A Contribution to Schaller-VanderMeer Studies

After my own previous contribution to the burgeoning academic field of VanderMeer Studies, I am happy to christen yet another field: Schaller-VanderMeer Studies, a discipline inaugurated in ivy-covered halls with the Illustrating VanderMeer exhibit. True (Schaller-)VanderMeer Studies scholars do not limit themselves to the study of half a VanderMeer, however, and so I am happy to present here a monograph by Eric Schaller about the woman who was described by Xaver Daffed as "the better half of VanderMeer" (325).

This monograph was originally published in the Fogcon program book, March 2011.

ANN VANDERMEER

by Eric Schaller

Something was happening back there at the tail end of the last millennium. And I’m not talking about The Gulf War, McDonald’s opening a franchise in Moscow, the cloning of Dolly the sheep, the Spice Girls, or even Bill Clinton demonstrating new uses for a cigar. Although all these probably figure in there somewhere. What I am talking about are THE SILVER WEB (1990-2002), CRANK! (1993-1998), CENTURY (1995-2000), and LADY CHURCHILL’S ROSEBUD WRISTLET (1996-date), four magazines that helped define a new course in speculative fiction. Whereas before, most notably in Damon Knight’s ORBIT series, there had been attempts to define science fiction more broadly, so much so that the old guard hesitated to call it science fiction, here the editors of these new magazines basically said, “Definitions be damned, we’ll publish whatever gives us that certain feeling we got when we first encountered genre fiction, when it seemed to open a new vista on the world, blew our collective consciousness, so to speak. Oh yeah, and we do care about language, so don’t destroy the waking dream by confusing an adjective with a unicorn.”

I notice that I didn’t mention the name of Ann VanderMeer in the previous paragraph, although her presence suffuses it. Ann was, of course, the editor for THE SILVER WEB, the first of these magazines to see print and the one that cast the broadest net in terms of what you might discover between its covers. Completists please note, the first couple of issues were published under the name of THE STERLING WEB. This quickly morphed into THE SILVER WEB but, reports by CNN pundits to the contrary, this change of name had nothing to do with any confusion brought on by the strange coincidence of Bruce Sterling having coined the term ‘slipstream’ and THE STERLING WEB, being an early proponent of strangeness and the surreal in fiction, having no connection to Bruce Sterling himself. But, back to the matter at hand, in THE SILVER WEB you never quite knew what to expect and this was all to the good. There were the short stories of course, but there were also poems, interviews, and essays. There was rock’n’roll (Ask Ann about her years playing bass with Grandma’s House). And there was the art! Great stuff, printed large, that complemented but did not repeat what was in the stories. I know of no other editor who has cared more about the relationship between art and text. Everything played off of each other to create a unique experience greater than the sum of its parts.

A Contribution to VanderMeer Studies

My previous post about The Encyclopedia of Science Fiction noted that it is in beta-text mode and so quite obviously incomplete. Among the lacks are entries on either Jeff or Ann VanderMeer. I am not a contributor to the encyclopedia nor am I in any way affiliated with it, but I do have a great interest in all things VanderMeer.

Earlier this year, I wrote a biography of Jeff for Fogcon, where he and Ann were honored guests. (Eric Schaller wrote the biography of Ann, which I hope he will allow me to reprint here, but he's not returning my calls or email at the moment, probably because I suggested that for Halloween he should dress his dog as a character from Twilight.)

I hope the information provided below will prove useful to the encyclopedists and any future scholars. My only goal in life is to be helpful. Jeff VanderMeer will, I expect, deny the accuracy of some of it, but I believe such denials only confirm the truths I am here able to provide to the world...

THE HOEGBOTTON GUIDE TO THE (MOSTLY EARLY) HISTORY OF JEFF VANDERMEER

compiled from notes found in the files of Orem Hoegbotton, including scrawls attributed to Duncan Shriek

edited and embellished by Matthew Cheney

At the tail end of America's revolutionary years, Jeff VanderMeer was born in Bellfonte, Pennsylvania, the county seat of Centre County and part of the State College, Pennsylvania Metropolitan Statistical Area. His birth seems to have caused some consternation at high levels of the U.S. government, but all the files have been classified until 2068; we do know, though, that his parents soon joined the Peace Corps and brought the child with them to the Fiji Islands. After their work there was completed, they returned to the U.S. via a circuitous route that allowed the impressionable young man to encounter Asia, Africa, Europe, Antarctica, and Long Island — experiences that would deeply influence his later fiction.