Friday, August 31, 2012

"Organ-Ized" All-Star Tribute to the Hammond B3 Organ

Ricky Petersen and Joey de Francesco dispay exciting virtuoso dexterity, while Michael Omartian and Art Neville have some great melodic, funky and soulful tunes. - David Finlay
I chuckled when reading other reviews on this CD (Organ-ized). So much indignant sniffing and left-handed compliments. Want the nitty-gritty of this CD? Well, read on, please ...
For those of you who love the sound and feel of the B3, you must have this CD. For players, the same. For those curious about what all the fuss is about, you won't go wrong in adding this to your collection. For B3 sophisticates and snobs ... well there is no hope for you anyway, so you may as well buy it too just to give you something to denigrate (no offense folks :) The lowdown on this CD = it rules! Every selection, regardless of the gernre', is a classic example of the best that can be extracted from this instrument.
For those who have not actually played this instrument, consider this: it is a massive structure made of wood and wire. It smells of oil. When you sit and play it, it rumbles. You get the feeling that it is alive (organic?). It takes you over. It can require the use of both hands, both feet, and your knee (for the leslie switch). It is unlike any other instrument on the planet. There is plenty on this CD for anyone to love and hate, but it all has this underlying secret: B3 players in their prime are passionate. They can rock you like no other medium.
Critisms? Okay, there are no tracks by Keith Emerson, nor Barbara Denerlein or a number of other premier players. There is a goodly representation of cajun-style organ, perhaps to the detriment of others that could have been represented. But this by no means detracts from the range presented, from the sublime to the demented, from the beautiful to the possessed, it's all here, masters at their best.
Don't listen to these tracks once. Play them a few times before you add it to the rack. If you do, I'd be willing to bet that this will become a staple of your discography. - By Wil Corcoran

trax:
1. Ashley Blue - Joey DeFrancesco 2. Swamp Road - John Medeski 3. Micky Fick - Art Neville 4. Say Something - Michael Omartian 5. My Little Humidor - Galactic 6. There Will Never Be Another You - Jimmy Smith 7. Just a Little Bit - Mike Finnegan 8. Drop Shot - Ricky Peterson 9. I've Got to Find My Baby - Tommy Eyre 10. Moonbird - Larry Goldings 11. Yes Sir - Reuben Wilson 12. Mercy, Mercy, Mercy - Mick Weaver 13. Misty - Jack McDuff

"ABSOLUTE FUNK" Vol. 4

Only the most obsessive crate-digger is likely to be familiar with all (or even most) of the rare sides collected on this CD compilation, but the French record collectors at Body and Soul have dug up some very solid grooves that will make you move if even if you've never heard them before. The Marvells' two-part "Forget About That Mess" urges listeners to overlook violence and social strife in favor of the good groove (not always bad advice), and the Soul Shakers offer up some more pointed commentary on the fiery "You Ain't My Brother." The Family Plann beat the Jackson Five at their own game on "Come On, Let's Do the Breakdown" (and let's hope their lead singer enjoyed a kinder fate than Michael Jackson), while Smokey Johnson & Company make like their New Orleans brethren the Meters on the excellent "Funkie Moon" (and so what if their spelling is a bit off). "The Funky Mule" from Marvin Holmes & the Uptights is such a potent slice of Southern funk it's a shock to discover the group was from California, and Bill Wright gets on down while offering some sound relationship advice on "How Can I Hit the Ball (When You Won't Let Me Bat)." For 54 minutes, Absolute Funk, Vol. 4 delivers just what it advertises, and folks looking for rare funk grooves or something to kick their next dance party into high gear will find this fills the bill very well indeed. (Mark Deming, Allmusic)

trax:
1. Foot Stumping - The Organics 2. Forget About That Mess (Part 1) - The Marvels 3. Forget About That Mess (Part 2) - The Marvels 4. You Lost Your Thing - Hank Johnson 5. The Funkie Moon - Smokey Johnson & Company 6. Come On Let's Do The Breakdown - Family Plann 7. Ridin High (Part 1) - The Bobby Cook Quartette 8. Ridin High (Part 2) - The Bobby Cook Quartette 9. Funky Four Corners - Richard Marks 10. You Ain't My Brother - The Soul Shakers 11. The Funky Mule (Part 1) - Marvin Holmes & The Uptights 12. The Funky Mule (Part 2) - Marvin Holmes & The Uptights 13. Right On (To The Street Called Love) - Barbara & Gwen 14. How Can I Hit The Ball (When You Won't Let Me Bat) - Bill Wright 15. Mister Boogie - Brother Soul 16. Solid Funk (Sons Of Darkness) - Flame & The Sons Of Darkness 17. Explain It - The Tenderonies 18. Push & Shove - Willy Wiley 19. Sugar Daddy - Levert Allison 20. I Get A Groove - Thomas East & The Fabulous Playboys
...served by Gyro1966...

Fred Wesley & The J.B.'s "The Lost Album"

Fred Wesley is one of the few trombonists anybody can even name...how has he not released more jazz stuff?! Don't worry, all the funky stuff is here! Awesome cover of Use Me by Bill Withers on this edition. - By FunkFan
The phrase "lost album" doesn't bring about the same excitement that it did when Chris Bell's heart-shattering I Am the Cosmos was finally assembled and released in 1992 -- even though there are labels literally dedicated to releasing music of the unknown and unheard variety (and do a fine job to boot). Simply put, we've come to expect "lost albums," because this is the age where anything and everything is supposed to be available, isn't it? Fred Wesley's Lost Album was never really lost; it was simply unreleased, save for a few tracks issued as singles. In hearing it, one can only ask why. The Lost Album Featuring Watermelon Man is billed to the J.B.'s & Fred Wesley; it is, for the most part, a jazz album -- and a fine one. While James Brown handpicked some selections and asked his arranger David Matthews to compose others and write arrangements, Wesley contributed tunes and charts as well. The sessions were actually recorded in New York in 1972 with top-flight session players including Michael and Randy Brecker, Joe Farrell, Eddie Daniels, Hugh McCracken, Seldon Powell, and others. While a righteously funky cover version of Herbie Hancock's "Watermelon Man" opens the set -- with Brown on drums (his only appearance at these sessions) -- it's followed by the loveliest, most beautifully conceived cut on the entire album, Wesley's ballad "Sweet Loneliness." With a lilting, colorful chart, his trombone offers a multi-timbred lyricism, and the bridge, while brief, is electrifying. Covers of popular tunes were de rigueur during the era, and a good number of them can be heard here, including fine jazz arrangements of Carole King's "You've Got a Friend," Bill Withers' "Use Me" (which is so slippery, and Wesley's trombone so greasy, it actually adds to the funk quotient of the original), and the gorgeous soul-jazz of "Everybody Plays the Fool." Both these tunes add a backing female vocal chorus to contrast with Wesley's deep grooving, swinging bone. The track planned to be the B-side of "Watermelon Man" as a pre-release single (which was never previously issued) is a faithful jazz rendering of Gilbert O'Sullivan's "Alone Again (Naturally)." Who would have thought the tune had so much soul? The real scorchers are Matthews' Count Basie-esque "Seulb," a backwards vamp blues with killer work from Michael Brecker, and "Transmograpification," with an extended imaginative solo by Wesley. Familiar James Brown & the J.B.'s set nuggets such as "J.B. Shout," "Get on the Good Foot," "Funky & Some," and "Back Stabbers" feature wonderful interplay among the horns -- especially Randy Brecker and Wesley. The trombonist is certainly front and center on every cut here, making it a grand statement for him. The Lost Album has been beautifully remastered and its sequence extended including other material from these sessions. It nonetheless fleshes out Wesley's history and reveals him to be as serious a jazz cat as he was a funk kingpin as musical director of the J.B.'s' funkified presentation. Ultimately, this is one of those "lost albums" that not only meets expectations, but easily exceeds them. - by Thom Jurek

trax:
01. Watermelon Man 02. Sweet Loneliness 03. Secret Love 04. Seulb 05. You've Got A Friend 06. Transmograpfication 07. Use Me 08. Get On The Good Foot 09. Everybody Plays The Fool 10. Alone Again (Naturally) 11. Back Stabbers 12. J.B. Shout 13. Funky & Some
...served by Anonymous...

Thursday, August 30, 2012

"ABSOLUTE FUNK" Vol. 3

Only the most obsessive crate-digger is likely to be familiar with all (or even most) of the rare sides collected on this CD compilation, but the French record collectors at Body and Soul have dug up some very solid grooves that will make you move if even if you've never heard them before. (These excellent collections are now out of print.)

trax:
1. When You Git Through Wit It Put It Back - The City Council Ltd. 2. Is It Funky Enough? - Communicators & Black Experiences Band 3. Super Sweet Girl of Mine - 5 Miles Out 4. Danger! (Playboy at Work) - Mary Davis 5. Cool Dad - Ross Carnegie 6. I Don't Know What You Got But I Know What You Need (Part 1) - Wee Willie & The Winners 7. What It Is (Part 1) - Apollis 8. What It Is (Part 2) - Apollis 9. Changes - The Visitors 10. Upstairs On Boston Road (Part 1) - Sammy Gordon & The Hip Huggers 11. Upstairs On Boston Road (Part 2) - Sammy Gordon & The Hip Huggers 12. My Mind Set Me Free (Part 1) - The House Guests 13. My Mind Set Me Free (Part 2) - The House Guests 14. You Got It All, Ain't No More - City Council Ltd. 15. Clique - Con Funk Shun 16. What You See You Can't Get - Pam Kellum 17. Barkin' Up The Wrong Tree - James Young & The House Wreckers 18. Tear It Up (Part 1) - Billy Wade & The 3rd Degree 19. Tear It Up (Part 2) - Billy Wade & The 3rd Degree 20. Crossin' Over - Carl Holmes & The Commanders feat. Pervis Herder
...served by Gyro1966...

"OKEH - A Northern Soul Obsession" Vol. 2

The OKeh label travelled a long and winding road in its 50-year history. Founded by Otto Heinemann in 1920, OKeh issued what is generally considered to be the first commercial blues recording in Mamie Smith's Crazy Blues. It provided a musical home for Louis Armstrong, Lonnie Johnson and Bessie Smith inter alia, and after World War II released gems by Johnnie Ray, Chuck Willis, Screamin' Jay Hawkins and the like. But even these musical milestones were over shadowed by the quality of OKeh's output from 1962 (when Carl Davis took over as label manager) to 1970 when the parent Columbia company closed it down. His appointment coincided with the emergence of soul as the preferred dance music of black teenagers, and throughout the 60s the Chicago-based label did more than simply supply their requirements: Major Lance may have declared It's The Beat but, with its combination of gifted singers, strong songwriters and crack arrangers and producers, OKeh issued a stream of singles whose appeal extended far beyond the dance floor. Sure, you could dance to them, but each one was a carefully crafted slab of soul artistry. Ironically, OKeh's demise in its homeland coincided with an increased interest in its catalogue by young British soul fans. By the early 70s, the label had achieved cult status in the North of England. In Stafford and Stoke, Blackpool and Wigan, soul fans danced the night away every Saturday to 60s soul sounds, and naturally OKeh outings like Major Lance's The Beat and Billy Butler's Right Track were among the favourite spins. One of those young fans from the 70s, Ady Croasdell, is now of course the driving force behind Britain's leading northern soul label Kent Records. He's already delivered vol 1 of OKeh - A Northern Soul Obsession, and hard on its heels came volume 2, packed with 24 of the best Saturday night soul sounds you could ever hope for. The hits are here, tracks like Billy Butler's I Can't Work No Longer and Major Lance's Rhythm, two impeccably stylish calls to dance whose composer, arranger and producer credits read like a who's who of Chi-Town soul-.-take a bow Riley Hampton, Curtis Mayfield and Carl Davis! But as usual Ady has gone beyond the obvious selections and mixed rarities and album tracks with the hits. Cuts like Walter Jackson's chocolate-and-cream beat ballad After You There Can Be Nothing jostle for your attention with the high, crisp harmonies of Otis Leavill's former backing girls The Opals on You're Gonna Be Sorry, the sheer power of Little Richard on the surging A Little Bit Of Something and Cool Breeze by Gerald Sims. Who? Well, Mr Sims is best known in the UK as the lead singer of The Daylighters whose raving R&B workout Oh Mom Teach Me How To Uncle Willie saw issue on the Sue Label. Here, as befits the song title, he and The Daylighters are in more relaxed mood on a tune which has more than a hint of the Drifters about it. Just another ingredient in a rich Saturday night feast which will leave all OKeh obsessives replete. (UK Ace)

trax:
1. Aint Gonna Move - Larry Williams & Johnny Watson 2. End Up Crying - The Vibrations 3. I Can't Work No Longer - Billy Butler & The Enchanters 4. I'll Leave It Up To You - The Artistics 5. Let My Heart And Soul Be Free - The Tan Geers 6. Memories - The Triumphs 7. Your Good Girl's Gonna Go Bad - Cookie Jackson 8. You Ask For One Good Reason - Larry Williams 9. Cool Breeze - Gerald Sims 10. Rhythm - Major Lance 11. You're Gonna Be Sorry - The Opals 12. Just Another Dance - Marlina Mars 13. After You There Can Be Nothing - Walter Jackson 14. I Can't Make It Without You - Malcolm Hayes 15. South Like West(Instr.) - Johnny Watson 16. Let Me Show It To You - The Fundamentals 17. Yesterday Is Gone - The Variations 18. You Can't Take It Away - Azie Mortimer 19. A Little Bit Of Something - Little Richard 20. Second Class Lover - Jean Dushon 21. The Train - The Belgianettes 22. Can't Live Without Her - Billy Butler & The Enchanters 23. Hello Heartaches, Goodbye Love - Joyce Davis 24. That's What Mama Say - Walter Jackson
...served by Gyro1966...

Wednesday, August 29, 2012

"ABSOLUTE FUNK" Vol. 2

Only the most obsessive crate-digger is likely to be familiar with all (or even most) of the rare sides collected on this CD compilation, but the French record collectors at Body and Soul have dug up some very solid grooves that will make you move if even if you've never heard them before. (These excellent collections are now out of print.)

trax:
1. The Sad Chicken - Leroy & The Drivers 2. (I Can't Help It, Baby) This Is My Thing - Tommy Bass 3. What Would it Be Like (Part 1) - Freddie Wilson 4. (Ride On) Iron Horse - The Marlboro Men 5. Stand Up And Be A Man (Part 1) - Sundia 6. Stand Up And Be A Man (Part 2) - Sundia 7. Funky Grand Paw (Part 1) - The Incomparable Seven 8. I'm The Man - Chris Jones 9. Rover Or Me - Good Time Charlie 10. Suffering With A Hangover (Part 1) - Billy Young 11. Don't Change On Me - The Zodiacs 12. Not By Bread Alone - Kim Tamango 13. The Commerce Thang - Chamber of Commerce 14. Too Hot To Hold - Big Ella 15. I Can't Give Up - Melvin London & The Red Hearts 16. Can't Nobody Love Me (Like My Baby Do) - The Soul Duo 17. (Come On) Let's Do That Thing - Flip Flop Stevens & The Famous Pop Tops Orchestra 18. The Tramp (Part 1) - The Showmen Inc. 19. The Tramp (Part 2) - The Showmen Inc. 20. Get Down - Harvey Scales & The 7 Sounds
...served by Gyro1966...

"CHICAGO / THE BLUES / YESTERDAY!" Vol 1

This (I hope?) ongoing series Chicago/ The blues Yesterday is dedicated to obscure bluesmen who waxed a handful of singles, sometimes an LP, that were mostly self produced, on very small labels. Those were rarely sold outside some stores in Chicago or more often from the bandstand by the artists themselves. Nevertheless, those bluesmen were part and even instrumental in making alive the true Chicago blues scene when there still were neighbourhood bars presenting blues for African Americans patrons. Coming quite often in the USA during the 70's and 80's, I had the opportunity to see some of those bluesmen, chatting with them and buying their records. They had sometimes hope of greater fame, wanted very much to tour overseas, asked me to do something for them. But unfortunately, in most cases, they stayed in obscurity. Little Oscar Stricklin' is famous for his wonderful Suicide blues, a great modern blues a la Buddy Guy. But he made much more than this only title, three blues singles you'll find here and, after that, during the 70s and 80s, he changed his style for a more Funk and Disco approach under the moniker of Little O (not to be confused with the other much younger Little O, a hip hop artist). He has just resurfaced from nowhere and seems to be in great blues form. Let's hope he will be able to record the whole blues album he is certainly able to do. On Delmark for instance? The harp player Dusty Brown (born in 1929) is much better known, having recorded a handful of 45's. He even toured France in 1972 (with Johnny Shines and Luther Johnson) but this didn't do much for him. He managed a Lounge for awhile, went back to Mississippi for years and resurfaced in the 1990's, recording several excellent tracks, particularly on the anthology Chicago Blues Harmonica Project. Bassist, singer and sometimes guitarist Hayes Ware (from Ruleville, in the heart of the Mississippi Delta) was in the studios as an accompanist on numerous sessions during the 60's and 70's, played regularly with Hip Linkchain and waxed two 45's and an odd album that features Billy Branch in great form. - GĂ©rard HERZHAFT, http://jukegh.blogspot.com

trax:
1. suicide blues '67 - Little Oscar 2. empty bottles '67 - Little Oscar 3. gotta make a change '69 - Little Oscar 4. two foot drag '69 - Little Oscar 5. the message '73 - Dusty Brown 6. i tried '73 - Little Oscar 7. yes she's gone '55 - Dusty Brown 8. he don't love you '55 - Little Oscar 9. rusty dusty '55 - Dusty Brown 10. hurry home '55 - Dusty Brown 11. please don't go '58 - Dusty Brown 12. well you know i love you '58 - Dusty Brown 13. do you love me? '58 - Dusty Brown 14. will you forgive me baby? '58 - Dusty Brown 15. you got me mamma '75 - Hayes Ware 16. fishin' '79 - Hayes Ware 17. i can't hide my love ' 79 - Hayes Ware 18. little sally walker '79 - Hayes Ware 19. ride high '79 - Hayes Ware
...served by Gyro1966...

Tuesday, August 28, 2012

"OKEH - A Northern Soul Obsession" Vol. 1

A great R&B/Soul label, Okeh Records didn't get the recognition it deserved in the 60's. Under the guidance of production kings like Carl Davis, Okeh released some excellent records, many of which made the charts. This CD contains obscure Okeh tracks, featuring such artists as the Triumphs, the Seven Souls, Johnny Robinson, the Opals, the Carstairs, Jimmy Church, the Little Foxes, and the Autographs. The only real hits are The Artistics' "This Heart Of Mine," and Walter Jackson's "It's An Uphill Climb To The Bottom." Billy Butler & the Chanters does "My Heart Is Hurtin'," and the Vibrations' "Gonna Get Along Without You Now," both chart strangers. The Carstairs "He Who Picks A Rose," previously done by both the Temptations and Edwin Starr, is as scorching as the Motown originals. In addition, there's two pre "Love Won't Let Me Wait" sides from Major Harris, as well as, tracks by Little Richard, and Tommy Tate. Twenty-three interesting tracks, with strong liner notes enhancing the unfamiliar music. by Andrew Hamilton, Allmusic

trax:
1. You're Gonna Make Me Love You - Sandi Sheldon 2. Gonna Get Along Without You Now - The Vibrations 3. I'm Coming To Your Rescue - The Triumphs 4. I Still Love You - The Seven Soul 5. Gone But Not Forgotten - Johnny Robinson 6. This Heart Of Mine - The Artistics 7. A Quitter Never Wins - Larry Williams & Johnny Watson 8. Come Back - Ken Williams 9. I Wish I Had Known - Sandra Phillips 10. Bring It Back Home - The Chymes 11. Call Me Tomorrow - Major Harris 12. You Don't Want Me No More - Major Lance 13. What's The Use Of Me Trying - The Tangeers 14. I'm So Afraid - The Opals 15. My Heart Is Hurtin' - Billy Butler & The Enchanters 16. The Hurt - Jimmy Church 17. Somebody's Always Trying - Ted Taylor 18. He Who Picks A Rose - The Car Stairs 19. I Don't Want To Discuss It - Little Richard 20. I Can Do It - The Autographs 21. Take Me To Paradise - The Cheers 22. So Glad Your Love Don't Change - The Little Foxes 23. I'm Taking On Pain - Tommy Tate 24. It's An Uphill Climb To The Bottom - Walter Jackson
...served by Gyro1966...

"ABSOLUTE FUNK" Vol. 1

Only the most obsessive crate-digger is likely to be familiar with all (or even most) of the rare sides collected on this CD compilation, but the French record collectors at Body and Soul have dug up some very solid grooves that will make you move if even if you've never heard them before. (These excellent collections are now out of print.)

trax:
1. I Kicked the Habit - Sarah Simpson 2. Everything's Gonna Be Alright - Robert Moore 3. Don't Knock the Cop - Soul Patrol 4. You - Spanky Wilson 5. Sagittarius - Part 1 - Landlord & Tenants 6. Do It For Me - General Crook 7. Funky Walk - Watson & The Sherlocks 8. Funky Virginia - Sir Guy & The Rocking Cavaliers 9. Daddy Love - Part 1 - Gi Gi 10. Daddy Love - Part 2 - Gi Gi 11. I Got Hurt - The Phillips Bros. 12. Twitchie Feet - The Soul Machine 13. Try It, You'll Like It - Loyce Cotton 14. I'm Hungry - Johnnie Morisette w/Jennell Hawkins Sexette 15. You Stay On My Mind - Lena Mone' 16. Sleep Walk - Part 1 - Joe & The Everyday People 17. Sleep Walk - Part 2 - Joe & The Everyday People 18. Honey Coated Loving - Betty And Angel 19. I'm Moving Om Out Of Your Life - O.D. Williams 20. Peter Pan - The Soul Patrol
...served by Gyro1966...

Monday, August 27, 2012

The Revels "Intoxica!" - The Best Of The Revels

Here's the easiest way yet to give Miss Manners a coronary. These inebria-sonic bums carved a special sub-niche from the surf genre: booze rock! It's the most fun you can have without phony proof!
Intoxica is a fun cd to listen to. The Revels were pretty much a pre-surf surf rock group. The band was doing it's thing before the surf craze of the early 60s caught on, but when you listen to it, you'll hear hints of what was to become surf rock as we know it. So be forwarned if you buy this expecting the Revels to sound like The Surfaris. This was a great time in rock history, coz bands could make a career out of being an instrumental group, and people loved it. You won't see this kinda thing happening today in mainstream music.
In fact, if you've seen Pulp Fiction, you might remember them. Remember that rather unpleasant scene with Ving Rhames where Bruce Willis takes out those guys with a samurai sword? That peppy tune with the nasty sax? If you happen to remember that, then you've got a good idea of how the Revels sound. It's boss! - By Stanley Runk

trax:
01 Intoxica 02 Sano 03 The Monkey Bird (aka Conga Twist) 04 Church Key 05 Vesuvius 06 It's Party Time 07 Revellion 08 Comanche 09 Tough Soul 10 Soft Top 11 (Like) Tequila 12 Rampage 13 Good Grief 14 Six Pak 15 Longboard

"Chitown Boogaloo"

20 rare tracks focusing on CHICAGO! Did BOOGALOO start in CHITOWN? This comp sets out to prove it!
For all the time I've spent researching Latin boogaloo, I realized I wasn't focusing enough on the original boogaloo craze - the one born out of Tom and Jerrio's "Boo-Ga-Loo" in 1965, spreading quickly throughout the R&B world and lasting for the next few years. From what I can tell, the R&B boogaloo trend didn't have the same kind of focused intensity as Latin boogaloo but it does seem to have shared some parallels, especially in being focused around the Chicago/Detroit corridor. My research is all preliminary but I am glad to have come across the Chitown Boogaloo comp which offers a tantalizing glimpse into a collection of tracks from that Midwest boogaloo craze. Suffice to say, more research is needed but you gotta start somewhere. The Lewise Bethune was very interesting, not the least of which was because it's basically Don Gardner's "My Baby Likes to Boogaloo" with new vocals thrown on top (but clearly nodding to Gardner's original). It doesn't outdo Gardner's but this is a pretty fun cut regardless and I think it's interesting how Bethune's version actually lifts the "ooh" "aah" from Tom and Jerrio's original "Boo-Ga-Loo" single that sparked this whole movement. The A.C. Reed is another 7" I've owned for years but only recently came back to in the midst of my boogaloo curiosities: this one actually mashes up two different fads - the boogaloo and "Tramp," the bluesy/funky classic by Lowell Fulsom. I like how terse and focused the rhythm section is here - the song sheds a lot of heat but keeps things close in and tight. (Soul Sides)

trax:
1. Chitown Boogaloo - Lewise Bethune 2. Do The 45 - The Sharpees 3. Move With The Groove - Bull & The Matadors 4. Try Me - Syl Johnson 5. Pushin & Pullin - The Lovemasters 6. If You Wanna - Baby Jean 7. The Frog - Rolls Royce & The Wheels 8. The Whip - Billy "The Kid" Emerson 9. Broadway Time (Pt. I) - Morris King 10. The Meeting Place - Gene Yarbrough 11. Boogaloo Tramp - A.C. Reed 12. The Trip - Dave Mitchell & Screamer 13. Manifesto - A Case Of Tyme 14. Psychedelic Soul - Saxie Russell 15. The Willie Bop - Otis Brown 16. Funky 69 - Alvin Cash 17. Popcorn Boogaloo - Jerry O 18. Michael - The C.O.D.'s 19. Philly Barracuda (Pt. I) - Holly Maxwell 20. Walk On Back To You - Fred Hughes
...served by Gyro1966...

"THE SOUND OF FUNK" Vol. 10

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Super Funky (Part 1) - Thunder, Lightning & Rain 2. Quit Jivin' - Pearly Queen 3. Pick And Shovel - Touch 4. Georgia Walk - Raw Soul 5. Soul Block (Of Rocking People) - Len & The PA's (Public Assistance) 6. Rare Back And Stretch (Part 1) - Mckinley Sandifer 7. Chicken And Rice - The Soul Serenaders 8. I Gotta See My Baby - Jamie Ellis 9. I Don't Want To Cry - Bennie Cole & His Soul Bros 10. She Broke Down (Ran Right Out On Me) - Little Richard III 11. No Names Will Be Called - The Road Runners 12. Chicken Peck Pt. II - The Pronouns 13. You Have Come Into My Life - Earl Swindell 14. Man Hunt - Mitzi Ross 15. Charge - Bronc-Glows Feat. Phil & Portia 16. Down Home Publicity - Apple & The 3 Oranges
...served by Gyro1966...

Sunday, August 26, 2012

"OUR CAR CLUB"

Here's a great collection of car-related surf, this comp is now out of print.
trax:
1. 427 Super Stock - The Super Stocks 2. 426 Super Stock - The Super Stocks 3. 409 - The Rip Chords 4. 54 Corvette - The Customs 5. Surfin' Hearse - The Quads 6. SS 396 - Paul Revere & The Raiders 7. RPM - The Four Speeds 8. Our Car Club - The Beach Boys 9. Nifty 50 - The Customs 10. My Sting Ray - The Four Speeds 11. Move Out Little Mustang - The Rally Packs 12. Little Street Machine - The Hot Rod Gang 13. Little Stick Nomad - The Super Stocks 14. Little Scrambler - Ronny & The Daytonas 15. Little Honda - The Beach Boys 16. KRLA King Of The Wheels - The Bobby Fuller Four 17. Little Deuce Coupe - The Beach Boys 18. Hot Rod USA - The Rip Chords 19. Hot Rod High - The Knights 20. Hot Rod City - The Customs 21. Hey Little Cobra - The Rip Chords 22. GTO - Ronny & The Daytonas 23. GeeTo Tiger - The Tigers 24. Four On The Floor - The Four Speeds 25. Draggin' Wagon - The Surfer Girls 26. Draggin' Deuce - The Super Stocks 27. Deadman's Curve - Jan & Dean 28. D/Gas Chevy - The Super Stocks 29. Custom Machine - Bruce & Terry 30. Corvair Baby - Paul Revere & The Raiders 31. Competition Coupe - The Astronauts 32. Cherry Coup - The Beach Boys 33. Cheater Slicks - The Four Speeds 34. Burnin' Rubber - Gene Moles 35. Boss Barracuda - The Surfaris 36. Bite Bite Barracuda - The Knickerbockers 37. Backseat 38 Dodge - The Opus 1
...served by Gyro1966...

"THE SOUND OF FUNK" Vol. 9

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Free & Easy - Apples & The Three Oranges 2. Take It And Get - Zeke & The Soul Setters 3. I Don't Want To Hear It Now - Jimmy Brinson 4. Cool It - Guy Morris 5. Do The Train - The Thrillers 6. Number One Prize - The Bare Faxx 7. Cookies - Brother Soul 8. What Is This - Apollis 9. Funky Wah Wah - Tony Lamar w/The Experiences Unlimited Band 10. Tormented - Johnny Holiday 11. Whatever You Do, Do It Good - Gene Williams 12. Sound Success - Joe Wallis 13. The Funky Mule (Part I) - Marvin Holmes & The Uptights 14. Times Are Bad - Bobby Barnes 15. I Got A New Thing - Willie Smith 16. Akiwawa - The Village Crusaders
...served by Gyro1966...

Saturday, August 25, 2012

"More Perfect Harmony" Sweet Soul Groups 1967-1975

Obscure groups such as The Hesitations, Lee Williams & The Cymbals, The Sequins, Foxy, The Superbs, The Fantastic Four, The Determinations and others whose songs are rarely anthologized are spotlighted on this great compilation. - Jillem
Like many compilations of this nature, there's the feeling that these two dozen sweet soul harmony rarities (five of them previously unreleased) were picked as much for their rarity as their quality. Most of the groups are male, and very few of them will be familiar to all but collector soul specialists, though the Insiders (represented by the 1966 Red Bird single "Chapel Bells Are Calling," produced by Jerry Leiber and Mike Stoller) evolved into the Main Ingredient. It's nothing to make you forget the great Philadelphia and Chicago soul groups of this sort, but the tracks are uniformly well produced and decently sung, though they're largely lacking in the kind of hooks needed to implant them in either the memory banks or radio play lists. "Never My Love" might be a kind of wimpy song, for instance, but when you hear the Magictones' version, it really does leap out as something catchier than its immediate surroundings on this CD. With the okay-but-unremarkable vibe so pervasive, you're left looking for oddities and points of interest, and there are a few. There couldn't have been many late-'60s soul songs that referenced baseball great Willie Mays and claimed he hung out "Under the Street Lamp" before reaching the major leagues, as Joe Bataan with Group did on their 1969 single of the same name. The Climates' "No You for Me," with a far more Southern (and specifically Memphis) feel than most of this comp, was one of the final 45s issues on Sun Records, and according to the liner notes was a number one hit on a local (and white!) radio station. Lee Williams & the Cymbals' "A Girl from a Country Town" would fit in just fine on an anthology of Impressions imitations. And the Superbs' "So Glad You're Home," one of the few cuts on the disc to feature female vocals, makes a nice change of pace, and is an above-average romantic ballad to boot.~Richie Unterberger (Allmusic)

trax:
1. Under The Street Lamp - Joe Bataan With Group 2. Yes, I'm Ready - The Hesitations 3. You're Gonna Make It - The Festivals 4. I Don't Have You - The Continental 4 5. Third Degree - The Sequins 6. Never My Love - Magictones 7. No You For Me - The Climates 8. Here it Comes - The Persians 9. Chapel Bells Are Calling - Insiders 10. That Ain't The Way - The Determinations 11. Keep On Trying - The Invincibles 12. Betcha' Can't Guess Who - The Newcomers 13. Never Will I (Make My Baby Cry) - The Magnificent Seven 14. I Like The Way You Love Me - Foxy 15. Someone Else's Arms - Channel 3 16. Won't You Please Be My Girl - The Soulville All-Stars 17. Daydreamer - C.C. & Company 18. I'm Still Here - The Notations 19. A Girl From A Country Town - Lee Williams & The Cymbals 20. No One Else Will Do - The Dynamic Tints 21. Love Me Girl - The Mylestones 22. I Had This Whole World To Choose From (And I Chose You) - The Fantastic Four 23. So Glad You're Home - The Superbs 24. Things Will Be Better - Just Brothers
...served by Jillem...

"THE SOUND OF FUNK" Vol. 8

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Ain't No Other Way - Herman Hitson 2. Baby Don't Cry - The Third Guitar 3. Do The Bobby Dunn - Bobby Dunn 4. Popcorn Baby - Freddy Henchi 5. Check Your Battery - The Funk Mix 6. Baby I've Got It - The Fabulous Souls 7. You Lost Your Thing - Hank Johnson 8. Sagittarius - Landlord & Tenants 9. Ain't That Fun - Tyrone Harris 10. Movin And Groovin - The Volcanos 11. The Lady - The Superiors Band Their Soul Singers 12. The Funky Donkey - The Illusions 13. Groove Penguin - Excell Wonsley 14. Geraldine Jones - The Soul Encyclopedia 15. Get Off Your Butt - Debbie Hines 16. Jungle - The Young Senators 17. Funky Jive - The Soul Crusaders 18. Vilage Sound - The Village Sounds
...served by Gyro1966...

"SWEET PETUNIA" - The Essential Recordings of Georgia Blues

A gathering of original recordings of guitarists showcasing the distinct Georgia blues style from the late 20's to early 30's. This collection is now out of print.
trax:
1. Skin Game Blues - Peg Leg Howell 2. Lonesome Blues - Henry Williams & Eddy Anthony 3. Broke And Hungry Blues - Peg Leg Howell 4. Georgia Crawl - Henry Williams & Eddie Anthony 5. Mississippi Heavy Water Blues - Barbecue Bob 6. Motherless Child Blues - Barbecue Bob 7. Goin Up The Country - Barbecue Bob 8. Ease It To Me Blues - Barbecue Bob 9. No No Blues - Curley Weaver 10. Sweet Petunia - Curley Weaver 11. Mama Don'T Rush Me Blues - Willie Baker 12. Ball And Chain Blues - Peg Leg Howell 13. She Looks So Good - Georgia Cotton Pickers (Barbeque Bob & Curley Weaver) 14. She's Coming Back Some Day - Georgia Cotton Pickers (Barbeque Bob & Curley Weaver) 15. De Kalb Chain Gang - Fred McMullen 16. Daddy Dont Care - Buddy Moss 17. Hard Road Blues - Buddy Moss 18. Tampa Strut - Georgia Browns 19. Decatur Steet 81 - Georgia Browns 20. It's A Good Little Thing - Blind Willie McTell 21. B & O Blues No. 2 - Blind Willie McTell 22. Undertaker Blues - Buddy Moss 23. Milk Cow Blues - Kokomo Arnold 24. The Twelves - Kokomo Arnold
...served by Gyro1966...

Friday, August 24, 2012

"THE SOUND OF FUNK" Vol. 7

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Super Cool (You're Just A Super Fool) - Pat Hunt 2. It's Your Love - Theron & Darrell 3. Funky Strutt - Fabulous Soul Eruption 4. Branded - C.J. Leach 5. Hot Pants - Hank Carbo 6. Hook & Boogie (Part 1) - Abraham 7. Dap Walk - Ernie & The Top Notes Inc. 8. Gimme Some - General Crook 9. Boilin' Water - Soul Stoppers Band 10. Soul Chicken - Bobby Allen & The Exceptions 11. Do Your Own Thing - Sam Moultrie 12. Slow Down (You're Moving Too Fast) Pt. 1 - Don Elliot 13. Green Power - Sid Sidney Wallace & The Belairs 14. Fish Head - Slim & The Soulful Saints 15. Bad Luck - Hank Carbo 16. Sould Powers (Part 1) - Jimmie Willis
...served by Gyro1966...

"DUST MY BROOM" - The Essential Recordings Of Mississippi Delta Blues

These recordings range from 1928 to 1941. The remastering is excellent providing a surprisingly clean sound. The major influence on this style of blues was Charley Patton, who is represented by the first three cuts. The brief album notes included with the cd gives a very brief family tree of the relationship of the other artists to Patton - as disciples, as second generation "disciples" or as "influenced by". As several of the artists are well known - Muddy Waters, Bukka White, Robert Johnson, Son House ... this album is especially interesting in allowing one to hear something of the development of the Delta Blues style, and catch nuances of similarity and differences among the artists that escape one's attention when changing cd's. (Blues World)
These 22 tracks offer a very good insight into the blues of the Mississippi Delta as it sounded about seventy years ago. As usual, Indigo Records has done a great job choosing and compiling songs from various more or less famous bluesmen, ranging from the legendary Robert Johnson and his "I Believe I'll Dust My Broom", to more obscure recordings by Ishmon Bracy (a travelling companion and playing partner of Tommy Johnson) and Willie Brown. Among the highlights are Skip James' haunting "Devil Got My Woman", Big Joe Williams' "Baby Please Don't Go", and Bukka White's intense and powerful "Shake 'Em On Down". The sound quality varies quite a lot; Son House's legendary 1930 recordings "My Black Mama" and "Preachin' The Blues" are entombed in a hailstorm of surface noice, whereas Robert Johnson's contribution might have been recorded in the fifties. But in spite of the snaps, crackles and pops, this is a very interesting insight into the world of the early Delta blues, and it is highly recommendable to anyone who wants to learn more about this type of music. Maybe after listening to this one, you'll want to go get the recordings by the individual artists. (There's another early blues compilation out there as well, which doesn't stick exclusively to the Mississippi-born bluesmen : "As Good As It Gets - Country Blues" has only a couple of overlaps with this collection, and would be the perfect companion volume.) (Amazon)

trax:
1. Mississippi Boweavil Blues - Charley Patton 2. Pony Blues - Charley Patton 3. Pea Vine Blues - Charley Patton 4. Cool Drink of Water Blues - Tommy Johnson 5. Big Road Blues - Tommy Johnson 6. Big Fat Mama Blues - Tommy Johnson 7. Trouble Hearted Blues - Ishman Bracey 8. Bull Frog Blues - William Harris 9. My Black Mama Pt. 1 - Son House 10. Preachin' the Blues Pt. 1 - Son House 11. Walking Blues - Son House 12. Future Blues - Willie Brown 13. The Panama Limited - Bukka White 14. Devil Got My Woman - Skip James 15. Baby Please Don't Go - Big Joe Williams 16. I Believe I'll Dust My Broom - Robert Johnson 17. Shake 'Em On Down - Bukka White 18. Bottle It Up and Go - Tommy McClennan 19. Catfish Blues - Robert Petway 20. Crawlin' King Snake - Tony Hollins 21. Country Blues - Muddy Waters 22. Take a Little Walk With Me - Robert Lockwood, Jr.
...served by Gyro1966...

Thursday, August 23, 2012

"THE SOUND OF FUNK" Vol. 6

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. The Gigolo - Gene Anderson 2. You Did It - Ann Robinson 3. Foxy Little Mama - Bob Stone & His Band 4. Oof (Do Anything I Want) - Chuck Colbert 5. Sweet Thing - Milton Cambell & The R.D.M Band 6. Rerun - King Hannibal 7. The Atlanta Boogaloo - The Inclines 8. Rough Nut - The Zodiacs 9. Fussin' And Cussin' Part 1 - Four Wheel Drive 10. (Get Ready) For The Changes - Marva & Melvin 11. Funky John - Johnny Cameron & The Camerons 12. Soul Chills - Dede Soul & The Spidells 13. The Loneliest One - Gene Anderson 14. Life Is Like A Puzzle - The Village Soul Choir 15. Sunshine Part 1 - Scacy & The Sound Service 16. Take It Where You Found It - Lorraine Jackson
...served by Gyro1966...

"DOWN THE DIRT ROAD" - The Essential Recordings Of Mississippi Blues

Drawn from vintage 1920s, 1930s, and 1940s 78s, Down the Dirt Road does a wonderful job of presenting Mississippi's country blues tradition on a single disc, with signature songs from Charley Patton (""Down the Dirt Road Blues""), Tommy Johnson (""Canned Heat Blues""), Skip James (""I'm So Glad""), Big Joe Williams (""49 Highway Blues""), and Bukka White (""Fixin' to Die Blues""), along with tracks by lesser-known figures like Garfield Akers (""Dough Roller Blues"") and Tommy McClennan (""Cross Cut Saw Blues""). There are countless blues compilations out there, but this one has obviously been carefully assembled, and it presents the pure Mississippi roots of the genre. (Steve Leggett, Allmusic)

trax:
1. Down The Dirt Road Blues - Charley Patton 2. Maggie Campbell Blues - Tommy Johnson 3. Canned Heat Blues - Tommy Johnson 4. Big Fat Mama - Tommy Johnson 5. Mississippi Jail House Groan - Rube Lacy 6. Dough Roller Blues - Garfield Akers 7. M & O Blues - Willie Brown 8. Dry Spell Blues Part 1 - Son House 9. I'm So Glad - Skip James 10. Special Rider Blues - Skip James 11. Hard Tiem Killin' Floor Blues - Skip James 12. 22-20 Blues - Skip James 13. 49 Highway Blues - Big Joe Williams 14. Somebody'S Been Borrowing That Stuff - Big Joe Williams 15. Lead Pencil Blues - Johnnie Temple 16. Fixin' To Die Blues - Bukka White 17. Parchman Farm Blues - Bukka White 18. Ride 'Em On Down - Robert Petway 19. Black Spider Blues - Robert Lockwood, Jr. 20. Little Boy Blue - Robert Lockwood, Jr. 21. Cross Cut Saw Blues - Tommy McClennan 22. Machine Gun Blues - Willie "61" Blackwell 23. If I Get Lucky - Arthur "Big Boy" Crudup 24. Mean Old Frisco Blues - Arthur "Big Boy" Crudup
...served by Gyro1966...

Wednesday, August 22, 2012

"THE SOUND OF FUNK" Vol. 5

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Dynamite - Steve Colt 2. Crazy Legs - The Soul Tornados 3. Breakdown - The Memphians 4. Revolution Rap (Part 1) - Cal Green 5. Wait A Minute - The Xplosions 6. The Funky Moon - Smokey Johnson & Company 7. Soul Combination - The Soul Combination 8. Afro Bush - E. Gaunichaux & The Skeptics 9. Football - Mickey & The Soul Generation 10. The Wimp - Darnell Simpkins & The Family Tree 11. Give A Man A Break - Charles Mintz 12. I Laugh & Talk (But I Dont Play) - Zeke Strong & The Ladyetts 13. The Kuri Kuri - Diety 14. Hot Pants - Jimmy Bee 15. Bear Funk - Revolution Funk 16. (Do The) Yum Yum Man - Contributors Of Soul
...served by Gyro1966...

"DEVIL IN THE WOODPILE" - The Essential Recordings Of Blues Harmonica

Strong collection of blues from 1926-1940. Now out of print.
trax:
1. Pan American Blues - De Ford Bailey 2. Up Country Blues - De Ford Bailey 3. Alcoholic Blues - De Ford Bailey 4. railroad piece - Palmer McAbee 5. Escaped Convict - George "Bullet" Williams 6. Touch Me Light Mama - George "Bullet" Williams 7. A) All Out And Down, B) Old Time Blues, C) Hog In Th E Mountain - Freeman Stowers 8. Need More Blues - Robert Cooksey 9. Man Trouble Blues - Jaybird Coleman 10. Jug Band Waltz - Will Shade 11. Cow Cow Blues - Jed Davenport 12. Chickasaw Special - Noah Lewis 13. devil in the woodpile - Noah Lewis 14. Mean Low Blues - Blues Birdhead 15. Beale Street Breakdown - Jed Davenport 16. Coffee Grinder Blues - Jaybird Coleman 17. Friday Moan Blues - Alfred Lewis 18. Drop Down Mama - Hammie Nixon 19. Sarah Jane - Bill "Jazz" Gillum 20. Harmonica And Washboard Blues - Sonny Terry 21. Harmonica Stomp - Sonny Terry 22. Good Morning, Schoolgirl - Sonny Boy Williamson
...served by Gyro1966...

Tuesday, August 21, 2012

"THE SOUND OF FUNK" Vol. 4

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. The Funky Buzzard - Little Oscar 2. Fun In Your Thang (Part 1) - Bootsey Phelps & The Complete Strangers 3. The Funky Fat Man - Burnett Bynum & The Soul Invaders 4. Keep On Brother Keep On - Fat Back Band feat. Johnny King 5. Crumbs For The Table - The Young Disciples & Co. 6. The Moon Walk - King Solomon 7. Bumping - Tyrone Chestnut 8. Open Up Your Heart - The Raw Soul w/Frankie Beverly 9. Get Some - Wee Willie & The Winners 10. (Ride On) Iron Horse - The Marlboro Men 11. Funky Funk - Big Al & The Star Treks 12. Funky Moon Meditation - The Moonlighters 13. Wait A Minute - The Xplosions 14. Do The Funky Donkey - Otis Turner & The Mighty Kingpins 15. Funky Line Part 1 - The Fabulous Shalimars 16. Hold Tight - Bobby McNutt 17. Funky Hump - Little Joe Cook & The Thrillers 18. Be Black Baby - Grady Tate 19. Can You Dig It - Chico & Buddy
...served by Gyro1966...

"LITTLE ROCK BLUES" - The Essential Recordings Of Country Girls

Nice collection of early blues, now out of print.
trax:
1. Rolling Log Blues - Lottie Kimborough 2. Last Kind Words Blues - Geeshie Wiley 3. Chicksaw Train Blues - Memphis Minnie 4. Shake It Daddy - Mae Glover 5. I Let My Daddy Do That - Hattie Hart 6. Pick Poor Robin Clean - Geeshie Wiley 7. I Can't Stand That - Bobbie Cadilac 8. Dead Drunk Blues - Lillian Miller 9. Jacksonville Blues - Nellie Florence 10. Wayward Girl Blues - Lottie Kimborough 11. Little Rock Blues - Pearl Dickson 12. Going Away Blues - Lottie Kimborough 13. Gas Man Blues - Mae Glover 14. Eagle On A Half - Geeshie Wiley 15. She Put Me Outdoors - Memphis Minnie 16. Coldest Stuff In Town - Hattie Hart 17. He Throws That Thing - Bobbie Cadillac 18. Midnight Weeping Blues - Nellie Florence 19. Skinny Leg Blues - Geeshie Wiley 20. Keep It To Yourself - Memphis Minnie 21. I Ain't Giving Nobody None - Mae Glover 22. Lost Lover Blues - Lottie Kimborough
...served by Gyro1966...

Monday, August 20, 2012

"THE SOUND OF FUNK" Vol. 3

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Got A Thing For You Baby - Mr. Percolator 2. Funky, Funky, Hot Pants - Wee Willie Mason 3. Spittin' Image - J.B's Latin 4. The New Bump & Twist - The Kats 5. Hip Drop - The Explosions 6. Africana - The Propositions 7. Got A Gig On My Back - Kelly & The Soul Explosion 8. Soul Drippins - The Interns 9. Let's Get Together - Cassietta George 10. Baby I've Got It - King George & The Fabulous Souls 11. Fon-Kin-Love - Love International feat. Georgeus George 12. Campbell Lock - Don (Soul Train) Campbell 13. Funky Soul Shake - E. T. White & The Potential Band 14. Hot Pants (Part 1) - 20th Century 15. Closed Mind - Different Bags 16. Give A Damn - Benny Gordon
...served by Gyro1966...

"Easin' In" The Essential Recordings Of Texas Blues

Fine collection of Texas Blues from the late 20's to the early 40's. (This collection is now out of print)
trax:
1. Cottonfield Blues - Henry Thomas 2. Bull-Doze Blues - Henry Thomas 3. Fishing Blues - Henry Thomas 4. Dallas Rag - Dallas String Band 5. Got The Blues - Blind Lemon Jefferson 6. Long Lonesome Blues - Blind Lemon Jefferson 7. Bad Luck Blues - Blind Lemon Jefferson 8. Match Box Blues - Blind Lemon Jefferson 9. See That My Grave'S - Blind Lemon Jefferson 10. Doggone My Good Luck Soul - Hattie Hudson 11. Double Crossing Blues - Texas Alexander 12. Hungry Wolf Blues - J.T. "Funny Paper" Smith 13. Ground Hog Blues - Ramblin' Thomas 14. Easin' In - Bobbie Cadilac 15. Elm Street Blues - Texas Bill Day 16. Thieving Blues - Jack Ranger 17. Hurry Blues - Little Hat Jones 18. Blue Goose Blues - Jesse Thomas 19. Black Gal What Makes Your Head So Hard? - Joe Pullum 20. Ninth Street Stomp - Bernice Edwards 21. Bull Cow Blues - Alex Moore 22. Trifling Woman - Black Ace 23. You Gonna Need - Black Ace 24. Got A Break Baby - T-Bone Walker
...served by Gyro1966...

Sunday, August 19, 2012

"THE SOUND OF FUNK" Vol. 2

Assembled by the U.K. label Goldmine/Soul Supply, The Sound of Funk is the most exhaustive deep funk compilation series on the market, spanning a total of ten volumes containing 16 tracks apiece. The vast majority of this material is taken from incredibly rare 45 rpm singles, often by groups too obscure to have recorded a full-length LP. It's a collector's dream, but these comps don't play like dusty archival pieces -- the music is teeming with energy and enthusiasm, no matter how derivative of its influences it may be. Sure, there are plenty of James Brown knockoffs, but they're fun James Brown knockoffs, and if you're hard-pressed to name a style of music more infectious than funk, this stuff will grow on you at an alarming rate. It doesn't necessarily take great songwriting to make a great funk single, just a great groove and a little inspiration. The seemingly endless supply of obscure bands who could capture those ingredients is what makes The Sound of Funk such an addictive listen for devoted funk fans, even if they've never heard of the songs or artists present (and most people haven't). There's a whole lost chapter of grassroots musical history here, waiting to be rediscovered. At ten volumes, and with no liner notes, The Sound of Funk isn't the best introduction to deep funk; for that, go to The Funky 16 Corners or one of Keb Darge's more concise series (Legendary Deep Funk or Funk Spectrum are both excellent). But this series was the original chronicle; once you're hooked, snap up as many as you can while they're still available. (by Steve Huey, Allmusic)

trax:
1. Gator Bait - The Gaturs 2. Humpty Dump - The Vibrettes 3. Love Got A Piece Of Your Mind - 5 Ounces Of Soul 4. African Strutt - Lynn Westbrook 5. Chocolate Sugar - Six Feet Under 6. Funk-I-Tus - Warm Excursion 7. Spin It Jig - Smokey Brooks 8. Girl Chooses - The Boy - Shawn Collins 9. Screwdriver - Lee Austin 10. Let My People Go - Darondo 11. Communication Is Where It's At - Billy Baron 12. World - 1619 B.A.B. 13. Fun & Funk Pt II - The Fantastic Epics 14. Marvin's Groove - The BW Souls 15. Skin It Back - Tommy Bush 16. Hot Butter 'n All - Mr C
...served by Gyro1966...

"Need a Shot" The Essential Recordings of Urban Blues

Featuring two-dozen tracks drawn from commercially released 78s of the 1920s, 1930s, and 1940s, Need a Shot is primarily a piano-based selection, although there is a fair amount of guitar and harmonica tossed in, and on occasion even drums, saxes, and clarinets. Labeled urban blues, these sides are only a little removed from their country blues roots, and pieces like Peetie Wheatstraw's "Working Man (Doing the Best I Can)" (the melody line, a common one in the early blues, was used by Bob Dylan for his "Pledging My Time"), Roosevelt Sykes' "Night Time Is the Right Time," and Washboard Sam's funky and ragged "Back Door" played just as well in the rural jukes of the Deep South as they did in the bars up north. In spite of the subtitle, these 24 selections don't exactly add up to an essential survey of the early urban blues, but there's plenty of foot-stomping fun going on here and it's hard to have a serious problem with that. (Steve Leggett, Allmusic)

trax:
1. Sail On, Little Girl, Sail On - Bumble Bee Slim 2. Policy Wheel Blues - Kokomo Arnold 3. Trouble In Mind - Georgia White 4. Bad Luck Man - The Harlem Hamfats 5. Louise Louise Blues - Johnnie Temple 6. Working Man (Doing The Best I Can) - Peetie Wheatstraw 7. Think You Need A Shot - Walter Davis 8. New Little Pretty Mama - Bill Gaither 9. Night Time Is The Right Time - Roosevelt Sykes 10. Lonesome Bedroom Blues - Curtis Jones 11. Back Door - Washboard Sam 12. 'Way Down In Louisiana - Casey Bill Weldon 13. Want To Woogie Some More - Merline Johnson 14. What Is That She Got? - Big Bill Broonzy 15. Lonesome Shack Blues - Memphis Minnie 16. Baby, Take A Chance With Me - Tampa Red 17. Key To The Highway - Bill "Jazz" Gillum 18. Beer Drinking Woman - Memphis Slim 19. County Jail Blues - Big Maceo 20. Goin' Down Slow - St. Louis Jimmy 21. He's A Jelly-Roll Baker - Lonnie Johnson 22. Ain't No Business We Can Do - Doctor Clayton 23. Big Time Mama - Champion Jack Dupree 24. New Early In The Morning - Sonny Boy Williamson
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Saturday, August 18, 2012

"THE SOUND OF FUNK" Vol. 1

Women can funk too, as Spanky Wilson proves on "You," a funky riff with some good shout/singing. Other funkers include Dave "Baby" Cortez & the Happy People's "Happy Soul," "The Tramp Part 1" by the Showmen, Inc., "Jan Jan" by Detroit's Fabulous Counts, and "Iron Leg" by Mickey & the Soul Generation. Though most of the artists are unknown, the familiar rhythms, riffs, horn play, use of backing vocals, drum patterns, and basslines aren't. Collectors and casual fans alike can appreciate this one, funk is funk, no matter who's singing it, and a grunt is a grunt is a grunt. (Andrew Hamilton, Allmusic)
If you like uncut funk, you'll love this compilation of obscure '70s funk sounds from artists like Leroy & the Drivers, Sons of Slum, and Jake Wade & the Soul Searchers. Funny names aside this is good potent funk, not the self-contained funk band stuff that owned a piece of the charts in the '70s but harder, wicked tracks that would make James Brown and Dyke (of the Blazers) proud. You'll think you're listening to James Brown when "Let the Groove Move You" by Gus "the Groove" Lewis cues and starts spinning; you'll swear Bootsy Collins was playing the hyper basslines, and Lewis has Brown's grunts and groans down pat. Frank Williams must have been schooled at Dyke & the Blazers University because that's who he sounds like on "You Got to Be the Man," spirited horns signifying every line Williams sings. "Everything's Gonna Be Alright" by Robert Moore is straight from the Charles Wright & the Watts 103rd Street Band book of funk and is similar to "Express Yourself."

trax:
1. Damph F'Aint - The Herb Johnson Settlement 2. The Sad Chicken - Leroy & The Drivers 3. How Long Shall I Wait - Lewis James Fields 4. Hector - The Village Callers 5. Let The Groove Move You - Gus 'The Groove' Lewis 6. Groovy World - The Fabulous Caprices 7. Jan Jan - The Fabulous Counts 8. Iron Leg - Mickey & The Soul Generation 9. You Got To Be A Man - Frank Williams 10. Searchin' For Soul - Jake Wade & The Soul Searchers 11. The Push And Pull - The Sons Of Slum 12. Take This Woman Off The Corner - Spencer James 13. Everythings Gonna Be Allright - Robert Moore 14. The Tramp Pt. 1 - The Showmen Inc. 15. I'm The Man - Chris Jones 16. The Whip Pt.1 - Al Brown
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"Roll & Tumble Blues" - The Essential Collection Of Slide Guitar Blues

Aside from providing America with its most basic vernacular musical form, the blues, the country bluesmen of the 1920s and '30s also managed to reinvent the guitar, as well, attacking it with all manner of knives and bottles, adding an arsenal of whooshing, sliding, moaning, whining, and shrill trilling sounds to the possibilities of the instrument. The art of slide guitar begins here, with the players assembled in this collection, and it forms a perfect introduction to this blues subgenre. From Blind Lemon Jefferson's "Jack O'Diamond Blues," with his slide cutting through the hailstorm static of a badly preserved 78, to the powerful slide punctuations of Bukka White on "Bukka's Jitterbug Swing," this anthology features some stunning and powerful performances. Check out Kokomo Arnold's lightning speed on "Old Original Kokomo Blues," or the way Blind Willie Johnson couples long sliding guitar notes with wordless moans to create one of the greatest examples of the worry and pain that is the blues in the classic "Dark Was the Night (Cold Was the Ground)." Hambone Willie Newbern's jaunty "Roll and Tumble Blues" and Tampa Red's "Denver Blues" are other standouts on an album that is full of high points, making it a perfect introduction to the fascinating world of early slide guitar. (Steve Leggett, Allmusic)

trax:
1. You Can't Keep No Brown - Bo Weevil Jackson 2. Jack O'Diamonds Blues - Blind Lemon Jefferson 3. Guitar Rag - Sylvester Weaver 4. Falling Down Blues - Furry Lewis 5. Mama, 'Tain't Long Fo' Day - Blind Willie McTell 6. Dark Was The Night - Blind Willie Johnson 7. So Lonesome - Ramblin' Thomas 8. Roll And Tumble Blues - Hambone Willie Newburn 9. A Spoonful Blues - Charley Patton 10. Walking Blues - Son House 11. Atlanta Moan - Barbecue Bob 12. Whoopee Blues - King Solomon Hill (Joe Holmes) 13. Packin' Trunk - Lead Belly 14. Denver Blues - Tampa Red (Hudson Woodbridge) 15. Old Original Kokomo Blues - Kokomo Arnold 16. Lone Wolf Blues - Oscar Woods 17. You Just As Well Let Her Go Casey - Bill Weldon 18. Terraplane Blues - Robert Johnson 19. Black Ace - Black Ace 20. I'm A Stranger Here - Blind Boy Fuller 21. Bukka's Jitterbug Swing - Bukka White 22. I Be's Troubled - Muddy Waters
...served by Gyro1966...

Friday, August 17, 2012

"THE BEST OF SUGAR HILL GOSPEL" VOL. 1 & 2 (Every Time I Feel The Spirit & Way Down Deep in My Soul)

This is a great introduction to traditional Southern Gospel numbers (Daniel Prayed) and more praise song-sounding arrangements. The Southern Gospel sound, as these recordings capture, runs the gamut from African-American call and response to bluegrass-laced close harmony and high lonesome singing. This is great stuff. Don't miss it. (Amazon)
This is the second installment in a first-tier series of Southern Gospel/Bluegrass songs from a variety of groups and performers. Laden with pathos, bluegrass harmonies and terrfic song choices, this is a no-lose introduction to groups and a style of music that you will be inspired to pursue. "Life is Like a Mountain Railway" may be one of the best recordings of a great song that I have ever heard. (Amazon)
I host a weekly Gospel radio show and among all the material I play, this cd ranks #1 in my book. It contains everything from smooth acapella tracks to the best of the best pickin' and grinnin'. I personally love Doc Watson's tried and true vocals on "What A Friend We Have In Jesus". If that doesn't hit down deep, nothin' will! If you like gospel music, this a perfect collection starter or an excellent addition to what you have! (Amazon)
trax Vol 1:
1. On The Sea Of Life - Doyle Lawson & Quicksilver 2. The First Step To Heaven - The Nashville Bluegrass Band 3. Won't You Come & Sing For Me - Hot Rize 4. The Carpenter Shop - The Bluegrass Cardinals 5. Daniel Prayed - Boone Creek 6. It's Just Like Heaven - The Country Gentlemen 7. Fill My Way With Love - Doc Watson 8. Down To The Valley To Pray - Tim & Mollie O'Brien 9. You Don't Knock - New Grass Revival 10. Talk About Suffering Here Below - Ricky Skaggs & Tony Rice 11. Keep Your Lamp Trimmed & Burning - Hot Rize 12. A House Of Gold - The Whites 13. Open Up The Window, Noah - The Seldom Scene 14. Heaven's Joy Awaits - Doyle Lawson & Quicksilver
trax Vol 2:
1. When We Meet To Part No More - Doyle Lawson & Quicksilver 2. I'm Rollin' Through This Unfriendly World - The Nashville Bluegrass Band 3. Still Waters - The Osborne Brothers 4. God's Coloring Book - The Country Gentlemen 5. Bring Him Your Talents - The Bluegrass Cardinals 6. Life Is Like A Mountain Railway - The Seldom Scene 7. What A Friend We Have In Jesus - Doc Watson 8. Working On A Building - Hot Rize 9. Way Down Deep In My Soul - The Bluegrass Cardinals 10. Turn Your Radio On - Chris Hillman 11. Get in Line, Brother - Marty Stuart 12. Where The Souls Of Man Never Dies - Ricky Skaggs & Tony Rice 13. Pilgrim of Sorrow - Tim & Mollie O'Brien 14. When The Sun Of My Life Goes Down - Doyle Lawson & Quicksilver
...served by Gyro1966...

Thursday, August 16, 2012

"PEE WEE KING'S COUNTRY HOEDOWN"

In our fast living times names like Pee Wee King & Redd Stewart might not sound too familiar to younger folks, but they were real big in the 1940's and 1950's. It is always good to hear the old material again, songs like "Slowpoke", "Oh Monah" and "Silver and Gold". Pee Wee King's music was always a blend of Western Swing, Hillbilly, Polka with a little touch of Jazz and upcoming Rockabilly, the band's players were top notch. Sound quality of these transcriptions is very good, interesting liner notes are included. Another chance to listen to the early sounds of Country Music that influenced the modern day music. The transcriptions were recorded around 1952, the heighdays of Hillbilly Music. (Amazon)
With few options available to those who want a digital anthology of Pee Wee King's classic RCA recordings, listeners who would like to sample King's innovative and supremely entertaining music can spring for this affordably priced two-CD collection of radio transcriptions recorded circa 1952. Certainly owners of the box set would want to augment their collection with these previously unreleased performances, which include versions of hits such as "Slow Poke" and "Silver and Gold" as well as an incredible variety of novelties, love songs, and Western numbers that incorporate elements of swing, jazz, honky tonk, pop, and polka while seldom neatly fitting into any one of those categories. Redd Stewart is the featured vocalist on these 51 cuts, and liner notes were provided by noted country music historian Bill C. Malone. (Greg Adams, Allmusic)

trax CD 1:
01. Vocal: This Is Pee Wee King 02. I Love The Way You Roll Them Eyes At Me 03. Reason I'm In Love With You 04. Ramblin' Blues 05. I'm Going Back To The Middle Of The Middle 06. One Way Street 07. I'll Never Love No One Buy You 08. You Tried To Ruin My Name 09. Get Together Polka 10. Rootin' Tootin' Santa Claus 11. There's A Moon In The Sky 12. Slowpoke 13. Empty Vows 14. Oh Monah 15. Blow Out All The Candles 16. Between You & The Birds And The Bees & Cupid 17. Western Limited 18. Brother Drop Dead Boogie 19. Doghouse Blues 20. Cowboy Special 21. Steel Guitar Waltz 22. 'Tain't What You Want 23. Hog Wiild Too 24. I Don't Know Why I Should Love You 25. Postage Due. 26. Subdued Mood 27. If And When 28. Vocal : "..That Half-Way Point"
trax CD 2:
01. Fool's Gold 02. Silver and Gold 03. Sweetest Little Girl 04. Darling Don't Cry 05. Flower of Texas 06. I Wanna Say Hello 07. Let Me Hold You when You're Blue 08. Where Oh Where Has My Little Love Gone 09. I Need a Lot of Lovin' 10. Where Were You Last Night 11. I'm Just a Gad-About 12. Song of the Early Settlers 13. Take These Shackles from My Heart 14. The Calendar Song 15. Don't Apologize to Me 16. Charleston Alley 17. Opportunity 18. Rich in Love 19. I Can't Feel Those Kisses in Your Letters 20. Mohegas 21. Tadpole 22. Your Kisses Aren't Kisses Anymore 23. Tennessee Tango 24. Darling, Stop Playing with My Heart 25. Tears, Tears, Tears 26. There's That Man with the Stopwatch...
...served by Gyro1966...

Wednesday, August 15, 2012

THE BAD SEEDS & THE LIBERTY BELL

TheBadSeeds were the first rock group of note to come out of Corpus Christi, Texas, itself a hotbed of garage-rock activity during the middle/late 1960s. They started when guitarist/singer Mike Taylor and bassist Herb Edgeington, then member of a local band called the Four Winds, met up with lead guitarist Rod Prince and drummer Robert Donahoe, who had been playing in a rival band called the Titans until its demise. Prince wanted to form a new group, and he, Taylor and Edgeington became the core of theBadSeeds, who were signed to the local J-Beck label in 1966. They stayed together long enough to record three singles during 1966, of which two, "A Taste of the Same"/"I'm a King Bee" and "All Night Long"/"Sick and Tired," are unabashed classics of blues-based garage-punk, three of them originals by Taylor (who wrote most of their originals) or Prince. Even their normally maligned second single, "Zilch Part 1"/"Zilch Part 2," has some worth as a pretty hot pair of throwaway tracks. The band's sound was the raunchy Rolling Stones-influenced garage-punk typical of Texas rock groups in the mid-'60s.Following the breakup of the group after the summer of 1966, Mike Taylor became a writer and producer for the the Zakary Thaks, another Corpus Christi-based band (who were signed to J-Beck after being spotted playing on a bill with theBadSeeds), and also recorded singles in a folk-like mode as The Fabulous Michael. Rod Prince went on to become a key member of the legendary band Bubble Puppy, who were signed to Leland Rogers' International Artists' label, and the post-psychedelic group Demian. ~ Bruce Eder & Richie Unterberger, All Music Guide
With a few breaks, the Liberty Bell might have been America's Yardbirds -- as it worked out, however, the group suffered the undeserved fate of being a footnote in the history of Corpus Christi rock bands. Formed in Corpus Christi, Texas in the mid-1960s, they were originally named the Zulus and played a mix of blues-rock drifting toward psychedelia, driven by some fairly ambitious guitar work by lead axeman Al Hunt. In 1967, they hooked up with Carl Becker, the co-owner of J-Beck Records, which, at the time, was recording the hottest local band, the ZakaryThaks. Becker signed them to his new Cee-Bee Records, and suggested a name change to the Liberty Bell.The group's lineup at the time of their first single, a cover of the Yardbirds' "Nazz Are Blue" backed with a cover of Willie Dixon's "Big Boss Man," included Ronnie Tanner on lead vocals, Al Hunt on lead guitar, Richard Painter on rhythm guitar, and Wayne Harrison on bass. This record did well enough locally to justify further recording, and these sessions yielded the best songs of the group's entire history, "Something For Me," "For What You Lack," "I Can See," and "That's How It Will Be." Fast-tempo, fuzz-drenched pieces with catchy hooks, these numbers made the group sound like an American version of the Yardbirds with more of an angry punk edge, courtesy of lead singer Ronnie Tanner. But the real star of the group was lead guitarist Al Hunt, who wrote most of the material in those days and played like Jeff Beck on a good day.Tanner exited the group in early 1968 and was replaced by Chris Gemiottis, formerly of the ZakaryThaks, who also brought a quartet of original songs with him, which were somewhat less punk-oriented and attempted to be more profound. The group switched to the Back Beat label, which specialized in R&B flavored material. The Liberty Bell continued in its psychedelic/garage direction before releasing a soul-style number, "Naw Naw Naw" (on which only Gemiottis participated, with a studio band backing him) for their final single, late in 1968. The Liberty Bell came to an end in 1969 when Gemiottis returned to his former band. In 1995, however, Collectables Records released a 14-song collection of their music. ~ Bruce Eder, All Music Guide

trax:
THE BAD SEEDS
01 Taste Of The Same 02 I'm A King Bee 03 Zilch, Pt. 1 04 Zilch, Pt. 2 05 All Night Long (Tried To Hide) 06 Sick And Tired 07 I'm Nobody's Man 08 My Last Day 09 Gotta Make My Heart Turn Away 10 People Sec. IV 11 Checkerboard 12 Arkansas
THE LIBERTY BELL
13 The Nazz Are Blue 14 For What You Lack 15 Al's Blues 16 Thoughts And Visions 17 Naw, Naw, Naw 18 Reality Is The Only Answer 19 I Can See (1st Version) 20 Bad Side Of The Moon 21 Big Boss Man 22 That's How It Will Be 23 Something For Me 24 Look For Tomorrow 25 Recognition 26 Eveline Kaye 27 I Can See (2nd Version) 28 Out In The Country
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THE PERSUASIONS "Good News" (1982)

Fans of David Ruffin take note, this collection features two of the greatest Persuasions tracks: 'Message From Maria' and 'I've Lost Everything I Ever Loved,' both originally on Ruffin's 'My Whole World Ended,' his first solo LP after leaving The Temptations. Not only surpassing the intensity of the originals, the Persuasions also pay one of the few (only?) relevant musical tributes to the solo career of one of soul's finest voices. 'I Won't Be The Fool Anymore' closes the LP and unrelated from this Ruffin banter is also a total stand-out. I only prod because I think fans of this should lend an ear to one of the David Ruffin collections that feature these tracks because I'd be happy just bending people's ears to the great David Ruffin and his solo career. (David Ruffin Newsletter)
It's hard to not give a Persuasions album 5 stars. They're all grand affairs, but they have very different personalities. "Good News", recorded in 1982, finds them working mostly as a quartet (with occasional touches by "Sweet Joe" Russell, who was on hiatus from the group at the time), but their sound is, if anything, punchier than usual. There's a bright quality and lively energy to each tune that is absolutely unique to this album. Maybe it was just their mood in the recording studio...In any case, the song line-up is eclectic as always: everything from the Everly Brothers' "All I have To Do Is Dream" (with a lovely baseline by Jimmy Hayes) to Sam Cooke's "Cupid" (complete with flying arrow sound effects by Jerry Lawson) and Stephen Foster's "Swanee River Medley." There are also two wonderful live cuts here, included because they caught the group in especially fine fettle: "I'll Come Running Back To You" and "I Won't Be The Fool Anymore." These guys have a knack for picking unfamiliar and lesser-known tunes and bringing out the glory in them in ways the authors never imagined. For that matter they have a knack for picking out familiar tunes and bringing out the glory in them. They add little twists and tempo changes in arrangements that render the songs, as lead singer Jerry Lawson often says, "Persuasion songs." I bought this in 1982 on vinyl, and wore the thing out. Good news, to be sure. Great news, in fact. And here's a scoop: The Persuasions are a national treasure. (A Cappella Digest)

trax:
01 Ain't That Good News 02 Cupid 03 Soothe Me 04 Swanee River Medley / Swanee River - Ol' Man River - Raise 'Em Up 05 I'll Come Running Back To You 06 Let The Good Time Roll 07 I Lost Everything (I Ever Had) 08 Message From Maria 09 All I Have To Do Is Dream 10 I Won't Be The Fool Anymore
...served by Gyro1966...

Tuesday, August 14, 2012

"CAJUN SOCIAL MUSIC"

Both live and studio performances by legends of French Louisiana. Abshire, Duhon, Savoy, Courville, and other names now widely known outside of Cajun country are captured here. The beauty and vitality of this wonderful musical culture are unique. Reissue of Folkways 2621 from 1975. "Unpolished and spontaneous." -- Option
An outstanding sampling of the kind of music that makes Cajun so appealing. Authentic, raucous, raw, foot-stomping, hand-clapping, growling, earthy, laugh-out-loud, feel-good, jump-around, best-Saturday-night-ever kind of music. If you like Cajun, you MUST buy this. You can't listen to it and sit still. Some part of you will move. (Amazon)

trax:
1. 'Trape Mon Chapeau - Hadley Fontenot w/Sady Courville & Preston Manuel 2. Jolie Blonde - Milton MĂ©lancon w/Marc Savoy & Lurlin Lejeune 3. Tout CA C'est Dur A Croire - Milton MĂ©lancon w/Marc Savoy, Lurlin Lejeune & Adausal Thibideaux 4. Chere Tout-Tou - Nathan Abishire w/Allie Young & Armand Babineaux 5. Bosco Stomp - Allie Young w/Bessyl Duhon & Rodney Balfa 6. J'etais Au Bal Hier Au Soir - Milton MĂ©lancon w/Marc Savoy, Lurlin Lejeune & Adausal Thibideaux 7. Midnight Special - Allie Young w/Hector Duhon & Bessyl Duhon 8. La Valse De Lawtell - Milton MĂ©lancon w/Marc Savoy & Lurlin Lejeune 9. Courtableau - Nathan Abishire w/Armand Babineaux 10. Un Homme Marie - Allie Young w/Hector Duhon & Bessyl Duhon 11. Mamou Two-Step - Milton MĂ©lancon w/Marc Savoy & Lurlin Lejeune 12. La Valse D'amour - Allie Young w/Hector Duhon & Bessyl Duhon 13. Osson Two-Step - Milton MĂ©lancon w/Marc Savoy, Lurlin Lejeune & Adausal Thibideaux
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THE PERSUASIONS "Comin' At Ya" (1979)

"Comin at Ya" is a real sleeper of a Persuasions album, all too often overlooked. Some fans consider it their most exhilirating, high energy album of all. There are only 11 songs, but each one establishes a distinctive charm and lingering impact. "Don't Let Him Take Your Love" is as potent as anything on their "We Came To Play" album, as is the supercharged "I'll Be Forever Loving You" and "Drip Drop." The group was never in better voice, or sharper harmony than on this 1979 record which features among its eclectic line-up Paul Simon's "Love Me Like A Rock and Elvis's old hit, "Return to Sender." "Comin At Ya" also contains what could be first tenor Jayotis Washington's finest moment on record, the hilarious and infectous "Besame Mucho." While the album might not have as compelling a choice of material as the group's best albums ("Street Corner Symphony," "Chirpin'," "We Came To Play'""Sincerely") it does showcase The Persuasions at their best. Indispensable. (Amazon)

trax:
01 Return To Sender 02 Don't Let Him Take Your Love 03 Besame Mucho 04 One Mint Julep 05 Let Them Talk 06 Mortal Man 07 I'll Be Forever Loving You 08 Just Because 09 Drip Drop 10 Crying In The Chapel 11 Love Me Like A Rock
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