- published: 28 Aug 2015
- views: 123315
The Oxford Companion to Music defines music criticism as 'the intellectual activity of formulating judgements on the value and degree of excellence of individual works of music, or whole groups or genres'. In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances.
The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticize." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience - Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may therefore be directed both at the text (musical score) and the performance. More specifically, as music has a temporal dimension that requires repetition or development of its material "problems of balance, contrast, expectation and fulfilment ... are more central to music than to other arts, supported as these are by verbal or representational content." The absence of a clearly evolved or consensual musical aesthetics has also tended to make music criticism a highly subjective issue. "There is no counter-check outside the critic's own personality".
Michael Deane "Mike" Harris (born January 23, 1945) was the 22nd Premier of Ontario from June 26, 1995 to April 14, 2002. He is most noted for the "Common Sense Revolution", his Progressive Conservative government's program of deficit reduction in combination with lower taxes and cuts to government programs.
Harris was born in Toronto, Ontario, the son of Hope Gooding (née Robinson) and Sidney Deane Harris. He grew up in North Bay, where his father operated the Wasi Falls Resort fishing camp. Harris attended Waterloo Lutheran University (now Wilfrid Laurier University) but left after a year.
At the age of 21, following his father's purchase of a ski-hill, Harris moved to Sainte-Adèle, Quebec where he became a ski instructor over the course of two years. After the end of his first marriage, he enrolled at Laurentian University and North Bay Teacher's College where he received his teaching certificate. He was employed as an elementary school teacher at W. J. Fricker Public School in North Bay where he taught grade seven and eight mathematics for several years in a new open-concept class of 120 students. He continued in his previous occupation as a ski-instructor at Nipissing Ridge on weekends as well as working at his father's fishing camp during the summer season. He eventually left the teaching profession as the success of the ski resort escalated. After his father sold his own ski-hill operation, Harris was hired to manage North Bay's Pinewood Golf Club.
Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."
Welcome to the forty-first episode of TopX, the http://www.WatchMojo.com show where we countdown the very best that YouTube has to offer! You can vote on future episode topics here: http://watchmojo.com/topx Today we'll be releasing the sound and the fury as we checkout the top 10 YouTube Music Critics. Click here to subscribe: http://www.youtube.com/subscription_center?add_user=watchmojo or visit our channel page here: http://www.youtube.com/watchmojo Also, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :) Check us out at http://www.Twitter.com/WatchMojo, http://instagram.com/watchmojo and http://www.Facebook.com/WatchMojo. If you want to suggest an idea for a WatchMojo video, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :...
Jon & Jeremy discuss the current state of music journalism and what needs to change. Read the article here: http://thebea.st/1dqijD6 Jon's Twitter: http://twitter.com/funkydutch Twitter: http://www.twitter.com/polyphonicpress Facebook: https://www.facebook.com/PolyphonicPress Last.fm: http://www.last.fm/user/PolyphonicPress Website: http://www.polyphonicpress.com Contact: jeremyboyd02@gmail.com
In this clip from www.artistshousemusic.org - Music critic and teacher Mike Harris explains the difference between a music critic and a music reviewer, and offers his view on how and why this distinction has been gradually disappearing.
In this clip from www.artistshousemusic.org - Former Los Angeles Times pop music critic Robert Hilburn presents his views on what music writers should be doing in order to be good at their job.
This video was used part of a seminar that I presented for my final year at university studying a Bachelor of Communications, majoring in Radio. I was assigned an article (A Social Critique of Radio by Theodor W. Adorno 1945) asked to close read it, and place the topic within the context of current scholarship on Radio and Society. I found this article particularly interesting, and relevant to many issues in today's radio market - both globally and in New Zealand. And obviously, doing a media degree, I felt compelled to present these complex ideas and theories in a multi-sensory way. If you like this style of video, please check out www.thewellchoice.com for more. Let me know what you thought of this vid in the comments section!
Amanda Petrusich (SPIN, Paste) and Matt Perpetua (Pitchfork, Fluxblog, Rolling Stone) discuss the role of music critics in the internet age at the MusicNow Summit on 10/6/2011 at the Knitting Factory in Brooklyn, NY. Presented by the L Magazine and AT&T;. Shot/edited by Jessica Yatrofsky
Public Panel "Introduction to Music Criticism" Anne Midgette, Washington Post John Rockwell, writer and arts critic Alex Ross, The New Yorker Heidi Waleson, The Wall Street Journal Stephen Rubin, president and publisher of Henry Holt & Co. Moderated by: Tim Page, professor of journalism and music, University of Southern California Caroline H. Hume Concert Hall San Francisco Conservatory of Music San Francisco, California November 6, 2014
This tutorial from Conor Dalton (Glowcast Mastering / Calyx Mastering) was filmed at Shoogle Studios during Soma Records Skool The full 2 hour course can be purchased here: http://www.adsrsounds.com/product/courses/mixdown-masterclass-achieve-the-mixdown-youve-always-wanted/ These classes are taught in Glasgow, you can sign up here http://www.shooglestudios.com/course/ableton-live-master-os/ You can book Conor Dalton for mixing and mastering here: http://glowcast.co.uk/
Chris Weingarten, freelance writer for Rolling Stone, Village Voice and others talking about why twitter and blogs and ... will take over in his business and what will happen then ... We took this interview in a tiny little cafe in DUMBO, Brooklyn
Music critic and teacher Mike Harris laments the decline of quality in music criticism, weighing in on the pros and cons of both the content and the distribution channels currently available for music discourse.
Welcome to the forty-first episode of TopX, the http://www.WatchMojo.com show where we countdown the very best that YouTube has to offer! You can vote on future episode topics here: http://watchmojo.com/topx Today we'll be releasing the sound and the fury as we checkout the top 10 YouTube Music Critics. Click here to subscribe: http://www.youtube.com/subscription_center?add_user=watchmojo or visit our channel page here: http://www.youtube.com/watchmojo Also, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :) Check us out at http://www.Twitter.com/WatchMojo, http://instagram.com/watchmojo and http://www.Facebook.com/WatchMojo. If you want to suggest an idea for a WatchMojo video, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :...
Jon & Jeremy discuss the current state of music journalism and what needs to change. Read the article here: http://thebea.st/1dqijD6 Jon's Twitter: http://twitter.com/funkydutch Twitter: http://www.twitter.com/polyphonicpress Facebook: https://www.facebook.com/PolyphonicPress Last.fm: http://www.last.fm/user/PolyphonicPress Website: http://www.polyphonicpress.com Contact: jeremyboyd02@gmail.com
In this clip from www.artistshousemusic.org - Music critic and teacher Mike Harris explains the difference between a music critic and a music reviewer, and offers his view on how and why this distinction has been gradually disappearing.
In this clip from www.artistshousemusic.org - Former Los Angeles Times pop music critic Robert Hilburn presents his views on what music writers should be doing in order to be good at their job.
This video was used part of a seminar that I presented for my final year at university studying a Bachelor of Communications, majoring in Radio. I was assigned an article (A Social Critique of Radio by Theodor W. Adorno 1945) asked to close read it, and place the topic within the context of current scholarship on Radio and Society. I found this article particularly interesting, and relevant to many issues in today's radio market - both globally and in New Zealand. And obviously, doing a media degree, I felt compelled to present these complex ideas and theories in a multi-sensory way. If you like this style of video, please check out www.thewellchoice.com for more. Let me know what you thought of this vid in the comments section!
Amanda Petrusich (SPIN, Paste) and Matt Perpetua (Pitchfork, Fluxblog, Rolling Stone) discuss the role of music critics in the internet age at the MusicNow Summit on 10/6/2011 at the Knitting Factory in Brooklyn, NY. Presented by the L Magazine and AT&T;. Shot/edited by Jessica Yatrofsky
Public Panel "Introduction to Music Criticism" Anne Midgette, Washington Post John Rockwell, writer and arts critic Alex Ross, The New Yorker Heidi Waleson, The Wall Street Journal Stephen Rubin, president and publisher of Henry Holt & Co. Moderated by: Tim Page, professor of journalism and music, University of Southern California Caroline H. Hume Concert Hall San Francisco Conservatory of Music San Francisco, California November 6, 2014
This tutorial from Conor Dalton (Glowcast Mastering / Calyx Mastering) was filmed at Shoogle Studios during Soma Records Skool The full 2 hour course can be purchased here: http://www.adsrsounds.com/product/courses/mixdown-masterclass-achieve-the-mixdown-youve-always-wanted/ These classes are taught in Glasgow, you can sign up here http://www.shooglestudios.com/course/ableton-live-master-os/ You can book Conor Dalton for mixing and mastering here: http://glowcast.co.uk/
Chris Weingarten, freelance writer for Rolling Stone, Village Voice and others talking about why twitter and blogs and ... will take over in his business and what will happen then ... We took this interview in a tiny little cafe in DUMBO, Brooklyn
Music critic and teacher Mike Harris laments the decline of quality in music criticism, weighing in on the pros and cons of both the content and the distribution channels currently available for music discourse.
In this clip from www.artistshousemusic.org - Music critic and teacher Mike Harris explains the difference between a music critic and a music reviewer, and offers his view on how and why this distinction has been gradually disappearing.
Public Panel "Introduction to Music Criticism" Anne Midgette, Washington Post John Rockwell, writer and arts critic Alex Ross, The New Yorker Heidi Waleson, The Wall Street Journal Stephen Rubin, president and publisher of Henry Holt & Co. Moderated by: Tim Page, professor of journalism and music, University of Southern California Caroline H. Hume Concert Hall San Francisco Conservatory of Music San Francisco, California November 6, 2014
As long as there’s been music, there’s been music criticism. Like many professions, music review has been indelibly changed by the Internet. For a while, a numerical rating on Pitchfork could make or break a band, and lead to a sold out album. Blogs and social media emerged, and suddenly, truly everyone was a critic. On this episode, we hear from music critics about their role today and more. We’re joined by Sound Opinions’ Greg Kot and Jim DeRogatis, Julianne Escobedo Shepherd (Jezebel), Bob Ham (Paste), and former New York Times critic, Ben Ratliff. The Future of What is a radio show hosted by Kill Rock Stars president, Portia Sabin, that explores current trends within the music industry through the eyes and ears of the working professionals who shape and mold it. Listen to more episo...
The secrets of subconscious mind reprogramming free guides - visit http://www.vortex-success.com Welcome to this important session. I've used here a combination of Isochronic tones (15 minutes), Binaural beats (15 minutes) and subliminal messages that support acceptance of others and release of criticism. The base frequencies are 639hz and 393hz with alpha brain waves 10.5hz. 639hz - connection to other people, build stronger relationships, love of others 393hz - love of others The subliminal affirmations that are used in this session I accept my loved ones for who they are | I see the good traits in people and my loved ones I release negative people from my life | I keep good people in my life | I surround myself with positive people | Criticism and judgment belong in the past ...
Pharrell Williams hosts a masterclass for music students at The Clive Davis Institute of Recorded Music at NYU's Tisch School of the Arts as part of his 50TH ANNIVERSARY Artist-In-Residency. Joined by Dean Allyson Dean and Professors Bob Power and Jason King, Pharrell listens to students’ projects, offers constructive criticism, and discusses the nature of the creative process. Pharrell also invited high school kids from the Future Music Moguls, a free high school program at Clive Davis Institute, to observe the masterclass. Cafuné "Don't You Forget" https://soundcloud.com/wearecafune/dyf Follow: http://twitter.com/clivedavisinst http://twitter.com/futuremusicmgls For more info : http://tisch.nyu.edu/clive-davis-institute http://tisch.nyu.edu/programs-departments/future-artist/programs...
Impervious To Opinions Of Others - No Need For Approval - Independent Of Criticism Download Now and Grab a Bargain! Easily sold for twice the price. Kundalini Activator https://gumroad.com/a/954348659 Instant Alpha Male Hypnosis https://gumroad.com/a/417477747 Visit the Blog here. Please Donate. http://mindmatrixprogramming.com/ How much could you accomplish if you just didn't care if others didn't approve? A lot! Release the sting of criticism or the need for approval and unleash your power. Here are the hypnotic suggestions: I release the opinions of others I am independent of the opinions of others I am independent of the criticism of others I validate myself I support myself I only need my own approval I am independent of the approval of others I release my concerns for what o...
LEARN FROM ME: bit.ly/Frosti_Services CRITICISM: https://docs.google.com/forms/d/e/1FAIpQLSdQVZR-BXfFLlDc7ApMXteyQJp1gJqlH-uS9dYtM45AlNGpzQ/viewform INTRO MUSIC: https://soundcloud.com/rob_araujo OUTRO MUSIC: https://soundcloud.com/buoyant
http://robshypnosis.com http://robertgorick.com http://musicroom121.com Sleep Waves 6 (Hypnosis for Sleep) - Robert Gorick http://www.amazon.com/Sleep-Waves-Hyp... http://itunes.apple.com/gb/album/slee... Sleep Waves 5 (Hypnosis for Sleep)-Robert Gorick http://www.amazon.com/Sleep-Waves-Hyp... http://itunes.apple.com/us/album/slee... A Little Night Music 2- Robert Gorick http://itunes.apple.com/au/album/a-li... Follow me on Twitter @ redned4321 https://twitter.com/#!/redned4321 ... and on Facebook @ Rob's Hypnosis http://www.facebook.com/profile.php?i... MySpace @ Rob's Hypnosis ... cashmarsdream http://www.myspace.com/cashmarsdream A Little Night Music-music for meditation by Robert Gorick http://www.amazon.com/Little-Night-Mu... http://itunes.apple.com/it/album/a-li....
This week we talk about chronological snobbery, signaling theory, and the Chicken Connoisseur. We also discuss social cognition, Discover Weekly, and subjective taste. For more info about the show, or to view the show notes, visit http://letsknowthings.com You can subscribe to Let's Know Things wherever you get your podcasts.