DC

DC, D.C., Dc, or dc may refer to:

Places

Science

Computing and technology

Music

Video games

Superhero

In modern popular fiction, a superhero (sometimes rendered super-hero or super hero) is a type of heroic character possessing extraordinary talents, supernatural phenomena, or superhuman powers and is dedicated to a moral goal or protecting the public. A female superhero is sometimes called a superheroine (also rendered super-heroine or super heroine). Fiction centered on such characters, especially in American comic books since the 1930s, is known as superhero fiction.

By most definitions, characters do not require actual supernatural or superhuman powers or phenomena to be deemed superheroes. While the Dictionary.com definition of "superhero" is "A figure, especially in a comic strip or cartoon, endowed with superhuman powers and usually portrayed as fighting evil or crime," the longstanding Merriam-Webster dictionary gives the definition as "a fictional hero having extraordinary or superhuman powers; also : an exceptionally skillful or successful person". Terms such as masked crime fighters, costumed adventurers or masked vigilantes are sometimes used to refer to characters such as the Spirit, who may not be explicitly referred to as superheroes but nevertheless share similar traits.

DC Super Hero Girls

DC Super Hero Girls is an American super hero fashion doll and action figure franchise created by DC Comics subsidiary of Time Warner and Mattel and launched in the third quarter of 2015.

Premise

At Super Hero High School, well-known DC heroes attend classes and deal with all the awkwardness of growing up (with the added stress of having superpowers).

Announcement

The franchise was announced in April 2015. The range is to include books from Random House, Lego tie-ins and action figures from Mattel.

Website

The website which was described as "hotly anticipated" was launched in early July 2015. Characters featured at launch were Wonder Woman, Batgirl, Supergirl, Harley Quinn, Poison Ivy, Katana, and Bumblebee. Other characters including Hal Jordan, Star Sapphire, Beast Boy, Cheetah, Hawkgirl, Barry Allen and Catwoman also appear.Amanda Waller is featured as the principal of the series' setting Super Hero High. Many other DC Comics Heroes and Villains appear in the background as cameos.

Ben Affleck

Benjamin Geza Affleck-Boldt (born August 15, 1972), better known as Ben Affleck, is an American actor and filmmaker. He has won two Academy Awards and three Golden Globe Awards.

Affleck began his career as a child actor, starring in the PBS educational series The Voyage of the Mimi (1984, 1988). He later appeared in Dazed and Confused (1993) and various Kevin Smith films including Chasing Amy (1997) and Dogma (1999). Affleck gained fame when he and childhood friend Matt Damon won the Golden Globe and the Academy Award for Best Original Screenplay for Good Will Hunting (1997). He then starred in high-profile films including Armageddon (1998), Shakespeare in Love (1998), Pearl Harbor (2001), Changing Lanes (2002) and The Sum of All Fears (2002). After a career downturn, during which he appeared in Daredevil and the much-derided Gigli (both 2003), Affleck received a Golden Globe nomination for his performance in Hollywoodland (2006). In 2014, he starred in the psychological thriller Gone Girl. Affleck will portray Batman in Batman v Superman: Dawn of Justice and Suicide Squad (both 2016).

The Real

The Real refers to that which is authentic, the unchangeable truth in reference both to being/the Self and the external dimension of experience, also referred to as the infinite and absolute—as opposed to a reality based on sense perception and the material order.

In psychoanalysis

Lacan

For Jacques Lacan, the order of the real is not only opposed to the imaginary but is also located beyond the symbolic. Unlike the symbolic, which is constituted in terms of oppositions such as "presence" and "absence", there is no absence in the real. The symbolic opposition between "presence" and "absence" implies the possibility that something may be missing from the symbolic, the real is "always in its place: it carries it glued to its heel, ignorant of what might exile it from there." If the symbolic is a set of differentiated signifiers, the real is in itself undifferentiated: "it is without fissure." The symbolic introduces "a cut in the real," in the process of signification: "it is the world of words that creates the world of things." Thus the real emerges as that which is outside language: "it is that which resists symbolization absolutely." The real is impossible because it is impossible to imagine, impossible to integrate into the symbolic order. This character of impossibility and resistance to symbolization lends the real its traumatic quality.