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July 14, 2017On her most assertive album yet, Katie Crutchfield examines a damaging relationship with the aid of a full band and production by John Agnello.
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July 14, 2017This compilation assembles all 15 of the artist's Gamble, Huff, and Bell sessions in a single volume, and includes an unreleased track.
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July 14, 201725 years on, this Japanese power trio again prove their mettle as rock leviathans with a set that looks back while exploring new terrain.
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July 14, 2017Strong debut album of hard-rocking AOR sounds from a tough Philly quintet led by the monitor-shredding vocals of Tina Halladay.
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August 4, 2017The Australian quartet's second album is a (near) duplicate of their first, with the same pleasing ratio of hooks and scruff.
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July 14, 2017The pianist's superb third High Note release features bassist Buster Williams, drummer Lenny White, and vibraphonist Steve Nelson.
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July 14, 2017The great saxophonist's new quartet celebrates ten years together with this startling, inspired live offering.
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July 14, 2017Moving from the bedroom to the studio, the project's second record gains fidelity and scope without losing any emotional depth.
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July 14, 2017Much more restrained than their usual output, the industrial collective's musical interpretation of Friedrich Nietzsche's novel is among their best works.
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July 14, 2017An earthy yet sophisticated album showcasing the guitarist's adept melodicism and love of groove.
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July 14, 2017Present-day dystopian sci-fi and murky funk on one of two simultaneously released albums from the left-field duo.
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July 14, 2017Second, comparatively energized 2017 volume of critical hip-hop mutations from Ishmael Butler and company.
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August 4, 2017The magnificat Bright Phoebus declares its intentions as the English folk equivalent of Sgt. Pepper's Lonely Hearts Club Band.
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July 14, 2017The enigmatic world and sound traveler utilizes the Swedish nykepharpa as the central instrument in his arsenal on this quietly arresting date.
May 24, 2005
The album is made up of demos Epic and Kevin Junior (of the Chamber Strings) recorded on a four-track recorder in Epic's bedroom in November of 1996. Destined for the fourth album he never recorded, the songs are intimate and unassuming, the most upbeat (for the most part and keeping in mind that most of his tunes are about as bleak as can be), melodic, and powerful of his career.
1993
The psychedelic stoner rock band's second EP -- so-called even though it clocks in at 55 minutes -- shows Monster Magnet at its least filtered, with the swirling title track alone exploring the outer reaches of space for over 32 minutes. A vinyl reissue on Napalm Records has been announced, so dig out the blacklight.
