The Snapchat icon’s 10th album is ostensibly an ode to the joys of fatherhood, but its A-list features and slick surfaces are the polar opposite of warm and fuzzy.
The dub techno duo’s first new record since 1999 is a submerged wonder. Its stirring, bold elements steer the tracks into murky, unexpected places.
Long sought after by collectors, the Spanish composer’s 1987 album of minimalism, period electronics, folk melodies, and chanted Catalan poetry is another gem in Freedom to Spend’s reissue series.
On his new mixtape, the Buffalo rapper Conway spits clearly enunciated, precisely worded bars, but it often feels like he’s holding something back.
From Sneaks to Chief Keef, from Hand Habits to Chuck Johnson, 20 excellent records from the first half of the year you might have missed.
Forty years after its release, the ingenious studio gurus behind the robot-funk masterpiece talk about how it came to be.
Freddie Gibbs Rates Birthday Booty, Chuck E. Cheese, and White Boy Drugs
Haim’s glossy second album is slyly complex. The California sisters remain masters of rhythm and create spacious pop-rock full of heartbreak, longing, and betrayal.
Rebranding himself as a kind of everyman Mark Ronson, the EDM superstar steps out from behind the booth with an album of 1980s-inspired boogie.
The latest solo album from Vampire Weekend’s Chris Baio was inspired by Bowie, Brexit, Trump, and climate change, but his synth pop sound doesn’t match those high stakes.
The Alaska psych-pop group have embraced modern-rock glitz and EDM bombast, while trying to write an album that speaks to the times. But their attempts at topicality are clumsy.