more at: digbmx.mpora.com/digthis/behind-the-lens-anthony-watkinson-etnies-commercial
Elle est seule sur le sol
Coulant sous l'alcool
Le vernis se craquelle
Sous l'idole
Se poudrer le faciès
Enrober de soie
Ce qui blesse et qu'on laisse
Derrière soi
Idéaliser
Un passé brisé
Pas réaliser
Qu'il n'est plus là
Idéaliser
Juste supposer
Qu'elle a tout osé
Et lui poser
Un dernier baiser
Un baiser
Ses bas ont défilé
Dans toutes les nuits blanches
Blanche-neige exhibée
Aux archanges
Il neige sur Downtown
Fin des seventies
Le temps, c'est de l'automne
Sans surprise
Idéaliser
Un passé brisé
Pas réaliser
Qu'il n'est plus là
Idéaliser
Se faire une beauté
Retourner la scène
Viser
L'aller sans retour
Le saut dans le vide
La petite club-kid
N'aime plus le jour
Idéaliser
Juste supposer
Qu'elle a tout osé
Et lui poser