Feelin' Myself

Feelin' Myself may refer to:

Nicki Minaj

Onika Tanya Maraj (born December 8, 1982), professionally known by her stage name Nicki Minaj, is a Trinidadian-born American rapper, singer and songwriter. Born in Saint James, Trinidad and Tobago and raised in South Jamaica, Queens, New York, Minaj earned public attention after releasing three mixtapes between 2007–09. She signed a recording contract with Young Money Entertainment in 2009.

Minaj's debut studio album, Pink Friday (2010), peaked at number one on the U.S. Billboard 200 and spawned the top-five single "Super Bass". During that time, Minaj became the first female solo artist to have seven singles simultaneously charting on the U.S. Billboard Hot 100. Her second studio album, Pink Friday: Roman Reloaded (2012), also topped the chart and its lead single, the pop crossover "Starships", peaked at number five on the Billboard Hot 100. Minaj's third studio album, The Pinkprint (2014), was preceded by its second single, "Anaconda", which peaked at number two on the Hot 100 and is her highest-charting single in the United States to date. Minaj made her film debut in the 2012 animated film Ice Age: Continental Drift, and also had a supporting role in the 2014 film The Other Woman. In 2013, she was a judge on the twelfth season of American Idol.

Reflexive pronoun

In language, a reflexive pronoun, sometimes simply called a reflexive, is a pronoun that is preceded or followed by the noun, adjective, adverb or pronoun to which it refers (its antecedent) within the same clause.

In English specifically, a reflexive pronoun is a pronoun that ends in self or selves, and is an object that refers to a previously named noun or pronoun. Reflexive pronouns take the same forms as intensive pronouns: myself, yourself, himself, ourselves, itself, themselves, yourselves

In generative grammar, a reflexive pronoun is an anaphor that must be bound by its antecedent (see binding). In a general sense, it is a noun phrase that obligatorily gets its meaning from another noun phrase in the sentence. Different languages have different binding domains for reflexive pronouns, according to their structure.

Origins and usage

In Indo-European languages, the reflexive pronoun has its origins in Proto-Indo-European. In some languages, the distinction between the normal object and reflexive pronouns exists mainly in the third person: whether one says "I like me" or "I like myself", there is no question that the object is the same person as the subject; but, in "They like them(selves)", there can be uncertainty about the identity of the object unless a distinction exists between the reflexive and the nonreflexive. In some languages, this distinction includes genitive forms: see, for instance, the Danish examples below. In languages with a distinct reflexive pronoun form, it is often gender-neutral.

Parody

A parody (/ˈpærədi/; also called spoof, send-up, take-off or lampoon), in use, is a work created to imitate, make fun of, or comment on an original work, its subject, author, style, or some other target, by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming and film.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.

Nicki

Nicki is a given name, and may refer to:

In film and television:

In other fields:

See also