The cowbell is an idiophone hand percussion instrument used in various styles of music including salsa and infrequently in popular music. It is named after the similar bell historically used by herdsmen to keep track of the whereabouts of cows.
While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle.
Tuned cowbells or Almglocken (their German name), sometimes known by the English translation alpine bells (also Alpenglocken in German), typically refer to bulbous brass bells that are used to play music, sometimes as a novelty act or tourist attraction in the northern Alps, and sometimes in classical music, as in Richard Strauss's Alpine Symphony. Since they are tuned differently, in order to distinguish individual animals, they can be collected "from the pasture" in random tunings, but commercial sets in equal temperament are also available. The metal clapper is retained, and they sound much more noisy than handbells, which are otherwise used similarly in ensembles.
Instrument may refer to:
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker.
Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine.
The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years. The Instrument Soundtrack by Fugazi was released in conjunction with the film. It consisted primarily of instrumental and unreleased songs (including many demo cuts from End Hits, their next album after the soundtrack).
Instrument Soundtrack is a 1999 album by American post-hardcore band Fugazi.
It is a mainly instrumental soundtrack for the documentary (Instrument) about the band produced by the band and filmmaker Jem Cohen.
The soundtrack mostly consists of previously unreleased songs and studio outtakes culled from Fugazi's history to that point, as well as seven demo versions of songs from their proper albums (six from 1998's End Hits and one from 1993's In on the Kill Taker).
Of particular note is the song "I'm So Tired", a piano ballad played and sung by Ian MacKaye, which is a significant departure from Fugazi's usual post-hardcore sound.
The riff from "Lusty Scripps" was played in Fugazi's final live show, in the break between the main set and the encore.
The cowbell is an idiophone hand percussion instrument used in various styles of music including salsa and infrequently in popular music. It is named after the similar bell historically used by herdsmen to keep track of the whereabouts of cows.
While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle.
Tuned cowbells or Almglocken (their German name), sometimes known by the English translation alpine bells (also Alpenglocken in German), typically refer to bulbous brass bells that are used to play music, sometimes as a novelty act or tourist attraction in the northern Alps, and sometimes in classical music, as in Richard Strauss's Alpine Symphony. Since they are tuned differently, in order to distinguish individual animals, they can be collected "from the pasture" in random tunings, but commercial sets in equal temperament are also available. The metal clapper is retained, and they sound much more noisy than handbells, which are otherwise used similarly in ensembles.
WorldNews.com | 06 Sep 2018
WorldNews.com | 06 Sep 2018
WorldNews.com | 06 Sep 2018
WorldNews.com | 06 Sep 2018
WorldNews.com | 06 Sep 2018
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Business Insider | 06 Sep 2018