- published: 06 May 2017
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Florine Stettheimer (August 29, 1871 – May 11, 1944) was an American painter, designer, and poet.
Stettheimer preferred to restrict showing her work to a more private audience as opposed to exhibiting publicly. With her sisters, Carrie and Ettie, she hosted a salon for modernists in Manhattan, which included Marcel Duchamp, Henry McBride, and Georgia O'Keeffe, and she confined most exhibitions of her own work to these gatherings; occasionally Florine also submitted work to the Society of Independent Artists. Florine also shared original poems in her salons, and a book of her work, entitled Crystal Flowers, was published privately and posthumously by her sister, Ettie Stettheimer, in 1949; it was reissued to acclaim in 2010.
Florine was born in Rochester, New York to Rosetta Walter and Joseph Stettheimer, a family of wealthy German-Jewish ancestry. Her father, a banker, left the family before the children were grown. She was the fourth of five children: Walter, Stella, Carrie, Florine, and Ettie. After Walter and Stella married, the three youngest children were raised in a close relationship with their mother, who adopted an epicurean way of life. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland.
A Jewish museum is a museum which focuses upon Jewish people and may refer seek to explore and share the Jewish experience in a given area.
Notable Jewish museums include:
New York is a state in the Northeastern United States and is the United States' 27th-most extensive, fourth-most populous, and seventh-most densely populated state. New York is bordered by New Jersey and Pennsylvania to the south and Connecticut, Massachusetts, and Vermont to the east. The state has a maritime border in the Atlantic Ocean with Rhode Island, east of Long Island, as well as an international border with the Canadian provinces of Quebec to the north and Ontario to the west and north. The state of New York, with an estimated 19.8 million residents in 2015, is often referred to as New York State to distinguish it from New York City, the state's most populous city and its economic hub.
With an estimated population of nearly 8.5 million in 2014, New York City is the most populous city in the United States and the premier gateway for legal immigration to the United States. The New York City Metropolitan Area is one of the most populous urban agglomerations in the world. New York City is a global city, exerting a significant impact upon commerce, finance, media, art, fashion, research, technology, education, and entertainment, its fast pace defining the term New York minute. The home of the United Nations Headquarters, New York City is an important center for international diplomacy and has been described as the cultural and financial capital of the world, as well as the world's most economically powerful city. New York City makes up over 40% of the population of New York State. Two-thirds of the state's population lives in the New York City Metropolitan Area, and nearly 40% live on Long Island. Both the state and New York City were named for the 17th century Duke of York, future King James II of England. The next four most populous cities in the state are Buffalo, Rochester, Yonkers, and Syracuse, while the state capital is Albany.
Asbury Park is a city in Monmouth County, New Jersey, United States, located on the Jersey Shore and part of the New York City Metropolitan Area. As of the 2010 United States Census, the city's population was 16,116, reflecting a decline of 814 (−4.8%) from the 16,930 counted in the 2000 Census, which had in turn increased by 131 (+0.8%) from the 16,799 counted in the 1990 Census.
It was ranked the sixth-best beach in New Jersey in the 2008 Top 10 Beaches Contest sponsored by the New Jersey Marine Sciences Consortium.
Asbury Park was originally incorporated as a borough by an act of the New Jersey Legislature on March 26, 1874, from portions of Ocean Township. The borough was reincorporated on February 28, 1893. Asbury Park was incorporated as a city, its current type of government, as of March 25, 1897.
A seaside community, Asbury Park is located on New Jersey's central coast. Developed in 1871 as a residential resort by New York brush manufacturer James A. Bradley, the city was named for Francis Asbury, the first American bishop of the Methodist Episcopal Church in the United States.
The Inside may refer to:
Florine Stettheimer: Painting Poetry at THE JEWISH MUSEUM
Salon | Art History Today | Florine Stettheimer (1871 -- 1944)
This Is How We Do It: Florine Stettheimer at the Jewish Museum
Canopies and Confections: The Inside and Outside of Florine Stettheimer's Art
Florine Stettheimer's Asbury Park South; A New Exploration
The Artist Project: Joan Snyder
Artist Talk: Dan Gluibizzi (full talk)
FLORINE STETTHEIMER & SOPHIE HUNGER
The Jewish Museum Florine Stettheimer
Canopies and Confections: The Inside and Outside of Florine Stettheimer's Art
Misunderstood 1
Four Saints In Three Acts
The Life and Art of Florine Stettheimer
Florine Stettheimer at The Jewish Museum in NYC 2017
Tim Stettheimer
Armory Show Art Fair, 2017 New York
Tim Stettheimer Accepts the Ice Bucket Challenge!
FLorine Stettheimer en Ha´Omán, Radio Sefarad
Lauren Goldberg '11 on "Natatorium Undine"
Artist Talk: Dan Gluibizzi (highlights)
James Kalm makes an early morning bike ride from his Red Hook Brooklyn studio to the very top of Manhattan’s Museum Mile to visit the press preview of “Florine Stettheimer: Painting Poetry” at the Jewish Museum. This is the first major retrospective of the artist in twenty years and features over fifty paintings, along with drawings, photographs and theater designs. Stettheimer (1871-1944) was one of four children of affluent Jewish parents, a well schooled painter, and a proto-feminist artist. Though born in upstate New York, Florine spent most of her formative years living and studying art in the capitals of Europe. With the outbreak of WWI the Stettheimers returned to New York and established a salon on the Upper East Side. Through her involvement in the art world Stettheimer came i...
Art History Today | Florine Stettheimer (1871 -- 1944) Jutta Koether, Artist, New York; Nick Mauss, Artist, New York, in conversation with Matthias Mühling, Director, Städtische Galerie im Lenbachhaus und Kunstbau, Munich
Learn more at http://TheJewishMuseum.org/FlorineStettheimer Stephen Brown, Neubauer Family Foundation Associate Curator of the Jewish Museum, speaks about the process of organizing the exhibition Florine Stettheimer: Painting Poetry, on view May 5 - September 24, 2017.
Bland_ARTH240_Film
Stettheimer expert and art historian Barbara Bloemink provides the first full exploration of the imagery and context of Florine Stettheimer's highly important 1920 painting ASBURY PARK SOUTH. Asbury Park South is a highly significant painting as it is one of the earliest paintings in the 20th century of middle-class African-Americans shown in their own context by a Caucasian American artist. The painting demonstrates how innovative and open-minded Stettheimer was, during a period of the aggressive enforcement of Jim Crow segregation laws, to choose to paint African-Americans in the same manner and style as she painted herself, her family and friends. Particularly as concurrently virtually all other depictions of black figures by white artists were highly stereotyped caricatures. Stetthei...
Joan Snyder on Florine Stettheimer's Cathedrals paintings "She had almost a cinematic sensibility. She wanted to tell the whole story." The Artist Project is an online series in which artists respond to works of art in The Met’s encyclopedic collection. Now available as a book published by Phaidon in cooperation with The Metropolitan Museum of Art. Purchase a copy: http://store.metmuseum.org/art-history+reference/the-artist-project-what-artists-see-when-they-look-at-art/invt/80037399 http://www.metmuseum.org/ArtistProject/joan-snyder
In the June 2015 Artist Talk, Dan Gluibizzi discusses "Portrait of My Teacher, Fräulein Sophie von Prieser" (1929), by Florine Stettheimer (American, 1871-1944). Recorded June 18, 2015, at the Portland Art Museum.
FLORINE STETTHEIMER (1871-1944)
Florine Stettheimer ARTH 240 Bland
Footage from a 1934 Broadway adaptation of Gertrude Stein's novel. The all-black production featured music by Virgil Thomson and costumes by Florine Stettheimer.
This video give you a tour of the Florine Stettheimer exhibition at The Jewish Museum in New York City, right before it travels to Toronto to be shown at the Art Gallery of Ontario.
James Kalm has been visiting art fairs since late in the last millennium, and bringing viewers along for video tours since 2006. As a hardcore art head, your correspondent enjoys looking at, visiting, and talking about art in all its variations. With local temperatures dropping into the low twenties, and pedaling into twenty-five mile an hour headwind, by the time James Kalm arrived at the West Side piers he was almost frozen, and it was nearly 7:00 pm, leaving less than an hour for the tour. Regardless, this high speed stroll brings viewers a taste of the happenings, and some views of noteworthy presentations, including: Thomas Kiesewetter at Sies + Höke, Düsseldorf, Rico Gatson at Ronald Feldman, Brad Kahlhamer at Jack Shainman Gallery, Hank Willis Thomas at Ben Brown Fine Arts and Je...
Ice Bucket Challenge for ALS and for his dear friend Joey Murray! Thanks to CHIME CEO Russ Branzell for this one!
La gran pintora y socialité norteamericana, modernista y olvidada, centro de atención de una exposición en el Museo Judío de N.Y:
Lauren Goldberg '11, a student docent at the Art Center, gives us a tour of Florine Stettheimer's fantasy world, Natatorium Undine. Frances Lehman Loeb Art Center, Vassar College
In the June 2015 Artist Talk, Dan Gluibizzi discusses "Portrait of My Teacher, Fräulein Sophie von Prieser" (1929), by Florine Stettheimer (American, 1871-1944). Recorded June 18, 2015, at the Portland Art Museum.
Art History Today | Florine Stettheimer (1871 -- 1944) Jutta Koether, Artist, New York; Nick Mauss, Artist, New York, in conversation with Matthias Mühling, Director, Städtische Galerie im Lenbachhaus und Kunstbau, Munich
James Kalm makes an early morning bike ride from his Red Hook Brooklyn studio to the very top of Manhattan’s Museum Mile to visit the press preview of “Florine Stettheimer: Painting Poetry” at the Jewish Museum. This is the first major retrospective of the artist in twenty years and features over fifty paintings, along with drawings, photographs and theater designs. Stettheimer (1871-1944) was one of four children of affluent Jewish parents, a well schooled painter, and a proto-feminist artist. Though born in upstate New York, Florine spent most of her formative years living and studying art in the capitals of Europe. With the outbreak of WWI the Stettheimers returned to New York and established a salon on the Upper East Side. Through her involvement in the art world Stettheimer came i...
Podiumsgespräch mit Karin Althaus, Kerstin Brätsch und Stephan Dillemuth Moderation: Dominikus Müller, frieze d/e Seit den 1990er Jahren nimmt eine jüngere Generation von Künstlern und Künstlerinnen verstärkt Bezug auf das Werk von Florine Stettheimer. Die Malerin, Dichterin und New Yorker „Socialite“ bewegte sich in der ersten Hälfte des 20. Jahrhunderts in einem illustren Kreis Kulturschaffender, die sie regelmäßig in ihren Salon einlud und oft direkt ins Bild setzte. Ausgehend von ihrem Werk und seiner erneuten Relevanz diskutiert frieze d/e-Redakteur Dominikus Müller mit Karin Althaus, Kuratorin am Lenbachhaus (bis Anfang Januar 2015 ist dort die Ausstellung „Florine Stettheimer“ zu sehen), sowie den Künstlern Kerstin Brätsch und Stephan Dillemuth über Hommagen, Wahlverwandtschaften u...
An interview with Amy Zinck on the origins of the Terra Foundation, its founder, Daniel Terra and the collection. Chicago, U.S.A. New interview from World Art Foundations (WAF TV) : The Terra Foundation has been undergoing major changes since 2004 and is now concentrating on creating global dialogues via their collections all over the world by initiating, collaborating and supporting exhibitions, research and educational programs. Check this : https://www.worldartfoundations.com/interview-terra-foundation-part-one/ Let's Watch the second part : https://www.youtube.com/watch?v=FEDgTDeChtc As Mrs Zinck stresses in this interview, art has the potential both to distinguish cultures and to unite them. The current exhibition ‘Picturing the Americas: Landscape Painting from Tierra del Fuego...
This panel offers a frank conversation about the unique and essential relationship between artists and their galleries. Egyptian artist Wael Shawky and gallerist Andrée Sfeir-Semler, with locations in both Beirut and Hamburg, discuss how they work together, if/how their working relationship has changed over time, what they have learned from each other and their plans for the future. Wael Shawky, Artist, Alexandria, in conversation with Andrée Sfeir-Semler, Director, Sfeir-Semler Gallery, Hamburg/Beirut Date: Saturday, June 20, 2015, 10am to 11:30am Filmed on site at Art Basel in Basel 2015
Art History | 100 Years of Readymade Anne-Marie Bonnet, Professor of Art History at the University of Bonn; Thomas Girst, Author of The Duchamp Dictionary and Head of Cultural Engagement, BMW Group, Munich; Mathieu Mercier, Artist, Paris
lux interior 2009 by jutta koether at reena spaulings
Talk | Revolt of Language with Marcel Broodthaers Marie-Puck Broodthaers, Editor of Marcel Broodthaers, Livre d'images, Basel; Jan Verwoert, Critic and Curator, Berlin; Søren Grammel, Director, Museum für Gegenwartskunst, Basel
Artistic Practice | The Artist as Choreographer Alexandra Bachzetsis, Artist and Choreographer, Basel; Yve Laris Cohen, Artist and Choreographer, New York; Xavier Le Roy, Dancer and Choreographer, Paris; Isabel Lewis, Dancer and Artist, Berlin Moderator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London This panel focuses on artists engaged in the field of dance and choreography. Conceived by Hans Ulrich Obrist, this is the eighth installment in the series entitled 'Artistic Practice', following 'The Artist as School Maker', 'The Artist as Urbanist', 'The Artist as Poet', 'The Artist as Activist', 'The Artist as Musician', 'The Artist as Farmer' and 'The Artist as Technologist'. Date: Friday June 20, 2014 | 10am to 11am
Book Presentation | Xu Zhen Philip Tinari, Director, Ullens Center for Contemporary Art, Beijing, in conversation with Christopher Moore, Writer and Publisher and Co-Founder of Randian-online and Daniel Szehin Ho, Critic, Editor and Co-Founder of Randian-online; Li Zhenhua, Curator, Beijing/Zurich.
James Kalm visits the Drawing Center, one of SoHo’s stalwart institutions, to bring viewers glimpses of this, the first museum show of the work of Cecily Brown. “Rehearsal” presents about eighty drawings and sketchbooks with additional large format mixed media pieces that extend the idea of work on paper to the brink of traditional painting. As a prolific drafts-person, Brown is an image magpie, collecting and reusing subjects and influences form Hieronymus Bosch, and Pieter Bruege, William Hogarth to Edgar Degas, all are master draftsmen, and added to the mélange. These images are then infused into a loose mix of Abstract Expressionist brushwork and gesture to create a unique take which never quite coalesces into a coherent example of ether contemporary figuration or painterly abstra...
James Kalm has on occasions presented what he feels are "historical" exhibitions. But nothing could fit that category more precisely than "Willem de Kooming a Retrospective at MoMA". Billed as the most complete survey of this heroic artist's career ever presented, this exhibition is a once in a life time chance to see its full breadth. Part one features pieces from de Kooning's student years to 1950, what is considered his "break through year". Organized by John Elderfield, Chief Curator Emeritus of Painting and Sculpture.
James Kalm takes viewers on a strolling tour of New Paintings by the recognized German master, Markus Lüpertz. This outing presents over two dozen paintings from the past two years featuring the painter’s engagement with the Neo-Classic tradition. With a glancing nod to artists such as Nicolas Poussin, Pierre Puvis de Chavannes, and Hans von Marées, Lüpertz simultaneously expresses a sense of “the anxiety of influence”, and also a transgressive response byway of primitive parody. Now in his mid seventies, the artist still maintains a heroic stance as a unique individual craftsman and aesthetic shaman. These subdued works are presented in rustic artist made frames and include paintings on collage, chipboard and corrugated cardboard, and harkens back to Lüpertz’s rugged early works of th...
James Kalm has been bumping into David Humphrey for decades, and he’s pleased to have finally gotten a chance to bring viewers footage of Dave’s latest offering, “I’m Glad We Had This Conversation”. Using a vocabulary of graphic means and tropes, Humphrey layers fragments of imagery and painted gesture into an amalgam that balances delicately between Neo-Surrealist narrative, Pop Art cartoon, and Abstract Expressionism. Viewers are presented with domestic scenes, like shopping, or a man resting while recharging a cell phone, but the picture’s content must be deciphers through a contemporary visual index. A musical introduction is provided by Melissa Elledge. This program was recorded Jan 19, 2017 in Chelsea, New York.
Artist Talk | Unlimited: Turning Space Into Place Sam Falls, Artist, Los Angeles; Gavin Kenyon, Artist, New York; Nick Mauss, Artist, New York; Alex Prager, Artist, Los Angeles Moderator: Gianni Jetzer, Critic and Curator of Art Basel's Unlimited sector
James Kalm enjoys watching the careers of painters as they develop over time. For decades now, Cary Smith has maintained an austere compositional approach to abstraction, developing themes that he expounds on as if they were Euclidian axioms. Though this might sound dry and overly intellectual, Smith is also a sensitive and playful colorist, and by combining these two impulses, his works can perform a delicate balancing act between the cerebral and the whimsical. Smith gives viewers a brief explanation on the use of color, his technical practice, and the construction of composition. This program was recorded October 19, 2017, in Chelsea.
LA-based painter Rosson Crow presents her first New York show in years, this one a "spatial conversation" with the work of the late Florine Stettheimer. Expect wild interors and a boundary-pushing mixed-media approach.
The Artist and the Curator | El Anatsui El Anatsui, Artist, Nsukka, Nigeria; Yvette Mutumba, Co-Initiator, C& and Curator, Weltkulturenmuseum, Frankfurt; Bisi Silva, Founding Director of Centre for Contemporary Art, Lagos, Nigeria
Matthew Affron, The Muriel & Philip Berman Curator of Modern Art, Philadelphia Museum of Art; Dr. Jérôme Neutres, Curator and Writer, Special Advisor to the president of the Réunion des Musées Nationaux-Grand Palais and a board member of the Guimet Museum, Paris; Jean-Jacques Neuer, International Art Lawyer and representative of the Constantin Brancusi Estate Filmed on site at Art Basel in Miami Beach, Friday, December 6, 2013