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Luke Vibert is a British recording artist and producer known for his work in many subgenres of electronic music. Vibert began his musical career as a member of the Hate Brothers, only later branching out into his own compositions. Vibert has recorded under several different aliases, most notably Plug and Wagon Christ.
Vibert's first musical output was in a variety of bands, including a punk act called Five Minute Fashion and later a Beastie Boys-esque group called the Hate Brothers, but he quickly moved into the low-cost environment of solo electronic composition. Although Vibert originally had no intention of ever releasing any of the recordings, his reputation as a creative young voice in his field created a demand for his work.
Vibert originally became involved in electronic music through his interest in hip-hop as well as the environment of bedroom experimentalism associated with the swelling late 1980s UK dance scene.
Plugs are a popular type of hard-bodied fishing lure. They are widely known by a number of other names depending on the country and region. Such names include crankbait, wobbler, minnow, shallow-diver and deep-diver. The term minnow is usually used for long, slender, lures that imitate baitfish, while the term plug is usually used for shorter, deeper-bodied lures which imitate deeper-bodied fish, frogs and other prey. Shallow-diver and deep-diver refer to the diving capabilities of the lure, which depends on the size and angle of the lip, and lure buoyancy.
The concept of an attractant tied to the end of a line to entice fish goes back to prehistoric peoples, but the modern concept of the plug lure is attributed to James Heddon, a beekeeper from Dowagiac, Michigan, who was whittling a piece of wood one day in the late 19th century while relaxing alongside a millpond. When he rose to leave, he tossed the carved scrap of wood into the pond, and a large bass struck at it as it wobbled down through the water. Intrigued by this, Heddon began experimenting and perfected a design he dubbed the "Lucky 13" — a plug that is still sold today. By the early 20th century, many companies were in the business of designing and selling plug lures.
A plug, also known as reconciling amount, is an unsupported adjustment to an accounting record or general ledger. Ideally, bookkeeping should account for all numbers during reconciliation, i.e. when comparing two sets of accounting records to make sure they are in agreement. However, discrepancies, i.e. unintentional accounting errors can occur, for example due to data entry, or an adding or a rounding error. An organization may use a plug for an immaterial amount, because it may not be cost effective to search through numerous pages of transactions to find the error. The acceptability of a plug depends upon the amount: a plug must be immaterial in order to be justified.
Plugging is defined as "the use of false numbers in financial ledgers that forces balances, and effectively masks accounting errors and control deficiencies". Dependence on plugging has been described as "indicative of a dysfunctional finance and accounting system".
Accounting malpractice at the US Defense Department was investigated in 2013 by Reuters. At the Defense Finance and Accounting Service (DFAS) superiors ordered accountants to make unsubstantiated change actions and enter false numbers. In the Cleveland DFAS office, unsupported adjustments to make balances agree totaled $1.03 billion in 2010 alone, according to a December 2011 GAO report.
Mix, mixes, mixture, or mixing may refer to:
Mix is the debut studio album by New Zealand Pop rock band Stellar, released by Sony BMG on 29 July 1999. The album debuted at #2 on the RIANZ albums chart, and after seven weeks within the top 10 would finally reach the #1 position. The album would spend a whole 18 weeks within the top 10 on the charts. The album was certified 5x platinum, meaning that it had sold over 75,000 copies in New Zealand.
The album was re-released on 18 February 2000 as a limited edition which included a new cover art and a bonus CD-rom that included the music videos for the singles "Part of Me", "Violent" and "Every Girl" as well as three remixes (these had appeared on previous singles) and an 8-minute documentary. Even after the limited edition's run had finished, all subsequent pressings of the album would feature the new cover.
Mix became the 22nd best-selling album in 2000 in New Zealand. At the New Zealand Music Awards in 2000, Mix won the Album of the Year award.
WWFS (102.7 FM) is a New York City hot adult contemporary radio station owned and operated by CBS Radio. WWFS' studios are in the combined CBS Radio facility in the West Soho section of Manhattan, and its transmitter sits atop the Empire State Building.
WWFS is best remembered for its previous incarnation, rock music-formatted WNEW-FM. The station shared the WNEW call letters between 1958 and 1986 with former sister AM station WNEW (1130 kHz) and television station WNEW-TV (channel 5), with all being owned by Metromedia. After WNEW-TV was sold to the News Corporation in 1986 (and became WNYW), and the AM station was sold to Bloomberg L.P. in 1992 (and became WBBR), 102.7 FM retained the WNEW-FM callsign until it was changed in 2007. CBS Radio has since reused the WNEW call sign; the present-day WNEW-FM in the Washington, D.C., area is connected to this station only through their common ownership.
WWFS broadcasts in the HD Radio format.
The 102.7 FM frequency was first assigned in the mid-1940s as WNJR-FM from Newark, New Jersey. Intended to be a simulcasting sister to WNJR (1430 AM, now WNSW), the FM station never made it to the air despite being granted several extensions of its construction permit. WNJR gave up and turned in the FM license to the Federal Communications Commission (FCC) in 1953.
Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.
The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".
In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.
You're cruel, device
Your blood, like ice
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running through my veins
You're poison
I don't wanna break these chains
Your mouth, so hot
Your web, I'm caught
Your skin, so wet
Black lace, on sweat
I hear you calling and its needles and pins
I wanna hurt you just to hear you screaming my name
Don't wanna touch you but you're under my skin
I wanna kiss you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Running deep inside my veins
Poison burning deep inside my veins
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Poison
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains