Showing posts with label melodrama. Show all posts
Showing posts with label melodrama. Show all posts

16 June 2015

Sense8


It's possible that Sense8, the new Netflix series from the Wachowskis, is the worst thing ever to happen to humanity. I don't know, because from the second episode it put its hooks into me so deeply that my critical, skeptical mind could not keep up. Certain elements of this show appealed to me so deeply that I was overwhelmed and had no ability to keep critical distance. Those elements were all related to a kind of queer ethic and queer vision, an approach to life that I've been a sucker for for decades, but have hardly ever seen expressed in a mainstream pop culture item.

First, I should note that even in my soggy, sappy, besotted love affair with this show, I couldn't miss some of its more obvious weaknesses. The major one for me is its globalized Americanism, well critiqued by Claire Light at The Nerds of Color in a post I pretty much entirely agree with, especially regarding the lost opportunity of a truly global production — imagine if, instead of writing it all themselves with J. Michael Straczynski, the Wachowskis had worked more as showrunners and farmed out the writing and maybe even directing to people from the actual places they depicted. I appreciate, for instance, that they reportedly liked Nairobi Half Life (I did, too!) and so had one of its producers, Tom Tykwer, direct the Nairobi scenes. But what if they'd brought in the actual Kenyan residents who wrote and directed Nairobi Half Life instead of just the German director who supported it but didn't really have a lot to do with its production? (For that matter, why not at least help Nairobi Half Life get broader distribution? I was lucky enough to see it when it played for one night in a nearby theatre, but as far as I know it's not available for home viewing in any way in the U.S.) But no. Though Sense8 is remarkable in many ways, it's still a product of big money, big egos, and a traditional production process. An anti-hegemonic pose is a whole lot easier to achieve than actually doing something to undermine hegemony.

Despite all this, I still fell hard for Sense8, and a lot of that has to do with a thought I had during the first episode: "I'm watching a sci-fi action soap opera kind of thing with queer people in it," and then later, "I'm watching a sci-fi action soap opera kind of thing that actually has more than a whiff of queer ethos to it."