Rest of My Life

Rest of My Life or The Rest of My Life may refer to:

See also

Rollin' Stoned

Rollin' Stoned is the fifth official album from Orange County, CA, Hip-hop group the Kottonmouth Kings on October 8, 2002. Combining rap, punk rock, reggae, and alternative rock (often all in the same song), Rollin' Stoned is perhaps the Kings' most musically diverse album to date.

The album peaked at #51 on the Billboard 200 chart during the week of October 26, 2002.

Track listing

All songs were written by Kottonmouth Kings, except: "Full Throttle," "Positive Vibes," "Zero Tolerance," "Sub-Noize Rats," "Built To Last," and "Soul Surfin" which were written by both the Kottonmouth Kings and Doug Carrion.

Credits

Chart positions

References

Rest of My Life (Unwritten Law song)

"Rest of My Life" is a song by the San Diego-based rock band Unwritten Law. It originally appeared on their 2001 album Elva, but this version was not released as a single and did not chart. An alternate recording from their 2003 live acoustic album Music in High Places did chart, reaching #16 on Billboard's Modern Rock Tracks chart.

Personnel

Band

Production

References

External links

Róg

Róg may refer to:

RG

RG, Rg or rg may stand for any of the following things:

Military

Persons

Places

Science and technology

Raga

A raga or raag (literally "color, hue" but also "beauty, melody"; also spelled raaga, ragam; pronounced rāga, or rāgam or "raag") is one of the melodic modes used in Indian classical music.

A raga uses a series of five to nine musical notes upon which a melody is constructed. However, the way the notes are approached and rendered in musical phrases and the mood they convey are more important in defining a raga than the notes themselves. In the Indian musical tradition, rāgas are associated with different times of the day, or with seasons. Indian classical music is always set in a rāga. Non-classical music such as popular Indian film songs and ghazals sometimes use rāgas in their compositions.

Joep Bor of the Rotterdam Conservatory of Music defined Raga as "tonal framework for composition and improvisation."Nazir Jairazbhoy, chairman of UCLA's department of ethnomusicology, characterized ragas as separated by scale, line of ascent and descent, transilience, emphasized notes and register, and intonation and ornaments.Pandit Jasraj describes the meaning of Raga as "love".