World Cup

World Cup commonly refers to:

World Cup can also refer to:

Athletics

Badminton

Bandy

Baseball and softball

Basketball

Chess

Cricket

Equestrian

Football

American football

Association football

Team World

World Team or Team World is a designation for a sports team in many competitions. It is usually equivalent to a "rest of the world" team, which is pitted against a particular territory.

Competitions featuring a world team

All-World's Team

Some "Team World" or "World Team" teams are all-star teams with rosters drawn up from the world's players as an honors project.

References

See also

World (Bee Gees song)

"World" is a song from the Bee Gees' fourth album Horizontal, released in 1967 in the United Kingdom. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from Bee Gees' 1st, "Holiday".

Composition

The song's lyrics question the singer's purpose in life.

Recording

The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so all four tracks were filled with the band, including some mellotron or organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things we came up with in the studio, Everyone just having fun and saying, 'Let's just do something!' you know". Vince Melouney recalls: "I had this idea to play the melody right up in the top register of the guitar behind the chorus".

Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (TV series)

Remix was an Indian television series produced by Rose Audio Visuals, which used to air on STAR One. It was a hit among teenagers and had reruns on the same channel. The series is a remake of the popular Argentine soap Rebelde Way.

Concept

The story is based on the lives of 12th-grade students in an elite school called "Maurya High" for the kids of the rich and the famous, and scholarship students from poorer families.

The four main characters are Tia Ahuja (a fashion entrepreneur's only daughter: Sumit Ahuja), Anvesha Ray Banerjee (a Bollywood filmstar's only daughter: Sonia Ray), Yuvraaj Dev (brat son of India's politician: Yashwant Dev), and Ranveer Sisodia (a Rajasthani royal who comes to Maurya to avenge the death of his father which wasn't really Sumit Ahuja's fault). They form the music group "Remix" and become the singing sensation of the decade.

The story also brings into play other elements that shape the destiny of the four protagonists and many others.

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.