- published: 04 Feb 2016
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An art centre or arts center is distinct from an art gallery or art museum. An arts centre is a functional community centre with a specific remit to encourage arts practice and to provide facilities such as theatre space, gallery space, venues for musical performance, workshop areas, educational facilities, technical equipment, etc.
In the United States, "art centers" are generally either establishments geared toward exposing, generating, and making accessible art making to arts-interested individuals, or buildings that rent primarily to artists, galleries, or companies involved in art making.
In Britain, art centres began after World War II and gradually changed from mainly middle-class places to 1960s and 1970s trendy, alternative centres and eventually in the 1980s to serving the whole community with a programme of enabling access to wheelchair users and disabled individuals and groups.
In the rest of Europe it is common among most art centres that they are partly government funded, since they are considered to have a positive influence on society and economics according to the Rhineland model philosophy. A lot of those organisations originally started in the 1970s, 1980s and 1990s as squading spaces and were later on legalized.
The Walker Art Center is a multidisciplinary contemporary art center in Minneapolis, Minnesota, United States. The Walker is considered one of the nation's "big five" museums for modern art along with the Museum of Modern Art, the San Francisco Museum of Modern Art, the Guggenheim Museum and the Hirshhorn. Begun in 1879 as the personal art gallery of lumberman Thomas Barlow Walker, it was formally established as a public art gallery in 1927—the first of its kind in the Upper Midwest. With the support of the Federal Art Project of the Works Progress Administration, which was establishing community art centers nationwide, the Walker Art Galleries became the Walker Art Center in January 1940. The Walker celebrated its 75th anniversary as a public art center in 2015.
Its building, designed by Edward Larrabee Barnes and opened in May 1971, saw a major expansion in 2005: Swiss architects Herzog & de Meuron's addition, clad in a shimmering aluminum-mesh facade, includes new gallery space, a theater, restaurant, shop, and special events space. Directly across from the museum are the Minneapolis Sculpture Garden, which opened in 1988, and the Cowles Conservatory.
Art Center may refer to:
Walker may refer to:
Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.
The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.
Walker Art Center
Insights 2015: Bart de Baets, Amsterdam
Walker Art Center says it will dismantle controversial "Scaffold" sculpture
Minneapolis Sculpture Garden
Walker Art Center in Minneapolis MN
Question Everything: Celebrating the Walker Art Center's 75th Anniversary
Walker Mini Golf
A New Sculpture Garden
A VISIT TO WALKER ART CENTER & A WALK ALONG THE CREEK (IN UNDER A MINUTE) - MINNEAPOLIS, MN
Joe Sacco
Christophe Szpajdel's Walker Art Center Black Metal Logo
Walker Art Center television animation
Insights 2010: Irma Boom
Opening-Day Talk: Painting in the Present Tense
2013 Internet Cat Video Festival
Daniel Eatock
Panel Discussion: Performance in Practice
Walker art center, Minneapolis, Minnesota, Herzog & De Meuron
BTN11: Walker Art Center still facing backlash to "Scaffold" sculpture
Walker Art Center: Digital Signage
Walker Art Center
Walker Art Center
Walker art center, Minneapolis
Submitted by Walker Art Center - Minneapolis
Walker Art Center 2016
In this milestone video, we feature one of the major arts presenters in the Midwest, the Walker Art Center in Minneapolis, Minnesota. Receiving support from the NEA since 1968, the Walker is recognized internationally for its commitment to artistic innovation and community engagement. Produced for the National Endowment for the Arts 50th anniversary celebration. For more on the National Endowment for the Arts 50th anniversary, go to https://www.arts.gov/50th
Amsterdam-based Bart de Baets is a fierce formalist, an unrelenting experimenter who has developed a unique typographic attitude that has influenced designers around the world. His work spans the entire cultural sector for clients in the fields of art, music, performance, and film. A few of his clients include the Amsterdam club Paradiso, cultural centers such as W139, De Appel, AFK, and the New Institute, and film programs such as the Weight of Colour and A New Divide? De Baets is also known for his self-initiated projects, including Dark and Stormy, an ambiguous fanzine he publishes with Rustan Söderling featuring contributions from an international array of artists, and Success and Uncertainty, a poster series and publication made with Sandra Kassenaar during an artist residency in Cai...
The sculpture, created by artist Sam Durant, depicts seven historical gallows, one of which is the gallows used to execute the Dakota 38 in Mankato, Minnesota in 1862. http://kare11.tv/2r08yf0
The Minneapolis Sculpture Garden has been both a city park and an outdoor gallery for 25 years, with over 8 million visitors. The history of the land, the art and artists, and the impact of this very special park are all part of its unique story. Produced with Twin Cities Public Television.
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For 75 years the Walker has been asking questions: questions posed by our artists, questions asked of ourselves, questions important to our communities—in short—the questions that shape and inspire us. Dive in to our history as a multidisciplinary art center and find out what it means to be a safe place for unsafe ideas. And make sure to check out all 75 questions as well as our upcoming anniversary events and exhibitions at www.walkerart.org/75
The Walker Art Center's 2013 Artist-Designed Mini Golf commemorated the 25th Anniversary of the Minneapolis Sculpture Garden. Photos courtesy of: Walker Art Center Special Thanks: Walker Art Center Connect with MN Original: Website: http://www.mnoriginal.org Facebook: http://www.facebook.com/mnoriginal Twitter: http://www.twitter.com/mnoriginal Instagram: http://www.instagram.com/mnoriginal Pinterest: http://www.pinterest.com/mnopins #MNOriginal
Save the date for Saturday June 3, 2017 for the opening of the renovated Minneapolis Sculpture Garden and the newly expanded Walker Art Center campus. Join us and see over 18 new artworks, a reimagined 19-acre campus, and a landmark that will be enjoyed for generations to come. Through a 30-year partnership between the Walker and the Minneapolis Park & Recreation Board, the Garden is one of the preeminent urban sculpture parks in the United States and has served as a leading model of public/private partnership, with more than nine million visitors since its opening in 1988.
Getting our walk on along the creek and at the Walker Art Center in Minneapolis.
Joe Sacco combines the techniques of eyewitness reportage with graphic storytelling to explore complex, emotionally weighted situations in some of the most volatile regions of the globe. His series Palestine set new standards for the use of the comic book as a documentary medium, and his 240-page exploration of a Muslim enclave in Serbia titled Safe Area Gorazde: The War in Eastern Bosnia 19921995 received widespread critical acclaim. Sacco is praised for the depth of his research and his sensitive handling of delicate political topics as well as his dynamic layouts and sophisticated narratives. Join him for a visual tour of his celebrated approach to comics journalism. Copresented by Rain Taxi Review of Books.
Christophe Szpajdel discusses his Walker Art Center black metal logo (2011), part of the Walker Art Center's exhibition Graphic Design: Now in Production.
Widely hailed as one of the worlds leading designers, Irma Boom has been making books of conceptual rigor, technical virtuosity, and material inventiveness since founding her practice in Amsterdam in 1991. Boom is the youngest laureate to receive the Gutenberg Prize for her body of work. Among her many design awards and honors is the Leipzig Book Fairs prestigious designation of Weaving as Metaphor, a book about artist Sheila Hicks, as the most beautiful book in the world. Whether by expanding her role as a designer by also acting as editor or archivist, or through experiments with paper, binding, color, typography, and image, Booms approach consistently produces books with unique visual and tactile experiences. Her varied clientele includes museums and galleries, such as the Rijksmuseum A...
For the opening-day panel discussion, artist/curator Michelle Grabner, writer Bruce Hainley, and critic Jan Verwoert join Painter Painter's co-curators Eric Crosby and Bartholomew Ryan and featured artists to talk about the exhibition as well as the broader topics of painting and abstraction today.
For its second edition, the Internet Cat Video Festival 2013 screened at the Great Minnesota Get-Together: the State Fair Grandstand. The showcase of feline hijinks included new videos, appearances by special guests and celebricats, live music, art projects, and booths hosting local animal resource nonprofits. #catvidfest
Daniel Eatock is a London-based designer known for his conceptual approach to solving traditional client problems as well as those of his own choosing. Eatock graduated from the Royal College of Art and worked as a designer at the Walker Art Center before returning to England to create Foundation 33 and most recently Eatock Ltd. His work has consistently employed a systematic but not necessarily dogmatic rigor that privileges the elemental over the extraneous—a philosophy neatly embodied in his motto: Say YES to fun & function & NO to seductive imagery & colour! His work for entertainment and cultural clients ranges from such projects as the graphic identity and promotion for the British television hit Big Brother to a street exhibition of Warhol billboards for Channel 4 to a collaboration...
Exhibition curator Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston (CAMH), is joined by contributing artists Adam Pendleton, Jacolby Satterwhite, and Xaviera Simmons for a lively conversation about the role of performance in their larger artistic practice. Moderated by Fionn Meade, Walker senior curator of cross-disciplinary platforms. Part of Radical Presence: Black Performance in Contemporary Art. http://www.walkerart.org/calendar/2014/radical-presence
Animazione digitale che descrive il Walker art center di Minneapolis progettato dagli architetti Herzog & De Meuron
A piece of art called "Scaffold" has been the center of controversy at the Walker Art Center. Full story here: http://www.kare11.com/entertainment/television/programs/breaking-the-news/local-group-calls-on-walker-to-make-things-right/444301241
08142016
walker art center
In this milestone video, we feature one of the major arts presenters in the Midwest, the Walker Art Center in Minneapolis, Minnesota. Receiving support from the NEA since 1968, the Walker is recognized internationally for its commitment to artistic innovation and community engagement. Produced for the National Endowment for the Arts 50th anniversary celebration. For more on the National Endowment for the Arts 50th anniversary, go to https://www.arts.gov/50th
Amsterdam-based Bart de Baets is a fierce formalist, an unrelenting experimenter who has developed a unique typographic attitude that has influenced designers around the world. His work spans the entire cultural sector for clients in the fields of art, music, performance, and film. A few of his clients include the Amsterdam club Paradiso, cultural centers such as W139, De Appel, AFK, and the New Institute, and film programs such as the Weight of Colour and A New Divide? De Baets is also known for his self-initiated projects, including Dark and Stormy, an ambiguous fanzine he publishes with Rustan Söderling featuring contributions from an international array of artists, and Success and Uncertainty, a poster series and publication made with Sandra Kassenaar during an artist residency in Cai...
The sculpture, created by artist Sam Durant, depicts seven historical gallows, one of which is the gallows used to execute the Dakota 38 in Mankato, Minnesota in 1862. http://kare11.tv/2r08yf0
The Minneapolis Sculpture Garden has been both a city park and an outdoor gallery for 25 years, with over 8 million visitors. The history of the land, the art and artists, and the impact of this very special park are all part of its unique story. Produced with Twin Cities Public Television.
Affordable Web hosting: http://www.bluehost.com/track/gcomercio Lottery on the blockchain: https://kiboplatform.net/usbsgood Invest in Gold or build your marketing network http://www.karatbars.com/?s=rios Social network that pays you for your activity, create your account here: http://pedrorios.futurenet.club -- https://www.genesis-mining.com/a/222501 Mine bitcoin, Zcash, Ether -- https://hashflare.io/r/9A7FDFD7 -- https://www.nicehash.com/?refby=36686 Mine Ether, bitcoins -- https://oxbtc.com/?invite=8mining88 Get 25% commission from investments. -- https://www.eobot.com/user/364683 ------------- Earn Free bitcoins (Satoshis) Best places ---------- -- http://freebitco.in/?r=1776889 Free Bitcoins every hour -- http://freedoge.co.in/?r=419499 Free Dogecoins ——————————Trading Cr...
For 75 years the Walker has been asking questions: questions posed by our artists, questions asked of ourselves, questions important to our communities—in short—the questions that shape and inspire us. Dive in to our history as a multidisciplinary art center and find out what it means to be a safe place for unsafe ideas. And make sure to check out all 75 questions as well as our upcoming anniversary events and exhibitions at www.walkerart.org/75
The Walker Art Center's 2013 Artist-Designed Mini Golf commemorated the 25th Anniversary of the Minneapolis Sculpture Garden. Photos courtesy of: Walker Art Center Special Thanks: Walker Art Center Connect with MN Original: Website: http://www.mnoriginal.org Facebook: http://www.facebook.com/mnoriginal Twitter: http://www.twitter.com/mnoriginal Instagram: http://www.instagram.com/mnoriginal Pinterest: http://www.pinterest.com/mnopins #MNOriginal
Save the date for Saturday June 3, 2017 for the opening of the renovated Minneapolis Sculpture Garden and the newly expanded Walker Art Center campus. Join us and see over 18 new artworks, a reimagined 19-acre campus, and a landmark that will be enjoyed for generations to come. Through a 30-year partnership between the Walker and the Minneapolis Park & Recreation Board, the Garden is one of the preeminent urban sculpture parks in the United States and has served as a leading model of public/private partnership, with more than nine million visitors since its opening in 1988.
Getting our walk on along the creek and at the Walker Art Center in Minneapolis.
Joe Sacco combines the techniques of eyewitness reportage with graphic storytelling to explore complex, emotionally weighted situations in some of the most volatile regions of the globe. His series Palestine set new standards for the use of the comic book as a documentary medium, and his 240-page exploration of a Muslim enclave in Serbia titled Safe Area Gorazde: The War in Eastern Bosnia 19921995 received widespread critical acclaim. Sacco is praised for the depth of his research and his sensitive handling of delicate political topics as well as his dynamic layouts and sophisticated narratives. Join him for a visual tour of his celebrated approach to comics journalism. Copresented by Rain Taxi Review of Books.
Christophe Szpajdel discusses his Walker Art Center black metal logo (2011), part of the Walker Art Center's exhibition Graphic Design: Now in Production.
Widely hailed as one of the worlds leading designers, Irma Boom has been making books of conceptual rigor, technical virtuosity, and material inventiveness since founding her practice in Amsterdam in 1991. Boom is the youngest laureate to receive the Gutenberg Prize for her body of work. Among her many design awards and honors is the Leipzig Book Fairs prestigious designation of Weaving as Metaphor, a book about artist Sheila Hicks, as the most beautiful book in the world. Whether by expanding her role as a designer by also acting as editor or archivist, or through experiments with paper, binding, color, typography, and image, Booms approach consistently produces books with unique visual and tactile experiences. Her varied clientele includes museums and galleries, such as the Rijksmuseum A...
For the opening-day panel discussion, artist/curator Michelle Grabner, writer Bruce Hainley, and critic Jan Verwoert join Painter Painter's co-curators Eric Crosby and Bartholomew Ryan and featured artists to talk about the exhibition as well as the broader topics of painting and abstraction today.
For its second edition, the Internet Cat Video Festival 2013 screened at the Great Minnesota Get-Together: the State Fair Grandstand. The showcase of feline hijinks included new videos, appearances by special guests and celebricats, live music, art projects, and booths hosting local animal resource nonprofits. #catvidfest
Daniel Eatock is a London-based designer known for his conceptual approach to solving traditional client problems as well as those of his own choosing. Eatock graduated from the Royal College of Art and worked as a designer at the Walker Art Center before returning to England to create Foundation 33 and most recently Eatock Ltd. His work has consistently employed a systematic but not necessarily dogmatic rigor that privileges the elemental over the extraneous—a philosophy neatly embodied in his motto: Say YES to fun & function & NO to seductive imagery & colour! His work for entertainment and cultural clients ranges from such projects as the graphic identity and promotion for the British television hit Big Brother to a street exhibition of Warhol billboards for Channel 4 to a collaboration...
Exhibition curator Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston (CAMH), is joined by contributing artists Adam Pendleton, Jacolby Satterwhite, and Xaviera Simmons for a lively conversation about the role of performance in their larger artistic practice. Moderated by Fionn Meade, Walker senior curator of cross-disciplinary platforms. Part of Radical Presence: Black Performance in Contemporary Art. http://www.walkerart.org/calendar/2014/radical-presence
Animazione digitale che descrive il Walker art center di Minneapolis progettato dagli architetti Herzog & De Meuron
A piece of art called "Scaffold" has been the center of controversy at the Walker Art Center. Full story here: http://www.kare11.com/entertainment/television/programs/breaking-the-news/local-group-calls-on-walker-to-make-things-right/444301241
Amsterdam-based Bart de Baets is a fierce formalist, an unrelenting experimenter who has developed a unique typographic attitude that has influenced designers around the world. His work spans the entire cultural sector for clients in the fields of art, music, performance, and film. A few of his clients include the Amsterdam club Paradiso, cultural centers such as W139, De Appel, AFK, and the New Institute, and film programs such as the Weight of Colour and A New Divide? De Baets is also known for his self-initiated projects, including Dark and Stormy, an ambiguous fanzine he publishes with Rustan Söderling featuring contributions from an international array of artists, and Success and Uncertainty, a poster series and publication made with Sandra Kassenaar during an artist residency in Cai...
The Minneapolis Sculpture Garden has been both a city park and an outdoor gallery for 25 years, with over 8 million visitors. The history of the land, the art and artists, and the impact of this very special park are all part of its unique story. Produced with Twin Cities Public Television.
Daniel Eatock is a London-based designer known for his conceptual approach to solving traditional client problems as well as those of his own choosing. Eatock graduated from the Royal College of Art and worked as a designer at the Walker Art Center before returning to England to create Foundation 33 and most recently Eatock Ltd. His work has consistently employed a systematic but not necessarily dogmatic rigor that privileges the elemental over the extraneous—a philosophy neatly embodied in his motto: Say YES to fun & function & NO to seductive imagery & colour! His work for entertainment and cultural clients ranges from such projects as the graphic identity and promotion for the British television hit Big Brother to a street exhibition of Warhol billboards for Channel 4 to a collaboration...
For the opening-day panel discussion, artist/curator Michelle Grabner, writer Bruce Hainley, and critic Jan Verwoert join Painter Painter's co-curators Eric Crosby and Bartholomew Ryan and featured artists to talk about the exhibition as well as the broader topics of painting and abstraction today.
Last summer, after writing a story for Wired magazine about people who fake their own deaths, journalist Evan Ratliff decided to vanish and invited the public to try to find him. While he attempted to stay hidden for 30 days, he was caught in 25, thanks in part to the digital breadcrumb trail he left behind. Join Peter Eleey, curator of The Talent Show, and Ratliff as they discuss data-mining, surveillance, and other ramifications of a culture awash in in information.
Dutch artist Renzo Martens (b. 1973), who lives and works in Brussels and Kinshasa, is known for his satirical and disturbing video documentaries in which he travels to war-torn countries and places himself narcissistically at the center of the action, demonstrating how Western spectators consume distant trauma. In 2012, Martens helped found the Institute for Human Activities and initiated its five-year Gentrification Program.
Exhibition curator Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston (CAMH), is joined by contributing artists Adam Pendleton, Jacolby Satterwhite, and Xaviera Simmons for a lively conversation about the role of performance in their larger artistic practice. Moderated by Fionn Meade, Walker senior curator of cross-disciplinary platforms. Part of Radical Presence: Black Performance in Contemporary Art. http://www.walkerart.org/calendar/2014/radical-presence
The High Line in New York City opened last summer to critical and public acclaim. One of the most unusual and stunning new public parks in recent decades, this abandoned elevated railway running through lower Manhattan has been transformed into a public pedestrian greenway. Designed by James Corner Field Operations, with Lisa Tziona Switkin serving as lead designer, as well as architects Diller Scofidio + Renfro, this remarkable urban transformation was spearheaded in 1999 by Robert Hammond and Joshua David, two residents of the High Line's Chelsea neighborhood.
LA-based designer Geoff McFetridge is a leading figure in the contemporary realm of graphic culture, working fluidly between the realms of art and design and the printed page and the moving image. Featured in the film and exhibition Beautiful Losers, McFetridge's clever and engaging art has graced nearly every kind of surface imaginable—from limited-edition Nike sneakers and his own line of silkscreened wallpapers to laser-etched illustrations on toast for a music video by OK Go. His work has been shown around the world in cities such as London, Paris, Tokyo, Berlin, New York, Los Angeles, and Amsterdam and he was featured in the Walker exhibition Graphic Design: Now in Production. His Insights lecture also celebrates the installation of a temporary site-specific mural he created for the W...
Hear from executive Director at the Walker Art Centre in Minneapolis, Olga Viso as she discusses new art, community engagement and the art museum today as a catalyst for artists and audiences. Under Viso’s leadership, innovative programs have transformed perceptions of new art and generated exceptional community engagement with the Centre, now a world leader in contemporary art museum outreach strategies. This talk was given at MCA 12 March, 2015.
Joe Sacco combines the techniques of eyewitness reportage with graphic storytelling to explore complex, emotionally weighted situations in some of the most volatile regions of the globe. His series Palestine set new standards for the use of the comic book as a documentary medium, and his 240-page exploration of a Muslim enclave in Serbia titled Safe Area Gorazde: The War in Eastern Bosnia 19921995 received widespread critical acclaim. Sacco is praised for the depth of his research and his sensitive handling of delicate political topics as well as his dynamic layouts and sophisticated narratives. Join him for a visual tour of his celebrated approach to comics journalism. Copresented by Rain Taxi Review of Books.
Peter Buchanan-Smith is a New Yorkbased designer, author, and entrepreneur whose career has included designing book jackets for Farrar, Strauss, and Giroux; art direction of the New York Times Op-Ed page; creative direction for Paper magazine; and work for fashion icon Isaac Mizrahi, musical legends David Byrne, Brian Eno, Philip Glass, and the band Wilco. He is the author of several books, including The Wilco Book, and he has collaborated on many others, including Strunk and Whites classic The Elements of Style with illustrator Maira Kalman, and Muhammad Ali by Magnum Photographers. His first tome, Speck: A Curious Collection of Uncommon Things—which originated as a thesis project at the School of Visual Arts, where he also teaches—explores the fascinating lives of ordinary people and com...
Widely hailed as one of the worlds leading designers, Irma Boom has been making books of conceptual rigor, technical virtuosity, and material inventiveness since founding her practice in Amsterdam in 1991. Boom is the youngest laureate to receive the Gutenberg Prize for her body of work. Among her many design awards and honors is the Leipzig Book Fairs prestigious designation of Weaving as Metaphor, a book about artist Sheila Hicks, as the most beautiful book in the world. Whether by expanding her role as a designer by also acting as editor or archivist, or through experiments with paper, binding, color, typography, and image, Booms approach consistently produces books with unique visual and tactile experiences. Her varied clientele includes museums and galleries, such as the Rijksmuseum A...
A Tank on a Pedestal: Museums in an Age of Planetary Civil War A tank on a pedestal. Fumes are rising from the engine. A Soviet battle tank— called IS–3 for Joseph Stalin—is being repurposed by a group of pro–Russian separatists in Konstantinovka, Eastern Ukraine. It is driven off a WWII memorial pedestal and promptly goes to war. According to a local militia, it “attacked a checkpoint in Ulyanovka, Krasnoarmeysk district, resulting in three dead and three wounded on the Ukrainian side, and no losses on our side.” One might think that the active historical role of a tank would be over once it became part of a historical display. But this pedestal seems to have acted as temporary storage from which the tank could be redeployed directly into battle. Apparently, the way into the museum—or e...
The Art Museum and Its Discontents There is a long history of discontent regarding art museums. And this discontent could be related to the main promise of the museum: to protect artworks. In response to this promise, people usually think that there is 1.) too much protection for art; and 2.) not enough protection for art. Most often, these two responses become intertwined. Though this may seem paradoxical, the art museum is nonetheless regularly criticized for being simultaneously too protective and not protective enough.
http://calendar.walkerart.org/event.wac?id=4897 Process Type Foundry has quickly become one of the most sought-after type foundries in the United States. Created in 2002 by Eric Olson, the company is known for its unique contemporary typefaces, extensive extended character sets, and custom commissioned work. Its early font releases included the rounded sans serif Bryant, the quirky modular FIG Script, and Locator & Locator Display, a type family designed to represent the Twin Cities. Klavika, released in 2004, has become the foundrys most popular typeface to date, appearing in everything from the Facebook logo to NBCs on-air graphics and magazines such as Blender and Architecture MN. Process Type Foundry has worked with clients such as the New York Times Magazine, Thomson-Reuters, and C...
New Circuits: Curating Contemporary Performance Artist Conversation Speakers: Maria Hassabi with Aram Moshayedi (Hammer Museum) This artist conversation was presented as part of New Circuits: Curating Contemporary Performance, an invitational curatorial research convening focused on pressing areas of inquiry facing the field of curating contemporary performance. New Circuits was held at the Walker Art Center September 28 and 29, 2015, and was made possible by a curatorial fellowship grant from The Andy Warhol Foundation for the Visual Arts.
K-HOLE exists in multiple states at once: it is both a publication and a collective; it is both an artistic practice and a consulting firm; it is both critical and unapologetically earnest. Its five members come from backgrounds as varied as brand strategy, fine art, web development, and fashion, and together they have released a series of fascinating PDF publications modeled upon corporate trend forecasting reports. These documents appropriate the visuals of PowerPoint, stock photography, and advertising and exploit the inherent poetry in the purposefully vague aphorisms of corporate brand-speak. Ultimately, K-HOLE aspires to utilize the language of trend forecasting to discuss sociopolitical topics in depth, exploring the capitalist landscape of advertising and marketing in a critical bu...
Although he makes his home in Portland, Oregon, Aaron Draplin is more a product of being born, raised, and educated in the Midwest. A native of Detroit, he studied graphic design at the Minneapolis College of Art and Design before heading out west to work as art director of Snowboarder magazine. He founded Draplin Design Company (DDC) in 2004, producing a wide range of award-winning projects and developing products for businesses such as Coal Headwear; board designs for Ride, Forum, and Gnu; conceiving Field Notes journals with Coudal Partners in Chicago; and the array of merchandise for the DDC brand enterprise. Draplin's iconic forms and bold designs are steeped in a no-nonsense Midwestern vernacular and work ethic. They project an authenticity and attitude that seems inseparable from hi...