The Turner Prize winner's new exhibition, which reflects his often angry reaction to politics, is set in the carefully manicured gallery Hauser and Wirth, in Somerset

'The Cat in the Hat' children's author Seuss Theodor Geisel's racist political cartoons have been left out of the new Dr Seuss Museum in Massachusetts, presenting a one-sided version of him

'Teenagers lives are filled with the visual image and we know Brooklyn's photos resonate with his huge young following, who avidly follow his life through his photography'

People on social media are not impressed by an early glimpse at the teenager's photography book

Fans and media claim the slip-up proves the artist is a member of the band Massive Attack

Long before the dawn of digital post-production the abstract animator worked on some of his animations for months or even years

An expansive roof, supported by a central steel framework, mimics a tree’s canopy

The viewer is compelled to see the beauty and strength in these materials that would be ordinarily overlooked

The largest open submission exhibition in the world with over 1,200 works by established and lesser-known artists is such a mishmash that it is impossible to find the good stuff 

This is as close to using the tools of a master as you're likely to get.

The first garden had the unintended effect of cleaning the station's dirty air a little

Grayson Perry's The Most Popular Art Exhibition Ever! at the Serpentine Gallery includes a ceramic pig for donating money and a small bronze shrine containing little figures of the artist and his wife 

Mysterious artist posted an announcement on his official website

The larger-than-life artist, who was widely regarded as the greatest female architect of her time, reshaped architecture for the modern epoch and smashed the glass ceiling to smithereens

The realist painter’s brand of Americanism was a counterpoint to the country’s optimism. Fifty years after his death, his legacy lives on

The Giardini houses permanent national pavilions built by the various countries participating in the Venice Biennale – this year it is Phyllida Barlow who is fighting with the fabric of the British Pavilion 

The three-storey tall mural depict a workman removing one of the flag's 12 stars

The reaction to Yigal Ozeri's astonishing paintings, composed of thousands of tiny brushstrokes, has two elements to it. There's an immediate hit of 'holy shit, that's not a photograph' and then a sense of hollowness, of sadness - perhaps even existential unease, as you realise how a combination of paint can look just as alive and present as a real human being.

New cultural attractions are often trumpeted as crucial to rejuvenating neglected communities, but with poorer visitors unable to afford the high cost of food, drink and souvenirs, are they actually reinforcing the wealth divide they wish to eradicate?