Ishmael Butler’s free-form hip-hop project continues to defy convention with a pair of companion albums that view contemporary America as though it were a strange and hostile planet.
On their debut LP, Sheer Mag keep biting at the forbidden fruit of 1970s hard rock. They dance the line between proto-metal and power pop on songs about romantic obsession and societal oppression.
On three albums released from 1971 to 1973, Yoko Ono subverted pop forms and widened her vision, which at once grew more accessible and more explicitly feminist.
Modern hardcore legends offered definitive proof of their staying power as our apocalyptic poet laureates on their latest, a demonic and harsh concept album about Armageddon.
The author talks about listening to Soundgarden the day Chris Cornell died, the joy of hearing a song you love in a drugstore, and liking the new Selena Gomez song (and why that might be bad for Selena Gomez).
These two members of the Coppola clan talk about musical bachelor parties, trading movie recommendations, and how Schwartzman played an important role in the making of Wolfgang Amadeus Phoenix.
Mac DeMarco - “On The Level” | Pitchfork Live
Katie Crutchfield’s fourth album features sharp, gorgeous songwriting. The polished production and urgent performances ensure her exorcisms about the end of a relationship are deeply felt.
Using samples from thrift store LPs and dollar bins, Deerhunter drummer Moses John Archuleta crafts a diffuse solo effort where sweet melodies gleam from beneath grimy noise.
On the follow-up EP to last year’s The Mountain Will Fall, Shadow bucks expectations and finds inspiration in unlikely collabs with Nas and Danny Brown.
On Dear, the Japanese trio hones in on their most essential quality—the ability to wrest subtlety from thick layers of distortion and volume.