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Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
- published: 03 Dec 2015
- views: 51207
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
- published: 31 Jan 2013
- views: 157063
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture .
- published: 19 Oct 2013
- views: 110279
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 24910
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:
1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.
00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt
- published: 17 Dec 2015
- views: 32560
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
- published: 01 Nov 2016
- views: 7010
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
- published: 01 Apr 2014
- views: 122518
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy.
There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical.
00:00 – Prelude
01:01 – Gavotte
02:11 – Musette (Gavotte da capo at 3:27)
04:37 – Intermezzo
08:38 – Menuet (and Trio at 10:23)
12:19 – Gigue
- published: 14 Aug 2016
- views: 8807
Schoenberg
Schoenberg (German: beautiful mountain) is a surname. Notable persons with that surname include:
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Schoenberg
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Arnold Schoenberg
Arnold Schoenberg or Schönberg (German: [ˈaːʁnɔlt ˈʃøːnbɛʁk]; 13 September 1874 – 13 July 1951) was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
Schoenberg's approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it.
Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea.
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https://wn.com/Arnold_Schoenberg
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Piano concerto
A piano concerto is a concerto written for a piano accompanied by an orchestra or other large ensemble.
Keyboard concerti were common in the time of Johann Sebastian Bach. Occasionally, Bach's harpsichord concerti are played on piano.
History
In the 17th and 18th centuries, typical concertos for keyboard were organ concertos and harpsichord concertos, such as those written by George Friedrich Handel and Johann Sebastian Bach.
Classical and romantic
As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, during the Classical music era. Wolfgang Amadeus Mozart was the most important composer in the early development of the form. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.
Mozart wrote many piano concertos for himself to perform (his 27 piano concertos also include concerti for two and three pianos). With the rise of the piano virtuoso, many composer-pianists did likewise, notably Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann—and also lesser-known musicians like Johann Nepomuk Hummel, Joseph Wölfl, Carl Maria von Weber, John Field, Ferdinand Ries, and F. X. Mozart.
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Tempo
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
Measuring tempo
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
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Suite for Piano (Schoenberg)
Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a twelve tone piece for piano composed between 1921 and 1923.
The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final Waltz movement, and the Serenade, Op. 24 uses a single row in its central Sonnet.
The Basic Set of the Suite for Piano consists of the following succession: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭.
In form and style the work echoes many features of the Baroque suite.
Schoenberg's Suite has six movements:
A performance of the entire Suite für Klavier takes around 16 minutes.
In this work Schoenberg employs transpositions and inversions of the row for the first time: the sets employed are P-0, I-0, P-6, I-6 and their retrogrades. Arnold Whittall has suggested that '[t]he choice of transpositions at the sixth semitone—the tritone—may seem the consequence of a desire to hint at 'tonic-dominant' relationships, and the occurrence of the tritone G-D♭ in all four sets is a hierarchical feature which Schoenberg exploits in several places'
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29:26Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle -
19:58Arnold Schoenberg - Piano Concerto, Op. 42
Arnold Schoenberg - Piano Concerto, Op. 42Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Orchestra: The Cleveland Orchestra - Conductor: Pierre Boulez - Soloist: Mitsuko Uchida - Year of recording: 2000 Piano Concerto, Op. 42, written in 1942. 00:00 - I. Andante 04:34 - II. Molto allegro 07:05 - III. Adagio 13:39 - IV. Giocoso (Moderato) Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur). Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom. - The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings. - In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register. - The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano. - Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century. Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21. -
2:19:22Schoenberg - Complete String Quartets
Schoenberg - Complete String QuartetsSchoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro -
10:44Bernstein on Schoenberg
Bernstein on SchoenbergBernstein on Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture . -
54:13The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQThe most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934. 01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29 -
13:46Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these: 1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory. 2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII 3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana. 4. Three myths: Sisyphus, Dante, Zeus and Leda. 5. Music for films from the black-and-white era. Imagine whatever you choose. 00:00 -- 1. Mässig 03:55 -- 2. Mässig 11:09 -- 3. Bewegt -
29:22Arnold Schoenberg's "Erwartung" (Audio + Score)
Arnold Schoenberg's "Erwartung" (Audio + Score)Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez Janis Martin - Soprano Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows: "In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour." Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis. The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism." SYNOPSIS: Time: Night Place: A forest A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night. SOURCE: https://en.wikipedia.org/wiki/Erwartung -
1:54:52Schoenberg Gurrelieder
Schoenberg GurreliederSchoenberg Gurrelieder
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38:15Complete performance: Schoenberg's Pierrot lunaire
Complete performance: Schoenberg's Pierrot lunaireComplete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org -
14:54Schoenberg: Suite for Piano, Op.25 (Boffard)
Schoenberg: Suite for Piano, Op.25 (Boffard)Schoenberg: Suite for Piano, Op.25 (Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy. There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical. 00:00 – Prelude 01:01 – Gavotte 02:11 – Musette (Gavotte da capo at 3:27) 04:37 – Intermezzo 08:38 – Menuet (and Trio at 10:23) 12:19 – Gigue
Schoenberg, Alexander Filmography
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1944, role: actor , character name: Prisoner at Concentration Camp
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1942, role: actor , character name: Library Patron
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1939, role: actor , character name: Man at Canteen
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1939, role: actor , character name: Party Guest
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1939, role: actor , character name: Menken
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1939, role: actor , character name: Bearded Man - Eiffel Tower Tourist
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1938, role: actor , character name: Dr. Michaels
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1938, role: actor , character name: Doorman
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1937, role: actor , character name: Dr. Friedrich Kerchinwisser
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1937, role: actor , character name: Porter
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1937, role: actor , character name: Violinist
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1937, role: actor , character name: French Proprietor
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1936, role: actor , character name: Prompter
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1935, role: actor , character name: Musician
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1935, role: actor , character name: Minor Role
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1935, role: actor , character name: Opera Spectator
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1934, role: actor , character name: Derrik Van De Mark
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1934, role: actor , character name: Musician on Boat
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1934, role: actor , character name: Judge
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1934, role: actor , character name: Crew Member
Schoenberg, Steve Filmography
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2012, role: writer
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2003, role: writer
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2002, role: writer
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2002, role: producer
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1997, role: editor
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1997, role: producer
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1996, role: writer
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1996, role: producer
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1992, role: miscellaneous crew
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1990, role: writer
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1990, role: writer
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1987, role: editor
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1986, role: editor
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1986, role: writer
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1977, role: editor
Schoenberg, Jeremy Filmography
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1991, role: actor , character name: Crapshooter
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1985, role: actor , character name: Joey Fabrizio
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1985, role: actor , character name: Linus van Pelt
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1984, role: actor , character name: Linus van Pelt
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1983, role: actor , character name: Linus van Pelt
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1983, role: actor , character name: Linus van Pelt
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1982, role: actor , character name: Timmy
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1965, role: actor , character name: Johnny
Arnold Schönberg
ALBUMS
- Schubert: String Quintet / Schoenberg: Verklärte nacht released: 2012
- The Complete String Quartets, Volume 2: The Original 1951-1952 Columbia Masterworks Recordings released: 2011
- The Complete String Quartets, Vol. 1 - The Original 1951-1952 Columbia Masterworks Recordings released: 2011
- Chamber Symphony No. 1, Op. 9 Suite, Op. 29 released: 2011
- The Secret Live Tapes released: 2010
- String Quartets Sibelius / Schönberg released: 2010
- String Quartets released: 2010
- String Quartets Nos. 3 and 4 / Phantasy for Violin with Piano Accompaniment (Fred Sherry String Quartet feat. Rolf Schulte, Violin; Christopher Oldfather, Piano) released: 2010
- Chamber Works released: 2009
- String Quartets released: 2009
- Arnold Schönberg: Das Klavierwerk (piano: Peter Serkin) released: 2009
- Gurrelieder released: 2009
- Berg / Schoenberg / Webern released: 2008
- Verklärte Nacht / Erwartung / Five Orchestral Pieces / Chamber Symphonies Nro. 1 & 2 released: 2008
- Violin Concertos released: 2008
- Schoenberg: Herzgewächse / Pierrot Lunaire / 4 Lieder / Kammersymphonie No. 1 (Philharmonia Orchestra of London feat. conductor: Robert Craft) released: 2007
- Early and Unknown String Works released: 2006
- Verklärte Nacht / Pelleas und Melisande (English Chamber Orchestra feat. conductor: Daniel Barenboim / New Philharmonia Orchestra feat. cunductor: Sir John Barbirolli) (disc 1) released: 2006
- The Music of Arnold Schönberg released: 2006
- Five Pieces for Orchestra / Cello Concerto / Piano Quartet (London Symphony Orchestra, Philharmonia Orchestra feat. conductor: Robert Craft) released: 2006
- Serenade / Variations, Op. 31 / Bach Orchestrations released: 2006
- Accentus - Ensemble Intercontemporain - Laurence Equilbey - Jonathan Nott released: 2005
- Schoenberg / Webern released: 2005
- Gurre-Lieder (Philharmonia Orchestra feat. conductor: Robert Craft) released: 2005
- Concerto for String Quartet / Lied der Waldtaube / The Book of the Hanging Gardens released: 2004
- Gurrelieder / Chamber Symphony No. 1 / Verklärte Nacht released: 2003
- Orchesterwerke (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle) released: 2003
- Gurrelieder released: 2002
- BBC Music, Volume 10, Number 6: Berg: Violin Concerto / Schoenberg: Verklärte Nacht (BBC Symphony Orchestra) released: 2002
- Arnold Schoenberg (25th Anniversary Edition) (Schoenberg Quartet) released: 2001
- Diedrich Diederichsen trifft: Arnold Schönberg released: 2001
- Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata released: 2001
- Verklärte Nacht / Chamber Symphony No. 2 / Accompaniment to a Cinematographic Scene released: 2000
- Verklärte Nacht - Pelléas et Mélisande (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli) released: 2000
- Streichquartette I-IV (Arditti String Quartet) released: 2000
- Fünf Orchesterstücke op. 16 / Konzert für Violoncello und Orchester D-Dur / Moderner Psalm / Variationen für Orchester op. 31 released: 1999
- Klavierstucke released: 1999
- Piano Music released: 1999
- Pierrot Lunaire / Erwartung released: 1999
- String Quartets no. 2 & no. 4 released: 1999
- Schoenberg: Klavierkonzert, Violinkonzert / Berg: Violinkonzert (Symphonie-Orchester des Bayerischen Rundfunks feat. conductor: Rafael Kubelik) released: 1999
- Pelléas et Mélisande released: 1998
- Pelleas Und Melisande Op. 5, Variations Op. 31 released: 1998
- Sämtliche Werke für Klavier zu Zwei Händen released: 1997
- Schoenberg in Hollywood (Entartete Musik: music suppressed by the third reich) released: 1997
- Transfiguration released: 1996
- Gurrelieder released: 1996
- The Early Tonal Years (1894-1907) released: 1996
- Gurrelieder released: 1995
- The Glenn Gould Edition: Schönberg: Lieder released: 1995
- Choral Works (Südfunk-Chor Stuttgart feat. conductor: Rupert Huber) released: 1995
- Five Orchestra Pieces / Survivor from Warsaw (London Symphony Orchestra feat. conductor: Robert Craft, narrator: Simon Callow) released: 1995
- Moses und Aron (Rundfunk-Sinfonie-Orchester Leipzig, Rundfunkchor Leipzig feat. conductor Herbert Kegel) released: 1994
- Maderna Edition, Volume 10: Arnold Schönberg: Pelleas und Melisande / Verklärte Nacht / Kammersinfonie No. 2 / Konzert für Violine und Orchester / Variationen für Orchester (feat. conductor: Bruno Maderna) released: 1994
- Moses und Aron / Kammersymphonie Nr. 2 (BBC Symphony Orchestra, feat. conductor: Pierre Boulez, singers Reich, Cassilly, Palmer, Knight) released: 1993
- Erwartung; Brettl-Lieder (Metropolitan Opera Orchestra feat. soprano Jessye Norman) released: 1993
- Pierrot Lunaire released: 1993
- Suite / Verklärte Nacht / 3 Pieces (Members of the Ensemble InterContemperain feat. conductor: Pierre Boulez) released: 1993
- Glückliche Hand / Variations / Verklärte Nacht (Pierre Boulez) released: 1993
- Die Jakobsleiter, Kammersymphonie No. 1 (BBC Singers, BBC Symphony Orchestra, Ensemble InterContemporain feat. conductor: Pierre Boulez) released: 1993
- Verklärte Nacht, Op. 4 / Trio, Op. 45 released: 1993
- String Quartets Nos. 1-4 (Kolisch Quartet) released: 1992
- Ensemble Kaléidocollage : Pierrot Lunaire / La Vie en rouge released: 1991
- Schoenberg: Pierrot Lunaire / Webern: Concerto, op. 24 released: 1991
- Mahler: Symphony no. 10 / Schoenberg: Verklarte Nacht released: 1990
- Lieder released: 1990
- Pelléas et Mélisande released: 1990
- Kammersymphonie Op. 9 / Suite Op. 29 / Kaiserwalzer (Wiener Concert-Verein feat. conductor: Martin Sieghart) released: 1990
- Das Chorwerk (BBC Chorus, BBC Symphonia Orchestra feat. conductor: Pierre Boulez) released: 1990
- Gurrelieder released: 1990
- Schönberg: Piano music (Glenn Gould) released: 1989
- La Nuit Transfigurée released: 1989
- The Piano Music released: 1988
- Piano Music released: 1988
- Orchesterstücke released: 1987
- Zemlinsky, Trio Op. 3 / Schönberg, Verklärte Nacht Op. 4 (Clementi-Trio Köln) released: 1987
- Violin Concerto / Piano Concerto released: 1986
- Verklärte Nacht (Schönberg Ensemble) released: 1986
- Verklärte Nacht / Variationen für Orchester (Berliner Philharmoniker feat. conductor: Herbert von Karajan) released: 1985
- Verklärte nacht / Streichtrio (LaSalle Quartet feat. viola: Donald McInnes, cello: Jonathan Pegis) released: 1984
- Berg: Wozzeck / Schoenberg: Erwartung released: 1981
- 15 Poems from Das Buch der hängenden Gärten / Eight Songs, op. 6 released: 1979
- Pélleas et Mélisande released: 1974
- Moses und Aron (Chor und Sinfonieorchester des Österreichischen Rundfunks, feat. conductor: Michael Gielen, singers: Reich, Devos, Csapo, Obrowsky) released: 1974
- Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II released: 1971
- Wagner: Siegfried-Idyll in E, WWV103 / Schoenberg: Verklarte Nacht, Op. 4 / Strauss: Metamorphosen released:
- Произведения для органа released:
- BBC Legends: Arrau released:
- Pierrot Lunaire / Melodrama, Op. 21 released:
- Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2 released:
- Berg: Kammerkonzert / Schoenberg: Kammersymphonie released:
- Arnold Schoenberg - Verklaerte Nacht, Piano & Orchestral Pieces Opp.11, 16, 19; Busoni (Arr.) Op.11 released:
- Pierrot Lunaire (Ensemble Modern feat. conductor: Peter Eötvös) released:
- Pierrot Lunaire Op.21, Herzgewächse Op.20, Ode to Napoleon Bounaparte Op. 41 (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer) released:
- Neue Wiener Schule (Kammerorchester der jungen deutschen Philharmonie feat. conductor: Peter Gülke, soprano: Eva Csapó) released:
- Gurrelieder / Suite for String Orchestra (János Ferencsik, Norman Del Mar) released:
- Piano Concerto, The Chamber Symphonies (SWF Sinfonieorchester Baden-Baden feat. conductor Michael Gielen, piano Alfred Brendel) released:
- Gurrelieder released:
- Strauss: Don Quixote / Schoenberg: Concerto released:
- Berg, Schönberg, Hindemith released:
Schubert: String Quintet / Schoenberg: Verklärte nacht
Released 2012- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: I. Sehr langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: II. Etwas bewegter
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: III. Schwer betont
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: IV. Sehr breit und langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: V. Sehr ruhig
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: I. Allegro ma non troppo
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: II. Adagio
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: III. Scherzo: Presto — Trio: Andante sostenuto
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: IV. Allegretto
The Complete String Quartets, Volume 2: The Original 1951-1952 Columbia Masterworks Recordings
Released 2011- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: III. Intermezzo (Allegro moderato)
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: IV. Rondo (Molto moderato)
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: I. Allegro molto, energico
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: IV. Allegro
The Complete String Quartets, Vol. 1 - The Original 1951-1952 Columbia Masterworks Recordings
Released 2011- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Kräftig (nicht zu rasch)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Mäßig (langsame viertel)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Mäßig (heiter)
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: I. Mäßig (moderate)
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: III. Litanei, langsam
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: IV. Entrückung, sehr langsam
Chamber Symphony No. 1, Op. 9 Suite, Op. 29
Released 2011- add to main playlist Play in Full Screen I. Ouverture
- add to main playlist Play in Full Screen II. Tanzschritte
- add to main playlist Play in Full Screen III. Thema mit Variationen
- add to main playlist Play in Full Screen IV. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9
The Secret Live Tapes
Released 2010- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: II. Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: III. Allegro
- add to main playlist Play in Full Screen Applause
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto-attacca
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra op. 42
String Quartets Sibelius / Schönberg
Released 2010- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": I. Andante — Allegro molto moderato
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": II. Vivace
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": III. Adagio di molto
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": IV. Allegretto (ma pesante)
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": V. Allegro
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Viel langsamer
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Kräftig (nicht zu rasch)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Mäßig; langsame Viertel
String Quartets
Released 2010- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": I. Andante - Allegro Molto Moderato
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": II. Vivace
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": III. Adagio Di Molto
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": IV. Allegro Ma Pesante
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": V. Allegro
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Kopfsatz - Nicht Zu Rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Scherzo Mit Trio - Kräftig
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Adagio - Mäßig
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Rondo - Finale - Mäßig Heiter
String Quartets Nos. 3 and 4 / Phantasy for Violin with Piano Accompaniment (Fred Sherry String Quartet feat. Rolf Schulte, Violin; Christopher Oldfather, Piano)
Released 2010- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV. Rondo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: I. Allegro molto; Energico
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: IV. Allegro
- add to main playlist Play in Full Screen Phantasy for Violin with Piano Accompaniment, Op. 47
Chamber Works
Released 2009- add to main playlist Play in Full Screen Sonata for Flute and Piano: I. Allegro moderato
- add to main playlist Play in Full Screen Sonata for Flute and Piano: II. Scherzo. Allegro giocoso
- add to main playlist Play in Full Screen Sonata for Flute and Piano: III. Aria. Andante
- add to main playlist Play in Full Screen Sonata for Flute and Piano: IV. Rondo-Finale. Allegro molto gajo
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: I. Andante con moto – Subito più mosso – Tempo I
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: II. Furiant. Allegro furioso – Pesante
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: III. Andante – Più mosso – Tempo I
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: IV. Rondino. Allegro gaio
- add to main playlist Play in Full Screen Sonata: I. Schwungvoll
- add to main playlist Play in Full Screen Sonata: II. Anmutig und heiter; scherzando
- add to main playlist Play in Full Screen Sonata: III. Etwas langsam
- add to main playlist Play in Full Screen Sonata: IV. Rondo
String Quartets
Released 2009- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: II. Kräftig
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: III. Mäßig
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: IV. Mäßig – Heiter
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: I. Mäßig (Moderato)
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: II. Sehr rash
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: III. Litanei. Langsam
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: IV. Entrückung. Sehr Langsam
Arnold Schönberg: Das Klavierwerk (piano: Peter Serkin)
Released 2009- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: II. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: III. Bewegt
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Klavierstücke, Op. 33 a & b: I. Mäßig
- add to main playlist Play in Full Screen Klavierstücke, Op. 33 a & b: II. Mäßig langsam
- add to main playlist Play in Full Screen Suite, Op. 25: I. Präludium
- add to main playlist Play in Full Screen Suite, Op. 25: II. Gavotte - III. Musette
- add to main playlist Play in Full Screen Suite, Op. 25: IV. Intermezzo
- add to main playlist Play in Full Screen Suite, Op. 25: V. Menuett. Trio
- add to main playlist Play in Full Screen Suite, Op. 25: VI. Gigue
Gurrelieder
Released 2009- add to main playlist Play in Full Screen Gurrelieder: Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder: Nun dämpf die Dämmerung jeden Ton
- add to main playlist Play in Full Screen Gurrelieder: O, wenn des Mondes Strahlen leise gleiten
- add to main playlist Play in Full Screen Gurrelieder: Ross! Mein Ross! Was schleichst du so träg
- add to main playlist Play in Full Screen Gurrelieder: Stern jubeln, das Meer es leuchtet
- add to main playlist Play in Full Screen Gurrelieder: So tanzen die Engel vor Gottes Thron nicht
- add to main playlist Play in Full Screen Gurrelieder: Nun sag'ich dir zum ersten Mal
- add to main playlist Play in Full Screen Gurrelieder: Es ist Mitternachts Zeit
- add to main playlist Play in Full Screen Gurrelieder: Du sendest mir einen Liebesblick
- add to main playlist Play in Full Screen Gurrelieder: Du wunderliche Tove!
- add to main playlist Play in Full Screen Gurrelieder: Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder: Tauben von Gurre! Sorge quält mich
Berg / Schoenberg / Webern
Released 2008- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Natur (Heinrich Hart)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Das Wappenschild (Des Knaben Wunderhorn)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Sehnschucht (Des Knaben Wunderhorn)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Nie Ward Ich, Herrin, Müd (Francesco Petrarca)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Voll Jener Süße (Francesco Petrarca)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Wenn Vöglen Klagen (Francesco Petrarca)
- add to main playlist Play in Full Screen Begleitungsmusik Zu Einer Lichtspielszene, Op. 34
- add to main playlist Play in Full Screen A Survivor From Warsaw, Op. 46
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
Verklärte Nacht / Erwartung / Five Orchestral Pieces / Chamber Symphonies Nro. 1 & 2
Released 2008- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: I. Langsam, Sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: II. Feurig, Hauptzeitmaß, ruhiger, Sehr rasch -
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: III. Viel langsamer, fließender, schwungvoll,Hauptzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: IV. Etwas ruhiger, steigernd, Hauptzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No.2, Op.38: I. Adagio
- add to main playlist Play in Full Screen Chamber Symphony No.2, Op.38: II. Con fuoco, Molto adagio
Violin Concertos
Released 2008- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: I. Poco allegro
- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: II. Andante grazioso
- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: III. Finale. Allegro
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto
Schoenberg: Herzgewächse / Pierrot Lunaire / 4 Lieder / Kammersymphonie No. 1 (Philharmonia Orchestra of London feat. conductor: Robert Craft)
Released 2007- add to main playlist Play in Full Screen Herzgewächse, Op. 20 (feat. soprano: Eileen Hulse, harp: Sioned Williams, celesta: Tim Carey, harmonium: John Alley)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, I. Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, II. Columbine
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, III. Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, IV. Eine Blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, V. Valse De Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, VI. Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, VII. Der Kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, VIII. Nacht (Passacaglia)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, IX. Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, X. Raub
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XI. Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XII. Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XIII. Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XIV. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XV. Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVI. Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVII. Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVIII. Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XIX. Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XX. Heimfahrt (Barcarolle)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XXI. O Alter Duft
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): I. Seraphita
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): II. Alle, Welche Dich Suchen
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): III. Mach Mich Zum Wächter Deiner Weiten
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): VI. Vorgefühle
- add to main playlist Play in Full Screen Kammersymphonie No. 1 E-dur, Op. 9
Early and Unknown String Works
Released 2006- add to main playlist Play in Full Screen Sunshine Polka U10
- add to main playlist Play in Full Screen "Alliance" Waltz U10
- add to main playlist Play in Full Screen Song Without Words in Bb major U10
- add to main playlist Play in Full Screen Idyllic Song Without Words in C major U10
- add to main playlist Play in Full Screen Song Without Words in A minor U10
- add to main playlist Play in Full Screen Birthday March [1 part] U10
- add to main playlist Play in Full Screen Romance in D minor [2 parts] U10
- add to main playlist Play in Full Screen String Quartet in F major [fragment] U119
- add to main playlist Play in Full Screen Gavotte and Musette [original version] U193
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: I. Kräftig U566
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: II. Nicht zu rasch U567
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: III. Etwas langsam U568
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: IV. Etwas rasch U569
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: V. Rasch U571
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VI. U573
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VII. Kräftig U582
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VIII. Getragen U584
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: IX. Lebhaft U586
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: X. Nicht rasch U575
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: XI. Allegro rasch [fragment] U578
- add to main playlist Play in Full Screen Toter Winkel [fragment] U167
- add to main playlist Play in Full Screen String Quartet in D minor: Nicht rasch [fragment] U121
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 1 [fragment] U129
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 2 [fragment] U129
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 3 [fragment] U130
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam double fugue 1 [fragment] U121
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam double fugue 2 [fragment] U125
- add to main playlist Play in Full Screen String Quartet in C major [fragment] U142
- add to main playlist Play in Full Screen String Quintet in D major [fragment] Sk45
- add to main playlist Play in Full Screen String Septet [fragment] U175
- add to main playlist Play in Full Screen String Quartet Movement [fragment] U133
- add to main playlist Play in Full Screen String Quartet 1926: beginning 1 [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: beginning 2 [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: beginning 3 [fragment] U138
- add to main playlist Play in Full Screen String Quartet 1926: theme [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: violin|cello theme [fragment] U139
- add to main playlist Play in Full Screen String Quartet 1926: violin theme [fragment] U141
- add to main playlist Play in Full Screen Untitled in D major [fragment] U549
- add to main playlist Play in Full Screen String Quartet in C major [fragment] U107
- add to main playlist Play in Full Screen Mirror Canon in A major XXXIII
- add to main playlist Play in Full Screen Fugue [fragment] Ms95
- add to main playlist Play in Full Screen String Quartet No. 5: I. [fragment] U143
- add to main playlist Play in Full Screen String Quartet No. 5: II. [fragment] U144
- add to main playlist Play in Full Screen String Quartet No. 5: III. [fragment] U145
- add to main playlist Play in Full Screen String Quartet No. 5: IV. [fragment] U147
Verklärte Nacht / Pelleas und Melisande (English Chamber Orchestra feat. conductor: Daniel Barenboim / New Philharmonia Orchestra feat. cunductor: Sir John Barbirolli) (disc 1)
Released 2006- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Langsam - Sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Feurig - Hauptzeitmaß - ruhiger - sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Viel langsamer - fließender - schwungvoll - Hautzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Etwas ruhiger - steigernd - Hauptzeitmaß
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: I. Allegro
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: II. Intermezzo. Allegro ma non troppo
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: IV. Rondo alla zingarese. Presto
The Music of Arnold Schönberg
Released 2006- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: I. Allegro
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: II. Intermezzo. Allegro, ma non tanto
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: IV. Presto. Rondo alla Zingarese
- add to main playlist Play in Full Screen Prelude and Fugue in E-flat Major, BWV 552 "St. Anne": I. Prelude
- add to main playlist Play in Full Screen Prelude and Fugue in E-flat Major, BWV 552 "St. Anne": II. Fugue
- add to main playlist Play in Full Screen Schmücke dich, O liebe Seele, BWV 654
- add to main playlist Play in Full Screen Komm, Gott, Schöpfer, Heilge Geist, BWV 631
- add to main playlist Play in Full Screen German Dances, D820
Five Pieces for Orchestra / Cello Concerto / Piano Quartet (London Symphony Orchestra, Philharmonia Orchestra feat. conductor: Robert Craft)
Released 2006- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: I. Premonitions
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: II. The Past
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: III. Chord-Colours
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: IV. Peripeteia
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: V. The Obbligato Recitative
- add to main playlist Play in Full Screen Cello Concerto: I. Allegro moderato
- add to main playlist Play in Full Screen Cello Concerto: II. Andante, alla marcia
- add to main playlist Play in Full Screen Cello Concerto: III. Tempo di minuetto
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): I. Allegro
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): II. Intermezzo: Allegro ma non troppo
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): IV. Rondo alla zingarese: Presto
Serenade / Variations, Op. 31 / Bach Orchestrations
Released 2006- add to main playlist Play in Full Screen Serenade, op. 24: I. March
- add to main playlist Play in Full Screen Serenade, op. 24: II. Menuet
- add to main playlist Play in Full Screen Serenade, op. 24: III. Variations
- add to main playlist Play in Full Screen Serenade, op. 24: IV. Sonnet by Petrarch
- add to main playlist Play in Full Screen Serenade, op. 24: V. Dance Steps
- add to main playlist Play in Full Screen Serenade, op. 24: VI. Song Without Words
- add to main playlist Play in Full Screen Serenade, op. 24: VII. Finale
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: I. Introduction
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: II. Theme
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: III. Variation I
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: IV. Variation II
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: V. Variation III
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VI. Variation IV
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VII. Variation V
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VIII. Variation VI
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: IX. Variation VII
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: X. Variation VIII
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: XI. Variation IX
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: XII. Finale
- add to main playlist Play in Full Screen Bach Orchestrations: I. Fuga (St. Anne)
- add to main playlist Play in Full Screen Bach Orchestrations: II. Schmücke Dich, O liebe Seele
- add to main playlist Play in Full Screen Bach Orchestrations: III. Komm, Gott Schöpfer, heiliger Geist
Accentus - Ensemble Intercontemporain - Laurence Equilbey - Jonathan Nott
Released 2005- add to main playlist Play in Full Screen Friede Auf Erden, opus 13
- add to main playlist Play in Full Screen Farben, opus 16 #3
- add to main playlist Play in Full Screen Drei Volksliedsätze : Schein Uns, Du Liebe Sonne
- add to main playlist Play in Full Screen Drei Volksliedsätze : Es Gingen Zwei Gespielen Gut
- add to main playlist Play in Full Screen Drei Volksliedsätze : Herzlieblich Lieb, Durch Scheiden
- add to main playlist Play in Full Screen Friede Auf Erden, opus 13
- add to main playlist Play in Full Screen Kammersymphonie Für 15 Solo-instrumente, opus 9
- add to main playlist Play in Full Screen Verbundenheit, opus 35 #6
- add to main playlist Play in Full Screen Dreimal Tausend Jahre, opus 50a
- add to main playlist Play in Full Screen De Profundis, opus 50b
Schoenberg / Webern
Released 2005- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: I. Sehr langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: II. Breiter
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: III. Schwer betont
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: IV. Sehr breit und langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: V. Sehr ruhig
- add to main playlist Play in Full Screen Two Pieces for Cello and Piano: I. Langsam
- add to main playlist Play in Full Screen Two Pieces for Cello and Piano: II. Langsam
- add to main playlist Play in Full Screen Cello Sonata
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: I. Mäßige ♪
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
- add to main playlist Play in Full Screen Sonata Movement (Rondo) for Piano
- add to main playlist Play in Full Screen Movement for Piano
- add to main playlist Play in Full Screen Variations for Piano, op. 27: I. Sehr mäßig
- add to main playlist Play in Full Screen Variations for Piano, op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations for Piano, op. 27: III. Ruhig fließend
- add to main playlist Play in Full Screen Piano Piece, op. posth.
- add to main playlist Play in Full Screen Children's Piece for Piano
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: I. Sehr langsam
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: II. Rasch
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: III. Sehr langsam
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: IV. Bewegt
- add to main playlist Play in Full Screen Sonnet no. 217 by Petrarch
Gurre-Lieder (Philharmonia Orchestra feat. conductor: Robert Craft)
Released 2005- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Orchestral prelude
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Nun dämpft die Dämmrung jeden Ton"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "O, wenn des Mondes Strahlen leise gleiten"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Ross! Mein Ross! Was schleichst du so träg!"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Sterne jubeln, das Meer, es leuchtet"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "So tanzen die Engel vor Gottes Thron nicht"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Nun sag' ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Es ist Mitternachtzeit"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Du sendest mir einem Liebesblick"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Orchestral interlude
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Voice of the Wood Dove: "Tauben von Gurre! Sorge quält mich"
Concerto for String Quartet / Lied der Waldtaube / The Book of the Hanging Gardens
Released 2004- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: I. Largo - Allegro
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: II. Largo
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: III. Allegretto grazioso
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: IV. Hornpipe
- add to main playlist Play in Full Screen Suite for Piano, op. 25: I. Präludium
- add to main playlist Play in Full Screen Suite for Piano, op. 25: II. Gavotte - Musette - Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: III. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IV. Menuett - Trio - Menuett da capo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: V. Gigue
- add to main playlist Play in Full Screen Lied der Waldtaube from Gurre-Lieder
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: I
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: II
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: III
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: IV
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: V
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VI
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VIII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: IX
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: X
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XI
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XIII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XIV
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XV
- add to main playlist Play in Full Screen A conversation with Arnold Schoenberg
Gurrelieder / Chamber Symphony No. 1 / Verklärte Nacht
Released 2003- add to main playlist Play in Full Screen Chamber Symphony no. 1 in E major, op. 9
- add to main playlist Play in Full Screen Gurrelieder: Part I. Vorspiel (Orchester)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Nun dämpft die Dämm'rung (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. O, wenn des Mondes Strahlen (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Roß! Mein Roß! (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Sterne jubeln (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. So tanzen die Engel vor Gottes Thron nicht (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Nun sag ich dir zum ersten Mal (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Es ist Mittenachtszeit (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Du sendest mir einen Liebesblick (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Du wunderliche Tove! (Waldesmar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Zwischenspiel (Orchester)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Tauben von Gurre! (Stimme der Waldtaube)
Orchesterwerke (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
Released 2003- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, I. Vorgefühle, sehr rasch
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, II. Vergangenes, mässige Viertel
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, III. Farben, mäßige Viertel
- add to main playlist Play in Full Screen 5 Orchesterstücke op.16, IV. Peripetie, sehr rasch
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, V. Das obligate Rezitativ, bewegte Achtel
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, I. Langsam
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, II. Bewegt
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, III. Mäßig
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, IV. Sehr mäßig
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, V. Sehr langsam
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, VI. Langsam
- add to main playlist Play in Full Screen Lulu-Suite: I. Rondo, Andante und Hymne
- add to main playlist Play in Full Screen Lulu-Suite: II. Ostinato, Allegro
- add to main playlist Play in Full Screen Lulu-Suite: III. Lied der Lulu, Comodo
- add to main playlist Play in Full Screen Lulu-Suite: IV. Variationen, Moderato
- add to main playlist Play in Full Screen Lulu-Suite: V. Adagio
Gurrelieder
Released 2002- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. Orchestervorspiel
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Nun dämpft die Daemm'rung" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "O, wenn des Mondes Strahlen" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Ross! Mein Ross!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Sterne jubeln" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Nun sag ich dir zum ersten Mal" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Es ist Mitternachtszeit" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Du sendest mir einen Liebesblick" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Du wunderlische Tove!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Tauben von Gurre!" (Waldtaube)
BBC Music, Volume 10, Number 6: Berg: Violin Concerto / Schoenberg: Verklärte Nacht (BBC Symphony Orchestra)
Released 2002- add to main playlist Play in Full Screen Violin Concerto: I. Andante - Allegretto (feat. conductor: Andrew Davis, violin: Leonidas Kavakos)
- add to main playlist Play in Full Screen Violin Concerto: II. Allegro - Adagio - (Coda) (feat. conductor: Andrew Davis, violin: Leonidas Kavakos)
- add to main playlist Play in Full Screen Verklärte Nacht: I. Grave (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: II. A tempo (Grave) (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: III. Molto rallentando (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: IV. Grave (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: V. Adagio (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: VI. (Adagio) (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: VII. Adagio (feat. conductor: Donald Runnicles)
Arnold Schoenberg (25th Anniversary Edition) (Schoenberg Quartet)
Released 2001- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Nicht zu rasch -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Kräftig (nicht zu rasch) -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Mäßig, langsame Viertel -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Mäßig, heiter
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo. Allegro moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV. Rondo. Molto moderato
Diedrich Diederichsen trifft: Arnold Schönberg
Released 2001- add to main playlist Play in Full Screen Pierrot Lunaire: III. Der Dandy
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: III. Bewegt
- add to main playlist Play in Full Screen Pierrot Lunaire: XIII. Enthauptung
- add to main playlist Play in Full Screen Variationen für Orchester, op. 31
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: II. Mäßig
- add to main playlist Play in Full Screen Pierrot Lunaire: XVI. Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire: XVII. Parodie
- add to main playlist Play in Full Screen II. Streichquartett, fis-moll, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen III. Streichquartett, op. 30: I. Moderato
- add to main playlist Play in Full Screen III. Streichquartett, op. 30: IV. Rondo. Molto moderato
- add to main playlist Play in Full Screen Herzgewächse, op. 20
Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata
Released 2001- add to main playlist Play in Full Screen Piano Concerto, Op. 42: I. Andante
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: II. Molto allegro
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: III. Adagio
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: IV. Giocoso
- add to main playlist Play in Full Screen Variations, Op. 27: I. Sehr mäßige
- add to main playlist Play in Full Screen Variations, Op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations, Op. 27: III. Ruhig fließend
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: II. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: I. Leicht, Zart
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Piano Sonata, Op. 1
Verklärte Nacht / Chamber Symphony No. 2 / Accompaniment to a Cinematographic Scene
Released 2000- add to main playlist Play in Full Screen Chamber Symphony No.2 Op. 38: I. Addagio
- add to main playlist Play in Full Screen Chamber Symphony No.2 Op. 38: II. Con fuoco, lento
- add to main playlist Play in Full Screen Accompaniment to a Cinematographic Scene, Op. 34
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: II. Poco adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: III. Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: IV. Adagio (molto tranquillo)
Verklärte Nacht - Pelléas et Mélisande (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)
Released 2000- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Die Viertel ein wenig bewegt - zögernd
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Heftig
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Lebhaft
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Sehr rasch
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Ein wenig bewegt
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Ein wenig bewegter
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Etwas bewegt
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: In gehender Bewegung
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Breit
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Grave
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Adagio
Streichquartette I-IV (Arditti String Quartet)
Released 2000- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: II. Kräftig
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: III. Mäßig
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: IV. Mäßig
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: I. Mäßig
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: III. "Litanei" Langsam
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: IV. "Entrückung" Sehr langsam
Fünf Orchesterstücke op. 16 / Konzert für Violoncello und Orchester D-Dur / Moderner Psalm / Variationen für Orchester op. 31
Released 1999- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: I. Vorgefühle
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: II. Vergangenes
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: III. Farben
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: IV. Peripetie
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: I. Allegro moderato
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: II. Andante. Alla marcia
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: III. Tempo di Minuetto. Commodo
- add to main playlist Play in Full Screen Moderner Psalm für Sprecher, Chor und Orchester, op. 50c
- add to main playlist Play in Full Screen Variationen für Orchester, op. 31
Klavierstucke
Released 1999- add to main playlist Play in Full Screen Klavierstück Op 11 No.1: Mäßige Viertel
- add to main playlist Play in Full Screen Klavierstück es-Moll D 946 No.1: Allegro assai - Andante - Tempo I - Andantino - Tempo I
- add to main playlist Play in Full Screen Klavierstück Op 11 No.2: Sehr langsam
- add to main playlist Play in Full Screen Klavierstück D 946 No.2: Allegretto - L'istesso tempo
- add to main playlist Play in Full Screen Klavierstück D 946 No.3: Allegro
- add to main playlist Play in Full Screen Klavierstück Op 11 No.3: Bewegte Achtel
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.1: Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.2: Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.3: Sehr langsame Viertel
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.4: Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.5: Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.6: Sehr langsam
- add to main playlist Play in Full Screen Klavierstück Allegretto c-Moll D 915
Piano Music
Released 1999- add to main playlist Play in Full Screen Piano Sonata, op. 1
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: I. Massig
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: II. Massig
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: III. Bewegt
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: II. Langsam
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: III. Langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, op. 25: I. Praludium
- add to main playlist Play in Full Screen Suite for Piano, op. 25: II. Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: III. Musette
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IV. Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: V. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VI. Menuett
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VII. Trio
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VIII. Menuett
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IX. Gigue
- add to main playlist Play in Full Screen Piano Piece, op. 33A
- add to main playlist Play in Full Screen Piano Piece, op. 33B
- add to main playlist Play in Full Screen Variations, op. 27: I. Sehr massig
- add to main playlist Play in Full Screen Variations, op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations, op. 27: III. Ruhig fliessend
Pierrot Lunaire / Erwartung
Released 1999- add to main playlist Play in Full Screen Part 1 - 1. Mondestrunken
- add to main playlist Play in Full Screen Part 1 - 2. Colombine
- add to main playlist Play in Full Screen Part 1 - 3. Der Dandy
- add to main playlist Play in Full Screen Part 1 - 4. Eine blasse Wäscherin
- add to main playlist Play in Full Screen Part 1 - 5. Valse de Chopin
- add to main playlist Play in Full Screen Part 1 - 6. Madonna
- add to main playlist Play in Full Screen Part 1 - 7. Der kranke Mond
- add to main playlist Play in Full Screen Part 2 - 1. Nacht
- add to main playlist Play in Full Screen Part 2 - 2. Gebet an Pierrot
- add to main playlist Play in Full Screen Part 2 - 3. Raub
- add to main playlist Play in Full Screen Part 2 - 4. Rote Messe
- add to main playlist Play in Full Screen Part 2 - 5. Galgenlied
- add to main playlist Play in Full Screen Part 2 - 6. Enthauptung
- add to main playlist Play in Full Screen Part 2 - 7. Die Kreuze
- add to main playlist Play in Full Screen Part 3 - 1. Heimweh
- add to main playlist Play in Full Screen Part 3 - 2. Gemeinheit!
- add to main playlist Play in Full Screen Part 3 - 3. Parodie
- add to main playlist Play in Full Screen Part 3 - 4. Der Mondfleck
- add to main playlist Play in Full Screen Part 3 - 5. Serenade
- add to main playlist Play in Full Screen Part 3 - 6. Heimfahrt
- add to main playlist Play in Full Screen Part 3 - 7. O alter Duft
- add to main playlist Play in Full Screen 1. Szene: 'Hier hinein... man sieht den Weg nicht...'
- add to main playlist Play in Full Screen 2. Szene: 'Ist das noch der weg... hier ist es eben...'
- add to main playlist Play in Full Screen 3. Szene: 'Da kommt ein Licht! Ach! Nur der Mond...'
- add to main playlist Play in Full Screen 4. Szene: 'Er ist auch nicht da...'
String Quartets no. 2 & no. 4
Released 1999- add to main playlist Play in Full Screen String quartet no. 2, op. 10: I. Mäßig
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: III. Litanei. Langsam
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: IV. Entrückung. Sehr langsam
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: I. Allegro molto; energico
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: II. Commodo
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: III. Largo
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: IV. Allegro
Schoenberg: Klavierkonzert, Violinkonzert / Berg: Violinkonzert (Symphonie-Orchester des Bayerischen Rundfunks feat. conductor: Rafael Kubelik)
Released 1999- add to main playlist Play in Full Screen Violin Concerto: I. Andante - Allegretto (violin: Henryk Szeryng)
- add to main playlist Play in Full Screen Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz - Adagio (violin: Henryk Szeryng)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: I. Andante (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: II. Molto allegro (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: III. Adagio (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: IV. Giocoso (Moderato) (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: I. Poco allegro (violin: Zvi Zeitlin)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: II. Andante grazioso (violin: Zvi Zeitlin)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: III. Allegro (violin: Zvi Zeitlin)
Pelléas et Mélisande
Released 1998- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: I. Am Schloßtor
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: II. Melisande
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: III. Am Meer
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: IV. Am Wunderborn Im Park
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: V. Die Drei Blinden Schwestern
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VI. Dto. - Pastorale
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VII. Melisande am Spinnrocken
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VIII. Zwischenaktmusik
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: IX. Melisandes Tod
Pelleas Und Melisande Op. 5, Variations Op. 31
Released 1998- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: I. Introduction
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: II. Theme
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: III. Variation I
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: IV. Variation II
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: V. Variation III
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VI. Variation IV
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VII. Variation V
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VIII. Variation VI
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: IX. Variation VII
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: X. Variation VIII
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: XI. Variation IX
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: XII. Finale
Sämtliche Werke für Klavier zu Zwei Händen
Released 1997- add to main playlist Play in Full Screen Drei Klavierstücke: Andantino
- add to main playlist Play in Full Screen Drei Klavierstücke: Andantino Grazioso
- add to main playlist Play in Full Screen Drei Klavierstücke: Presto
- add to main playlist Play in Full Screen Drei Klavierstücke: I. Fragment eines Scherzos für Klavier
- add to main playlist Play in Full Screen Drei Klavierstücke: II. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: III. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: IV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: V. Zwei Fragmente eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: VI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Mäßige Viertel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Mäßige Achtel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Bewegte Achtel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: VII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: VIII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Leicht, Zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Sehr Langsam Viertel
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Rasch, Ober Leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Etwas Rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Sehr Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: IX. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: X. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: XI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Sehr Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Sehr Rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Walzer
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Präludium
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Gavotte
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Mussette
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Intermezzo
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Menuett mit Trio
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Gigue
- add to main playlist Play in Full Screen XII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XIII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XIV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33b
- add to main playlist Play in Full Screen Klavierstück, op. 33b: XVI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33b: XVII. Fragment eines Klavierstücks
Schoenberg in Hollywood (Entartete Musik: music suppressed by the third reich)
Released 1997- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): I. Ouverture
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): II. Adagio
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): III. Menuet and Trio
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): IV. Gavotte
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): V. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 2, Op. 38: I. Adagio
- add to main playlist Play in Full Screen Chamber Symphony No. 2, Op. 38: II. Con Fuoco
- add to main playlist Play in Full Screen Theme and Variations, Op. 43b
Transfiguration
Released 1996- add to main playlist Play in Full Screen Symphony no. 5: Adagietto
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato
- add to main playlist Play in Full Screen Verklärte Nacht (Transfigured Night)
- add to main playlist Play in Full Screen Opening of Mahler’s Adagietto as recorded in 1926 by Willem Mengelberg and the Amsterdam Concertgebouw
- add to main playlist Play in Full Screen Opening of Mahler’s Adagietto as recorded 15 January 1938 by Bruno Walter and the Vienna Philharmonic
- add to main playlist Play in Full Screen Opening of Mahler’s Ich bin der Welt abhanden as recorded 24 May 1936 by Bruno Walter and the Vienna Philharmonic
- add to main playlist Play in Full Screen Schönberg’s 1950 program notes to Verklärte Nacht read in the original English by Richard Hoffmann, Schönberg’s secretary and assistance 1948 - 1951
Gurrelieder
Released 1996- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Orchester-Vorspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Nun dämpft die Dämm'rung jeden Ton"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "O, wenn des Mondes Strahlen milde gleiten"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Roß! Mein Roß! Was schleichst du so träg!"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Sterne jubeln, das Meer, es leuchtet"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "So tanzen die Engel vor Gottes Thron nicht"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Nun sag' ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Es ist Mitternachtzeit"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Du sendest mir einem Liebesblick"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Orchester-Zwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldtaube: "Tauben von Gurre!"
The Early Tonal Years (1894-1907)
Released 1996- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9
- add to main playlist Play in Full Screen Friede auf Erden, Op. 13
- add to main playlist Play in Full Screen Lied der Waldtaube
Gurrelieder
Released 1995- add to main playlist Play in Full Screen Gurrelieder: I. Teil Orchestervorspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Nun dämpft die Dämm'rung jeden Ton" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "O, wenn des Mondes Strahlen milde gleiten" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Roß! Mein Roß! Was schleichst du so träg!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Sterne jubeln, das Meer, es leuchtet" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Nun sag' ich dir zum ersten Mal" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Es ist Mitternachtzeit" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Du sendest mir einem Liebesblick" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Du wunderliche Tove!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Tauben von Gurre!" (Waldtaube)
The Glenn Gould Edition: Schönberg: Lieder
Released 1995- add to main playlist Play in Full Screen Zwei Gesänge, Op. 1 Nr. 1: Dank
- add to main playlist Play in Full Screen Zwei Gesänge, Op. 1 Nr. 2: Abschied
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 1: Erwartung
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 2: Schenk mir deinen goldenen Kamm
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 3: Erhebung
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 4: Waldsonne
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: I. Unterm schutz von dichten blättergründen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen paradiesen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: III. Als neuling trat ich ein in dein gehege
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IV. Da meine lippen reglos sind und brennen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem pfade
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VI. Jedem werke bin ich fürder tot
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VII. Angst und hoffen wechselnd mich beklemmen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen leib berühre
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das glück und spröde
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: X. Das schöne beet betracht ich mir im harren
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten tore
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger ruh in tiefen matten
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine silberweide
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht immer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern lauben
Choral Works (Südfunk-Chor Stuttgart feat. conductor: Rupert Huber)
Released 1995- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: I. Am Scheideweg
- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: II. Vielseitigkeit
- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: III. Der neue Klassizismus
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: I. Unentrinnbar
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: II. Du sollst nicht, du musst
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: III. Mond und Menschen
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: IV. Der Wunsch des Liebhabers
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: I. Hemmung
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: II. Das Gesetz
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: III. Ausdrucksweise
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: IV. Glück
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: V. Landsknechte
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: VI. Verbundenheit
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: I. Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: II. Der Mai tritt ein mit Freuden
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: III. Mein Herz in steten Treuen
- add to main playlist Play in Full Screen Friede auf Erden, Op. 30
- add to main playlist Play in Full Screen Dreimal tausend Jahre, Op. 50a
- add to main playlist Play in Full Screen Psalm 130 "De profundis", Op. 50b
Five Orchestra Pieces / Survivor from Warsaw (London Symphony Orchestra feat. conductor: Robert Craft, narrator: Simon Callow)
Released 1995- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 1: Vorgefühle
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 2: Vergangenes
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 3: Farben
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 4: Peripetie
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 5: Das obligate Rezitativ
- add to main playlist Play in Full Screen A Survivor From Warsaw, Op. 46
- add to main playlist Play in Full Screen Accompaniment to a Cinamatographic Scene, Op. 34
- add to main playlist Play in Full Screen Herzgewächse, Op. 20
- add to main playlist Play in Full Screen Serenade, Op. 24: I. Marsch
- add to main playlist Play in Full Screen Serenade, Op. 24: II. Menuett
- add to main playlist Play in Full Screen Serenade, Op. 24: III. Variationen
- add to main playlist Play in Full Screen Serenade, Op. 24: IV. Sonett Nr. 217 con Petrarca
- add to main playlist Play in Full Screen Serenade, Op. 24: V. Tanzscene
- add to main playlist Play in Full Screen Serenade, Op. 24: VI. Lied (ohne Worte)
- add to main playlist Play in Full Screen Serenade, Op. 24: VII. Finale
Moses und Aron (Rundfunk-Sinfonie-Orchester Leipzig, Rundfunkchor Leipzig feat. conductor Herbert Kegel)
Released 1994- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene I. The Calling of Moses. "Einziger, ewiger, allgegenwärtiger"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene II. Moses meets Aron in the Wasteland. "Du Sohn meiner Väter"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene III. Moses and Aron bring God's Message to the People. "Ich hab' ihn gesehn"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene IV. "Bringt ihr Erhörung" - "In der Wüste wird euch die Reinheit"
Maderna Edition, Volume 10: Arnold Schönberg: Pelleas und Melisande / Verklärte Nacht / Kammersinfonie No. 2 / Konzert für Violine und Orchester / Variationen für Orchester (feat. conductor: Bruno Maderna)
Released 1994- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: I. Anfang
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: II. Heftig
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: III. Lebhaft
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: IV. Sehr rasch
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: V. Ein wenig bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VI. Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VII. Ein wenig bewegter
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VIII. Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: IX. Etwas bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: X. In gehender Bewegung
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: XI. Breit
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Adagio
Moses und Aron / Kammersymphonie Nr. 2 (BBC Symphony Orchestra, feat. conductor: Pierre Boulez, singers Reich, Cassilly, Palmer, Knight)
Released 1993- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene I Moses Berufung
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene II Moses begegnet Aaron in der Wüste
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene III Moses und Aaron verkünden dem Volk die Botschaft Gottes
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV Chor "Bringt ihr Erhörung"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Allmächtiger, meine Kraft ist zu Ende"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV Chor "Ein Wunder erfüllt uns mit Schrecken"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Erkennt euch darin"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Er hat uns auserwählt"
- add to main playlist Play in Full Screen Moses und Aaron: Zwischenspiel
Erwartung; Brettl-Lieder (Metropolitan Opera Orchestra feat. soprano Jessye Norman)
Released 1993- add to main playlist Play in Full Screen Erwartung, Op.17: 1. Szene "Hier hinein?"
- add to main playlist Play in Full Screen Erwartung, Op.17: 2. Szene "Ist das noch der Weg?"
- add to main playlist Play in Full Screen Erwartung, Op.17: 3. Szene "Da kommt ein Licht!"
- add to main playlist Play in Full Screen Erwartung, Op.17: 4. Szene "Er ist auch nicht da"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Das Mondlicht"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Aber so seltsam ist dein Auge"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Du siehst wieder dort hin!"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Für mich ist kein Platz da"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Liebster, Liebster, der Morgen kommt"
- add to main playlist Play in Full Screen Brettl-Lieder: Galathea (Frank Wedekind)
- add to main playlist Play in Full Screen Brettl-Lieder: Gigerlette (Otto Julius Bierbaum)
- add to main playlist Play in Full Screen Brettl-Lieder: Der genügsame Liebhaber (Hugo Salus)
- add to main playlist Play in Full Screen Brettl-Lieder: Einfältiges Lied (Hugo Salus)
- add to main playlist Play in Full Screen Brettl-Lieder: Mahnung (Gustav Hochstetter)
- add to main playlist Play in Full Screen Brettl-Lieder: Jedem das Seine (Colly)
- add to main playlist Play in Full Screen Brettl-Lieder: Arie aus dem Spiegel von Arcadien (Emanuel Schikaneder)
- add to main playlist Play in Full Screen Brettl-Lieder: Nachtwandler (Gustav Falke)
Pierrot Lunaire
Released 1993- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, I. Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, II. Columbine
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, III. Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, IV. Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, V. Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, VI. Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, VII. Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, I. Die Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, II. Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, III. Raub
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, IV. Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, V. Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, VI. Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, VII. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, I. Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, II. Gemeinheit
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, III. Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, IV. Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, V. Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, VI. Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, VII. O alter Duft
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
Suite / Verklärte Nacht / 3 Pieces (Members of the Ensemble InterContemperain feat. conductor: Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Suite, Op. 29: I. Overtüre
- add to main playlist Play in Full Screen Suite, Op. 29: II. Tanzschritte
- add to main playlist Play in Full Screen Suite, Op. 29: III. Thema mit Variationen
- add to main playlist Play in Full Screen Suite, Op. 29: IV. Gigue
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: I. Rasche Viertel
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: II. Mäßige Viertel
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: III. Gehende Viertel
Glückliche Hand / Variations / Verklärte Nacht (Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene I
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene II
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Kräftig bewegt
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Viel rascher
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Mäßig bewegt
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene IV
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Introduction. Mässig, ruhig
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Thema. Molto moderato
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation I. Moderato
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation II. Langsam
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation III. Mässig
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation IV. Walzertempo
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation V. Bewegt
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VI. Andante
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VII. Langsam
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VIII. Sehr rasch
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation IX. L'itesso tempo; aber etwas langsamer
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Finale. Mäßig schnell
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Molto rallentando [bar 100]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Pesante [bar 201]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Adagio [bar 229]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Adagio [bar 370]
Die Jakobsleiter, Kammersymphonie No. 1 (BBC Singers, BBC Symphony Orchestra, Ensemble InterContemporain feat. conductor: Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Die Jakobsleiter: "Ob rechts, ob links" (Gabriel, Chor)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Ohne zu fragen" (Chor, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Gleichviel! Weiter!" (Gabriel, ein Berufener)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Du bist immerhin" (Gabriel, ein Aufrührerischer)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Dies Entweder und dies Oder" (Gabriel, ein Ringender)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Gegen seinen und euren Willen" (Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Ich sollte nicht näher" (Der Auserwählte, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Herr, verzeih meine Überhebung" (Der Mönch, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Herr, mein ganzes Leben lang" (Der Sterbende)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Nahst du wieder dem Licht" (Gabriel, Chor)
- add to main playlist Play in Full Screen Die Jakobsleiter: Großes symphonisches Zwischenspiel
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op 9
- add to main playlist Play in Full Screen Begleitmusik zu einer Lichtspielszene, Op 34
Verklärte Nacht, Op. 4 / Trio, Op. 45
Released 1993- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Sehr langsam (Bar 1)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Breiter (Bar 100)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Schwer betont (Bar 201)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Sehr breit und langsam (Bar 229)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V. Sehr ruhig (Bar 370)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 1 (Bar 1)
- add to main playlist Play in Full Screen String Trio, Op. 45: 1st Episode (Bar 52)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 2 (Bar 133)
- add to main playlist Play in Full Screen String Trio, Op. 45: 2nd Episode (Bar 180)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 3 (Bar 208)
String Quartets Nos. 1-4 (Kolisch Quartet)
Released 1992- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo, Allegro Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV: Rondo. Molto Moderato
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: I. Allegro Molto. Energico
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: IV. Allegro
- add to main playlist Play in Full Screen Arnold Schoenberg and the members of the Kolisch Quartet at the conclusion of String Quartet No. 1
- add to main playlist Play in Full Screen Arnold Schoenberg at the conclusion of the first movement of String Quartet No. 2
- add to main playlist Play in Full Screen Arnold Schoenberg at the conclusion of String Quartet No. 3
Schoenberg: Pierrot Lunaire / Webern: Concerto, op. 24
Released 1991- add to main playlist Play in Full Screen Pierrot Lunaire: Part I: 1. Mondestrunken - 2. Colombine - 3. Der Dandy - 4. Eine blasse Wäscherin - 5. Valse de Chopin - 6. Madonna - 7. Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire: Part II: 8. Nacht - 9. Gebet an Pierrot - 10. Raub - 11. Rote Messe - 12. Galgenlied - 13. Enthauptung - 14. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire. Part III: 15. Heimweh - 16. Gemeinheit! - 17. Parodie - 18. Der Mondfleck - 19. Serenade - 20. Heimfart - 21. O alter Duft
- add to main playlist Play in Full Screen Concerto, op. 24: I. Etwas lebhaft
- add to main playlist Play in Full Screen Concerto, op. 24: II. Sehr langsam
- add to main playlist Play in Full Screen Concerto, op. 24: III. Sehr rasch
Lieder
Released 1990- add to main playlist Play in Full Screen Erwartung, Op. 2 No. 1
- add to main playlist Play in Full Screen Schenk mir deinen goldenen Kamm, Op. 2 No. 2
- add to main playlist Play in Full Screen Wie Georg von Frundsberg von sich selber sang, Op. 3 No. 1
- add to main playlist Play in Full Screen Die Aufgeregten, Op. 3 No. 2
- add to main playlist Play in Full Screen Warnung, Op. 3 No. 3
- add to main playlist Play in Full Screen Geübtes Herz, Op. 3 No. 5
- add to main playlist Play in Full Screen Deinem Blick mich zu bequemen
- add to main playlist Play in Full Screen Traumleben, Op. 6 No. 1
- add to main playlist Play in Full Screen Verlassen, Op. 6 No. 4
- add to main playlist Play in Full Screen Der Wanderer, Op. 6 No. 8
- add to main playlist Play in Full Screen Der verlorene Haufen, Op. 12 No. 2
- add to main playlist Play in Full Screen Ich darf nicht dankend..., Op. 14 No. 1
- add to main playlist Play in Full Screen Am Strande
- add to main playlist Play in Full Screen Sommermüd, Op. 48 No. 1
- add to main playlist Play in Full Screen Tot, Op. 48 No. 2
- add to main playlist Play in Full Screen Vielgeliebte schöne Frau, Op. 5 No. 1
- add to main playlist Play in Full Screen Geliebte Schöne, Op. 9 No. 2
- add to main playlist Play in Full Screen Schattenleben, Op. 9 No. 3
- add to main playlist Play in Full Screen Schlummerlose Nächte, Op. 11 No. 3
- add to main playlist Play in Full Screen Es wandelt, was wir schauen, Op. 12 No. 2
- add to main playlist Play in Full Screen Im Morgengrauen, Op. 13 No. 2
- add to main playlist Play in Full Screen Grabschrift, Op. 13 No. 3
- add to main playlist Play in Full Screen Erster Verlust, Op. 15 No. 2
- add to main playlist Play in Full Screen Er klaft, daß der Frühling so kortz blüht
- add to main playlist Play in Full Screen Über den Bergen
- add to main playlist Play in Full Screen Am Strande
- add to main playlist Play in Full Screen Sehnsucht II, Op. 5 No. 2
- add to main playlist Play in Full Screen Sehnsucht III, Op. 6 No. 1
- add to main playlist Play in Full Screen Ich liebe Dich, Op. 6 No. 2
- add to main playlist Play in Full Screen Ferne Leider, Op. 6 No. 3
- add to main playlist Play in Full Screen Regen
- add to main playlist Play in Full Screen Winter
- add to main playlist Play in Full Screen Traurigkeit
- add to main playlist Play in Full Screen Spaziergang
Pelléas et Mélisande
Released 1990- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Anfang
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Heftig
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Lebhaft
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr rasch
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam, gedehnt
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Ein wenig bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Ein wenig bewegter
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: In gehender Bewegung
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Breit
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act I, Scene I. Introduction, At The Castle Gate
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act I, Scene II. Introduction, Melisande
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act II, Scene I. A Fountain In The Park
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act V, Scene II. The Death Of Mélisande
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Kammersymphonie Op. 9 / Suite Op. 29 / Kaiserwalzer (Wiener Concert-Verein feat. conductor: Martin Sieghart)
Released 1990- add to main playlist Play in Full Screen Suite Op. 29: I. Ouverture: Allegretto
- add to main playlist Play in Full Screen Suite Op. 29: II. Tanzschritte: Moderato
- add to main playlist Play in Full Screen Suite Op. 29: III. Thema mit Variationen
- add to main playlist Play in Full Screen Suite Op. 29: IV. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
- add to main playlist Play in Full Screen Kaiserwalzer
Das Chorwerk (BBC Chorus, BBC Symphonia Orchestra feat. conductor: Pierre Boulez)
Released 1990- add to main playlist Play in Full Screen Friede auf Erden, op 13
- add to main playlist Play in Full Screen Kol Nidre, op 39
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 1 Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 2 Der Mai tritt ein mit Freuden
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 3 Mein Herz in steten Treuen
- add to main playlist Play in Full Screen Zwei Kanons nach Goethe - Wenn der schwer Gedrueckte klagt
- add to main playlist Play in Full Screen Zwei Kanons nach Goethe - O dass der Sinnen doch so viele sind
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 1 Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 2 Herzlieblich Lieb, durch Scheiden
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 3 Schein uns, du liebe Sonne
Gurrelieder
Released 1990- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Orchestervorspiel
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Nun dämpft die Dämm'rung
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. O, wenn des Mondes Strahlen
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Roß! - Mein Roß!
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Sterne jubeln
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. So tanzen die Engel vor Gottes Thron nicht
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Nun sag ich dir zum ersten Mal
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Es ist Mitternachtszeit
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Du sendest mir einen Liebesblick
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Du wunderliche Tove!
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Tauben von Gurre!
Schönberg: Piano music (Glenn Gould)
Released 1989- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: II. Sehr langsam
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: I. Prelude
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: II. Gavotte; Musette
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: III. Intermezzo
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: IV. Menuet & Trio
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: V. Gigue
- add to main playlist Play in Full Screen Klavierstück, Op. 33a: I. Mäßig
- add to main playlist Play in Full Screen Klavierstück, Op. 33b: II. Mäßig - Langsam
La Nuit Transfigurée
Released 1989- add to main playlist Play in Full Screen La Nuit Transfigurée, Op. 4
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: I. Allegro moderato
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: II. Dumka (Élégie). Poco allegretto
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: III. Furiant. Presto
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: IV. Finale. Tema con variazioni. Allegretto grazioso quasi andantino
The Piano Music
Released 1988- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: II. Mäßige Achtel
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: III. Sehr langsame Viertel
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Präludium. Rasch
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gavotte. Etwas langsam, nicht hastig (attacca)
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Musette. Rascher
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gavotte (da capo)
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Minuett. Moderato – Trio
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gigue. Rasch
- add to main playlist Play in Full Screen Piano Piece, Op. 33a: Mäßig
- add to main playlist Play in Full Screen Piano Piece, Op. 33b: Mäßig langsam
Piano Music
Released 1988- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: II. Sehr langsam
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Piano Piece, Op. 33a: I. Mäßig
- add to main playlist Play in Full Screen Piano Piece, Op. 33b: II. Mäßig langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: I. Präludium: Rasch
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: II. Gavotte: Etwas langsam, nicht hastig
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: III. Musette: Rascher
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: IV. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: V. Menuett & Trio: Moderato
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: VI. Gigue: Rasch
Orchesterstücke
Released 1987- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: I. Präludium. Langsam
- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: II. Reigen. Anfangs etwas zögernd - Leicht beschwingt
- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: III. Marsch. Mässiges Marschtempo
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: II. Bewegt
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: III. Zart bewegt
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: IV. Langsam
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: V. Sehr langsam
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: VI. Zart bewegt
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: I. Vorgefühle. Sehr rasch
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: II. Vergangenes. Mässige Viertel
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: III. Farben. Mässige Viertel
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: IV. Peripetie. Sehr rasch
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ. Bewegte Achtel
Violin Concerto / Piano Concerto
Released 1986- add to main playlist Play in Full Screen Violin Concerto Op. 36: I. Poco allegro - Vivace
- add to main playlist Play in Full Screen Violin Concerto Op. 36: II: Andante grazioso
- add to main playlist Play in Full Screen Violin Concerto Op. 36: III. Finale: Allegro
- add to main playlist Play in Full Screen Piano Concerto Op. 42: Andante - Molto allegro - Giocoso (Moderato) - Commodo grazioso - Stretto
Verklärte Nacht / Variationen für Orchester (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1985- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V. Adagio
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Introduktion: Mäßig, ruhig
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Thema: Molto moderato
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation I: Moderato
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation II: Langsam
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation III: Mäßig
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation IV: Walzertempo
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation V: Bewegt
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation VI: Andante
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation VII: Langsam
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation VIII: Sehr rasch
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation IX: L'istesso tempo; aber etwas langsamer
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Finale: Mäßig schnell
Verklärte nacht / Streichtrio (LaSalle Quartet feat. viola: Donald McInnes, cello: Jonathan Pegis)
Released 1984- add to main playlist Play in Full Screen Verklärte nacht: Sehr langsam
- add to main playlist Play in Full Screen Verklärte nacht: Breiter
- add to main playlist Play in Full Screen Verklärte nacht: Schwer betont
- add to main playlist Play in Full Screen Verklärte nacht: Sehr breit ung langsam
- add to main playlist Play in Full Screen Verklärte nacht: Sehr ruhig
- add to main playlist Play in Full Screen Streichtrio: Part 1
- add to main playlist Play in Full Screen Streichtrio: 1st Episode
- add to main playlist Play in Full Screen Streichtrio: Part 2
- add to main playlist Play in Full Screen Streichtrio: 2nd Episode
- add to main playlist Play in Full Screen Streichtrio: Part 3
Berg: Wozzeck / Schoenberg: Erwartung
Released 1981- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 1, Langsam, Wozzeck, langsam!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 1, Wir arme Leut! Sehn Sie, Herr Hauptmann, Geld, Geld!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 2; 'Du, der Platz ist verflucht!'
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 3, Tschin Bum, Tschin Bum, Bum, Bum, Bum!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 3, Wer da?
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 4, Was erleb' ich, Wozzeck?
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 5, Geh' einmal vor Dich hin!
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 1, Was die Steine glänzen?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 1, Was hast da¿
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 2, Wohin so eilig, geehrtester Herr Sargnagel?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 2, He Wozzeck! Was hetzt Er sich so uns vorbei?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 3, Guten Tag, Franz
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Ich hab' ein Hemdlein an, das is nicht mein..
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Er! Sie! Teufel!
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Jedoch, wenn ein Wanderer, der gelehnt steht an dem Strom der Zeit
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 5, Andres! Andres! Ich kann nicht schlafen
15 Poems from Das Buch der hängenden Gärten / Eight Songs, op. 6
Released 1979- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 1: Traumleben
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 2: Alles
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 3: Mädchenlied
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 4: Verlassen
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 5: Ghasel
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 6: Am Wegrand
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 7: Lockung
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 8: Der Wanderer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: I. Unterm schutz von dichten blättergründen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen paradiesen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: III. Als neuling trat ich ein in dein gehege
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IV. Da meine lippen reglos sind und brennen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das glück und spröde
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem pfade
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VI. Jedem werke bin ich fürder tot
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VII. Angst und hoffen wechselnd mich beklemmen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen leib berühre
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: X. Das schöne beet betracht ich mir im harren
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten tore
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger ruh in tiefen matten
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine silberweide
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht immer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern lauben
Pélleas et Mélisande
Released 1974- add to main playlist Play in Full Screen Pelleas Und Melisande, op. 5 - Symphonische Dichtung Für Orchester Nach Dem Drama Von Maurice Maeterlinck: 1. Teil
- add to main playlist Play in Full Screen Pelleas Und Melisande, Op. 5 - Symphonische Dichtung Für Orchester Nach Dem Drama Von Maurice Maeterlinck: 2. Teil
Moses und Aron (Chor und Sinfonieorchester des Österreichischen Rundfunks, feat. conductor: Michael Gielen, singers: Reich, Devos, Csapo, Obrowsky)
Released 1974- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Einziger, Ewiger, Allgegenwärtiger"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Du Sohn meiner Väter"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Ich hab' ihn gesehn"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Lästre nicht!"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Bringt ihr Erhörung"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Der Einzige, Ewige, Allmächtige"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Der Gerechte sieht ihn"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Dieser Stab führt euch"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Ein Wunder erfüllt uns mit Schrecken"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Dein Stab zwingt uns"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Alles für die Freiheit!"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "In der Wüste wird euch die Reinheit"
Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II
Released 1971- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: I. Mondestrunken / Colombine / Der Dandy / Eine blasse Wäscherin / Valse de Chopin / Madonna / Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: II. Die Nacht / Gebet an Pierrot / Raub / Rote Messe / Galgenlied / Enthauptung / Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: III. Heimweh / Gemeinheit / Parodie / Der Mondfleck / Serenade / Heimfahrt/ O alter Duft
- add to main playlist Play in Full Screen Zwei Lieder Op. 8: Du, der ich's nicht sage / Du machst mich allein
- add to main playlist Play in Full Screen Fünf Canons Op. 16: Christus factus est pro nobis / Dormi Jesu-Crux fidelis / Asperges me / Crucem tuam adoramus
- add to main playlist Play in Full Screen Improvisation sur Mallarmé: I. Le vierge, le vivace et le bel aujourd'hui
- add to main playlist Play in Full Screen Improvisation sur Mallarmé: II. Une dentelle s'abolit
Wagner: Siegfried-Idyll in E, WWV103 / Schoenberg: Verklarte Nacht, Op. 4 / Strauss: Metamorphosen
- add to main playlist Play in Full Screen Siegfried Idyll, for small orchestra in E major, WWV 103
- add to main playlist Play in Full Screen Verklärte Nacht, for string orchestra (arr. from String Sextet, Op.4)
- add to main playlist Play in Full Screen Metamorphosen, study for 23 solo strings, o.Op. 142 (TrV 290, AV 142)
Произведения для органа
- add to main playlist Play in Full Screen Прелюдия и фуга ре минор, BWV539
- add to main playlist Play in Full Screen Фантазия и фуга на хорал "Ad nos, ad salutarem undam"
- add to main playlist Play in Full Screen Симфоническая канцона ми-бемоль минор, op. 81,1
- add to main playlist Play in Full Screen Вариации на речитатив, op. 40
- add to main playlist Play in Full Screen Фантазия II из "Воскресной музыки"
BBC Legends: Arrau
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten-Etwas bewegter
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: I. Mäßige ♩
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: II. Mäßige ♪
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: III. Bewegte ♪
Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Andante
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Molto allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Giocoso [Moderato]
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Adagio sostenuto assai - Allegro agitato assai
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro moderato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro deciso - Marziale un poco meno Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro animato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegro maestoso
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Quasi Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegretto vivace - Allegro animato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegretto marziale animato
Berg: Kammerkonzert / Schoenberg: Kammersymphonie
- add to main playlist Play in Full Screen Kammerkonzert : I. Thema Scherzoso Con Variazioni
- add to main playlist Play in Full Screen Kammerkonzert : II. Adagio
- add to main playlist Play in Full Screen Kammerkonzert : III. Rondo Ritmico Con Introduzione ('Kadenz')
- add to main playlist Play in Full Screen Kammersymphonie Op. 9 für 15 solo instruments
Arnold Schoenberg - Verklaerte Nacht, Piano & Orchestral Pieces Opp.11, 16, 19; Busoni (Arr.) Op.11
- add to main playlist Play in Full Screen "Verklärte Nacht" - Grave
- add to main playlist Play in Full Screen Molto Rallentando
- add to main playlist Play in Full Screen A Tempo
- add to main playlist Play in Full Screen Adagio
- add to main playlist Play in Full Screen Adagio, Molto Tranquillo
- add to main playlist Play in Full Screen "Three Piano Pieces", Op. 11 - Mäßige Viertel
- add to main playlist Play in Full Screen Mäßige Achtel
- add to main playlist Play in Full Screen Bewegte Achtel
- add to main playlist Play in Full Screen "Five Orchestral Pieces," Op. 16 - Vorgefühle
- add to main playlist Play in Full Screen Vergangenes
- add to main playlist Play in Full Screen Farben
- add to main playlist Play in Full Screen Peripetie
- add to main playlist Play in Full Screen Das Obligate Rezitativ
- add to main playlist Play in Full Screen "Six Little Piano Pieces," Op. 19 - Leicht, Zart
- add to main playlist Play in Full Screen Langsam
- add to main playlist Play in Full Screen Sehr Langsame Viertel
- add to main playlist Play in Full Screen Rasch, Aber Leicht
- add to main playlist Play in Full Screen Etwas Rasch
- add to main playlist Play in Full Screen Sehr Langsam
- add to main playlist Play in Full Screen "Piano Piece," Op. 11, No.2 - Konzertmäßige Interpretation
Pierrot Lunaire (Ensemble Modern feat. conductor: Peter Eötvös)
- add to main playlist Play in Full Screen Pierrot Lunaire: Mondotrinken
- add to main playlist Play in Full Screen Pierrot Lunaire: Colombine
- add to main playlist Play in Full Screen Pierrot Lunaire: Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire: Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire: Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire: Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire: Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire: Die Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire: Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire: Raub
- add to main playlist Play in Full Screen Pierrot Lunaire: Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire: Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire: Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire: Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire: Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire: Gemeinheit
- add to main playlist Play in Full Screen Pierrot Lunaire: Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire: Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire: Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire: Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire: O alter Duft
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: I. Langsam
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: II. Sehr rasch
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: III. Viel langsamer, doch fließend
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: IV. Viel langsamer
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: V. Etwas bewegter
Pierrot Lunaire Op.21, Herzgewächse Op.20, Ode to Napoleon Bounaparte Op. 41 (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer)
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Colombine
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Raub
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: O alter Duft
- add to main playlist Play in Full Screen Herzgewächse op. 20
- add to main playlist Play in Full Screen Ode to Napoleon Buonaparte op. 41
Neue Wiener Schule (Kammerorchester der jungen deutschen Philharmonie feat. conductor: Peter Gülke, soprano: Eva Csapó)
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: I. Kräftig bewegt
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: II. Sehr langsam
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: III. Sehr bewegt
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: IV. Sehr langsam
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: V. In zarter Bewegung
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Allegretto gioviale. Allegretto gioviale
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Presto delirando (Tenebroso)
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Largo desolato
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: I. Mäßig
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: III. Litanei
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: IV. Entrückung
Gurrelieder / Suite for String Orchestra (János Ferencsik, Norman Del Mar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Erwacht, Kõnig Waldemar's Men wert! (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Deckel Gurrelieder, Des Sarges klappert und klappt (Peasant & Chorus)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Gegrüßt, o Kõnig, an Gurresees Strand! (Waldemar's Men)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Mit Toves Stimme flüstert der Wald (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Ein selstsamer Vogel ist so'n Aal (Klaus the Fool)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Du strenger Richter droben (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Der Hahn erhebt den Kopf zur Kraht (Waldemar's Men)
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Herr Gänsefuß, Frau Gänsekraut (Speaker)
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Seht die Sonne (Chorus)
- add to main playlist Play in Full Screen Suite for String Orchestra: I. Overture
- add to main playlist Play in Full Screen Suite for String Orchestra: II. Adagio
- add to main playlist Play in Full Screen Suite for String Orchestra: III. Menuet & Trio
- add to main playlist Play in Full Screen Suite for String Orchestra: IV. Gavotte
- add to main playlist Play in Full Screen Suite for String Orchestra: V. Gigue
Piano Concerto, The Chamber Symphonies (SWF Sinfonieorchester Baden-Baden feat. conductor Michael Gielen, piano Alfred Brendel)
- add to main playlist Play in Full Screen Kammersymphonie Nr. 1 in E-Dur, op. 9b
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, I. Andante
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, II. Molto Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, III. Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, IV. Giocoso (moderato)
- add to main playlist Play in Full Screen Kammersymphonie Nr. 2 in es-Moll, op. 38, I. Adagio
- add to main playlist Play in Full Screen Kammersymphonie Nr. 2 in es-Moll, op. 38, II. Con fuoco
Gurrelieder
- add to main playlist Play in Full Screen Gurrelieder: Part I. Vorspiel
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Nun dämpft die Dämm'rung"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "O, wenn des Mondes Strahlen"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Roß! Mein Roß!"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Sterne jubeln"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "So tanzen die Engel"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Nun sag ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Es ist Mitternachtszeit"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Du sendest mir einen Liebesblick"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurrelieder: Part I. Voice of the Wood-dove
Strauss: Don Quixote / Schoenberg: Concerto
- add to main playlist Play in Full Screen Don Quixote, Op. 35
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: I. Allegro moderato
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: II. Andante, alla marcia
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: III. Tempo di Minuetto
Berg, Schönberg, Hindemith
- add to main playlist Play in Full Screen Lulu Suite (Nurenberg Symphoniker & Maga)
- add to main playlist Play in Full Screen Chamber Symphony 2: Adagio (Philharmonia Slavonica & Adolphe)
- add to main playlist Play in Full Screen Chamber Symphony 2: Con Fuoco (Philharmonia Slavonica & Adolphe)
- add to main playlist Play in Full Screen Sonata for Violin & Piano in E: Ruhig Bewegt (Zwicker & Goldmann)
- add to main playlist Play in Full Screen Sonata for Violin & Piano in E: Langsam-Schnell (Zwicker & Goldmann)
Born: 1874-09-13
Died: 1951-07-13
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Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle
published: 12 Nov 2011 -
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Orchestra: The Cleveland Orchestra - Conductor: Pierre Boulez - Soloist: Mitsuko Uchida - Year of recording: 2000 Piano Concerto, Op. 42, written in 1942. 00:00 - I. Andante 04:34 - II. Molto allegro 07:05 - III. Adagio 13:39 - IV. Giocoso (Moderato) Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a rel...
published: 03 Dec 2015 -
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro
published: 31 Jan 2013 -
Bernstein on Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg...
published: 19 Oct 2013 -
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934. 01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29
published: 01 Dec 2014 -
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these: 1. Three tableaux: a silent evening in a house soon to ...
published: 17 Dec 2015 -
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez Janis Martin - Soprano Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows: "In Erwartung the aim is to represent in slow motion everything that occurs during a...
published: 01 Nov 2016 -
Schoenberg Gurrelieder
published: 05 Feb 2017 -
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
published: 01 Apr 2014 -
Schoenberg: Suite for Piano, Op.25 (Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the ...
published: 14 Aug 2016
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Order: Reorder
- Duration: 29:26
- Updated: 12 Nov 2011
- views: 861900
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
...
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
https://wn.com/Schoenberg_Verklärte_Nacht,_Op.4_Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
- published: 12 Nov 2011
- views: 861900
Arnold Schoenberg - Piano Concerto, Op. 42
- Order: Reorder
- Duration: 19:58
- Updated: 03 Dec 2015
- views: 51207
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- So...
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
https://wn.com/Arnold_Schoenberg_Piano_Concerto,_Op._42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
- published: 03 Dec 2015
- views: 51207
Schoenberg - Complete String Quartets
- Order: Reorder
- Duration: 2:19:22
- Updated: 31 Jan 2013
- views: 157063
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
...
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
https://wn.com/Schoenberg_Complete_String_Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
- published: 31 Jan 2013
- views: 157063
Bernstein on Schoenberg
- Order: Reorder
- Duration: 10:44
- Updated: 19 Oct 2013
- views: 110279
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of W...
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture .
https://wn.com/Bernstein_On_Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture .
- published: 19 Oct 2013
- views: 110279
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Order: Reorder
- Duration: 54:13
- Updated: 01 Dec 2014
- views: 24910
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Vie...
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
https://wn.com/The_Most_Important_Classical_Piano_Music_By_Arnold_Schoenberg_|_Intellect_And_Soul_Enriching._Hq
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 24910
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
- Order: Reorder
- Duration: 13:46
- Updated: 17 Dec 2015
- views: 32560
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal...
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:
1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.
00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt
https://wn.com/Schoenberg_Drei_Klavierstücke,_Op._11_(Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:
1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.
00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt
- published: 17 Dec 2015
- views: 32560
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Order: Reorder
- Duration: 29:22
- Updated: 01 Nov 2016
- views: 7010
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenbe...
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
https://wn.com/Arnold_Schoenberg's_Erwartung_(Audio_Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
- published: 01 Nov 2016
- views: 7010
Schoenberg Gurrelieder
- Order: Reorder
- Duration: 1:54:52
- Updated: 05 Feb 2017
- views: 2140
- published: 05 Feb 2017
- views: 2140
Complete performance: Schoenberg's Pierrot lunaire
- Order: Reorder
- Duration: 38:15
- Updated: 01 Apr 2014
- views: 122518
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org...
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
https://wn.com/Complete_Performance_Schoenberg's_Pierrot_Lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
- published: 01 Apr 2014
- views: 122518
Schoenberg: Suite for Piano, Op.25 (Boffard)
- Order: Reorder
- Duration: 14:54
- Updated: 14 Aug 2016
- views: 8807
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg e...
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy.
There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical.
00:00 – Prelude
01:01 – Gavotte
02:11 – Musette (Gavotte da capo at 3:27)
04:37 – Intermezzo
08:38 – Menuet (and Trio at 10:23)
12:19 – Gigue
https://wn.com/Schoenberg_Suite_For_Piano,_Op.25_(Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy.
There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical.
00:00 – Prelude
01:01 – Gavotte
02:11 – Musette (Gavotte da capo at 3:27)
04:37 – Intermezzo
08:38 – Menuet (and Trio at 10:23)
12:19 – Gigue
- published: 14 Aug 2016
- views: 8807
-
Arnold Schoenberg: Father of Modern Music
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
published: 17 Jan 2007 -
Interview with Arnold Schoenberg
The Austrian composer discusses art, music, etc.
published: 08 Jul 2007 -
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens. Find more Voice Recordings, additional information and transcriptions here: http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en
published: 21 Mar 2012 -
Hilary Hahn interviews the Schoenberg family
At a visit to the Schoenberg house last week, Hilary talks to the family about late their father/grandfather's music.
published: 05 Feb 2009 -
Rare Interview with Arnold Schoenberg (1910)
is that 128 bpm
published: 11 Jul 2015 -
Arnold Schoenberg and Mozart
Shows the influence of Mozart on Arnold Schoenberg's composing.
published: 31 Jan 2007 -
Alfred Brendel on Schoenberg
Alfred Brendel: Complete Philips Recordings - Amazon: http://po.st/1bi9bw "If I belong to a tradition it is a tradition that makes the masterpiece tell the performer what he should do and not the performer telling the piece what it should be like, or the composer what he ought to have composed." Brendel An exclusive artist for the Philips label since 1969, Brendel’s discography is now among the most extensive of any pianist, reflecting a repertoire of solo, chamber and orchestral works by the major composers from the central European tradition from Bach through to Schoenberg. This 114 CD Edition encompasses his complete discography for Philips and Decca and includes studio albums, live recordings and radio broadcasts. The set is accompanied by a 200-page book featuring a note by Brende...
published: 12 Jan 2016 -
The Language Of The New Music - Documentary about Wittgenstein and Schoenberg, 1985
This is a film about Ludwig Wittgenstein and Arnold Schonberg; two men whose lives and ideas run parallel in the development of Viennese radicalism. Both men emerged from the turmoil of the Habsburg Empire in its closing days with the idea of analyzing language and purging it with critical intent, believing that in the analysis and purification of language lies the greatest hope that we have. They never met and might never have fully understood one another, because while the nature of their genius they found themselves alone breaking new ground of the very frontiers of their respective disciplines. But their work springs from the same soil and shares a common ethical purpose, so that their ideas and methods echo and illuminate those of each other to a remarkable degree. Subscribe to t...
published: 25 Aug 2016 -
E Randol Schoenberg interview Lady in Gold Premiere
This is an E. Randol Schoenberg interview at the Lady in Gold Premiere. Schoenberg against all odds will a civil suit against Austria retrieving Lady in Gold portrait stolen by Nazis and returned to Maria Altman. With thanks to movieweb.com.
published: 23 Apr 2015 -
My War Years - Arnold Schoenberg [1 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
published: 15 May 2011
Arnold Schoenberg: Father of Modern Music
- Order: Reorder
- Duration: 9:20
- Updated: 17 Jan 2007
- views: 61030
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
https://wn.com/Arnold_Schoenberg_Father_Of_Modern_Music
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
- published: 17 Jan 2007
- views: 61030
Interview with Arnold Schoenberg
- Order: Reorder
- Duration: 7:07
- Updated: 08 Jul 2007
- views: 87981
The Austrian composer discusses art, music, etc.
The Austrian composer discusses art, music, etc.
https://wn.com/Interview_With_Arnold_Schoenberg
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
- Order: Reorder
- Duration: 10:32
- Updated: 21 Mar 2012
- views: 4327
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions her...
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions here:
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en
https://wn.com/Arnold_Schönberg_Voice_Recordings_Museum_Talk_(Vr41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions here:
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en
- published: 21 Mar 2012
- views: 4327
Hilary Hahn interviews the Schoenberg family
- Order: Reorder
- Duration: 2:33
- Updated: 05 Feb 2009
- views: 8019
At a visit to the Schoenberg house last week, Hilary talks to the family about late their father/grandfather's music.
At a visit to the Schoenberg house last week, Hilary talks to the family about late their father/grandfather's music.
https://wn.com/Hilary_Hahn_Interviews_The_Schoenberg_Family
At a visit to the Schoenberg house last week, Hilary talks to the family about late their father/grandfather's music.
- published: 05 Feb 2009
- views: 8019
Rare Interview with Arnold Schoenberg (1910)
- Order: Reorder
- Duration: 0:18
- Updated: 11 Jul 2015
- views: 426
is that 128 bpm
is that 128 bpm
https://wn.com/Rare_Interview_With_Arnold_Schoenberg_(1910)
is that 128 bpm
- published: 11 Jul 2015
- views: 426
Arnold Schoenberg and Mozart
- Order: Reorder
- Duration: 9:30
- Updated: 31 Jan 2007
- views: 26951
Alfred Brendel on Schoenberg
- Order: Reorder
- Duration: 1:28
- Updated: 12 Jan 2016
- views: 2204
Alfred Brendel: Complete Philips Recordings - Amazon: http://po.st/1bi9bw
"If I belong to a tradition it is a tradition that makes the masterpiece tell the per...
Alfred Brendel: Complete Philips Recordings - Amazon: http://po.st/1bi9bw
"If I belong to a tradition it is a tradition that makes the masterpiece tell the performer what he should do and not the performer telling the piece what it should be like, or the composer what he ought to have composed." Brendel
An exclusive artist for the Philips label since 1969, Brendel’s discography is now among the most extensive of any pianist, reflecting a repertoire of solo, chamber and orchestral works by the major composers from the central European tradition from Bach through to Schoenberg.
This 114 CD Edition encompasses his complete discography for Philips and Decca and includes studio albums, live recordings and radio broadcasts. The set is accompanied by a 200-page book featuring a note by Brendel’s personal choice of writer, Misha Donat.
https://wn.com/Alfred_Brendel_On_Schoenberg
Alfred Brendel: Complete Philips Recordings - Amazon: http://po.st/1bi9bw
"If I belong to a tradition it is a tradition that makes the masterpiece tell the performer what he should do and not the performer telling the piece what it should be like, or the composer what he ought to have composed." Brendel
An exclusive artist for the Philips label since 1969, Brendel’s discography is now among the most extensive of any pianist, reflecting a repertoire of solo, chamber and orchestral works by the major composers from the central European tradition from Bach through to Schoenberg.
This 114 CD Edition encompasses his complete discography for Philips and Decca and includes studio albums, live recordings and radio broadcasts. The set is accompanied by a 200-page book featuring a note by Brendel’s personal choice of writer, Misha Donat.
- published: 12 Jan 2016
- views: 2204
The Language Of The New Music - Documentary about Wittgenstein and Schoenberg, 1985
- Order: Reorder
- Duration: 1:02:43
- Updated: 25 Aug 2016
- views: 2444
This is a film about Ludwig Wittgenstein and Arnold Schonberg; two men whose lives and ideas run parallel in the development of Viennese radicalism.
Both men e...
This is a film about Ludwig Wittgenstein and Arnold Schonberg; two men whose lives and ideas run parallel in the development of Viennese radicalism.
Both men emerged from the turmoil of the Habsburg Empire in its closing days with the idea of analyzing language and purging it with critical intent, believing that in the analysis and purification of language lies the greatest hope that we have. They never met and might never have fully understood one another, because while the nature of their genius they found themselves alone breaking new ground of the very frontiers of their respective disciplines. But their work springs from the same soil and shares a common ethical purpose, so that their ideas and methods echo and illuminate those of each other to a remarkable degree.
Subscribe to the channel for more content: https://goo.gl/GLSuto
An Allegro Film by Christopher Nupen
https://wn.com/The_Language_Of_The_New_Music_Documentary_About_Wittgenstein_And_Schoenberg,_1985
This is a film about Ludwig Wittgenstein and Arnold Schonberg; two men whose lives and ideas run parallel in the development of Viennese radicalism.
Both men emerged from the turmoil of the Habsburg Empire in its closing days with the idea of analyzing language and purging it with critical intent, believing that in the analysis and purification of language lies the greatest hope that we have. They never met and might never have fully understood one another, because while the nature of their genius they found themselves alone breaking new ground of the very frontiers of their respective disciplines. But their work springs from the same soil and shares a common ethical purpose, so that their ideas and methods echo and illuminate those of each other to a remarkable degree.
Subscribe to the channel for more content: https://goo.gl/GLSuto
An Allegro Film by Christopher Nupen
- published: 25 Aug 2016
- views: 2444
E Randol Schoenberg interview Lady in Gold Premiere
- Order: Reorder
- Duration: 1:38
- Updated: 23 Apr 2015
- views: 2437
This is an E. Randol Schoenberg interview at the Lady in Gold Premiere. Schoenberg against all odds will a civil suit against Austria retrieving Lady in Gold po...
This is an E. Randol Schoenberg interview at the Lady in Gold Premiere. Schoenberg against all odds will a civil suit against Austria retrieving Lady in Gold portrait stolen by Nazis and returned to Maria Altman. With thanks to movieweb.com.
https://wn.com/E_Randol_Schoenberg_Interview_Lady_In_Gold_Premiere
This is an E. Randol Schoenberg interview at the Lady in Gold Premiere. Schoenberg against all odds will a civil suit against Austria retrieving Lady in Gold portrait stolen by Nazis and returned to Maria Altman. With thanks to movieweb.com.
- published: 23 Apr 2015
- views: 2437
My War Years - Arnold Schoenberg [1 of 3]
- Order: Reorder
- Duration: 29:37
- Updated: 15 May 2011
- views: 27103
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily...
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
https://wn.com/My_War_Years_Arnold_Schoenberg_1_Of_3
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
- published: 15 May 2011
- views: 27103
-
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle
published: 12 Nov 2011 -
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Orchestra: The Cleveland Orchestra - Conductor: Pierre Boulez - Soloist: Mitsuko Uchida - Year of recording: 2000 Piano Concerto, Op. 42, written in 1942. 00:00 - I. Andante 04:34 - II. Molto allegro 07:05 - III. Adagio 13:39 - IV. Giocoso (Moderato) Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a rel...
published: 03 Dec 2015 -
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro
published: 31 Jan 2013 -
Bernstein on Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg...
published: 19 Oct 2013 -
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934. 01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29
published: 01 Dec 2014 -
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these: 1. Three tableaux: a silent evening in a house soon to ...
published: 17 Dec 2015 -
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez Janis Martin - Soprano Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows: "In Erwartung the aim is to represent in slow motion everything that occurs during a...
published: 01 Nov 2016 -
Schoenberg Gurrelieder
published: 05 Feb 2017 -
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
published: 01 Apr 2014 -
Schoenberg: Suite for Piano, Op.25 (Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the ...
published: 14 Aug 2016
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Order: Reorder
- Duration: 29:26
- Updated: 12 Nov 2011
- views: 861900
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
...
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
https://wn.com/Schoenberg_Verklärte_Nacht,_Op.4_Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
- published: 12 Nov 2011
- views: 861900
Arnold Schoenberg - Piano Concerto, Op. 42
- Order: Reorder
- Duration: 19:58
- Updated: 03 Dec 2015
- views: 51207
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- So...
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
https://wn.com/Arnold_Schoenberg_Piano_Concerto,_Op._42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
- published: 03 Dec 2015
- views: 51207
Schoenberg - Complete String Quartets
- Order: Reorder
- Duration: 2:19:22
- Updated: 31 Jan 2013
- views: 157063
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
...
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
https://wn.com/Schoenberg_Complete_String_Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
- published: 31 Jan 2013
- views: 157063
Bernstein on Schoenberg
- Order: Reorder
- Duration: 10:44
- Updated: 19 Oct 2013
- views: 110279
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of W...
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture .
https://wn.com/Bernstein_On_Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lecture was the inevitable result of the evolutionary trajectory of all of Western music . Nevertheless the compositions of Arnold Schoenberg represent a hugely compelling intellectual/artistic achievement that could only have come from true visionary genius . Learning to hear and appreciate the free atonality 1908-1923 and 12 tone music of Schoenberg can and will allow you to hear all of music with fresh phonological ears . This is music beyond the precipice the Tao the Ching where Yang becomes Yin and Yin becomes Yang . It is nothing to fear it can re-illuminate and re-inform your musical world . It is where all of music history was heading . My god don't you want to know? This lecture ends with "The Berg Violin Concerto" ; five posts it took to get to the end . So on my channel there are 4 more posts continuing this lecture .
- published: 19 Oct 2013
- views: 110279
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Order: Reorder
- Duration: 54:13
- Updated: 01 Dec 2014
- views: 24910
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Vie...
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
https://wn.com/The_Most_Important_Classical_Piano_Music_By_Arnold_Schoenberg_|_Intellect_And_Soul_Enriching._Hq
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 24910
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
- Order: Reorder
- Duration: 13:46
- Updated: 17 Dec 2015
- views: 32560
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal...
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:
1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.
00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt
https://wn.com/Schoenberg_Drei_Klavierstücke,_Op._11_(Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Pollini plays them with intimacy and great expressiveness. Though atonal, these pieces are nonetheless thinly swathed in the last vestiges of classical form and harmony: you can glimpse shades of lyrical melody, chordal accompaniments, ABA structure in the first piece, expressive appoggiaturas, pedal tones, and so on. Formally speaking there's a vast (unimaginably vast) number of things that can be said about these three pieces, standing as they are at the very threshold of full-blooded modern serial atonality, but that's not in fact that helpful if you want to just enjoy listening to these. So instead I suggest several ways of listening to these:
1. Three tableaux: a silent evening in a house soon to be demolished, a funeral, a fire swallowing a factory.
2. Five paintings: Picasso's The Blue Room, Francis Bacon's Head I / Böcklin's Isle of the Dead, Munch's The Scream / Kandinsky's Composition VII
3. Three preludes: a nocturne out of late Liszt, a Brahmsian intermezzo/lament, a piece out of Schumann's Kriesleriana.
4. Three myths: Sisyphus, Dante, Zeus and Leda.
5. Music for films from the black-and-white era. Imagine whatever you choose.
00:00 -- 1. Mässig
03:55 -- 2. Mässig
11:09 -- 3. Bewegt
- published: 17 Dec 2015
- views: 32560
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Order: Reorder
- Duration: 29:22
- Updated: 01 Nov 2016
- views: 7010
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenbe...
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
https://wn.com/Arnold_Schoenberg's_Erwartung_(Audio_Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
- published: 01 Nov 2016
- views: 7010
Schoenberg Gurrelieder
- Order: Reorder
- Duration: 1:54:52
- Updated: 05 Feb 2017
- views: 2140
- published: 05 Feb 2017
- views: 2140
Complete performance: Schoenberg's Pierrot lunaire
- Order: Reorder
- Duration: 38:15
- Updated: 01 Apr 2014
- views: 122518
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org...
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
https://wn.com/Complete_Performance_Schoenberg's_Pierrot_Lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
- published: 01 Apr 2014
- views: 122518
Schoenberg: Suite for Piano, Op.25 (Boffard)
- Order: Reorder
- Duration: 14:54
- Updated: 14 Aug 2016
- views: 8807
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg e...
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy.
There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical.
00:00 – Prelude
01:01 – Gavotte
02:11 – Musette (Gavotte da capo at 3:27)
04:37 – Intermezzo
08:38 – Menuet (and Trio at 10:23)
12:19 – Gigue
https://wn.com/Schoenberg_Suite_For_Piano,_Op.25_(Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (the prelude and gavotte might be the first 12-tone pieces Schoenberg ever wrote). The Suite for Piano has had a rather undeserved reputation as an academically strict work: in fact, it is full of vividness and life. For a start, the tone row of the suite E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ contains a rather cheeky cryptogram of BACH (the last 4 notes are BACH spelled backward), and the HCAB sequence recurs as the root of tetrachord sequences throughout the suite. Schoenberg’s use of serialism is also quite free and consistently creative: the tone row is used as both melody and accompaniment in the Prelude (transposed by a tritone in the bass to avoid note repeats), the Gavotte uses pitches of the row in the wrong order (although each tetrachord retains its integrity), the Intermezzo contains pitch repetitions, the trio in the Menuett is a strict canon that links together all the different permutations of the row arising in the suite, and the Gigue moves irresistibly along with barely contained rhythmic energy.
There’s also the fact that the pieces are all recognisable as baroque forms, even if they’re extensively modified, and that each has its own quite distinct character. The Prelude is propelled along by the pitch repetitions in m.3; the Gavotte and Musette have rhythmic outlines that are well-defined, even graceful, in their wry detachment; the Intermezzo has that long line singing beneath that halting RH ostinato; the Menuet is liltingly brooding; and the Gigue darkly fraught with intimations of violence. There’s a lot here that is owed to Boffard’s superb playing, which is full of sensitivity, delicate shading, and rhythmic drive – all of this in music which, if played badly, easily becomes rigid, coolly colourless, mechanical.
00:00 – Prelude
01:01 – Gavotte
02:11 – Musette (Gavotte da capo at 3:27)
04:37 – Intermezzo
08:38 – Menuet (and Trio at 10:23)
12:19 – Gigue
- published: 14 Aug 2016
- views: 8807
-
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle
published: 12 Nov 2011 -
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro
published: 31 Jan 2013 -
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934. 01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29
published: 01 Dec 2014 -
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez Janis Martin - Soprano Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows: "In Erwartung the aim is to represent in slow motion everything that occurs during a...
published: 01 Nov 2016 -
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss Jordan Hall in Boston, MA Recorded on January 31, 2013 Schoenberg's Transfigured Night for String Sextet, Op. 4 Audrey Wright and Alexi Kenney, violins Wenting Kang and Alice Weber, violas Emileigh Vandiver and Andrew Larson, celli
published: 09 May 2013 -
Schoenberg - Piano Concerto op.42 (1942), Brendel/BRSO, Kubelik
One of my fav piano concerto! Andante: 00:00 Molto allegro: 4:44 Adagio: 7:31 Giocoso (Moderato): 13:36 Picture: http://wallippo.com/wallpaper/piano-painting-f0d6e3074ac44963d9f2c4195c7718d3
published: 27 Jun 2012 -
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies. In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of ...
published: 12 Jul 2011 -
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899) A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" ...
published: 20 May 2012 -
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg (1874-1951) Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud) Plus Jazz Interludes by Maria Baptist: 1 Mondestrunken 2 Colombine 3 Der Dandy 4 Eine blasse Wäscherin 5 Valse de Chopin 6 Madonna 7 Der kranke Mond 8 Jazz Interlude 1 9 Nacht 10 Gebet an Pierrot 11 Raub 12 Rote Messe 13 Galgenlied 14 Enthauptung 15 Die Kreuze 16 Jazz Interlude 2 17 Heimweh 18 Gemeinheit! 19 Parodie 20 Der Mondfleck 21 Serenade 22 Heimfahrt 23 O alter Duft Stella Doufexis, speaking voice/mezzosoprano Maria Baptist, Piano opus21musikplus Ensamble Conductor: Konstantia Gourzi
published: 19 Jan 2012 -
Die Jakobsleiter / Arnold Schoenberg
»Die Jakobsleiter« (1915-1922, 1944), ein unvollendetes Oratorium nach einer Dichtung (1914-1915) des Komponisten für Soli, Chor und Orchester. Dietrich Henschel - Gabriel Jonas Kaufmann - Ein Berufener Stephan Rügamer - Ein Aufrührerischer Michael Volle - Ein Ringender James Johnson - Der Auserwählte Kurt Azesberger - Der Mönch Salomé Kammer - Der Sterbende Heidi Meier - Die Seele Rundfunkchor Berlin Deutsches Symphonie-Orchester Berlin Kent Nagano, 2003 - - - - - The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accord...
published: 29 May 2015
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Order: Reorder
- Duration: 29:26
- Updated: 12 Nov 2011
- views: 861900
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
...
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
https://wn.com/Schoenberg_Verklärte_Nacht,_Op.4_Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
- published: 12 Nov 2011
- views: 861900
Schoenberg - Complete String Quartets
- Order: Reorder
- Duration: 2:19:22
- Updated: 31 Jan 2013
- views: 157063
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
...
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
https://wn.com/Schoenberg_Complete_String_Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
- published: 31 Jan 2013
- views: 157063
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Order: Reorder
- Duration: 54:13
- Updated: 01 Dec 2014
- views: 24910
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Vie...
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
https://wn.com/The_Most_Important_Classical_Piano_Music_By_Arnold_Schoenberg_|_Intellect_And_Soul_Enriching._Hq
Arnold Schoenberg was an Austrian composer and painter. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 24910
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Order: Reorder
- Duration: 29:22
- Updated: 01 Nov 2016
- views: 7010
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenbe...
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
https://wn.com/Arnold_Schoenberg's_Erwartung_(Audio_Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim (de). Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows:
"In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."
Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.
The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."
SYNOPSIS:
Time: Night
Place: A forest
A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.
SOURCE: https://en.wikipedia.org/wiki/Erwartung
- published: 01 Nov 2016
- views: 7010
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
- Order: Reorder
- Duration: 32:14
- Updated: 09 May 2013
- views: 96849
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sext...
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sextet, Op. 4
Audrey Wright and Alexi Kenney, violins
Wenting Kang and Alice Weber, violas
Emileigh Vandiver and Andrew Larson, celli
https://wn.com/Arnold_Schoenberg_Transfigured_Night_For_String_Sextet,_Op._4
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sextet, Op. 4
Audrey Wright and Alexi Kenney, violins
Wenting Kang and Alice Weber, violas
Emileigh Vandiver and Andrew Larson, celli
- published: 09 May 2013
- views: 96849
Schoenberg - Piano Concerto op.42 (1942), Brendel/BRSO, Kubelik
- Order: Reorder
- Duration: 20:11
- Updated: 27 Jun 2012
- views: 63928
One of my fav piano concerto!
Andante: 00:00
Molto allegro: 4:44
Adagio: 7:31
Giocoso (Moderato): 13:36
Picture: http://wallippo.com/wallpaper/piano-painting-f0...
One of my fav piano concerto!
Andante: 00:00
Molto allegro: 4:44
Adagio: 7:31
Giocoso (Moderato): 13:36
Picture: http://wallippo.com/wallpaper/piano-painting-f0d6e3074ac44963d9f2c4195c7718d3
https://wn.com/Schoenberg_Piano_Concerto_Op.42_(1942),_Brendel_Brso,_Kubelik
One of my fav piano concerto!
Andante: 00:00
Molto allegro: 4:44
Adagio: 7:31
Giocoso (Moderato): 13:36
Picture: http://wallippo.com/wallpaper/piano-painting-f0d6e3074ac44963d9f2c4195c7718d3
- published: 27 Jun 2012
- views: 63928
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
- Order: Reorder
- Duration: 42:26
- Updated: 12 Jul 2011
- views: 205380
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I ...
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies.
In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections.
The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application.
Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us.
Arnold Schoenberg
https://wn.com/Arnold_Schoenberg,_String_Quartet_No._1_In_D_Minor,_Op._7
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies.
In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections.
The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application.
Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us.
Arnold Schoenberg
- published: 12 Jul 2011
- views: 205380
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
- Order: Reorder
- Duration: 28:49
- Updated: 20 May 2012
- views: 209100
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-195...
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" inverted ninth chord (it was nonexistent because it was uncategorized, and hence forbidden by convention), and this led the Vienna Musical Society to reject the composition.
"Verklärte Nacht" takes as its subject a poem by Richard Dehmel that describes a man and a woman walking through a dark forest at night. She confesses a secret to him: She is pregnant with the child of another man. He reflects on this revelation in silence, and eventually comes to accept and forgive the woman. Schoenberg was inspired by his feelings for Mathilde von Zemlinsky, the daughter of his teacher Alexander von Zemlinsky and his future wife.
This classic performance by the Hollywood String Quartet dates from 1955.
English translation of Dehmel's poem:
Two people are walking through a bare, cold wood;
the moon keeps pace with them and draws their gaze.
The moon moves along above tall oak trees,
there is no wisp of cloud to obscure the radiance
to which the black, jagged tips reach up.
A woman's voice speaks:
"I am carrying a child, and not by you.
I am walking here with you in a state of sin.
I have offended grievously against myself.
I despaired of happiness,
and yet I still felt a grievous longing
for life's fullness, for a mother's joys
"and duties; and so I sinned,
and so I yielded, shuddering, my sex
to the embrace of a stranger,
and even thought myself blessed.
Now life has taken its revenge,
and I have met you, met you."
She walks on, stumbling.
She looks up; the moon keeps pace.
Her dark gaze drowns in light.
A man's voice speaks:
"Do not let the child you have conceived
be a burden on your soul.
Look, how brightly the universe shines!
Splendour falls on everything around,
you are voyaging with me on a cold sea,
but there is the glow of an inner warmth
from you in me, from me in you.
That warmth will transfigure the stranger's child,
and you bear it me, begot by me.
You have transfused me with splendour,
you have made a child of me."
He puts an arm about her strong hips.
Their breath embraces in the air.
Two people walk on through the high, bright night.
Hollywood String Quartet: Felix Slatkin, Paul Shure (violins), Paul Robyn (viola), Eleanor Aller Slatkin (cello)
with Alvin Dinkin (viola) and Kurt Reher (cello)
https://wn.com/Schoenberg_Verklärte_Nacht_(Transfigured_Night),_Op._4,_For_String_Sextet_(1899)
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" inverted ninth chord (it was nonexistent because it was uncategorized, and hence forbidden by convention), and this led the Vienna Musical Society to reject the composition.
"Verklärte Nacht" takes as its subject a poem by Richard Dehmel that describes a man and a woman walking through a dark forest at night. She confesses a secret to him: She is pregnant with the child of another man. He reflects on this revelation in silence, and eventually comes to accept and forgive the woman. Schoenberg was inspired by his feelings for Mathilde von Zemlinsky, the daughter of his teacher Alexander von Zemlinsky and his future wife.
This classic performance by the Hollywood String Quartet dates from 1955.
English translation of Dehmel's poem:
Two people are walking through a bare, cold wood;
the moon keeps pace with them and draws their gaze.
The moon moves along above tall oak trees,
there is no wisp of cloud to obscure the radiance
to which the black, jagged tips reach up.
A woman's voice speaks:
"I am carrying a child, and not by you.
I am walking here with you in a state of sin.
I have offended grievously against myself.
I despaired of happiness,
and yet I still felt a grievous longing
for life's fullness, for a mother's joys
"and duties; and so I sinned,
and so I yielded, shuddering, my sex
to the embrace of a stranger,
and even thought myself blessed.
Now life has taken its revenge,
and I have met you, met you."
She walks on, stumbling.
She looks up; the moon keeps pace.
Her dark gaze drowns in light.
A man's voice speaks:
"Do not let the child you have conceived
be a burden on your soul.
Look, how brightly the universe shines!
Splendour falls on everything around,
you are voyaging with me on a cold sea,
but there is the glow of an inner warmth
from you in me, from me in you.
That warmth will transfigure the stranger's child,
and you bear it me, begot by me.
You have transfused me with splendour,
you have made a child of me."
He puts an arm about her strong hips.
Their breath embraces in the air.
Two people walk on through the high, bright night.
Hollywood String Quartet: Felix Slatkin, Paul Shure (violins), Paul Robyn (viola), Eleanor Aller Slatkin (cello)
with Alvin Dinkin (viola) and Kurt Reher (cello)
- published: 20 May 2012
- views: 209100
Arnold Schönberg, Pierrot lunaire (Full)
- Order: Reorder
- Duration: 45:36
- Updated: 19 Jan 2012
- views: 572439
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine...
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine
3 Der Dandy
4 Eine blasse Wäscherin
5 Valse de Chopin
6 Madonna
7 Der kranke Mond
8 Jazz Interlude 1
9 Nacht
10 Gebet an Pierrot
11 Raub
12 Rote Messe
13 Galgenlied
14 Enthauptung
15 Die Kreuze
16 Jazz Interlude 2
17 Heimweh
18 Gemeinheit!
19 Parodie
20 Der Mondfleck
21 Serenade
22 Heimfahrt
23 O alter Duft
Stella Doufexis, speaking voice/mezzosoprano
Maria Baptist, Piano
opus21musikplus Ensamble
Conductor: Konstantia Gourzi
https://wn.com/Arnold_Schönberg,_Pierrot_Lunaire_(Full)
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine
3 Der Dandy
4 Eine blasse Wäscherin
5 Valse de Chopin
6 Madonna
7 Der kranke Mond
8 Jazz Interlude 1
9 Nacht
10 Gebet an Pierrot
11 Raub
12 Rote Messe
13 Galgenlied
14 Enthauptung
15 Die Kreuze
16 Jazz Interlude 2
17 Heimweh
18 Gemeinheit!
19 Parodie
20 Der Mondfleck
21 Serenade
22 Heimfahrt
23 O alter Duft
Stella Doufexis, speaking voice/mezzosoprano
Maria Baptist, Piano
opus21musikplus Ensamble
Conductor: Konstantia Gourzi
- published: 19 Jan 2012
- views: 572439
Die Jakobsleiter / Arnold Schoenberg
- Order: Reorder
- Duration: 44:01
- Updated: 29 May 2015
- views: 7139
»Die Jakobsleiter« (1915-1922, 1944), ein unvollendetes Oratorium nach einer Dichtung (1914-1915) des Komponisten für Soli, Chor und Orchester.
Dietrich Hensch...
»Die Jakobsleiter« (1915-1922, 1944), ein unvollendetes Oratorium nach einer Dichtung (1914-1915) des Komponisten für Soli, Chor und Orchester.
Dietrich Henschel - Gabriel
Jonas Kaufmann - Ein Berufener
Stephan Rügamer - Ein Aufrührerischer
Michael Volle - Ein Ringender
James Johnson - Der Auserwählte
Kurt Azesberger - Der Mönch
Salomé Kammer - Der Sterbende
Heidi Meier - Die Seele
Rundfunkchor Berlin
Deutsches Symphonie-Orchester Berlin
Kent Nagano, 2003
- - - - -
The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
https://wn.com/Die_Jakobsleiter_Arnold_Schoenberg
»Die Jakobsleiter« (1915-1922, 1944), ein unvollendetes Oratorium nach einer Dichtung (1914-1915) des Komponisten für Soli, Chor und Orchester.
Dietrich Henschel - Gabriel
Jonas Kaufmann - Ein Berufener
Stephan Rügamer - Ein Aufrührerischer
Michael Volle - Ein Ringender
James Johnson - Der Auserwählte
Kurt Azesberger - Der Mönch
Salomé Kammer - Der Sterbende
Heidi Meier - Die Seele
Rundfunkchor Berlin
Deutsches Symphonie-Orchester Berlin
Kent Nagano, 2003
- - - - -
The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 29 May 2015
- views: 7139
- Playlist
- Chat
- Playlist
- Chat
29:26
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée)...
published: 12 Nov 2011
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Report rights infringement
- published: 12 Nov 2011
- views: 861900
19:58
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
...
published: 03 Dec 2015
Arnold Schoenberg - Piano Concerto, Op. 42
Arnold Schoenberg - Piano Concerto, Op. 42
- Report rights infringement
- published: 03 Dec 2015
- views: 51207
2:19:22
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
Strin...
published: 31 Jan 2013
Schoenberg - Complete String Quartets
Schoenberg - Complete String Quartets
- Report rights infringement
- published: 31 Jan 2013
- views: 157063
10:44
Bernstein on Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lectur...
published: 19 Oct 2013
Bernstein on Schoenberg
Bernstein on Schoenberg
- Report rights infringement
- published: 19 Oct 2013
- views: 110279
54:13
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the express...
published: 01 Dec 2014
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Report rights infringement
- published: 01 Dec 2014
- views: 24910
13:46
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Po...
published: 17 Dec 2015
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
- Report rights infringement
- published: 17 Dec 2015
- views: 32560
29:22
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectat...
published: 01 Nov 2016
Arnold Schoenberg's "Erwartung" (Audio + Score)
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Report rights infringement
- published: 01 Nov 2016
- views: 7010
1:54:52
Schoenberg Gurrelieder
published: 05 Feb 2017
Schoenberg Gurrelieder
Schoenberg Gurrelieder
- Report rights infringement
- published: 05 Feb 2017
- views: 2140
38:15
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoen...
published: 01 Apr 2014
Complete performance: Schoenberg's Pierrot lunaire
Complete performance: Schoenberg's Pierrot lunaire
- Report rights infringement
- published: 01 Apr 2014
- views: 122518
14:54
Schoenberg: Suite for Piano, Op.25 (Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (...
published: 14 Aug 2016
Schoenberg: Suite for Piano, Op.25 (Boffard)
Schoenberg: Suite for Piano, Op.25 (Boffard)
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- published: 14 Aug 2016
- views: 8807
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9:20
Arnold Schoenberg: Father of Modern Music
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, includin...
published: 17 Jan 2007
Arnold Schoenberg: Father of Modern Music
Arnold Schoenberg: Father of Modern Music
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- published: 17 Jan 2007
- views: 61030
7:07
Interview with Arnold Schoenberg
The Austrian composer discusses art, music, etc.
published: 08 Jul 2007
Interview with Arnold Schoenberg
Interview with Arnold Schoenberg
- Report rights infringement
- published: 08 Jul 2007
- views: 87981
10:32
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Fin...
published: 21 Mar 2012
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
- Report rights infringement
- published: 21 Mar 2012
- views: 4327
2:33
Hilary Hahn interviews the Schoenberg family
At a visit to the Schoenberg house last week, Hilary talks to the family about late their ...
published: 05 Feb 2009
Hilary Hahn interviews the Schoenberg family
Hilary Hahn interviews the Schoenberg family
- Report rights infringement
- published: 05 Feb 2009
- views: 8019
0:18
Rare Interview with Arnold Schoenberg (1910)
is that 128 bpm
published: 11 Jul 2015
Rare Interview with Arnold Schoenberg (1910)
Rare Interview with Arnold Schoenberg (1910)
- Report rights infringement
- published: 11 Jul 2015
- views: 426
9:30
Arnold Schoenberg and Mozart
Shows the influence of Mozart on Arnold Schoenberg's composing.
published: 31 Jan 2007
Arnold Schoenberg and Mozart
Arnold Schoenberg and Mozart
- Report rights infringement
- published: 31 Jan 2007
- views: 26951
1:28
Alfred Brendel on Schoenberg
Alfred Brendel: Complete Philips Recordings - Amazon: http://po.st/1bi9bw
"If I belong to...
published: 12 Jan 2016
Alfred Brendel on Schoenberg
Alfred Brendel on Schoenberg
- Report rights infringement
- published: 12 Jan 2016
- views: 2204
1:02:43
The Language Of The New Music - Documentary about Wittgenstein and Schoenberg, 1985
This is a film about Ludwig Wittgenstein and Arnold Schonberg; two men whose lives and ide...
published: 25 Aug 2016
The Language Of The New Music - Documentary about Wittgenstein and Schoenberg, 1985
The Language Of The New Music - Documentary about Wittgenstein and Schoenberg, 1985
- Report rights infringement
- published: 25 Aug 2016
- views: 2444
1:38
E Randol Schoenberg interview Lady in Gold Premiere
This is an E. Randol Schoenberg interview at the Lady in Gold Premiere. Schoenberg against...
published: 23 Apr 2015
E Randol Schoenberg interview Lady in Gold Premiere
E Randol Schoenberg interview Lady in Gold Premiere
- Report rights infringement
- published: 23 Apr 2015
- views: 2437
29:37
My War Years - Arnold Schoenberg [1 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexa...
published: 15 May 2011
My War Years - Arnold Schoenberg [1 of 3]
My War Years - Arnold Schoenberg [1 of 3]
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- published: 15 May 2011
- views: 27103
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29:26
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée)...
published: 12 Nov 2011
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Report rights infringement
- published: 12 Nov 2011
- views: 861900
19:58
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
...
published: 03 Dec 2015
Arnold Schoenberg - Piano Concerto, Op. 42
Arnold Schoenberg - Piano Concerto, Op. 42
- Report rights infringement
- published: 03 Dec 2015
- views: 51207
2:19:22
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
Strin...
published: 31 Jan 2013
Schoenberg - Complete String Quartets
Schoenberg - Complete String Quartets
- Report rights infringement
- published: 31 Jan 2013
- views: 157063
10:44
Bernstein on Schoenberg
It could be very easily argued (because it's true) that the music addressed by this lectur...
published: 19 Oct 2013
Bernstein on Schoenberg
Bernstein on Schoenberg
- Report rights infringement
- published: 19 Oct 2013
- views: 110279
54:13
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the express...
published: 01 Dec 2014
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Report rights infringement
- published: 01 Dec 2014
- views: 24910
13:46
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Works that you have to learn to love, but which can be loved nonetheless. It helps that Po...
published: 17 Dec 2015
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
- Report rights infringement
- published: 17 Dec 2015
- views: 32560
29:22
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectat...
published: 01 Nov 2016
Arnold Schoenberg's "Erwartung" (Audio + Score)
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Report rights infringement
- published: 01 Nov 2016
- views: 7010
1:54:52
Schoenberg Gurrelieder
published: 05 Feb 2017
Schoenberg Gurrelieder
Schoenberg Gurrelieder
- Report rights infringement
- published: 05 Feb 2017
- views: 2140
38:15
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoen...
published: 01 Apr 2014
Complete performance: Schoenberg's Pierrot lunaire
Complete performance: Schoenberg's Pierrot lunaire
- Report rights infringement
- published: 01 Apr 2014
- views: 122518
14:54
Schoenberg: Suite for Piano, Op.25 (Boffard)
An intensely nuanced and perky performance of one of Schoenberg’s earliest 12-tone works (...
published: 14 Aug 2016
Schoenberg: Suite for Piano, Op.25 (Boffard)
Schoenberg: Suite for Piano, Op.25 (Boffard)
- Report rights infringement
- published: 14 Aug 2016
- views: 8807
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29:26
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée)...
published: 12 Nov 2011
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Report rights infringement
- published: 12 Nov 2011
- views: 861900
2:19:22
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
Strin...
published: 31 Jan 2013
Schoenberg - Complete String Quartets
Schoenberg - Complete String Quartets
- Report rights infringement
- published: 31 Jan 2013
- views: 157063
54:13
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
Arnold Schoenberg was an Austrian composer and painter. He was associated with the express...
published: 01 Dec 2014
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
The most important Classical Piano Music by Arnold Schoenberg | Intellect and Soul Enriching. HQ
- Report rights infringement
- published: 01 Dec 2014
- views: 24910
29:22
Arnold Schoenberg's "Erwartung" (Audio + Score)
pf: BBC Symphony Orchestra cond/ Pierre Boulez
Janis Martin - Soprano
Erwartung (Expectat...
published: 01 Nov 2016
Arnold Schoenberg's "Erwartung" (Audio + Score)
Arnold Schoenberg's "Erwartung" (Audio + Score)
- Report rights infringement
- published: 01 Nov 2016
- views: 7010
32:14
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorde...
published: 09 May 2013
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
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- published: 09 May 2013
- views: 96849
20:11
Schoenberg - Piano Concerto op.42 (1942), Brendel/BRSO, Kubelik
One of my fav piano concerto!
Andante: 00:00
Molto allegro: 4:44
Adagio: 7:31
Giocoso (Mod...
published: 27 Jun 2012
Schoenberg - Piano Concerto op.42 (1942), Brendel/BRSO, Kubelik
Schoenberg - Piano Concerto op.42 (1942), Brendel/BRSO, Kubelik
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- published: 27 Jun 2012
- views: 63928
42:26
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
...I abandoned program music and turned in the direction that was much more my own than al...
published: 12 Jul 2011
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
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- published: 12 Jul 2011
- views: 205380
28:49
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movem...
published: 20 May 2012
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
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- published: 20 May 2012
- views: 209100
45:36
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
P...
published: 19 Jan 2012
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg, Pierrot lunaire (Full)
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- published: 19 Jan 2012
- views: 572439
44:01
Die Jakobsleiter / Arnold Schoenberg
»Die Jakobsleiter« (1915-1922, 1944), ein unvollendetes Oratorium nach einer Dichtung (191...
published: 29 May 2015
Die Jakobsleiter / Arnold Schoenberg
Die Jakobsleiter / Arnold Schoenberg
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- published: 29 May 2015
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Schoenberg: Verklärte Nacht, Op.4 - Boulez....
Schoenberg - Complete String Quartets...
The most important Classical Piano Music by Arnol...
Arnold Schoenberg's "Erwartung" (Audio + Score)...
Arnold Schoenberg - Transfigured Night for String ...
Schoenberg - Piano Concerto op.42 (1942), Brendel/...
Arnold Schoenberg, String Quartet No. 1 in d minor...
Schoenberg - Verklärte Nacht (Transfigured Night),...
Arnold Schönberg, Pierrot lunaire (Full)...
Die Jakobsleiter / Arnold Schoenberg...
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Sports Ministry kicks off process to legalise online betting in India: report
Edit India TV 16 Jul 2017
The Sports Ministry has started laying the bedrock to frame a legislation to legalise online sports betting in India, says a report in The Indian Express.
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After dissident's death, Ted Cruz hopeful about changing Chinese Embassy address
Edit Longview News Journal 16 Jul 2017
U.S. Sen. Ted Cruz is re-upping his push to rename the address of the Chinese Embassy in Washington "as soon as possible" after a pro-democracy dissident in the wake of the Nobel Peace Prize winner's death. Liu Xiaobo, a leading critic of Communist Party rule in China, died in state custody in a Chinese hospital on Thursday from liver cancer ... SHARE. Comments. ....
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UK 'unprepared' for post-Brexit food situation, warns report
Edit DNA India 17 Jul 2017
The UK is not ready for the most complex ever change to its food system, which will be required before Brexit, according to a report by influential academics. The new briefing paper published by SPRU, the Science Policy Research Unit at the University of Sussex concludes that leaving the European Union poses serious risks to consumer interests, public health, businesses and workers in the food sector ... Marsden said ... Lang said ... ....
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Islamic State leader Baghdadi almost certainly alive: Kurdish security official
Edit The Times of India 17 Jul 2017
SULAIMANIA (IRAQ). The top Kurdish counter-terrorism official said on Monday he was 99 per cent sure that Islamic State leader Abu Bakr al-Baghdadi was alive and located south of the Syrian city of Raqqa, after speculation that he had been killed. Lahur Talabany also told Reuters that after defeat Islamic State would wage an insurgency and resemble al-Qaida on "steroids" ... RELATED ... Livingly ... Army ... Martin....
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Presidential poll begins, Modi among first to vote
Edit DNA India 17 Jul 2017
Prime Minister Narendra Modi was among the first to cast his vote to elect the next president of India here today. Voting began at 10 AM and will continue till 5 PM. A total of 32 polling stations -- one in Parliament House and one each in the state legislative assemblies -- have been set up, officials said. The Election Commission has appointed 33 observers who are overseeing the conduct of the election ... ....
In case you missed Rachel last night
Edit Democratic Underground 14 Jul 2017
Cockrum, Comer, and Schoenberg v. Donald J. Trump for President, Inc ... ....
The Russia Conspiracy Goes to Court
Edit Slate 14 Jul 2017
But what if that was the wrong question? What if the right one is, “Shouldn’t there be a lawsuit?” Well, now there’s a lawsuit ... The complaint in Cockrum et al. v ... None of them were public figures, and their private information is of no public concern. The first two plaintiffs are a pair DNC donors, Roy Cockrum and Eric Schoenberg, who claim they’ve suffered harassment and credit card fraud attacks as a result of the hack ... law ... v ... Jacob W ... ....
Group of DNC hack victims sue Trump campaign
Edit CNN 13 Jul 2017
The asserts that alleged coordination between the Trump campaign, Stone and "Russian government agents" led to the WikiLeaks release of the hacked DNC information ... "Mr ... Trump Jr ... Among those to have their information included in the release were Roy Cockrum, Scott Comer and Eric Schoenberg, all plaintiffs in the suit ... It also says that Cockrum, as well as Schoenberg and his wife, had faced repeated identity theft attempts since the leak....
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Democrats File Lawsuit Against Trump Campaign Over Leaked Emails Tied to Russia
Edit WorldNews.com 13 Jul 2017
Stone Jr., accusing them of leaking the Democratic emails which exposed their private information, according to The New York Times ... Mueller III ... ... The two Democratic Party donors, Roy Cockrum and Eric Schoenberg, had their Social Security numbers, dates of birth, home addresses and other personal data released by the WikiLeaks published files ... Cockrum, Mr. Schoenberg and Mr. Comer.” ... The lawsuit also contains two other harms....
Watchdog Group Sues Trump Campaign, Roger Stone Over Wikileaks Email Dump
Edit Democratic Underground 13 Jul 2017Proms 2017: Our writers pick their highlights of the coming season
Edit The Guardian 13 Jul 2017
Proms 2017. Music blog. Proms 2017 ... Twitter ... EJ ... Schoenberg’s Gurrelieder is a huge, late romantic choral work about love and death, with the classiest of narrators in Thomas Quasthoff, top tier soloists – Eva-Maria Westbroek, Simon O’Neill, Karen Cargill, Peter Hoare, Christopher Purves – and the unmissable united forces of the CBSO Chorus, Orfeó Catala, London Symphony Chorus and London Symphony Orchestra, all conducted by Simon Rattle....
Vox Sentences: Trump’s pick for the FBI doesn’t agree with him about Russia
Edit Vox 13 Jul 2017
Vox Sentences is your daily digest for what's happening in the world, curated by Ella Nilsen ... These politicians all have something in common ... Joe Lieberman ... [ Bloomberg / Michael Smith, Anna Edney, Zachary Tracer, and Tom Schoenberg ] The last Ebola outbreak in the Democratic Republic of the Congo made few headlines, because it hit one of the country’s most rural areas and was contained in a matter of 42 days ... Only Paul Ryan can ... nope....
Cleveland Arts listings for July 14-20: GroundWorks DanceTheater at Cain Park & More
Edit Cleveland 13 Jul 2017
> A still of GroundWorks DanceTheater performing Kate Weare's "Innamorata." At left is Felise Bagley with Annika Sheaff on the right. Groundworks DanceTheatre returns to Cain Park's Alma Theater for its 15th summer series. Performances are at 7 p.m. tonight and Saturday and 2 p.m. Sunday. Tickets are $25-$28. Mark Horning/Groundworks DanceTheater ... 87 N ... 3 ... 9 ... Works by Robert Schumann, Gabriel Faure, Karol Szymanowskiand Arnold Schoenberg....
The Trump administration just saved Obamacare in Alaska
Edit Vox 12 Jul 2017
“Attorney General Jeff Sessions is poised to announce a major law enforcement action this week targeting health-care fraud, focusing on opioid treatment programs exploiting Obamacare insurance plans, according to two people familiar with the matter.” — Michael Smith, Anna Edney, Zachary Tracer and Tom Schoenberg, Bloomberg Analysis and longer reads “Senate's Health Bill Would Make Life Easier For Some Small Businesses” ... ....
Moon Hooch: ‘We want our shows to be crazy dance parties’
Edit The Guardian 10 Jul 2017
Jazz. One to watch. Moon Hooch ... Muschler speaks with authority about the ways Schoenberg’s ideas on atonality can relate to dubstep, a sound McGowen recreates using the contrabass clarinet because of its “odd harmonics – it pretty much sounds like the screeching bass you would hear in Skrillex, so it’s pretty cool to be able to do it organically”.They also use “unique tongue techniques” to make saxophones sound more synthesiser-like ... ....
Sydney Symphony Orchestra, Australian Chamber Orchestra review: As if in a dream
Edit Sydney Morning Herald 06 Jul 2017
Janie Barrett. Orli Shaham. Sydney Symphony Orchestra ... ★★★★ ... ★★★★ ... They take the distinctive music logic of the first of each set of late pieces and extend it in directions that Brahms never travelled, though at least one composer, Arnold Schoenberg (in his article "Brahms the Progressive"), thought he pointed the way. Advertisement ....
Album reviews: Public Service Broadcasting | Peter Perrett | Jah Wobble | The Primevals
Edit Scotsman 03 Jul 2017
The music is more recent, from Johan Strauss II to Schoenberg and Berg, and the playing by various combinations of the London Conchord Ensemble is at its most inspired. There's radiance and lustre in Schoenberg's Chamber Symphony No 1, hotly passionate with a momentum that overrides the encroaching dissonant style; true Brahmsian warmth in ......
Richard Gerstl at Neue Galerie: Ambition, Art, Music, Suicide in old Vienna
Edit Topix 02 Jul 2017
On Nov. 4, 1908, the Austrian painter Richard Gerstl took off all his clothes, threw a rope over a beam in his studio, put the noose around his neck and launched himself into the air, stabbing frantically at his chest with a knife. Gerstl had just turned 25, and had been discovered by composer Arnold Schoenberg, a friend to whom the artist was giving painting lessons, in bed with Schoenberg's wife Mathilde barely a month earlier ... ....
Blue Self-Portrait by Noémi Lefebvre review – sex, art and neurosis
Edit The Guardian 29 Jun 2017
Schoenberg’s music, Thomas Mann’s writing and the aftermath of Nazism overlap in an ingenious novel brimming with ideas ... Schoenberg’s music, Thomas Mann’s writing and the aftermath of Nazism overlap in an ingenious novel brimming with ideas ... The protagonist and the composer share an obsession with musician and painter Arnold Schoenberg....
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