Pop music

Pop music (a term that derives from "popular") is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular (and can include any style).

Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks.

Definitions

David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk musics". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately. Thus "pop music" may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.

Mainstream Top 40

Mainstream Top 40 (also called Pop Songs on billboard.com and sometimes referred to as Top 40/CHR) is a 40-song music chart published weekly by Billboard Magazine which ranks the most popular songs being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems (Nielsen BDS). Arbitron refers to the format as contemporary hit radio (CHR).

History

The chart debuted in Billboard Magazine in its issued date October 3, 1992, with the introduction of two Top 40 airplay charts, Mainstream and Rhythm-Crossover. Both Top 40 charts measured "actual monitored airplay" from data compiled by Broadcast Data Systems (BDS). The Top 40/Mainstream chart was compiled from airplay on radio stations playing a wide variety of music, while the Top 40/Rhythm-Crossover chart was made up from airplay on stations playing more dance and R&B music. Both charts were "born of then-new BDS electronic monitoring technology" as a more objective and precise way of measuring airplay on radio stations. This data was also used as the airplay component for Hot 100 tabulations.

Justin Bieber

Justin Drew Bieber (/ˈbiːbər/; born March 1, 1994) is a Canadian singer, songwriter, and record producer. Bieber released his debut EP, My World, in late 2009. It was certified platinum in the U.S. He became the first artist to have seven songs from a debut record chart on the Billboard Hot 100. Bieber released his first full-length studio album, My World 2.0, in 2010. It debuted at or near number one in several countries and was certified triple platinum in the U.S. It was preceded by his most successful single to date, "Baby".

Following his debut album, he had his first headlining tour, the My World Tour, released the remix albums My Worlds Acoustic and Never Say Never – The Remixes -- and the 3D biopic-concert film Justin Bieber: Never Say Never. He released his second studio album, Under the Mistletoe, in November 2011, when it debuted at number one on the Billboard 200. Bieber released his third studio album, Believe, in 2012. His fourth studio album Purpose was released in November 2015. His U.S. album and singles sales total 44.7 million.

Little Britain

Little Britain is a British character-based comedy sketch show which was first broadcast on BBC radio and then turned into a television show. It was written and performed by comic duo David Walliams and Matt Lucas. The show's title is an amalgamation of the terms 'Little England' and 'Great Britain', and is also the name of a Victorian neighbourhood and a modern street in London.

The show comprised sketches involving exaggerated parodies of British people from all walks of life in various situations familiar to the British people. These sketches were presented to the viewer together with narration in a manner which suggested that the programme is a guide—aimed at non-British people—to the ways of life of various classes of British society. Despite the narrator's description of great British institutions, the comedy is derived from the British audience's self-deprecating understanding of either themselves or people known to them. The show was also a huge ratings success, receiving 9.5 million viewers after moving to BBC One in 2005.

Pop

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