Verbal abuse (also known as reviling or " verbal bullying") is described as a negative defining statement told to the victim or about the victim, or by withholding any response, thereby defining the target as non-existent. If the abuser does not immediately apologize and retract the defining statement, the relationship may be a verbally abusive one.
In schools and in everyday life, a person may indulge in verbal abuse — bullying (which often has a physical component) to gain status as superior to the person targeted and to bond with others against the target. Generally the bully knows no other way to connect emotionally with others.
In couple relationships, the verbal abuser responds to the partner's "separateness," i.e., independent thoughts, views, desires, feelings, expressions (even of happiness) as an irritant or even an attack. While some people believe the abuser has low self-esteem and so attempts to place their victim in a similar position, i.e., to believe negative things about themselves, this is not usually the case in couple relationships. One partner may, for example, disparage the other simply because they have qualities that were disparaged in them, i.e., emotional intelligence, warmth, receptivity and so forth.
Verbal abuse may refer to:
Verbal Abuse is one of the founding and defining bands of the hardcore punk subgenre of punk rock. The group is originally from Houston, Texas. They later relocated to San Francisco and eventually to Oakland, California.
Verbal Abuse was established in 1981 by 17-year-old singer and songwriter Nicki Sicki, formerly of the bands Sick Pleasure and Legionnaire's Disease. Radi Kilowatt handled the bass duties, his brother General Electric (aka G.E.) was the original guitarist, and John Glenn played drums. The band members lived together in a church, where Radi was working. G.E. left the band after claiming to have found religion and declaring that Nicki Sicki was evil. He was replaced by guitarist Joie Mastrokalos. During this early period, drummer Jason Riquelmy from the band Skate Death occasionally assumed drum duties when John Glenn was not available.
The Undead is an American horror punk band formed in October 1980 in New Milford, New Jersey by Bobby Steele (vocals and guitar), Chris "Jack" Natz (bass) and Patrick Blanck (drums). Steele (then of the Misfits) and Natz had been playing with drummer Richie Matalia as a side-project called The Skabs. When Matalia departed and Steele was fired from his main band the Misfits, the trio of Steele, Natz and Blanck formed The Undead.
They released their first EP, 9 Toes Later, in 1982. A few months later, Natz and Blanck left the band, replaced by Brian "Payne" Aliano on bass and Bobby Savage on drums. This lineup released the Verbal Abuse single in 1983. Steve Zing (of Mourning Noise and later Samhain) then took over as drummer. Between 1983 and 1986, Aliano and Zing performed with the band intermittently, while many other musicians played in The Undead for short periods. Aliano and Zing finally quit the band in December 1986. Since then, the band has not had a steady lineup. One-time bassist Inger Lorre went on to front The Nymphs.
The Undead is a 1957 horror film directed by Roger Corman starring Pamela Duncan, Allison Hayes, Richard Garland and Val Dufour. It follows the story of prostitute, Diana Love (Duncan), who is put into a hypnotic trance by psychic Quintis (Dufour), thus causing her to regress back to a previous life. Hayes later starred in Attack of the 50 Foot Woman (1958). The film was released by American International Pictures as a double feature with Voodoo Woman.
The psychic sends the prostitute back in time to find out about her past-life experiences. She goes back as Helene, a woman from the Middle Ages who is to die at dawn under suspicion of being a witch. In an attempt to save Diana (the prostitute) and keep all of time from being distorted, Quintis (the psychic) goes back in time to convince Helene to let herself be killed. If she avoids her death, it will change history.
Fats Waller on my stereo raisin' hell
And the TV's got the sound turned down but I see William Powell
And he's got Myrna Loy in a fond embrace
And I know she's not acting by the smile on her face
The undead The undead They fill my head
Bix Beiderbecke stayed high as long as he could score
He wanted to play less cornet but the fans wanted more
So he hid away in a cheap motel
And he played his piano in both heaven and in hell
The undead The undead They keep me fed
James Whale would not hide the fact that he liked boys
He worked at Universal in the 30s making noise
Horror films with black humor and grace
And when he checked himself out he left a note behind in case...we might forget