GLISSÉ AMOUREUX
CAMILLE HERVOUET, GRÉGORY VALTONSELF-PUBLISHED
FRANCE, NANTES. 2017
@glisseamoureuxWEBSITE - MAIL - LINK TO ZINE
THE POND is a zine by Rose Turtle Ertler in collaboration with Mohammad Ali Maleki, who has been detained illegally on Manus Island for over four and a half years.
All money from sales of the zine will go to Gifts for Manus and Nauru.
More info here: giftsformanusandnauru.org.au
You can get the zine from us, or order here:
www.roseturtleertler.com/the-pond
I used to go to all of New Zealand’s annual zinefests, but now that there’s six of them (!?!?) I only go to my hometown zinefests - Hamilton/Wellington, and one other, in strict rotation. I’m weird like that, just ask my friends.
Last time I was here (2013) I was in a lonely hotel on the edge of Cathedral Square, telling the assembled locals to go zine, cos it was one of the best cultural vehicles for a city lacking infrastructure. Christchurch (Ōtautahi) was post-quake. Christchurch is still post-quake, just a little less so.
This time round I’m staying with friend, artist, musician and Content Manager at inde radio station RDU - Gemma Syme. I slept on Gemma’s coach, until drunken friends and flatmates woke me with their banter and late-night fry-up. I listened to the drunken Pakeha boys try and argue their iwi (tribal) status with the Māori girls. What, with the sleeping bag over my head, I totally missed that one of the boys in question was friend and zinester Spencer Hall. Once they’d left I got up and checked they’d turned the oven off. Those, “don’t drink and fry” ads, ya know?
I see nobody from Christchurch Zinefest 2013 at the 2017 event. This must be a completely new local zine spasm. However, Christchurch’s ongoing love of the risograph and the influence of designer/art school lecturer Luke Wood are still present, extended by Jane Maloney’s riso press (M/K Press Ltd) and her pre-Zinefest riso-zine workshops.
Christchurch Art Centre are providing this space by virtue of the fact that they have a zinester in their ranks - Louise Sutherland. Otherwise, Alice Bush is the primary organizer of this year’s event.
Louise’s zines precede her. She be the author of the wonderful Coaster Frenzy, here today for just “$1 or swaps”. Alice and I gush our respective roller coaster stories at the Coaster Frenzy author. Alice has the world’s highest rollercoaster under her belt. I have the world’s highest vertical-drop rollercoaster under mine, which is surprising, I HATE heights. I launch into the Dead Kennedy’s rollercoaster disaster anthem Funland at the Beach, and later kick myself for the inappropriateness of that song in the context of post-quake Christchurch!!!
Louise says she feels privileged to have been part of the Christchurch rebuild, “It’s a moment in history. How many of those do we get to share.” Louise contends that Christchurch art and music have benefitted from the quakes; that a formerly closed scene, full of hierarchies, is now open to all players. That’s very ziney. It’s a sentiment echoed in issue two of the riso music journal Cheap Thrills (at Zinefest with editor - Erin Kimber). In the opening article - On the Value of Music - Matt Scobie writes, “I believe these events allowed or encouraged us to break free of the shackles of competitive individualism driven by exchange values and start acknowledging the importance of seeing the Ōtautahi music community as a synergetic whole…”
Hey, there’s Cameron from riso design journal Strips Club. His Strips Club collaborator’s moved to Berlin. Maybe there won’t be another volume of Strips Club. “Awe, do a White Fungus.” I encourage. “Berlin/Chch to their Taiwan/Wellington. Interview White Fungus’s Hanson brothers.” We talk politics, voting patterns, Winston Peters, the “king-maker” in post-election New Zealand. Cameron tells me about the massive Justice Building, that cynically opened for election season photo ops with members of the incumbent National party, closing again for ongoing construction as soon as the polling booths were shut.
I do the stall-holder circuit, it probably takes about an hour to get a reasonable handle on the qualities of the various zines on offer. All the zinesters are doing the same thing; doing the whole circuit before deciding how to spend their budget of $5, $10, or $20. I spend every cent that I make in sales of my own zine - Incredibly Hot Sex with Hideous People. I get all zinesters to sign their work.
There are approximately 20 stall-holders here according to Alice: Asian exchange students have written about racism against their own, David Merritt has his foldout poetry housed in upcycled books and banana box linings, there’s a zine from the Christchurch Women’s Centre, Spencer’s pop-up comics and satirical propaganda commands (Spencer also passes round a folded piece of paper for a comics jam on fictitious FX pedals), there are other inde comics, second hand books, witch zines, potion zines, stickers, handmade jewelry, cassettes, CD-zines, creative writing, sci fi stories, photo zines, travel zines, cat zines, music zines, even a zine about zines.
I sell more zines when I’m not on my stall than when I am there!?!? I’m not surprised, zine shopping is a potentially self-consciousness experience in the extreme. Where else do you examine someone’s art while they examine your face for signs of enjoyment, waiting for you to decide whether their art’s good enough to purchase. Imagine being installed next to your own gallery painting, with your hand out!? But that’s also the best thing about zinefest, you meet ALL the artists.
Bleeeurh! A bit tired and hungover now. Need coffee. The worst busker in the world sits in her wheelchair outside Bunsen Café warbling some churchy dirges over karaoke backing. Too good to be full-o-character, too bad to forgive her genre of choice.
My zinefest neighbor is a scrapbooker from the US, so I’m compelled to ask her if she thinks the scrapbooker kits one finds in art/stationary shops are a rip. Thankfully, she does. She appears to be afloat in NZ, not knowing if her art school back in the US will be restructured out of existence or not. Is looking to find an arts program in New Zealand.
Cameron of Strip Club packs up early. Bastard! Makes a huge hole in the wee zinefest presence/footprint.
I’m just not acclimatized to this Christchurch cold. They’ve put the Wellington guy in exactly the wrong place, by the draughty doorway. Locals chit chat in tee shirts while I hug myself, jacket zipped, hat pulled tight!?!?
I’m encouraging Louie of Dunedin Zinefest and Alice of Christchurch to get committees of helpers. They’re both currently running their zinefests solo!?!?
Spencer tells me to check out his story about NZ alt rock legend Bruce Russel being the alter-ego of NZ alt rock legend Martin Phillips, as printed in his Lyttelton Rotten Radio zine.
It’s nearly 5 PM. I pack up and make short work of my farewells so that I can catch a bus to the airport and relax knowing I’m in the right place for my flight back to Wellington.
Back home and checking the best of my haul:
Cheap Thrills Issue 2 - an elegant risographed volume of NZ music past and present
Wandering Wolves is a gorgeous riso, the very first zine of Prabha Mallya, made at one of the workshops leading up to zinefest. Poetic mix of tagged animal narrative, poetry, illustration, photo and collage.
Field Notes from The Crescent City – July 2017 “It’s a very efficient and sensible method of burial that ensures you can never ever escape your family, even in death.”
Louise Sutherland’s holiday snaps and memories of New Orleans (including its cemeteries), well enough written and photographed to transcend any photo album limitations
A Most Elusive Species – by Louise Sutherland’s brother Robert. Photo essay of seemingly empty zoo enclosures. A subtle variety to the picture-by-picture approach creating a rewarding sense of narrative.
Burn Out is a pun. Yes, there are cars, but the scars are not the result of spinning tyres but of the sun’s rays peeling the paint off that once proud finish - by Robert Sutherland.
The cutest wee Untitled zine that pitches it’s teensiness against clipped horror narratives from Greek myth.
Cuss Weird cussing birds. Inexplicable.
OX OX OX… a CDR economically clothed in a folded A3. Rockabilly are the first chords, with hints of Ramones and Stooges. Next song is quite different, same vocal stylings but over “Dunedin Sound” meets Fall repetition. In the zine, we’re regaled with some pretty compelling “um and ah” misadventures from the band’s singer. Now they play a kiwified Joy Division cover. Sweeet!
Strawberry Stories runs some loopy narrative logic, or lack thereof. And some nice red spot-colour on the strawberry coloured one, though s/he’s not actually a strawberry eh, s/he’s like a person with a tree growing outta their head!?!?
A Zine Fanzine Beautifully designed and laid out riso about zines. Tightened up my own understanding about the provenance of zines, though changes to conjecture when talking about post internet zines.
Misc - Excellent poems by Arwen Miriama Sommer. “Snow is built of feathers and birds are built of trees”
All About the Sex* The Christchurch Women’s Centre decide to distribute their newsletter at zinefest, so it’s a zine now. An intro to the Woman’s Centre and their weekly discussion forum, plus an intro to the Red Tent movement and editorial about aging women’s identity.
Rotten Radio Zine - Spencer Hall’s good at writing original meandering comedy nonsense about music and culture.
Castles In The Sky II ZINE LAUNCH!
over 80 pages of the worlds best comic book art.SHOP 10 CAMPBELL ARCADE, DEGRAVES SUBWAY
(BELOW FLINDERS STREET)
SATURDAY SEPTEMEBER 2ND. 3PM - 5PM.
Sticky Institute and State Library Victoria present:
TONERPALOOZA II ZINE FAIR
After three years, Sticky Institute’s zine fair TONERPALOOZA returns to State Library Victoria with over a hundred zine stalls across two days.
Tonerpalooza II will take place in the Cowen Gallery to accompany the exhibition Self-made: zines and artist books, which runs until November 12 and will tour across the country through 2018 and 2019. Facebook event here.
Poster by Rachel Ang
Tonerpalooza II takes place on land belonging to the Wurundjeri people of the Kulin nation, to whom sovereignty was never ceded. Sticky Institute would like to acknowledge the Wurundjeri people as the custodians of the land, and we pay our respects to their Elders past, present, and future.
Drawn Together: A Political Art Exhibition by Michelle Baginski + Nicky Minus + Sam Wallman opens next weekend. More info here.