Tuesday, November 15, 2016

Baby

For the last year or so, I've been toying with the idea of buying a new car. I've had my silver 2001 MX5 for six years, and while I still loved it I was aware that it was getting a bit worn and tired - threadbare seats, discoloured headlights, a hole in the side of the roof, tyres without much tread left and a range of niggling problems that my mechanic couldn't fix, like the electrical fault that drained the battery if it sat unused for more than a few days, and the quirk that shut down the engine upon start up at random moments.


But cars are a money pit, and my thrifty nature held on to the fact that the car was mostly reliable. It was fun, it looked good for its age, and it got me around in inexpensive style.


However, last summer it developed a fault that caused it to die on hot days, leaving me stranded for long periods of time in the scorching heat, before my mechanic managed to work out the fault and fix it... for more than $500. Then over the last few months it started choking, first only on long country trips, then on long city trips, then finally on brief trips to the supermarket or gym. I had a theory there was a blockage in the exhaust, but it wasn't happening regularly enough to take it to the mechanic.


Faced with another possibly enormous repair bill, plus the usual service becoming due, I couldn't help but notice that the new ND series MX5 was winning a lot of major awards. And it had features that mine lacked, like seat warmers, cruise control, a Bose sound system and GPS. And then, fatally, I saw that a local dealer had a discounted top of the line demonstrator, in a manly gunmetal colour.


And so, long story short, this happened.





It's not cute as an MX5 traditionally should be, but it's sexy, especially in this colour. The flares over the front wheels are reminiscent of classic 70s Corvettes, and the tail lights are very similar to the latest Jaguar F-type coupes. It's even smaller than all of the previous generations of MX5s, which weren't exactly road whales, and sitting in the snug cabin feels like being nestled within a very expensive toy. The cabin is luxurious, with a touchscreen, leather seats, metallic switchgear, and even stereo speakers set inside the headrests.


The engine is better too, upgraded from 1.8 to 2 litres, with a pleasing burble from the new twin exhausts. The gears are notchy and eager, and together they beg you to go faster and harder. Put your foot down and it leaps away, in a way that that my old MX5 never did. I used to wish the MX5 came with a turbo, but not any more.


The only serious problem with the car is an unexpected one: it doesn't have any storage. Or rather, it has three storage bins. There's a little compartment in the centre console just barely large enough for one pair of sunglasses. There's a cubby between and behind the seats that's currently jammed full with the car's manual, the two detatchable cupholders, and three baseball caps. And then there's the boot.


That's it. There's no glovebox. There aren't any door pockets. There are no clever little containers hidden in the dash. It's as frustrating as walking around with your keys, wallet and phone and realising that your pants don't have pockets.


So while my last MX5 encouraged minimalism, this one enforces it. And you don't realise how much you need storage in a car until you don't have it. I've been forced to sort through the pile of junk I took out of the old car and appraise everything, right down to tiny objects like pens and spare house keys, so that only the essentials go back in. There's nothing like standing next to your sexy new car with a small tin of mints wondering where on earth you can put it.


Further to the minimalist cause, it's astonishing how many switches and buttons have been excised from the cabin. There's no internal boot release and no filler cap release (they both open with external buttons, but only if the car recognises the keyfob nearby). There's no CD player (if you want more music than the radio, you either need a Bluetooth-enabled smartphone or a USB flashdrive). There's no rear demister button (it's activated by pressing the vent selector in). There's no dial to adjust the dash lights (I think that's buried somewhere in the settings accessed via the touchscreen). And I still haven't worked out how to adjust the passenger-side mirror, since the only button seems set to the driver's side mirror.


And as I mentioned earlier, the cupholders are detachable. The cabin is so snug and simple that there was nowhere to put them, so there are these cupholders on little arms that lock into slots either in the centre console or on the side of the drive tunnel... where they constantly get in the way.


But it's kinda weird how much I'm loving it. I sit at work, tapping away at my computer, answering the phone, and all the while thinking, "I wish I was driving my car somewhere."

Saturday, August 27, 2016

Return

After breakfast this morning Putaloco and I ran down to Revolver for a final iced coffee and a healthy slab of cake, which he demolished with all of the gusto for which his profession is famous.





Bali very kindly held its tropical weather at bay for the week of my visit, but by today, the final day, it just couldn’t contain itself any longer. There was about three minutes of rain mid-morning, but other than that it was just sunny and humid. So humid, in fact, that I became physically ill. Thankfully the final stop on my foodie tour of Bali was Batik, a place of lush colonial interiors and icy cold airconditioning, where we stopped for lunch.





I broke with the Asian Fusion trend of my last few meals and had a steak, with salad and a frozen passionfruit daiquiri. The steak was a tiny bit tough, but beautifully marinated. My travel buddy had a superlative seafood risotto and a frozen raspberry daiquiri. Even between the airconditioning and the frozen cocktails, it still took nearly an hour to rid my body of excess heat. Note to self: keep traveling to Bali solely in the dry season.


We caught a taxi to the airport three hours before the flight was scheduled to depart, but between the heavy traffic, the innumerable queues, and the need to divest ourselves of excess rupiah by buying overpriced coffees and Toblerones, there was no actual sitting around and waiting.


I was lucky on the flight to Bali with my seat, but luck does not strike twice with Jetstar. There was no exit row this time, just me shoe-horned into a window seat in the second last row of the plane, with access to the aisle blocked by a large Maori who slumped into a boozy stupor before the plane had even lifted off. As such, I had to stay in my seat for the whole three and a half hour flight, combating deep vein thrombosis only by twisting around and kneeling in my seat, facing the rear bulkhead over the flight attendant who was sleeping in the last row seats. It was surprisingly comfy... but maybe that's just in comparison to sitting in the normal direction on a Jetstar seat.


I was over everything travel-related by the time we landed at Perth Airport, but there remained a single thing to do in my Foodie Holiday: I hit the Duty Free shop hard, netting Patron tequila, Tanqueray 10 gin, and a bottle of Bombay Sapphire East. Along with my memories, my photos of Putaloco, my bootleg DVDs and my fattened waistline, they will be my souvenirs of a marvelous week in Bali.

Friday, August 26, 2016

Peopled

This morning I made a now routine run down to Revolver for iced coffee, and witnessed one of Revolver’s infamous power outages. Apparently it happens a lot: the lights suddenly blink out, turning the cosy venue into a murky cave, and nobody bats an eyelid. Fortunately the airconditioning runs on a different circuit, so it didn’t turn into an oven, and eventually the lights blinked back on again. The staff behaved as if they hadn’t even noticed.


Putaloco took the opportunity of sudden twilight to motorboat a helpless maiden. Ah, those libidinous Latin types.








Seriously though, this is what happens when you order a kitschy lamp modeled after Gainsborough’s famous “Gentleman Picking Nits Off His Lady” (1787).


Strolling back to the hotel, I pondered that even over the last four years I’ve noticed the character of Seminyak changing. Where it was once populated by the better class of Australian (or at least the less awful class), it’s now thronging with cashed-up Europeans. The tattoos and Bintang singlets are now deep tans and crisp linen shirts. Even the scruffiest Italian or French dude can be identified by the subtle waft of high-end cologne as he slides past. This is my first visit to Seminyak in which I felt underdressed.


This was on my mind even more when we strolled down to Ku De Ta for a late afternoon cocktail. Despite its gathering age, some ugly modifications and expensive drinks (almost approaching the low end of Perth prices!), it’s still one of the foremost beach clubs in Seminyak, and it was thronging with (mostly) beautiful people.





As I sipped something containing rum and muddled mint, I watched a pretty Japanese woman in a bikini kneeling on her daybed, making pouty faces and tossing her hair as her partner dutifully recorded it all for Instagram. Nearby a once muscled but now potbellied English lad texted furiously in front of his girlfriend, pausing only to ogle slender European and South American girls over her shoulder as they stalked past. And of course, ruining all this toned tanned beauty was a single morbidly obese Arab, ordering his retinue around like a slightly less likeable version of Jabba the Hutt. I think there may be a bylaw requiring every beach club to have one.





In the evening we trooped up to Mamasan, a monument to Opium Den Chic and further proof that the Balinese have given up on worshiping Vishnu and decided to start worshipping Herbie Hancock instead. Seriously, everywhere you go, it’s nothing but smooth jazz with varying levels of acidity, regardless of whether you’re in a bar, a restaurant, a shopping centre or a tax office. I almost started wishing I could hear some traditional Indonesian music, until I remembered that most gamelan orchestras sound like someone shoving a brass band down an embankment.





We lounged on low, pillow-strewn couches that stretched the entire width of the restaurant, and ate upmarket versions of Chinese street food like dumplings and steamed buns. On the far end of our couch was a party of six Japanese tourists, consisting of two men happily chatting with each other, and four girls staring blankly at their phones. Between us and them was a gorgeous Czech blonde in a revealing blue dress and her two older Australian admirers. One confidently informed her that the Czech for “Cheers!” is “Nostradamus!”* She giggled and kept drinking the cocktail he’d bought her, then had the other one take her selfies for her. She was no fool.


*The Czech for “Cheers” is “Na zdraví”, so you can almost forgive him.

Thursday, August 25, 2016

Rich

As the Bible wisely points out, man does not live by bread alone, although on a foodie tour of Bali it’s likely to be artisanal brioche rather than bread, and artisanal brioche is pretty awesome.


However, taking this tiny scriptural snippet completely out of context, my travel buddy and I have decided that we needed to do more than just shove carbs down our throats on this holiday. And thus today we went to Waterbom.


I have visited Waterbom on every one of my visits to Bali, and it never disappoints. Over the two years since my last visit, Waterbom has added a few new slides, mostly of the “stick a tourist in a plastic box and then drop the floor out from under them” genre. But it remains a glorious place of joyous laughter, whooping thrills, and getting water shoved up your nose… probably after some fat Saudi princeling has peed in it. Okay, so it’s not all delightful. But still.


In the evening we went to the more mature end of the fun spectrum, and slid into the sleek, opulent nirvana that is Merah Putih.





We shared entrées of Sambal Jamur (mushrooms, eggplant, deep fried tofu and sugar snap peas) and Betutu roast pumpkin with asparagus, green beans and smoked coconut. For main course, we shared Babi Panggang (pork loin and belly with cabbage and andaliman), and a duck breast rendang with cassava and radicchio. All of it was absolutely spectacular. In fact, the roast pumpkin dish was my favourite one so far in Bali, and, I'm pretty sure, the best pumpkin I've ever eaten.


Then it was time for dessert. Merah Putih divides dessert into two lists: standard desserts and liquid desserts. Clearly, we had to have both. I had a chocolate and peanut mousse with parfait and salted caramel, along with a large chocolate truffle that accompanied a Hibiscus Manhattan. My travel buddy had Borneo honeycomb icecream with chocolate and a ginger tuille, and a white chocolate martini with white chocolate truffles.





Beyond the wonderful food and the thoroughly stupendous notion of liquid desserts, Merah Putih is a magnificent establishment. It’s a cavernous, glass-walled cathedral, with the interior spaces defined by the beautiful, Gaudi-like columns of ribbed and stretched fabric. These columns aren’t structural, but they are lit from within to provide an ambient light. Throw in some palm trees, smooth jazz, innumerable candles and fastidious waiters in black uniforms gliding about, and you’ve got yourself a first class restaurant.





And that’s why it couldn’t happen in Perth. The interior space of Merah Putih is at least three stories tall, and most of it is empty air. Those soaring walls of patterned glass look out on nothing but bamboo fences and the sky. The idea of using expensive reinforced glass over cheap concrete would be laughable in Perth, as would going to all the trouble and expense of building a structure tall enough for three floors and only using the ground level. There’d also be an overwhelming temptation to cram in as many tables as possible, instead of leaving generous spaces around each one as Merah Putih does. Perth, after all, doesn't really do "palatial" - the best we can usually manage is "supersized suburban".

Wednesday, August 24, 2016

Pampered

This morning I popped down to the pool to get a swim in before breakfast, and encountered comedy gold from the opposite end of the age spectrum.


A couple of elderly Germans were at the swimming pool, putting their towels on “their” lounges at the stroke of 8 o’clock when the pool opens… then heading out for the day.


Never mind that the pool has more lounges than the hotel has guests. Never mind that there are normally only perhaps a dozen people lounging around the pool even during peak hours. They’re Germans. They have towels. Those are lounges. It’s like some bizarre biological imperative.


After breakfasting, walking around town, napping, some lazing about and reading a detective novel, I went in for a massage. Cue the tinkling windchime music, cups of herbal tea, scented oils, large bowls with flower petals floating in them, and petite Indonesian ladies who could probably tear a phone book in half, at least in a world where phone books still existed.


Following an hour of being ground down into a vaguely human-shaped slurry, I poured myself off for a shower and change of clothes, then walked over to Potatohead.





Potatohead is probably the most iconic of the Seminyak beach clubs, with its vast, curving, flaring wall of recycled wooden shutters three or four stories high, behind which sprawls an acre of terraces, lawns and swimming pools. My travel buddy and I popped in for a drink and to watch the sunset, not realising that every person in Bali goes to Potatohead to have a drink and watch the sunset. Despite the fact that there are hundreds of seats, we couldn’t find one. And Potatohead doesn’t allow you to just buy a drink at the bar and then lurk – you must have a table. Fortunately, after a couple of increasingly frustrated circuits of the grounds, we stumbled across a table just as it was being vacated and managed to snag it.


It’s a good thing we did, as I then had possibly the best cocktail I’ve had in Bali – a concoction of lemongrass vodka and mint topped with a thick passionfruit foam.


Another great aspect was the music, a blend of late 80s/early 90s pop funk from artists who never made it quite as far as Prince or Janet Jackson. The funniest thing was that when I glanced over at the DJ booth, the decks were being manned by a little white girl, all of eight years old, smiling with delight as she bobbed her head in time with the music coming through her headphones. I was disappointed when the actual DJ, a scruffy 30-something dude, returned from the bar.


After the sun had gone down we walked over to Sarong for dinner. Sarong is a bit of an institution in Seminyak; a swanky establishment for special occasions. The barmen wear fitted retro white shirts and heavily oiled hair, while the hostesses are dressed in gorgeous, slinky black gowns with matching stilettos. The walls are decorated with mirrors, Balinese art and swags of sheer bronze fabric, and the ceilings are festooned with massive black chandeliers. This is the sort of place where the bathrooms have rolled white hand towels rather than a hot air blower.





We had one entrée of little chunks of crispy pork belly with poached tamarind, and another of fabulously spiced san choi bao. For main course, we shared a smoked chicken red curry with pineapple and pea shoots, a braised beef cheek crusted in crushed peanuts with cucumber and green chillis, naan bread and some black lentil dahl. We were too bloated for dessert there, so we elected to have some gelati on the long walk back to the hotel.


As usual, Sarong couldn’t happen in Perth. Very few restaurants in Perth can afford to pay $20 an hour to have someone standing around welcoming guests – they simply have the waiters greet people as they enter and seat them. In Bali, where a staff member would be lucky to earn $20 a day, there are usually two hostesses, a senior one to oversee the bookings, and a junior one to ferry guests to their tables. At Sarong, both hostesses are impossibly glamorous in their sleek and diaphanous gowns, and pose at the entrance with one leg slightly extended like models doing a high-end photo shoot.


I’m also pretty sure Perth wouldn’t allow people who stand for living to do it in stilettos, and without a little rubber mat to stand on. OH&S is so unsexy.

Tuesday, August 23, 2016

Lowlife

On my last trip to Europe, our muse on our Mediterranean cruise was a woman we dubbed Quattro Senni. On this trip to Bali, it’s another guest at the hotel we’ve called Big Hair Lady.





That’s not just Big Hair. That’s Malaysian soap opera character Big Hair. That’s Big Hair that’s had articles in scholarly engineering journals written about it.


Bow before its enormity and vast surface area!


After a long, leisurely breakfast I walked down to Revolver for a cup of decent coffee – the coffee at the hotel restaurant is as good as one would expect coffee provided under contractual obligation to be. Revolver is the birthplace of the recent Bali coffee revolution, and has a dedicated following amongst the hipsters, both local and visiting. Any doubt about this is dispelled when you meet the manager, who has the laid back surfer stoner vibe nailed down. He’s like an Indonesian Snoop Dogg.


Later I shopped for bootleg DVDs. Most of the little dodgy DVD supermarkets seem to have vanished; victims, no doubt, of the rise of YouTube and video downloads. Still, a couple still exist for the benefit of the elderly and the internetless. I bought 15 discs for $10, which will provide me with endless hours of entertainment as I struggle to switch off Hindi subtitles and try to follow the action through bursts of pixilation and skipped scenes.


In the evening, my travel buddy and I tried to get into Mamasan, but it was too busy and had a wait of 45 minutes for a table. So we walked down to the ocean and tried our luck at La Lucciola… which was too busy and had a wait of 45 minutes for a table. So we trudged through the sand dunes to the Samaya resort next door and had cocktails, then returned 45 minutes later.


La Lucciola is Seminyak’s most celebrated Italian restaurant, and also the cheapest restaurant I’ve eaten at yet, which is remarkable, especially considering its prime location right on the beach. My fettucine with tuna was good rather than great, but that’s just evidence of the wonderful food I’ve been having in Bali. Dessert was a honey and biscotti semifreddo. There was a nice cocktail of sake, vodka and rosewater, but the high point was actually their coleslaw, with its light dressing of mustard and parmesan.


But of course it couldn’t exist in Perth. La Looch and Samaya sit right on the beach, and while Bali beaches are mostly occupied by strolling couples, little kids excited to be up after 10pm, and the late shift of hawkers selling kites and light-up toys, Perth beaches are occupied by drunken lowlifes. Put a fine dining restaurant on a Perth beach and the ambience would be shattered by the scrag fights, inebriated bellowing and enough F-bombs to curdle the carbonara. I’m sure there are drunken lowlifes in Bali too, but it seems that the Seminyak authorities are quick to remove them and discreetly bundle them off to somewhere more appropriate. Like Kuta.

Monday, August 22, 2016

Photogenic

While I was wallowing around the swimming pool this morning, no doubt looking like a hippo with early onset dementia, a young couple emerged onto the terrace. He had carefully coiffed hair and perfect tan lines, and she had a turquoise bikini and matching blue-tinted mirror aviators. They lay on the lounges, swiping away on their high-end phablets, until she was ready to perch on the edge of the pool in the classic bikini girl sunning herself pose; one leg straight, one leg drawn up, leaning back on her arms with her chest thrust out so far I thought she was going to dislocate a shoulder. He obligingly photographed her, then she spent the next ten minutes furiously instagraming the hell out of it.


The only time they actually got into the pool was to take a selfie, in each others arms (but not so close to obscure their respective abs). And naturally at no point did anything above navel level get wet.


This is why I love Instagram. Anything that requires pretty, pretty people to take themselves really, really seriously is an ongoing source of comedy gold.


After my swim I decided to test the local caffeine scene. The first place on the list was The Coffee Library.





The coffee wasn’t particularly inspiring but it’s a cute, friendly venue. Putaloco even climbed up to their loft library to check it out.





Because one coffee is never enough, we then proceeded to Sisterfields. It’s the only place in Bali I’ve had to queue to enter, but their coffee is superb.


Then I strolled down to Sea Circus, only to discover that I was getting kinda jittery, so I had gelati instead of coffee. Sea Circus has a laid back surf shack vibe, painted with bright pastel geometric forms, which seem to draw in confused teenaged American tourists like moths to a flame. As such, eating there feels a little like being in a John Hughes beach movie circa 1985.


Putaloco searched in vain for Kelly LeBrock.





In the evening, my foodie friend and I took a long walk north to Metis. Metis is easily the best restaurant I’ve been to in Bali, on any of my trips. It's also the most expensive, at around $75 for three courses and a cocktail plus tips and taxes. At home that might cover a two courses and a beer at a mediocre restaurant, but Metis is anything but mediocre.





After an amuse bouche of savoury custard-filled pastries, I had a cocktail made with Aperol, citrus and sparkling wine, and an entrée of stuffed tempura zucchini flowers in an exquisite lemon, chive and mustard sauce.





Main course was Tasmanian salmon fillet on a bed of rice, with a shimeji mushroom and citrus soya butter sauce that was somehow even better than the sauce in the entrée.





Dessert was a nougat semifreddo with rhubarb sorbet.





After that big meal, we took a short walk around the manicured gardens, pausing in the gazebo to watch pristine white koi gliding silkily through the dark water below.





Metis is wonderful, but, like Ginger Moon, it couldn’t exist in Perth. Leaving aside the price rise that would make it unaffordable to almost everyone, Metis makes liberal use of gas-fuelled ornamental fires, set into giant urns filled with water lilies or long concrete troughs surrounded by bubbling streams. In Perth, there would be incessant whining about the fires being ecologically unfriendly and wasteful and what if children stuck their faces in them? And isn’t the ornamental pond filled solely with white koi racist? The whole vast, glorious, superlative venue would be savaged by ten thousand small, spiteful voices.