Sunday, 3 June 2012

Marky Ramone's Blitzkrieg @ The Fleece, Bristol UK (01/06/2012)





Michale Graves, Marky and co.

There’s been a lot of punk rock karaoke going on lately. In March, Brian James and Rat Scabies produced a less than stellar reproduction of ‘77 era Damned in the same venue Marky Ramone’s Blitzkrieg played, and it made the impression that if the energy’s gone, no amount of authenticity will make up for it.
Thankfully, what Marky and co. provided on the night was an experience as straight up as the music of the Ramones. Marky popped out before to sign anything his fans wanted and was very approachable, vocalist Michale Graves (previously having paid his dues as a Danzig stand-in for the reformed Misfits) never tried to be Joey. The crowd wanted to hear all the best from the Ramones’ vast repertoire and by-god that’s what they got. Classic singles like “Sheena”, “I Wanna Be Sedated” and “Pet Sematary” shot past like bullets, along with fan favourites like “53rd and 3rd” and “Cretin Hop”. Marky’s drumming was as spot on as ever, and the rest of the band bounded through the songs, giving them the airing they really deserved, and played in the definitive no breaks in between songs style. The band ended the show with a few select Graves-era Misfits songs and a grand finale of the archetypal Ramones song “Blitzkrieg Bop”. No punker trying to reminisce their glory days or youngsters trying to enjoy a taste of what they missed the first time round was disappointed.

Thursday, 19 January 2012

A few of my recent gigs...

Most of the gigs I've been to recently have been a bit of a drunken blur so don't get a full write-up. Last one was Antisect (The Fleece, Bristol 14/01/2012), where support Virus were my favourite part - I'd seen them before playing with Violent Arrest and Zounds (their logo would make a lot more sense if it was Violent Arrest's) and they were pretty fun. The day before that it was Peter and the Test Tube Babies (The Fleece, Bristol 13/01/2012), who were a lot of fun but your usual beer belly punk fare. Towards the end of last year I saw Varukers, Subhumans and Agent Orange who were all excellent, particularly Agent Orange. Nicest bunch of guys I've yet to meet in rock n roll!

Driven to Suicide

With the ongoing "austerity" cuts from the tory government causing increasing unnecessary woe, and evidence that tory governments drive people to kill themselves, the suicide rate is set to rise in the UK as it has in Greece, with more and more people unable to cope with increasing financial pressures on their lives. One of the most overt attacks on those weakest in society recently has to be the Disability Living Allowance "reforms" pushed through the lords on Tuesday. They had a vocal spokesperson in Baroness Tanni Grey-Thompson but unfortunately the whips in the House of Lords seem to have got their act together following defeats of benefit reform last week and drummed up support to pass the motion by 229 votes to 213. With a fraud rate of around 0.5%, the DLA benefits are a soft target for cuts and will hurt those least likely to be able to speak up against it.

This is the same week as it was leaked that serially incompetent education minister Michael Gove thought it'd be a good idea to piss public money away on a fucking yacht for the Queen's jubilee. Tory PR then kicked in and decided that if a new boat for the multimillionaire hereditary monarch to swan around in could be financed privately somehow it would be more publicly acceptable. While the idea of a  £40million floating guillotine could be at least stomached, the prospect of providing the royal parasite with a boat is quite unpalatable for me. The sheer audacity of those playing at running the country is astounding. Times like these the plastic face of their class war slips and you see the rotting flesh beneath.

Sunday, 4 December 2011

The Darkness @ O2 Academy, Bristol (14/11/2011)

The Darkness

The Darkness recently reformed with their original line-up, after a hiatus of five years during which lead singer Justin formed Hot Leg and battled a cocaine addiction and the other members played in the Stone Gods. The band has a very dedicated fan base, evidenced in this tour selling out every venue booked, so the excitement to see the Hawkins brothers and co. return to the stage was palpable in the Academy.


Crown Jewel Defence - it's a dick joke, geddit?

The first support were Crown Jewel Defense. They were full of American gusto, but unfortunately were more scarf than substance. Their stage presence was a bit lacking, with long silences between their songs and then overblown "C'MON YEAAAH!"s when they did talk. Their songs didn't do much for me either, largely being quite cliche'd 80's influenced stuff.


Foxy Shazam - Eric running around the stage on all-fours not shown

Thankfully second support were the irrepressible Foxy Shazam. Foxy are a strange beast, a concoction of glam, post-hardcore and psychedelic pop, with a live show a bit like if Iggy Pop had been in Queen instead. They play and sing maniacally, vocalist Eric Nally slams the microphone into the floor, runs around the stage like a dog, falls to the ground and climbs on various bandmates' shoulders without missing a note, the trumpeter Alex plays upside-down and keyboardist Sky often plays with his feet. The liveliness of the show reflects the schizophrenic eccentricities of the music, alternating between effervescent and a sort of melancholy glamour. They played a few songs from their upcoming album among some brilliant tracks including "The Rocketeer" and "Oh Lord", and finished with a long jam ruminating on the story of a man drinking his worries away. Eric's intensity during this song makes you wonder how the band's touring schedule has affected them this year, with a long time away from home and family (especially for Eric who has two young sons).


Justin Hawkins emerging from the fog

The Darkness came out with classic opener "Black Shuck", and it didn't take long to see that they'd not lost any confidence in their performance. Dan Hawkins hunched over his guitar slugging out hot riffs, while brother Justin prowled the stage, climbing the drum riser to belt out the falsetto chorus of "THAT DOG DON'T GIVE A FUCK", and heavy chugging beats from Frankie and Ed. A quick one-two of "Black Shuck" into single "Growing on Me" got the crowd going even more. Seeming confident and glad to be back onstage, looking comfortable (or as comfortable as one could be under bright lights in a catsuit), they showcased their musical competence and ability to own a stage with aplomb. The set was well spaced with fan favourites and singles interspersed with album cuts. Sophomore album single "One Way Ticket To Hell and Back" was well recieved and by now the band were well in their stride. The band's stage presence felt natural and filled the stage well, with Justin moving about as much as possible, and guitarist and bassist changing positions. It was good to see Frankie looking relaxed, as returning original members can sometimes look uncomfortable in their refound positions. Justin remained the only mouthpiece throughout however, but joked with his bandmates and his banter with the crowd was enough to engender a strong rapport.

Dan Hawkins engulfed in fog

The rest of the band left the stage after "Out of This World" for Justin to play a stripped down and intimate version of "Holding My Own" with just an acoustic guitar as armour. Had the Academy's rather oppressive regulations allowed it, there surely would have been about a thousand lighters held aloft. The band returned to blast out "Love is Only A Feeling" which sounded as good as ever. Throughout the gig, both guitarists flicked plectrums out into the audience between songs, leaving many fans with a memento. A rather idiosyncratic emerged in a cover of Radiohead's "Street Spirit" given the metal treatment, complete with exuberant solo. This led into "Giving Up", described as a song about how heroin "is a bit moreish". The band finished the first part of their set with an early christmas present of their festive single "Christmas Time (Don't Let the Bells End)", with Justin in a candy-cane catsuit and confetti snowing onto the stage, the bouncers and the audience.


Let the bells ring out, and the confetti collect on bald bouncers' heads.

After a brief break, the band returned for a four track encore, starting with instrumental "Bareback" before launching into a rousing cover of "Tie Your Mother Down" by Queen, proving a good homage to The Darkness' roots. It would have been impossible for them not to play the indomitable "I Believe in a Thing Called Love" and by now the audience had reached fever-point, with crowd-surfers and dehydrated fans sailing out of the pit in a flurry of bouncers arms. In a show of care for their fans, Dan pointed a bouncer to look after a fan who was worse for wear to be taken out. However, those who had thought it was the last song and thus opportunity to end up on the other side of the barricade missed a extended rendition of "Love on the Rocks" that saw all the band build up a meaty jam, Frankie's bass most noticeably. Several solos lighter, Justin jumped into the crowd and was led through the crowd still eking out notes from the higher frets of his guitar. He returns to the stage eventually and the band end with a typically massive rock ending with a jump of the drum riser into a massive open chord. The band join together and bow out to a long applause, with picks and plenty of Ed's drumsticks finding their way into the crowd's open hands. While Justin is only one member of the band, he and (his rather considerable ego) represented The Darkness as a whole quite succinctly. His departure and subsequent rehabilitation seemed to have mellowed him though, and given him a more reflective attitude. He repeatedly thanked the crowd throughout the night, making specific note that this date had sold out the quickest of the large venues. He and the rest of the band seem genuinely and completely overjoyed to be back onstage, and we were glad to welcome them back.



Friday, 18 November 2011

Middle Class Rut

Middle Class Rut are a great alternative rock (for lack of a better term) duo from California. The two guys (Zack on guitar/vox & Sean on drums/vox) formed after the break-up of a band called Leisure who I'd never heard of but apparently were quite big state-side. I heard MC RUT for the first time on a Rock Sound sampler maybe two or three years ago, the fucking amazing track Busy Being Born. At the time they'd only put out two EPs. They played The Louisiana here in Bristol and I went to see them. It was a fucking sweltering summer night and they cranked out a massive sound from just two instruments. I met them briefly after the show and Sean insinuated me and me friend were lovers - we're not, just platonic male life partners. It may have been because I said they reminded me of Death From Above 1979 - I dunno, whatever. Anyway, they're a really good band and you should listen to them.

The usual musical comparison made of them is Jane's Addiction, which I can hear in the vocals and the big reverby/echoey guitar sound. It really is a huge sound and they transfer it completely live as well which I think is quite a feat seeing as other duos like Black Keys and DFA1979 seem to fall flat when they play live.

Here's a selection of stuff to sample:

New Low

Busy Bein' Born

Dead Set (Live)

Download "No Name No Color" here

Saturday, 12 November 2011

The Damned @ O2 Academy, Bristol (09/11/2011)


The Damned are currently enjoying their 35th anniversary, and are marking it with a tour playing both their seminal 1976 debut "Damned Damned Damned" & 1980's "The Black Album" in full. They're still on form, and although only Dave Vanian and Captain Sensible remain from the original line-up, it still feels like the definitive band.

Opening tonight was Viv Albertine, of Slits fame. She took to the stage with nothing but a rather beat-up telecaster and played through a set that was received an initially quite luke-warm reaction from the crowd. Her arty feminist punk didn't really fit in with The Damned, more renowned for the Captain's antics onstage and songs to pogo to but you can't fault her for trying. She did bring a warm presence though and it was hard not to like her even if the music was not to your taste.

Viv Albertine

The Damned took the stage to the Dambusters theme, and proceed to belt out their first album like they'd released it last week. Opening with "Neat Neat Neat" and even playing the Stooges cover "I Feel Alright", the band played as well as ever. Captain Sensible wore a large fluffy pink outfit for the first set, and Vanian was as ever dressed like Bela Lugosi. I felt a bit sorry for poor Monty who didn't really have anything to play for the first 45 minutes and had to stand at the back and be content with wiggling his hands every now and then, but the crowd didn't care about anything but the music. I'm sure a large percentage had probably been around to see the original tour and lagers were still pressed into friends' hands when some of the old punks wanted to go in the pit and pogo to "New Rose". Strangely, I don't think "Stab Your Back" was played.

Dave Vanian

After a short interval, the band returned to play The Black Album in full. The opening riff of "Wait For The Blackout" was enough to get the crowd straight back into the mood again. The band proceeded to roll through The Black Album, allowing Monty to get his fingers into the songs with his synths, and sometimes even the Captain got on a Nord. The band played all the songs with ease and showed how underrated their musicianship often is. I sometimes feel as if The Damned are the forgotten of the early punk bands. They got there first with everything while pushing punk into the 80's, and practically invented goth, but don't always get the recognition they deserve. However, I felt The Black Album doesn't entirely lend itself to being played in the live setting, while the crowd were definitely enjoying the show, the amount of tension leading up to the parts where they could actually mosh meant that a lot of the songs more intricate parts created lulls in the audience energy. That said, "Curtain Call" (all 17 minutes of it) was fucking brilliant. The Damned are an incredibly solid band, and always kill it live.

Throw stuff onstage and it's highly likely Sensible will either wear it or try to stick it up his arse. Sometimes both.

The band finished the play-through of The Black Album and retired briefly before returning for a short encore of some of their popular songs. They played "Eloise", "Love Song", "Melody Lee" and finished on the petulant and awesome "Anti-Pope" with an extended breakdown. Once the band had gone off the crowd expected another encore, but one was not forthcoming unfortunately. The problem with playing both Damned Damned Damned and The Black Album all the way through is that it left little time for the classics from fan favourite Machine Gun Etiquette (I would have liked to have heard "Smash It Up", nothing beats that live). However, no one left feeling like they hadn't got their money's worth.

"Are you wearing a blonde wig and a lei?"

The Damned are one of my favourite live bands and continue to deserve that title. The band are tight as a duck's arse, the Captain, Dave and Monty have great presence and the rhythm section of Pinch and Stu are great as well. They remarked that this iteration of the band had been around for the longest time in their history, and so I hope it continues. 

Long Live The Damned!

And long live the Captain being a silly sod.


Photo Set from the gig on flickr

Saturday, 5 November 2011

Hot Chip - Over & Over (Live Video)

Holy shit, this is fucking amazing. Hot Chip fucking nail it live.

Tuesday, 1 November 2011

Branded Medicines

Cost of 24 Nuromol paracetamol/ibuprofen tablets: £6.99
Cost of 32 generic brand paracetamol tablets: 69p
Cost of 32 generic brand ibuprofen tablets: 74p

Cost per dose Nuromol: 29p
Cost per dose of generic un-branded equivalent: 4p

Friday, 21 October 2011

Agnostic Front - Victim in Pain

A nice bit of NYHC. I'm not as keen on the later stuff, but this album is classic.

Victim in Pain

Download

Monday, 17 October 2011

Doom - Police Bastard

The cover you've seen on every crusties backpatch, and with good reason. A fucking great EP too. Seminal crust/grind punk EP.