Videodrome is a 1983 Canadian science fiction film written and directed by David Cronenberg, starring James Woods, Sonja Smits, and Deborah Harry.
Set in Toronto in the early 1980s, it follows the CEO of a small television station who discovers a broadcast signal featuring extreme violence and torture. Layers of deception unfold as he uncovers the signal's source and loses touch with reality in a series of increasingly bizarre and violent hallucinations.
Max Renn (Woods) is the president of CIVIC-TV, a UHF television station in Toronto that specializes in sensationalistic programming. Displeased with his station's current lineup, Max is looking for something that will break through to a new audience. One morning, he is summoned to the clandestine office of Harlan (Peter Dvorsky), who operates CIVIC-TV's pirate satellite dish which can intercept international broadcasts. Harlan shows him Videodrome, a plotless show apparently being broadcast out of Malaysia which depicts the brutal torture and murder of anonymous victims in a reddish-orange chamber. Believing this to be the future of television (seemingly staged snuff TV), Max orders Harlan to begin pirating the program.
Videodrome is the official soundtrack album of the 1983 Canadian science fiction horror film Videodrome. While the film's score was composed by Howard Shore, a close friend of the Director David Cronenberg, the album was remixed for individual release by the record label Varèse Sarabande. The new mix was done by Scot Holton who chose to emphasize many of the elements of the score differently from in the original film.
The soundtrack was released on vinyl in 1982 by Varèse Sarabande, and subsequently re-released on CD in 1998. It is currently out of print.
Videodrome was the third film of Cronenberg's to be scored by Howard Shore. For the recording, Shore used dramatic orchestral music that increasingly incorporated, and eventually emphasized, electronic instrumentation. This was designed to follow the protagonist Max Renn's descent into video hallucinations. In order to achieve this, Shore composed the entire score for an orchestra before programming it into a Synclavier II digital synthesizer. The rendered score, taken from the Synclavier II, was then recorded being played in tandem with a small string section. The resulting sound was a subtle blend that often made it difficult to tell which sounds were real and which were synthesized.
Nothing to lose, nothing to gain
I've the choices of all I can change
There's something more in us
I can't explain
We walk side by side
And it's not in vain
I'm in the voodoo dream
Opening my senses
I am in endless fields
Of disturbances
Can feel this voodoo dream
Covering my skin
It's like an awakening
I feel so pure, so clean
Make my senses not control my pain
Make my heart bleed and let's turn the page
Take this sickness out of me
Make me breathe again
Cause sometimes I feel so weird
But we're just the same
I'm in the voodoo dream
Opening my senses
I am in endless fields
Of disturbances
Can feel this voodoo dream
Covering my skin
It's like an awakening
Videodrome is a 1983 Canadian science fiction film written and directed by David Cronenberg, starring James Woods, Sonja Smits, and Deborah Harry.
Set in Toronto in the early 1980s, it follows the CEO of a small television station who discovers a broadcast signal featuring extreme violence and torture. Layers of deception unfold as he uncovers the signal's source and loses touch with reality in a series of increasingly bizarre and violent hallucinations.
Max Renn (Woods) is the president of CIVIC-TV, a UHF television station in Toronto that specializes in sensationalistic programming. Displeased with his station's current lineup, Max is looking for something that will break through to a new audience. One morning, he is summoned to the clandestine office of Harlan (Peter Dvorsky), who operates CIVIC-TV's pirate satellite dish which can intercept international broadcasts. Harlan shows him Videodrome, a plotless show apparently being broadcast out of Malaysia which depicts the brutal torture and murder of anonymous victims in a reddish-orange chamber. Believing this to be the future of television (seemingly staged snuff TV), Max orders Harlan to begin pirating the program.
The Jerusalem Post | 27 Nov 2020
Russia Today | 27 Nov 2020
The Guardian | 27 Nov 2020
The Independent | 27 Nov 2020
The National | 27 Nov 2020
The Independent | 27 Nov 2020
CNN | 28 Nov 2020
WorldNews.com | 27 Nov 2020
The Los Angeles Times | 27 Nov 2020