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Omnivore

The politically liberal secular polity

Yaniv Roznai (IDC Herzliya): Negotiating the Eternal: The Paradox of Entrenching Secularism in Constitutions. Jean L. Cohen (Columbia): On the Genealogy and Legitimacy of the Politically Liberal Secular Polity: Bockenforde and the Asadians. Tariq Modood (Bristol): Multiculturalizing Secularism. Lama Abu Odeh reviews Religious Difference in a Secular Age: The Minority Report by Saba Mahmood. Iain T. Benson (Notre Dame Australia): Getting Religion and Belief Wrong by Definition: Why Atheism and


Paper Trail

Moonlight director Barry Jenkins is working on a film based on James Baldwin’s novel If Beale Street Could Talk. Jenkins wrote the screenplay in 2013, and spent the intervening years getting permission from the Baldwin Estate. Gloria Karefa-Smart, Baldwin’s sister, called Jenkins “a sublimely conscious and gifted filmmaker” and said that his “medicine for melancholy

Syllabi

Civilizations in Crisis: Chinese Speculative Fiction

Darren HuangIn the Chinese literary world, speculative fiction has long been a necessary means of critique and protest against an overbearing regime. Science fiction authors create new (often dystopian) universes

Daily Review

The Gift

Barbara Browning’s The Gift is a deeply relevant and timely novel, in part because the underlying “gift” of the title refers to the struggle to be our better selves and to expect a better collective self from our institutions. Browning also recognizes that societal wellness lives in our understanding of and generosity toward our own bodies, and that, when all else fails, our bodies—what we do with them—harbor resistance.

Interviews

Sunaura Taylor

A few years ago, while Sunaura Taylor was researching her new book, Beasts of Burden: Animal and Disability Liberation, she came across the story of a fox who was born with the same disability that Taylor has—arthrogryposis, a contracture of the joints.

Video

Bookforum: “False Starts”

Excerpt

The Changeling

Victor LaValle

The basement felt warmer than the garage. Down the Kagwa boys went. The basement sat as one grand open plane. In the far corner stood the boiler—a large white cylinder with a blue control panel, copper pipes running up into the ceiling and a silver tube running outside through the wall. It looked like something from the set of James Whale’s Frankenstein. The boiler rumbled now as if reanimating life.

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