Pau Casals i Defilló (Catalan: [ˈpaw kəˈzaɫz i dəfiˈʎo]; December 29, 1876 – October 22, 1973), better known in some countries as Pablo Casals, was a Spanish cellist and conductor from Catalonia. He is generally regarded as the pre-eminent cellist of the first half of the 20th century, and one of the greatest cellists of all time. He made many recordings throughout his career, of solo, chamber, and orchestral music, also as conductor, but he is perhaps best remembered for the recordings of the Bach Cello Suites he made from 1936 to 1939.
Casals was born in El Vendrell, Catalonia, Spain. His father, Carles Casals i Ribes (1852–1908), was a parish organist and choirmaster. He gave Casals instruction in piano, song, violin, and organ. He was also a very strict disciplinarian. When Casals was young his father would pull the piano out from the wall and have him and his brother, Artur, stand behind it and name the notes and the scales that his father was playing. At the age of four Casals could play the violin, piano and flute; at the age of six he played the violin well enough to perform a solo in public. His first encounter with a cello-like instrument was from witnessing a local traveling Catalan musician, who played a cello-strung broom handle. Upon request, his father built him a crude cello, using a gourd as a sound-box. When Casals was eleven, he first heard the real cello performed by a group of traveling musicians, and decided to dedicate himself to the instrument.
Casals (Eastern Catalan: [kəˈzaɫs], Western Catalan: [kaˈzaɫs]) is a Catalan surname, the plural form of Casal (house). Notable persons with that surname include:
Actors: Robert Vaughn (actor), Roger Corman (producer), Erik Estrada (actor), Luis Llosa (producer), Luis Llosa (director), Orlando Sacha (actor), Fred Myrow (composer), William Flicker (editor), Mary Ann Fisher (producer), Reynaldo Arenas (actor), Ramón García (actor), Alfredo Álvarez Calderón (actor), Matt Leipzig (writer), Gustavo MacLennan (actor), Baldomero Cáceres (actor),
Plot: Fiero is hired to assassinate the newly-elected civilian president of San Pedro. His employers are a group of generals, threatened by the liberal sympathies of the new president-elect. The generals, having killed Fiero's father years ago, trick Fiero into thinking he is working for the leftist People's Party. Meanwhile, a CIA agent is sent stop to the assassination. It's a race against time as the agent must stop the HOUR OF THE ASSASSIN.
Keywords: independent-filmNo quiero verte llorar
No quiero ver que las penas
Se metan en tu alma buena
Por culpa de mi querer
No quiero verte sufrir
No soy capaz de ofenderte
Si sabes que hasta la muerte
Jure ser solo de ti
Si no encontraste ternura en mi alma
Si solo penas te causo yo
Me voy mi vida de tu presencia
Aunque me duela en el corazón
Y todo por ti chiquitita, aunque mal pagues
Yo siempre fui lo que soy
Jamas te dije mentiras
Y puse a tus pies mi vida
Sin ninguna condición
Si tú lo quieres mi amor
Me voy de ti para siempre
Dejando un beso en tu frente
Como postrer bendición
No habrá reproches de parte mía
Solo me importa que seas feliz
Ya ves que todo te di en la vida
Mi pobre vida que es para ti
Pau Casals i Defilló (Catalan: [ˈpaw kəˈzaɫz i dəfiˈʎo]; December 29, 1876 – October 22, 1973), better known in some countries as Pablo Casals, was a Spanish cellist and conductor from Catalonia. He is generally regarded as the pre-eminent cellist of the first half of the 20th century, and one of the greatest cellists of all time. He made many recordings throughout his career, of solo, chamber, and orchestral music, also as conductor, but he is perhaps best remembered for the recordings of the Bach Cello Suites he made from 1936 to 1939.
Casals was born in El Vendrell, Catalonia, Spain. His father, Carles Casals i Ribes (1852–1908), was a parish organist and choirmaster. He gave Casals instruction in piano, song, violin, and organ. He was also a very strict disciplinarian. When Casals was young his father would pull the piano out from the wall and have him and his brother, Artur, stand behind it and name the notes and the scales that his father was playing. At the age of four Casals could play the violin, piano and flute; at the age of six he played the violin well enough to perform a solo in public. His first encounter with a cello-like instrument was from witnessing a local traveling Catalan musician, who played a cello-strung broom handle. Upon request, his father built him a crude cello, using a gourd as a sound-box. When Casals was eleven, he first heard the real cello performed by a group of traveling musicians, and decided to dedicate himself to the instrument.
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WorldNews.com | 24 Oct 2018
WorldNews.com | 24 Oct 2018