Tuesday, May 31, 2011

"20 ORIGINAL MOD CLASSICS"

Cool collection of tracks that were inspired by and inspiration for the Mod generation in the '60s and beyond. By 1967, the original Mod movement had given way to Psychedelia yet records which would influence future Mod scenes up to the very present continued to appear right through to the end of the 60's as this collection proves. Compiled by Johnny Chandler (formerly of BBC London 94.9FM and gig DJ for The Who, Paul Weller, Oasis, The Stone Roses and others). Sleevenotes by leading Mod biographer Paolo Hewitt, author of leading books on Oasis, The Jam, Small Faces and more.

trax:
1. Tin Soldier - The Small Faces 2. Circles - Les Fleurs De Lys 3. I'm Rowed Out - The Eyes 4. Little By Little - Dusty Springfield 5. Love Is Like An Itching In My Heart - The Supremes 6. Show Me The Way - Martha Reeves & The Vandellas 7. I'm Gonna Move To The Outskirts Of Town - Rod Stewart 8. Agent OO Soul - Alex Harvey 9. London Social Degree - Billy Nicholls 10. I'll Keep Holding On - The Marvelettes 11. You Didn't Say A Word - Yvonne Baker 12. Do I Make Myself Clear - Etta James 13. Secret Love [Single Version] - Billy Stewart 14. Beggin' - The Timebox 15. Can't Help Thinking About Me - David Bowie & The Lower Third 16. Fortune Teller - The Vibrations 17. (If You Think You're) Groovy - P.P. Arnold 18. Meeting Over Yonder [Single Version] - The Impressions 19. Night Train - James Brown 20. Can I Get A Witness - Marvin Gaye
...served by Gyro1966...

Monday, May 30, 2011

JOHNNY YOUNG "I Can't Keep My Foot From Jumping" (Bluesway 1973)

While there are a few modern day blues mandolin revivalists, the instrument has largely consigned to the dustbin of history. Although little-heard on commercial recordings after the 1940s, the mandolin played an important role in blues and early rural black music. The mandolin can be heard on numerous recordings of the 1920’s and 1930’s particularly on several black string band and jug band recordings. Johnny Young was the most famous of the post-war mandolin players who after waxing a couple of exciting 78′s for Ora Nelle and Planet/Old Swing-Master circa 1947-48 didn’t resurface on record for fifteen years. Thankfully the 1960′s and 70′s were a different story with Young recording for Testament, Arhoolie Vangaurd, Spivey, Blue Horizon, Blues On Blues, Bluesway as well as a number of of other scattered sides. Young played traditional Chicago blues, rooted in the 40′s and early 50′s, and didn’t share much in common with more modern upstarts like Otis Rush, Buddy Guy and Magic Sam. He also had one foot in his home state of Mississippi, his music still tied to the southern blues style of the 1920′s and 30′s and the vibrant string band tradition.
The general consensus ranks his Arhoolie recordings among his best but for my money his Bluesway album, I Can’t Keep My Foot From Jumping, is one of his finest and one that gets unjustly ignored. Of course it doesn’t help that the album has been long out of print and that the Bluesway label doesn’t have the best reputation. Producer Al Smith has been the target of much of the animosity against the label summed up writer Pete Lowry in a 1974 Living Blues review: “Here was a strange man-I don’t know if he was any kind of bass player, but he surely produced some screwed-up sessions. I won’t go into artist “relations,” but merely deal with the sessions; there have been some predictable characteristics. Lousy liner notes, replete with phonetic spelling (to be kind), incomplete or wrong personnel data, as well as often incomplete or disordered listings of the tunes… As for the records themselves, they varied from good to near disasters. The results of Al’s Special Ninety Minute Album Sessions included inconsistent levels on instruments, as if the warm up/test stuff was mixed for release (as was most likely the case!), some strange sounding stuff (out-of-synch echo units), and just total lack of programming. Al seems to have assembled albums in the order recorded, with no concept of the album as a programmed whole. For an artist to survive this sort of “production” he had to be damn good, or be having a better than average day in the studio.” - sundayblues

trax:
01 stop breaking down 02 i gotta find my baby 03 deal the cards 04 train fare out of town 05 i know she's slick 06 tried not to cry 07 keep on drinking 08 kid mama blues 09 lend me your love 10 sweet mama 11 no. 12 is at the station 12 i can't keep my foot from jumpin'
...album rip and served by Gyro1966...

SUNNYLAND SLIM "Plays The Rag Time Blues" (Bluesway 1972)

The other Chicago piano player recorded was Sunnyland Slim who’s oddly titled Plays The Ragtime Blues was released in 1972. Despite the title this is an exceptionally strong, well recorded set of Chicago blues finding Sunnyland backed superbly by Carey Bell and The Aces (Louis Myers, Dave Myers and Fred Below). “Get Hip To Yourself” is a terrific tough times tale with sizzling guitar from Myers with other highlights including “Mr. Cool” and the jazzy “Canadian Walk.” (Sunday Blues)
read all about the great Bluesway label here:
http://sundayblues.org/archives/2325

trax:
01 get hip to yourself 02 mr. cool 03 bassology 04 ain't gonna drink no more 05 it's you baby 06 every time i get's to drinkin' 07 lonesome ride 08 canadian walk 09 rice, salmon, and black-eyed peas 10 got to get to my baby 11 when your mama quit you baby
...LP rip and served by Gyro1966...

Sunday, May 29, 2011

THE TWILIGHTS "Once Upon A Twilight" (Stereo and Mono Versions) 1968

A clear case could be made for citing The Twilights’ Once Upon a Twilight as Australia’s greatest pop-psych album. Although almost totally ignored on its original release in June 1968, the album now takes its place among the best of the genre (MOJO magazine’s 2004 Special Edition on Psychedelia listed Once Upon a Twilight as one of the great unheralded World Psych albums).
Between 1966 and 1967 The Twilights enjoyed eight Top 40 hit singles. Near-perfect pop-psych gems like ‘9.50’, ‘Young Girl’, ‘Time and Motion Study Man’, ‘The Way They Play’, ‘Cathy Come Home’ and ‘Comin’ on Down’ remain some of the finest moments in Australia’s 1960s musical legacy. The Twilights had gained much inspiration and experience on their trip to the UK (October 1966 to February 1967), during which they recorded three tracks at EMI’s Abbey Road Studios with in-house producer Norman Smith (Pink Floyd, The Pretty Things): a cover of The Hollies’ ‘What’s Wrong with the Way I Live’, ‘9.50’ and ‘Young Girl’. Upon returning to Australia , the band set about recording what was to be their greatest (and final) LP.
Just what is it that makes The Twilights’ Once Upon a Twilight such an important pop-psych artefact? First and foremost is the quality of the songs themselves, with nearly all having been written by the band’s resident musical genius, guitarist Terry Britten. Secondly, under the guidance of producer David MacKay, the band recorded the album as a complete work, so that even today it displays a unity of purpose and holistic purity not generally achieved elsewhere. Thirdly, the sound of the album boasts all the trappings of period psychedelia, with all manner of studio trickery from echoed harmonies and gentle phasing to vocals fed through rotating Leslie cabinets.
After the break-up of The Twilights, lead singer Glenn Shorrock went on to join Axiom and later, the internationally famous Little River Band. Britten became an in-demand session player and producer for the likes of Cliff Richard (for whom he co-wrote ‘Devil Woman’, ‘Carrie’ and ‘Green Light’), as well as a highly successful songwriter (Christie Allen, Tina Turner, Michael Jackson). (Allmusic)
The Twilights were an Australian 60’s rock group that had a guitar oriented pop sound pitched somewhere between the Beatles and Hollies. Down under they were a pretty popular band, releasing two albums and several charting singles. In the mid 60’s they mixed 50’s rock and British Invasion covers with garage pop/beat originals. Terry Britten, the groups guiding light, began focusing on writing group originals during the second half of the decade. With help from Norman Smith, the Twilights recorded in England, eventually releasing a string of acid pop gems.
Cathy Come Home is arguably the best of these singles and is usually cited as the group’s high-water mark. Other 45’s like Time And Motion Study Man, and Comin’ On Down were near classic efforts though, with a sound rooted in Australia’s burgeoning psychedelic culture. In 1968, the Twilights released their final album, Once Upon A Twilight. Once Upon A Twilight was a critical success though sales were very low, signaling the beginning of a downward spiral for the group. The album is consistent and full of brilliant production quirks, being one of the very few Aussie albums to have a classic British psych-pop sound.
It’s loaded with great songs, standouts being the minor key gem What A Silly Thing To Do (complete with Ringo drum fills and phased wah-wah) and the classic Stop The World For A Day. Even the softer numbers like Bessemae, Tomorrow Is Today, and Mr. Nice work really well, highlighted by very pretty string arrangements and strong melodies. Other worthy numbers are the sitar drenched Devendra, which sounds like a lost Dave Mason Traffic track from 1967, and the dramatic psychedelia of Paternosta Row. On the latter track the band feeds its vocals through Leslie cabinets. The lp’s only daft moment is the horrible cockney country-rocker, The Cocky Song.
Once Upon A Twilight is a classic pop-art album, that’s warm, friendly, and well worth a spin. A near mint original copy can cost you between $150 to $300 and was notable for its elaborate pop-up gatefold art. In 2006, Aztec Music released this great album on cd for the first time, in both mono and stereo sound. (Rising Storm)

trax:
01 Once Upon A Twilight [Stereo] 02 What A Silly Thing To Do [Stereo] 03 Bessemae [Stereo] 04 Stop The World For A Day [Stereo] 05 Mr Nice [Stereo] 06 Take Action [Stereo] 07 Blue Roundabout [Stereo] 08 Devendra [Stereo] 09 Found To Be Thrown Away [Stereo] 10 Tomorrow Is Today [Stereo] 11 The Cocky Song [Stereo] 12 Paternosta Row [Stereo] 13 Once Upon A Twilight [Mono] 14 What A Silly Thing To Do [Mono] 15 Bessema [Mono] 16 Stop The World For A Day [Mono] 17 Mr Nice [Mono] 18 Take Action [Mono] 19 Blue Roundabout [Mono] 20 Devendra [Mono] 21 Found To Be Thrown Away [Mono] 22 Tomorrow Is Today [Mono] 23 The Cocky Song [Mono] 24 Paternosta Row [Mono]
...served by Gyro1966...

"THE TWISTED WHEEL STORY"

26 vintage all nighter classics.Based upon the beat-heavy Motown soul hits from Detroit, songs defined as 'Northern Soul' were often subject to limited release in America and rarely national hits. They arrived in the UK on import and were usually on imprints like Okeh, Bell and Roulette. Labels taking Motown and Stax Records as starting points, but smaller and infinitely hipper.
The records were snapped up by young DJ's with their ears to the ground. They spun the discs at all-night sessions in happening clubs such as Manchester's Twisted Wheel and Wigan Casino in the north of England. Their initial audience was made up of young Mods who disliked the coming of Psychedelic Rock and stuck to a staple diet of driving, African-American Soul.

trax:
1. Good Time Tonight - The Soul Sisters 2. Shotgun & The Duck - Jackie Lee 3. The Fife Piper - The Dynatones 4. You Get Your Kicks - Mitch Ryder 5. Everybody's Going To A Love In - Bob Brady & The Conchords 6. Karate Boogaloo - Jerry-O 7. Gonna Fix You Good - Little Anthony & The Imperials 8. A Lil' Lovin Sometimes - Alexander Patton 9. Aint No Soul ( Left In These Old Shoes ) - Ronnie Milsap 10. Humphrey Stomp - Earl Harrison 11. That Drivin' Beat - Willie Mitchell 12. There's Nothing Else To Say - The Incredibles 13. Get Outta My Heart - Moses & Joshua Dillard 14. Dr. Love - Bobby Sheen 15. Love Is After Me - Charlie Rich 16. Little Queenie - Bill Black's Combo 17. Secret Agents - The Olympics 18. Tightrope - Inez & Charlie Foxx 19. I Got What It Takes - Brooks & Jerry 20. That's Enough - Roscoe Robinson 21. Never Love A Robin - Barbara & Brenda 22. My Elusive Dreams - Moses & Joshua Dillard 23. The Next In Line - Hoagy Lands 24. Open The Door To Your Heart - Darrell Banks 25. It Keeps Raining - Fats Domino 26. Any Day Now - Chuck Jackson
...served by Gyro1966...

Friday, May 27, 2011

EDDIE BURNS "Treat Me Like I Treat You"

Great collection of tough Detroit blues on the great Moonshine label. (Very hard to find)In the decade following World War II, the epicenters of the urban blues boom were in Chicago, Houston, Oakland, and Los Angeles. But other cities made essential contributions as well, notably Detroit, where musicians from the Black Bottom to Paradise Valley specialized in swing, jump blues, boogie-woogie piano, and electrified country blues. Detroit’s most happening scene was along Hastings Street, with its black-owned shops, clubs, and restaurants, as well as its gambling dens, bordellos, and ongoing house parties. John Lee Hooker, Eddie Burns, Baby Boy Warren, Willie D. Warren, Calvin Frazier, Henry Smith, Washboard Willie, Eddie Kirkland, Bobo Jenkins, and other Detroit bluesmen came here to play for tips and cut storefront singles for local blues entrepreneurs such as Bernie Bessman and Joe Von Battle. Eddie Burns, 82, is the last of Detroit’s early postwar legends to still live in the Motor City. The European-based Moonshine label issued "Treat Me Like I Treat You", a compilation of Burns’ raw early singles from the 50's and 60's with a pair of 1982 performances. (Jas Obrecht Music Archive)
read about Eddie Burns here:
http://jasobrecht.com/detroit-blues-the-eddie-burns-interview/

trax:
01 Hello Miss Jessie Lee '52 02 Notoriety Woman '84 03 Dealing With The Devil '52 04 Papa's Boogie '84 05 Treat Me Like I Treat You '57 06 Superstition '54 07 Don't Cha Leave Me Baby '57 08 Biscuit Baking Mama '54 09 Hard Hearted Woman '61 10 The Thing To Do '61 11 You Better Cut That Out '65 12 Orange Driver '61 13 Messin' With My Bread '61 14 Mean And Evil '61 15 That A Work '82 16 Don't Even Try It '82
...served by Gyro1966...

JOHNNY LITTLE JOHN "Funky From Chicago" (Bluesway 1973)

Born John Funchess in "Lake", Scott County Mississippi April 16, 1931. A brilliant singer, songwriter and soloist, both on slide guitar in open E tuning `a la Elmore James, and in regular `a la B.B. King. An extremely talented singer with a high tenor like Elmore with occasional 'raspiness' in the high register for emphasis. Favoured Gibson SGs and ES 335s for both modes.John worked at plantations when he was young, earning 40 cents a day. After his daddy won a guitar, Johnny learned quickly, with Henry Martin as his initial mentor. Henry was an influential Jackson Mississippi bluesman Johnny played with Elmore James, Jimmy Reed, Eddie Taylor, Jimmy Rogers, Howlin' Wolf, Muddy Waters and others before going solo. A great friend and "co-conspirator" of John "Big Moose" Walker (piano, vocals) who was like a brother to him. The two were lifelong friends and played together on and off for nearly fifty years.
In lean times John worked at a gas station, later as an auto mechanic before he was 'rediscovered' in the mid to late 1970s by Europeans. By the 1980s he was again in full swing and peaked at a triumphal 1989 performance at New York City's famous Bottom Line club where he was the recipient of terrific accolades and called one of the kings of the blues.
Johnny recorded for the Arhoolie, Bluesway, Black and Blue (distributed by WEA), M.C.M. and Rooster Blues labels in his lifetime. His excellent "Can't Nobody Hurt You (But Your So-Called Friends)"—produced by Tom Radai and Living Blues Magazine founder Jim O'Neil—is considered his finest recording. It features a red hot band with Lafayette Leake on acoustic piano, Eddie Taylor as 2nd guitar, Sam Lay drums, and an eight-piece horn section with former Ray Charles soloist Jerry Wilson on Tenor Sax.
"If he was not one of the kings of the blues, he surely was a prince." -Tony McLeantrax:
01 lost in the jungle 02 i met a stranger 03 chips flying everywhere 04 guitar king 05 keep on running 06 need more baby 07 29 ways 08 came home this mornin' 09 how long blues 10 worried head
...LP rip and served by Gyro1966...

Thursday, May 26, 2011

"Make it Stop! - The Most of Ross Johnson"

A career retrospective from committed anti-careerist ROSS JOHNSON! Legendary nutsoid drummer for TAV FALCO's PANTHER BURNS notably heard ranting on ALEX CHILTON's Like Flies On Sherbert album (that's him on Baron Of Love Pt 2!). Includes his Sugar Ditch recordings Adolescent Music Fantasy stuff with JEFF EVANS tracks with REM's PETER BUCK in OUR FAVORITE BAND (dig My Slobbering Decline and Rockabilly Monkey-Faced Girl!) tracks with the YOUNG SENIORS RON FRANKLIN and more more more! Packaged with an illustrated 16-page booklet as well with essays from Ross It Came From Memphis' ROBERT GORDON JOHN FLOYD and ANDRIA LISLE.After nearly two decades of silence, Mr. Ross Johnson has finally released a solo compilation album "Make It Stop" that builds upon his previous incomparable expression in the obscure Alex Chilton album "Like Flies on Sherbet," where he unleashed upon the galaxy the incomparable cry "The Baron of Love Part II."
Ethanol, shame, the forbidden, tang, poison, deviant behaviour, outsider artist and music all coagulated in that pause in space-time, and no ritual invoking the unseen has ever approached it's majesty.
Of course Johnson's punk ethos preceded the DIY morals and such bland items from Piggly Wiggly as an "I Love Ross Johnson" t-shirt would strike a cord with all former patrons of The Well. Full marks who listen to record this with a diaper. - By Bachelier "1007" (Ile de France)

trax:
1. Baron of Love, Pt. 2 - Alex Chilton 2. Wet Bar - Ross Johnson 3. Wetter and Hotter - Ross Johnson 4. My Slobbering Decline - OFB 5. Last Date - OFB 6. Rockabilly Monkey-Faced Girl - OFB 7. Naked Party - Gibson Bros. 8. It Never Happened - Ross Johnson 9. Nudist Camp - Ross Johnson 10. Mr. Blue (Cut your Head on X-Mas) - AMF 11. A Southern Sissy - AMF 12. Theme From 'a Summer Place' - Ross Johnson 13. Don't Let the Sun Catch you Crying - AMF 14. When the Saints Go Marchin' in Dixie - Ross Johnson 15. Keep on Dancing - Young Seniors 16. If you Ever Get it Once - Young Seniors 17. Senior Stroll - Young Seniors 18. Pretty Flamingo - Young Seniors 19. Shall We Pop-A-Top? - Ross Johnson 20. You Talk I Listen (Goin' to the Get High Shack) - Ron Franklin 21. Hash House Pallor - Young Seniors 22. Farmer John Monsieur - Jeffrey Evans 23. My Mission23 - Ross Johnson 24. Signify - Ross Johnson

"GET LOST" - 15 Unreleased Kiwi Rhythm & Beat Gems 1964-1967

This freekin' amazing rekkid comps a few of your faves (Larry's Rebels, The Chants, Bluestars, Roadrunners) with some totally unknown but nevertheless angry young men, all Beatle-booted, shaggy and surly.'Fraid I can't give much more information, as there's none here. Judging by the sound quality, I'm guessing some of these are crispy old live tapes (Ray Woolf taking on the Chants' biggest hit, only faster and louder), private pressings or acetates (Grimm Ltd., The Raves).
Brought to you by your friends at Zerox records, who gave you klassic kiwi komps like "Pie Cart Rock 'n' Roll" and "Get a Haircut." Don't bother to visit the website printed on the back cover (art included in the file), as it doesn't actually exist. Mysterious! (Switched Out)trax:
1. One Ugly Child - Grimm Ltd. 2. Fever - The Raves 3. She's Mine - Larry's Rebels 4. I Forget How It's Been - The Chants 5. She's So Fine - The Raves 6. I Know Somewhere - The Principals 7. Hey Mama Keep Your Big Mouth Shut - Grimm Ltd. 8. Don't Wanna Be Lonely Anymore - The Bluestars 9. Bus Stop - Terry Dean 10. LSD - The Roadrunners 11. Living It Down - The Deep Set 12. Just Out Of Reach - The Identity 13. I'm Your Witchdoctor - Ray Woolf 14. Lament of a Clerical Worker - Murray Sutherland 15. Peasant - The Dead Things
...served by Gyro1966...

EDDIE KIRKLAND "Pick Up The Pieces" 1980

Rare 1980 LP by this fine bluesman.Eddie Kirkland, one of the original Blues men still bringing himself and the Blues direct to the people. Kirkland, who was born in Jamaica, raised in Alabama from the time he was two till he went off with the Sugar Girls Medicine show at twelve. His teens brought him to Indiana, eventually settling in Detroit. There he polished his Blues to recording status. He toured and recorded with John Lee Hooker for seven and a half years. They made a solid team before parting in the 60's.
Kirkland moved to Georgia, where he was bandleader for Otis Redding. Continuous road tours had him working with Ruth Brown, Little Richard, Ben King, Little Johnnie Taylor and many more greats. In 1962, Kirkland recorded "It's the Blues Man" for Prestige, reissued by Fantasy as a Blues collector's item. Kirkland's hit the "Hawg" recorded by Stax/Volt label earned him national celebrity. The "Hawg" is now available on Atlantic records.
In the early 70's employment for Blues men was hard to come by, but faithful individuals such as Peter Lowry sought out Kirkland and is credited for bringing him back into the circuit. With Lowry and his Trix label, Kirkland recorded "Front and Center" and "The Devil and Other Blues Demons", now available from 32 Blues. At this time Kirkland spent twelve years in the Hudson Valley. There he reinvented his sound, giving his Blues that unrelenting dance beat that has named him the "Energy Man". It is during this time that Kirkland appeared at the Ann Arbor Blues Festival, and toured extensively, introducing the Blues to remote areas in Wyoming, Montana, Maine, Turkey, and Greece.
1980 brought a recording by JSP, "Pick up the Pieces", by which Fantastic Records issued the single by the same name. 1983 gave Kirkland a Pulsar recording, "Have Mercy", that has been reissued on Evidence. A meeting at Lincoln Plaza in Massachusetts with Randy Labbe began an association that would produce three albums and many touring dates. "All around the World", on which Hooker appears. "Some Like it Raw", a live performance, and "Where you get your Sugar?"
Kirkland's recording career is difficult to follow, many companies have recorded him and sold his recordings, but his records refuse to be shelved, waiting for the times to catch up to a sound that has never set still. A sound that is like himself, strong, ever creative, sincere, and always living the Blues, demanding to be heard.
Kirkland continues to tour, forty-two weeks of the year between the States and Europe, earning him the title "Gypsy of the Blues". Recently, he recorded his music for Telarc; "Lonely Street" in 1997 and JSP; "Movin On", in 1999. Still any success Eddie Kirkland has enjoyed he has created for himself. His relentless grit, talent, strength of writing, love of entertaining, and devotion to the Blues keeps this man providing a show that should not be missed by anyone! (H. Langdon)trax:
01 write my baby a letter 02 turning point 03 pick up the pieces 04 why can't i be your back door man instead 05 walking at midnight 06 don't monkey around with me
...LP rip and served by Gyro1966...

Wednesday, May 25, 2011

THE PURPLE HEARTS "Benzedrine Beat!" (Sixties R&B; Rave Up)

From the producers of the awesome Missing Links cd reissue comes...the complete Purple Hearts on CD. Including all Sunshine label tracks from master tape and 4 early recordings reissued for the first time. As a bonus the CD also contains 7 unreleased tracks from 1964-70 by the original Coloured Balls, featuring Mick Hadley and Bob Dames from the Hearts. High energy R&B all the way! Amazing 36 page booklet with the full Hearts & Balls stories plus loads of photos sourced from original Go-Set magazine photographer Colin Beard. (Half A Cow).Although the Purple Hearts' legacy is rather slim, amounting to five 1965-1967 singles, the group was one of the very toughest garage/R&B-styled bands on the '60s Australian scene. Like many Australian bands of the era, they were something of a cross between the British R&B/rock groups (like the Rolling Stones and the Pretty Things) and the somewhat less adept American garage bands, though they leaned more in the British R&B direction. And, like some other notable Australian bands, they in fact featured some recent British émigrés in the lineup. Their failure to record any original material helped exclude them from the first division of such international acts, but their singles always offered satisfying R&B-oriented covers, and occasionally thrilling ones.
Bassist Bob Dames and vocalist/harmonica player Mick Hadley, both of them recent arrivals from the U.K., starting playing together around 1963 in the Impacts in Brisbane, Australia's most conservative city. With the addition of guitarist Lobby Loyde and a more avowedly nasty, bluesy attitude, they evolved into the Purple Hearts by 1965, releasing their debut single in October of that year. After that initial 45, drummer Adrian Redmond was replaced by Tony Cahill, who was on board for their best 45s, the archly rebellious "Of Hopes and Dreams and Tombstones" and a devilish hard R&B-rock arrangement of the traditional song "Early in the Morning."
None of the five singles they issued on the Sunshine label, however, were big Australian hits, and the group broke up in early 1967, before the last of these was even released. Tony Cahill made the biggest mark of any of the Purple Hearts on the international scene when, after playing with Georgie Fame for a few months, he was tapped to fill the drum seat in the Easybeats during the last part of their career. Lobby Loyde went on to become one of Australia's most acclaimed psychedelic and hard rock guitarists as part of the Wild Cherries and Billy Thorpe & the Aztecs. Bob Dames and Mick Hadley carried on for a while in a hard rock/blues-rock-oriented spinoff band, the Coloured Balls. The 2006 CD collection Benzedrine Beat! included both sides of all five Purple Hearts singles, as well as four other cuts from early 1965 acetates and seven tracks recorded (but not released in their lifetime) by the Coloured Balls. (Richie Unterberger, Allmusic)

trax:
01 Talkin' 'Bout You 02 Louie Louie 03 Long Legged Baby 04 Gloria 05 Here 'Tis 06 Long Legged Baby 07 Of Hopes And Dreams And Tombstones 08 I'm Gonna Try 09 Early In The Morning 10 Just A Little Bit 11 You Can't Sit Down 12 Tiger In Your Tank 13 Chicago 14 Bring It On Home 15 A Song For Jeffrey 16 Killing Floor 17 Living In The USA 18 Bring It On Home 19 Long Grey Mare 20 Living In The Past 21 Living In The USA
...served by Gyro1966...

SNOOKY PRYOR "Do It If You Want To" (Bluesway 1973)

Fine Lp of blues recorded in New Orleans, 1973. This LP is hard to find.Only recently has Snooky Pryor finally begun to receive full credit for the mammoth role he played in shaping the amplified Chicago blues harp sound during the postwar era. He's long claimed he was the first harpist to run his sound through a public address system around the Windy City -- and since nobody's around to refute the claim at this point, we'll have to accept it! James Edward Pryor was playing harmonica at the age of eight in Mississippi. The two Sonny Boys were influential to Pryor's emerging style, as he played around the Delta. He hit Chicago for the first time in 1940, later serving in the Army at nearby Fort Sheridan. Playing his harp through powerful Army PA systems gave Pryor the idea to acquire his own portable rig once he left the service. Armed with a primitive amp, he dazzled the folks on Maxwell Street in late 1945 with his massively amplified harp. Pryor made some groundbreaking 78s during the immediate postwar Chicago blues era. Teaming with guitarist Moody Jones, he waxed "Telephone Blues" and "Boogie" for Planet Records in 1948, encoring the next year with "Boogy Fool"/"Raisin' Sand" for JOB with Jones on bass and guitarist Baby Face Leroy Foster in support. Pryor made more classic sides for JOB (1952-1953), Parrot (1953), and Vee-Jay ("Someone to Love Me"/"Judgment Day") in 1956, but commercial success never materialized. He wound down his blues-playing in the early '60s, finally chucking it all and moving to downstate Ullin, IL, in 1967. For a long while, Pryor's whereabouts were unknown. But the 1987 Blind Pig album Snooky, produced by guitarist Steve Freund, announced to the world that the veteran harpist was alive and well, his chops still honed. A pair of solid discs for Antone's, Too Cool to Move and In This Mess Up to My Chest, followed. Pryor stayed busy until his death in 2006. ~ Bill Dahl, All Music Guidetrax:
01 trying to steal my monkey 02 you wait too long 03 somebody's been ramblin' in my drawers 04 sweet as an apple in a tree 05 the one i crave to see 06 snooky & andy in the mardi gras 07 do it if you want to 08 i want to go fishin' 09 take it kind of easy 10 can i be your man, a little while 11 keep your fat mouth out of my business
...LP rip and served by Gyro1966...

Tuesday, May 24, 2011

"KRIS RECORDS" - Los Angeles Showcase Of Soul

The Kris label, founded by Mel Alexander in 1963, put out soul and R&B; records over the next few decades without finding any wide success. This 24-song compilation concentrates on the company's 1960s soul singles, though there are half a dozen post-1970 sides, one from as late as 1994. Los Angeles as a whole did not have an especially strong soul identity, something you could also say of the soul issued by Kris (much of which was written or co-written by Alexander). Often it sounds like it was trying to create a Motown groove; not a bad thing to aspire to and a quest in which Kris was hardly alone, but not a path conducive to branding your mark on history, either. If Lee Harvey's "Prove It" and the Del-Reys' "Walk Proud" thought they weren't trying their damnedest to sound like early Marvin Gaye, the artists and producers were only fooling themselves; BB Carter wants very much to be Mary Wells on "My Lover." By contrast, Fay Cooper tries hard to sound like early Atlantic-era Aretha Franklin on "Don't Hang Yourself (Talk Too Much)," and Harvey competently emulates the Major Lance/Curtis Mayfield Chicago sound on "My Assurance." Harvey (who also recorded as Lee Jones) is the most heavily represented artist, contributing six tracks, and claimed to have taught Sam Cooke how to sing, which is dubious. But as a singer he wasn't bad, coming up with this anthology's best cut, "I'm Gonna Make It (Up to You)," a sort of early funk take on the kind of riffs Gaye sang in the "Hitch Hike" days. The tracks from 1988-1994 are horrible urban contemporary soul, totally out of place given that the audience for soul compilations such as this is totally geared toward the early soul style. And, those aberrations aside, that audience will like this collection. (by Richie Unterberger, Allmusic)

trax:
1. I'm Gonna Make It (Up To You) - Lee Jones 2. Lighten Up Baby - Ty Tarim 3. My Lover - The Hill Sisters 4. Only True Love - Lee Harvey 5. Money Man - The Untouchables 6. What Is It? (That You Are Afraid Of) - Lee Jones 7. Don'T You Know - The Del Reys 8. Oh My Love Sweet Love - The Hill Sisters 9. The Reason I'm Singing (The Blues) - Cookie Jackson 10. Don'T Hang Yourself (Talk Too Much) - Fay Cooper 11. Live & Let Live - Pure Ice 12. Hey Baby - Nadine 13. Cool It Baby - B.B. Carter 14. Walk Proud - The Del Reys 15. Prove It - Lee Harvey 16. My Lover - B.B. Carter 17. My Assurance - Lee Harvey & La Untouchables 18. The Time Has Come - Frank Foster & LA Untouchables 19. Little Girl Of Mine - Freddie Tate 20. You - Jimmy Preacher Ellis 21. I Fly Away (Caged Bird) - The Shades Of Silk 22. Only True Love - The Dynamic Duo 23. I Got To See My Baby (Pt. 1) - Lee Jones 24. Need Of Love - Cookie Jackson
...served by Gyro1966...

THE KNIGHT BROTHERS "Temptaion"

The Knight Brothers are only remembered for their 1965 hit "Temptation 'Bout to Get Me," but they recorded quite a bit for Chess in the '60s, though they didn't manage to put out an album. This belated compilation gets an A for thoroughness, with both sides of all six of their 1963-1966 Chess singles, as well as the 1968 Mercury 45 "Tried So Hard to Please Her"/"Ghetto Joe." There are also eight mid-'60s Chess tracks by the Carltons (who included one of the Knight Brothers, Jimmy Diggs, though fellow Knight Brother Richard Dunbar wasn't involved). It's a great fill-in-the-gapper for soul collectors, the earliest sides boasting the rawest and most gospel-informed feel, though "Come on Girl" has an uptown soul-meets- country sound akin to some of Solomon Burke's material. The Carltons' singles are derivative of the Impressions , an approach that spills over to the 1965-1966 Knight Brothers singles, though the orchestrated production is nearly exquisite. (Richie Unterberger, Allmusic)trax:
The Knight Brothers
1. Margaret 2. Love (Can't You Hear) 3. I Really Love You 4. Second Hand Lover 5. Come On Girl 6. City Life
The Carltons
7. Can't You Hear The Beat 8. Ooo Baby 9. Easy Livin' 10. Hey Mr Lonesome 11. Do You Wanna Go 12. Later Than You Think 13. I'm A Man 14. Keep On Hoping
The Knight Brothers
15. Temptation 'Bout To Get Me 16. Sinking Low 17. I Owe Her My Life 18. I'm Never Gonna Live It Down 19. All I Have To Do Is Dream 20. The Hand Of Faith 21. She's A-1 22. That'll Get It 23. Tried So Hard To Please Her 24. Ghetto Joe
...served by Gyro1966...

Monday, May 23, 2011

"MORE WEST COAST WINNERS" - Moonshine LP

A fantastic collection of rough and tough rocking' West Coast R&B/Blues with stinging guitar. This is as good as it gets, folks. This LP is out of print and is my rip from my LP.trax:
1. henpecked - Larry Evans 2. uncle john - Al Calloway 3. mercy - Big Mama Thornton 4. just look at you woman - Little Joe Blue 5. it's getting late - Al King 6. cool it - Flash Terry 7. danger zone - J.J. Malone 8. you give me nothing to go on - Ted Taylor 9. she drives me out of my mind - Arthur H. Adams 10. fool, fool, fool - Elliot Shavers 11. memory pain - Percy Mayfield 12. find another woman - Willie Headon 13. a sad sad situation - Jessie James 14. run but you can't hide - Johnnie Taylor 15. tom cat - Big Mama Thornton 16. little baby - Little Joe Blue 17. don't throw your love on me so strong - Johnnie Morisette 18. no woman's no stranger - King Solomon
...served by Gyro1966...

THE QUEENS OF GOSPEL "Hallelujah"

A solid collection of 15 gospel greats from the legendary Hob label. Drawn from the label's 50-year history as a gospel music giant, this compilation features stellar tracks from the Clara Ward Specials, the Gospel Harmonettes, the Caravans, the Stars of Faith, and the Meditation Singers. As all these performances were recorded for single-length recordings (three minutes or so), there's no real stretching out on any of the themes, but their conciseness also pulls each of the performances into sharper focus. Grand and glorious singing, indeed.(Cub Koda, Allmusic)trax:
1. How I Got Over - Clara Ward Specials 2. You Must Be Born Again - The Gospel Harmonettes 3. Jesus Will Fix It - The Caravans 4. I'Ve Got Shoes - The Stars Of Faith 5. Jesus Be A Fence Around Me - The Meditation Singers 6. Happy Over There (Parts 1 & 2) - Clara Ward Specials 7. Gospel Train - The Gospel Harmonettes 8. It'S Jesus In Me - The Caravans 9. Get Away Jordan - The Stars Of Faith 10. One More River To Cross - The Meditation Singers 11. When The Gates Swing Open - Clara Ward Specials 12. The Great Coronation - The Gospel Harmonettes 13. To Whom Shall I Turn - The Caravans 14. We Shall Be Changed - The Stars Of Faith 15. Get Ready - The Meditation Singers
...served by Gyro1966...

Saturday, May 21, 2011

"JUST AROUND BAKERSFIELD"

34 Country Boppers from California 1950's!trax:
1. I Used To Love You - Bill Carter 2. Yer Fer Me - Fuzzy Owen 3. Hold Still Baby - George Weston 4. Walkin' On Easy Street - Cousin Herb Henson 5. Walkin' Shoes - Duke Dickson 6. Kathleen - Wally Lewis 7. Drive Away Blues - George Rich 8. I Need You Baby - George Weston 9. Childhood Boogie - Lynn Billingsley 10. I've Been Thinking It Over - The Three Notes 11. I Wanna Feel Good - Bill Carter 12. I Wouldn't Give A Nickel - Gene Martin 13. Stood Up Blues - Custer Bottoms 14. Loose My Mind - Cousin Herb Henson 15. Why Must I Be The One - Bill Brock 16. Bumble Rumble - Sid Silver 17. You're A Luxury - Phil Brown 18. Hot Dog - Corky Jones 19. Only Fools - Wes Buchanan 20. There Goes My Love - Buck Owens 21. Rhythm And Booze - Corky Jones 22. A Night For Love - Cliff Crofford 23. There Ain't Nothing Happening To Me - Cliff Crofford 24. Is You Is, Or Is You Ain't - Duke Dickson 25. Mixed Up Rhythm & Blues - Johnny Taylor 26. Baby Baby Baby - Kenny Brown 27. Where Ever You Are - Louise Duncan 28. Give Some Love My Way - Wes Buchanan 29. Throw A Little Wood On The Fire - Kenny Brown 30. Love Fever - Pauline Parker & Marilyn Kaye 31. Puppy Dog Love - Ronnie Braham 32. Phone Me Baby - Bill Woods 33. Ask Me No Questions - Bill Woods 34. Truck Drivin' Man - Bill Woods
...served by Gyro1966...

OTIS SPANN "Cryin' Time" 1970

While the Muddy Waters sideman is best known for piano, his soulful organ steals the show on this late-'60s release. His singing is serviceable, helped by wife Lucille Spann on two cuts. Country Joe & the Fish co-founder Barry Melton plays lead guitar, with Luther "Guitar Junior" Johnson taking the second chair. (Allmusic)This is one of his best- this album is *way* better than "walking the blues" and just as good as "is the blues", if not better. I've had this on vinyl for years and just picked it up on CD. The group is tight, the piano is in the spotlight, there is a serious groove going on, and his wife Lucille is absolutely great on "some day" and "blind man" ("blind man" is exceptional). This is also my favorite version of "another mule is kickin' in your stall" - yes, even better than muddy's on "live at Mr. kelly's". Check it out! (Amazon)trax:
01 Home to Mississippi 02 Blues is a botheration 03 You said you'd be on time 04 Cryin' time 05 Blind man 06 Some day 07 Twisted snake 08 Green flowers 09 The new boogaloo 10 Mule kicking in my stall
...served by Gyro1966...

Friday, May 20, 2011

"A PROPER INTRODUCTION TO IKE TURNER/JACKIE BRENSTON"

Ike Turner was there at the epicenter of rock & roll in its earliest incarnation, first as a pianist and then as an electric guitarist with a naturally raw and biting tone, and his "Rocket 88," recorded in 1951 at Sam Phillips' famous Sun Studios with Jackie Brenston fronting things, has frequently been cited as the first real rock & roll record. This set features several 1950s tracks where Turner and his Kings of Rhythm back a whole host of R&B; and blues artists, including Brenston, B.B. King, Howlin' Wolf, Charley Booker, Bobby "Blue" Bland, and Little Milton, and if it isn't necessarily rock & roll, it's R&B; done at its roughest and rawest. Highlights include the historic "Rocket 88," a stomping, explosive "How Many More Years" from Wolf, the electrified country blues of Booker on "Rabbit Blues," and the slashing "Somebody Told Me" by Little Milton. Ragged, loose, and garage-sounding, these sides show what Ike was up to in his pre-Tina years. (Allmusic)

trax:
1. Rocket 88 - Jackie Brenston 2. Independent Woman - Jackie Brenston 3. My Real Gone Rocket - Jackie Brenston 4. Tuckered Out - Jackie Brenston 5. You Know I Love You - B.B.King 6. How Many More Years - Howlin' Wolf 7. Dry Up Baby - Robert Bland 8. Ridin' In The Moonlight - Howlin' Wolf 9. Three O'Clock Blues - B.B.King 10. Gonna Let You Go - Baby Face Turner 11. Blue Serenade - Baby Face Turner 12. Please Send My Baby Back - Sunny Blair 13. Troubles And Heartaches - Ike Turner 14. You're Driving Me Insane - Ike Turner 15. Good Morning Baby - Drifting Slim 16. Relation Blues - Houston Boines 17. Rabbit Blues - Charley Booker 18. Charlie's Boogie Woogie - Charley Booker 19. Ramblin' On My Mind - Boyd Gilmore 20. Whole Heap Of Mama - Brother Bell 21. If You Feel Froggish - Brother Bell 22. Lookin' For My Baby - Ike & Bonnie Turner 23. My Heart Belongs To You - Ike & Bonnie Turner 24. Bad Women Bad Whiskey - Little Junior Parker 25. Good Lovin' - Bobby "Blue" Bland 26. Shake It Up And Go - B.B.King 27. Beggin' My Baby - Little Milton 28. Somebody Told Me - Little Milton 29. A Prisoner's Prayer - The Prisonaires
...served by Gyro1966...

JAMES BROWN & His Famous Flames "Papa's Got A Brand New Bag" 1965

24-bit remastered Japanese limited edition reissue of JB's rare & sought after 1965 collection album, that's unavailable domestically, packaged in a miniature LP sleeve.trax:
01 Papa's Got A Brand New Bag (Part 1) 02 Papa's Got A Brand New Bag (Part 2) 03 Mashed Potates, U.S.A 04 Cross Firing 05 Love Don't Love Nobody 06 I Stay In The Chapel Every Night 07 And I Do Just What I Want 08 This Old Heart 09 Baby, You're Right 10 Have Marcy Baby 11 You Don't Have To Go 12 Doin' The Limbo
...served by Gyro1966...

Thursday, May 19, 2011

"SUGARLUMPS" - A Psychedelic Selection Of Groovy Movers And Sweet Freakbeat

“ IT’S ONE OF THE MOST BRILLIANTLY CONSISTENT COMPILATION ALBUMS I’VE HEARD IN YEARS-EVERY TRACK A MINOR CLASSIC IN IT’S OWN RIGHT. A SLICE OF PURE DISTILLED ESSENCE OF 1967”. TOM ROBINSON: BBC6 MUSIC.
“Soul Hooligan…admirably comes across as the missing link between Hawkwind and the Who”
“The biggest surprise is finding Rod Stewart and The Faces!
“You’d have to go an awfully long way to trump the garage guru Groovy Ruben” Q Magazine
“ 4 out of 5, a great album”
MojoUnique compilation in that it mixes psychedelic sounds from the past (Path Through The Forest, vintage Rod Stewart) and newer psych jams from the past ten years (The Zombies-like "Is It Her?", "The Woeful Tale of Shakes Magoo" and the sublime "Space Travel" by the Soul Hooligans).
I was surprised to hear a new Andy Ellison (post-John's Children) track on here ("Heather Lane"). There's even a cool Delta 72 track! You can't go wrong with this great sounding package. A+++++(Amazon)trax:
1. Space Travel - Soul Hooligan 2. Food For Soul - The Evergreen 3. Path Through The Forest - The Factory 4. Heather Lane - Andy Lewis & Andy Ellison 5. Ten Feet Tall - The Argonauts 6. The Woeful Tale Of Shakes Magoo - Groovy Ruben 7. Candlelight - Grantchester Meadow 8. These Eyes - Jarvis Humby 9. Quarter To Now - Templar 10. Is It Her? - Smashing Time 11. Early Roller Machine 4444 (Feat. Rod Stewart & Ron Wood) - Quiet Melon 12. The Champ - The Delta 72 13. Will You Miss Me When I'm Dead? - The Noel Gilpin Emporium 14. The Size Of It - The Standing 8 Counts
...served by Gyro1966...

"THE GREAT GOSPEL WOMEN" Vol. 2

The Great Gospel Women Vol. 2 is a worthy follow-up to the first edition of the series; wisely refusing to mess with a good thing, producer Anthony Heilbut holds over most of the same artists from before, dipping into the well for more classic material from soloists including Mahalia Jackson, Marion Williams, Clara Ward and Sister Rosetta Tharpe. While the overall quality is somewhat diluted this time out, in its favor the disc offers two more tracks than its predecessor, as well as choice cuts from performers making their series debut, among them Bessie Griffin, Ernestine B. Washington, Edna Gallmon Cooke, Imogene Green and Myrtle Scott. An excellent companion piece. (Allmusic)... pilgrims alike. As was true of TGGW Vol I (see my customer review for that CD), Vol II provides the listener with an excellent array of the most influential recordings in the history of the Gospel genre, with key parts of the canon represented & liner notes that read like a crash course in Gospel music history. But Vol II is also an even more musically expert & spiritually stirring outing than Vol I (although such a thing hardly seems possible given the quality of the first CD!). Vol II's performances are, quite simply, incredible, with Mahalia Jackson's "Salvation is Free" & Gladys Beamon Gregory's "Ain't that Good News," to name just two tracks, grabbing your soul so hard that they bring gooseflesh to your arms and tears to your eyes. These songs aren't flashy, & they don't need to be: they grip you because the performances are so expert -- & so heartfelt. I bought the CD a few years back, after a good friend introduced me to Vol I, & it has been a mainstay in my life ever since -- one that I've shared with my musician/singer pals *&* with friends whom I thought might benefit from the CD's messages of struggle, redemption, & hope. Whether you're a longtime Gospel fan or just someone who wants an introduction to the history of the genre that gave birth to Blues, Folk, Rock-n-Roll, and R&B, you owe it to yourself to buy this CD.(Amazon)trax:
1. What Could I Do - Mahalia Jackson 2. City Called Heaven - Mahalia Jackson 3. Salvation Is Free - Mahalia Jackson 4. I Do, Don't You - Mahalia Jackson 5. Walk Around - Sister Rosetta Tharpe 6. That's All - Sister Rosetta Tharpe 7. Changes - Sister Rosetta Tharpe 8. God Leads Us Along - Ernestine B. Washington 9. Just Make It In - Ernestine B. Washington 10. I've Got Religion - Edna Gallmon Cooke 11. Build Me A Cabin - Edna Gallmon Cooke 12. I'm Gonna Hold Me - Marie Knight 13. God Spoke To Me - Marie Knight 14. I've Heard Of A City - Clara Ward 15. Heaven My Home - Clara Ward 16. Blessed Assurance - Clara Ward 17. Am I A Soldier - Marion Williams 18. Pure Gold - Marion Williams 19. Talk About Jesus - Marion Williams 20. Go Down Moses - Marion Williams 21. Since I Met Jesus - Bessie Griffin 22. Moan Bessie - Bessie Griffin 23. By And By - Jessie Mae Renfro 24. Only A Look - Bessie Folk 25. Come Ye Disconsolate - Mary Johnson Davis 26. Every Now And Then - Imogene Green 27. Tired - Imogene Green 28. Just To Behold His Face - Delois Barrett Campbell 29. Ain't That Good News - Gladys Beamon Gregory 30. When He Spoke - Ruth Davis 31. Get Right With God - Ruth Davis 32. Nobody To Depend On - Frances Steadman 33. Trusting In My Lord - Myrtle Scott
...served by Gyro1966...

Wednesday, May 18, 2011

Dave Edmunds "Repeat When Necessary" 1979

REPEAT REPEAT REPEAT!This album smokes. Edmunds was at the peak of his powers, and his back up band (see; Rockpile) was the best he's ever had. Dave comes out swingin with the excellent `Girls Talk' and doesn't slow down til it's all over. Raucous, lively and punchy, this is pub at it's best. Good rockin rockabilly in the fifties tradition. Fans of Cowboy Mouth, CCR and Men At Work should take note. Rockpile was the king of all bar bands, unstoppably great, and no matter what name they recorded under they were irresistible (see Lowe's LABOR OF LUST and their own SECONDS OF PLEASUSE). It's a pity they didn't stay together (Billy Bremner, where are you?). Pay special attention to "Crawling From The Wreckage', `Sweet Little Lisa' and `Creature From The Black Lagoon'. - By The Orange Duke "orangeduke" (Cupertino, Ca United States)

the boys in the band:
Billy Bremner: Guitar, Vocals / Dave Edmunds: Bass, Guitar, Piano, Keyboards, Vocals / Nick Lowe: Bass, Vocals / Terry Williams: Drums / Roger Bechirian: Piano [Girls Talk] / Albert Lee: Guitar [Sweet Little Lisa] / Huey Lewis: Harmonica [Bad Is Bad]

traxfromwax:
1. Girls Talk 2. Crawling from the Wreckage 3. The Creature from the Black Lagoon 4. Sweet Little Lisa 5. Dynamite 6. Queen of Hearts 7. Home in My Hand 8. Goodbye Mister Good Guy 9. Take Me for a Little While 10. We Were Both Wrong 11. Bad Is Bad

"THE COPULATIN' BLUES"

For the last century and more, the only place in a black American's world safe from the bossman's grasp has been the bedroom. A sense of this freedom in all its audacious raunch and hilarity fairly leaps from this brilliant anthology of bawdy blues recordings from the late 1920s through the 1930s. There are many raw delights to savor, such as Sidney Bechet's thrilling clarinet on "Preachin' Blues"; Tampa Red's Hokum Jazz Band with horny little Frankie Jaxon vamping his lead vocals on "My Daddy Rocks Me with One Steady Roll"; "Don't You Make Me High" by Merline Johnson, the Yas-Yas Girl; and "Get Off with Me" by Coot Grant and Kid Wesley Wilson. The most outrageous gem in the trove is "Winin' Boy" by Jelly Roll Morton, who, in black tie and tails, performed this vulgar masterpiece before unsuspecting governmental dignitaries in the Library of Congress just before World War II. --Alan Greenberg, Amazontrax:
1. Preachin' Blues - Sidney Bechet & His New Orleans Footwarmers 2. Stavin' Chain (That Rockin' Swing, #1) - Lil Johnson 3. New Rubbin' On that Darn Old Thing - Oscar's Chicago Swingers 4. The Candy Man - Rosetta Howard & Harlem Hamfats 5. Take Your Hands Off My Mojo - Coot Grant & Kid Wesley Wilson 6. Don't You Make Me High - Merline Johnson, The Yas-Yas Girls 7. Wet It! - Frankie Half-Pint Jaxon & The Harlem Hamfats 8. Press My Button, Ring My Bell - Lil Johnson w/Black Bob 9. You Can't Tell The Difference After Dark - Alberta Hunter 10. Get Off With Me - Coot Grant & Kid Wesley Wilson 11. How Do They Do It That Way? - Victoria Spivey & Red Allen's Orchestra 12. If I Can't Sell It, I'll Keep Sittin' On It (Before I Give It Away) - Georgia White 13. Yas! Yas! Yas! - Jimmy Strange (The Yas-Yas Man) 14. My Daddy Rocks Me With One Steady Roll - Tampa Red's Hokum Jazz Band w/Half Pint Jaxon 15. Stavin Chain (#2) - Johnny Temple & The Harlem Hamfats 16. Please Warm My Weiner - Bo Carter 17. You Stole My Cherry - Lil Johnson 18. Sissy Man Blues - Connie McLean's Rhythm Boys 19. You Can't Sleep In My Bed - Mary Dixon 20. Winin' Boy - Jelly Roll Morton 21. It's Tight Like That - Clara Smith 22. Shave 'Em Dry - Lucille Bogan & Walter Roland
...served by Gyro1966...

"THE GREAT GOSPEL WOMEN" Vol. 1

Like its male counterpoint, this anthology spotlights contributions from both famous stars (Mahalia Jackson, Marion Williams, Dorothy Love Coates, Sister Rosetta Tharpe) and obscure figures (Mary Johnson Davis, Jessie Mae Renfro, Lucy Smith, and Goldia Haynes, among others), presenting a hefty 31 selections. While some might quibble that celebrated stars Jackson and Williams get six tracks apiece, it's hard to argue with the greatness of what's presented by them. Others who give head-turning performances include Frances Steadman, Roberta Martin, and Clara Ward. (Ed Ward, Allmusic)Leading gospel researcher Anthony Heilbut continues his splendid series of gospel reissues for Shanachie and its sister label, Spirit Feel, with this collection of 31 performances by 16 of gospel's greatest female vocalists, including some of America's finest singers in any genre. It begins with five of Mahalia Jackson's early recordings for Apollo, before she was tamed by Columbia, and continues with such legends as Willie Mae Ford Smith, Roberta Martin, Rosetta Tharpe, Clara Ward, Marion Williams, and Dorothy Love Coates as well as lesser known names. Heilbut's 16 pages of notes put it all in context. --Geoffrey Himes, Amazon

trax:
1. Just A Closer Walk With Thee ("live") - Mahalia Jackson 2. These Are They - Mahalia Jackson 3. Just As I Am - Mahalia Jackson 4. Dig A Little Deeper - Mahalia Jackson 5. Just Over The Hill - Mahalia Jackson 6. Just Keep Still - Mahalia Jackson 7. What Manner Of Man Is This - Willie Mae Ford Smith 8. What A Friend - Roberta Martin 9. I Looked Down The Line - Sister Rosetta Tharpe 10. Nobody's Fault But Mine - Sister Rosetta Tharpe 11. Peace In The Valley - Sister Rosetta Tharpe 12. Ain't That Good News - Mary Johnson Davis 13. Walk With Me - Marie Knight 14. Just One Moment - Clara Ward 15. The Last Mile Of The Way - Clara Ward 16. Come Out The Corner - Marion Williams 17. Nobody Knows, Nobody Cares - Marion Williams 18. Prayer Changes Things - Marion Williams 19. Shall These Cheeks Go Dry - Marion Williams 20. Feel Like My Time Ain't Long - Marion Williams 21. There's A Man - Marion Williams 22. This Old World - Goldia Haynes 23. Didn't It Rain - Cora Martin 24. There's a Place - Cora Martin 25. Hark The Voice - Frances Steadman 26. I Must Tell Jesus - Jessie Mae Renfro 27. I'll Do What You Want Me To Do - Bessie Folk 28. Trouble - Dorothy Love Coates 29. Elijah - Dorothy Love Coates 30. O What A Time - Lucy Smith 31. Tell The Angels - Gladys Beamon Gregory
...served by Gyro1966...

Tuesday, May 17, 2011

"THE SOUL OF DETROIT"

An excellent and out of print collection of classic Detroit soul!trax:
1. Don't Do Nothing - Connie Van Dyke 2. That Girl of Mine - The Persians 3. You Counterfeit Girl - The Rivieras 4. I Found A Love - Dee & Joe 5. Hurt By Love - Silky Hargreaves 6. Love You Like You Never Be Loved - The Falcons 7. My Love Looks Good On You - The Fabulous Peps 8. Girl You Better Hurry - The Perfections 9. My World Is On Fire - Jimmy Mack 10. Let My Baby Go - The Embraceables 11. Whenever I'm Without You - The Dynamics 12. If You Haven't Got Love - The Masterkeys 13. Don't Let True Love Die - The Superlatives 14. Go Go Inn - Gere Cooper 15. I Got The Power - The Masqueraders 16. I Have Faith In You - Detroit Symphony Orchestra 17. Find A Quiet Place - Melvin Davies 18. Savin' My Lovin' For You - The People's Choice 19. Could It Be - Miki Farrow 20. My Kind of Girl - The Prophets 21. You're Too Good - Silky Hargreaves 22. It's Too Bad Baby - Martha Starr 23. You Better Mend Your Ways - Joe Matthews 24. Still True To You - Gwen Owens
...served by Gyro1966...

"THE GREAT GOSPEL MEN" 27 Classic Performances By The Greatest Gospel Men

A wide range of magnificent vocals are displayed on The Great Gospel Men, a 27-song anthology. Some names such as Brother Joe May, Rev. James Cleveland, and Professor Alex Bradford are familiar even to non-gospel fans; others, like the intense Robert Anderson, Professor J. Earle Hines, Norsalus McKissick, Robert Bradley, and R.L. Knowles are known only to the hardcore, and even they probably haven't heard many songs by any one artist. This collection alternates nicely between slow and fast pieces, giving each artist a chance to demonstrate their skills. (by Ron Wynn, Allmusic)Great Gospel Men is perhaps the best collection of gospel you will find anywhere. Many people refer to all kinds of music as gospel. But, this is the epitome of gospel, the soulful sounds of people communing with the holy spirit. I read that some people had to be restrained from jumping into a waterway when Norsalus McKissick sang Ship of Zion on a cruise for christians. Had the women jumped, I suspect Jesus would have been there to catch them just as God was there to part the Red Sea. There is no doubt the heavenly father heard McKissick moaning "It ain't no danger in the water," and would have been there to prove it. (Dorothy Fox, Amazon)
As gospel scholar Anthony Heilbut points out in his notes, the most celebrated male gospel singers (R.H. Harris, Sam Cooke, Claude Jeter, Julius Cheeks, Ira Tucker) sang in harmony-group "quartets." On this disc, Heilbut focuses on the neglected tradition of male soloists. Joe May, James Cleveland, and Alex Bradford are fairly well known, but the raspy, bluesy vocals of Eugene Smith and Robert Anderson and the powerful Paul Robeson-like baritones of J. Earle Hines and J. Robert Bradley are welcome revelations. There are 27 performances in all from nine different singers. --Geoffrey Himes, Amazon

trax:
1. Move On Up A Little Higher - Brother Joe May 2. Testimony - Brother Joe May 3. Working On A Building - Brother Joe May 4. Our Father - Brother Joe May 5. God Be With You - Proffessor J.Earle Hines 6. This Old Soul Of Mine - Proffessor J.Earle Hines 7. Precious Memories - Norsalus McKissick 8. The Old Ship Of Zion - Norsalus McKissick 9. I've Got A Home For You - Norsalus McKissick 10. Satisfied - Eugene Smith 11. Saved - Eugene Smith 12. Marching To Zion - James Cleveland 13. My Soul Looks Back - James Cleveland 14. Prayer Changes Things - Robert Anderson 15. In My Home Over There - Robert Anderson 16. Sweeter As The Days Go By - Robert Anderson 17. If Jesus Had To Pray - Robert Anderson 18. Poor Pilgrim Of Sorrow - J. Robert Bradley 19. Roll All Burdens Away - J. Robert Bradley 20. The Lord Is My Shepherd - J. Robert Bradley 21. I Want To Rest - R.L. Knowles 22. Live The Life I Sing About - R.L. Knowles 23. Every Day And Every Hour - Professor Alex Bradford 24. Judgement - Professor Alex Bradford 25. Lord, Lord, Lord - Professor Alex Bradford 26. Near The Cross - Professor Alex Bradford 27. What Folks Say About Me - Professor Alex Bradford
...served by Gyro1966...

"Raisin' the Roof"

Hey Ryp, I thought you might like to post my rip of Raisin' the Roof. This was a 1992 MFSL release that has long been out of print and highly sought. The discs are comprised of, "On Jesus Program", by The Sunset Travelers: The Rev. Julius Cheeks, "Sings" and "I Found the Answer" by the Swan Silvertones. Thanks and keep up your fine work/blog. Don K.trax disc 1:
Sunset Travelers featuring O.V. Wright:
1. On Jesus Program 2. Hide Me In Your Bosom 3. I Made It Over 4. Looking For A Better Place 5. What Do You Think About Jesus? 6. Have You Ever Been Touched? 7. Another Day Lost 8. Wonderful Jesus 9. When Jesus Comes 10. My Trouble Is Hard 11. You'll Never Know 12. Ain't That Good News
Reverend Julius Cheeks:
13. Get My Child Out Of Jail 14. Same Train 15. Just Crying 16. Sweeter Than Honey 17. Mountain Railroad
trax disc 2:
Reverend Julius Cheeks_
1. Heaven Is Just One Prayer Away 2. Waiting For My Child 3. Somewhere Around God's Throne 4. How Far Is Heaven 5. Where You Going Mary?
Swan Silvertones_
6. When The Saints Go Marching In 7. I Found The Answer 8. Bedside Of A Neighbor 9. Anyhow Lord 10. What's The Matter Now? 11. Tell Of A Savior 12. Goin' On With Jesus 13. Away Somehow 14. Glory Hallelujah 15. How Great Thou Art 16. End Of My Journey
...served by Don K...

Sunday, May 15, 2011

Dave Edmunds "Tracks On Wax 4" 1978

"A.1 on the Jukebox and nowhere on the Chart" laments the familiar fate of pub rockers everywhere: played in every bar but unheard on the radio. We feel your pain, Dave.Tracks on Wax 4 is the first official Rockpile collaboration and its hard-driving, unified sounds make it one of Dave Edmunds' very best records. Like Get It, Tracks on Wax 4 relies primarily on originals and contemporary pub rock songs, leaving behind the classic oldies; the older songs on the record are obscurities like Chuck Berry's "It's My Own Business" and Jan & Dean's "Thread Your Needle." Built on such fine songs as the rockabilly tinged "Trouble Boys," the Everly-esque "Never Been in Love," "Television," "Readers Wives," and "Deborah," Tracks on Wax 4 is a tight, snappy rock & roll record that is only derailed by a version of Nick Lowe's classic "Heart of the City," where Lowe's original vocal is stripped away and replaced by a new take by Edmunds. Only then does the record recall Edmunds' perfectionist nature. ~ Stephen Thomas Erlewine, All Music Guide

Dave & the boys^:
Dave Edmunds: Bass, Keyboards, Vocals, Piano, Guitar / Terry Williams: Drums / Pete Kelly: Piano / Billy Bremner: Guitar, Vocals / Gerry Hogan: Pedal Steel / Nick Lowe: Bass, Vocals, Guitar

traxfromwax:
1. Trouble Boys 2. Never Been In Love 3. Not A Woman, Not A Child 4. Television 5. What Looks Best On You 6. Readers Wives 7. Deborah 8. Thread Your Needle 9. A.1. On The Jukebox 10. It's My Own Business 11. Heart Of The City

BETTY EVERETT "It's In His Kiss"

Betty Everett sang gospel growing up in Greenwood, MS, before relocating to Chicago and moving into secular music. She began recording for Cobra in 1958, then joined Vee-Jay in the early '60s and started to land hit records. Her original version of "You're No Good," though sung with fire and verve, didn't make much impact until it was turned into a number one pop hit by Linda Ronstadt in 1975. Her next single, "The Shoop Shoop Song (It's in His Kiss)," was her first major release, peaking at number six pop in 1964. Her next success was the duet "Let it Be Me" with Jerry Butler, a soul version of the Everly Brothers tune that reached number five R&B; that same year. Everett's finest song as a solo act was 1969's "There'll Come a Time," which reached number two on the R&B; charts and also cracked the pop Top 30 at number 26. Everett was now on Uni, where she remained until 1970. She continued recording for Fantasy until 1974 and made one other record for United Artists in 1978.
From the 1980s until her death, Everett resided in Beloit, Wisconsin, where she was involved in the Rhythm & Blues Foundation and the churches of the Fountain of Life and New Covenant. A flurry of press interest in her in the early 90s followed the use of "The Shoop Shoop Song" in the successful film, Mermaids, starring Cher, but she was unable to properly resurrect her career. In 2000, she made her last public appearance on the PBS special Doo Wop 51. Everett died at her home in Beloit on August 19, 2001; she was 61 years old. (Allmusic)

trax:
01 It's In His Kiss 02 Hands Off 03 You're No Good 04 June Night 05 Hound Dog 06 With You I Stand 07 It Hurts To Be In Love 08 Until You Were Gone 09 The Prince Of Players 10 I Need You So 11 Chained To Your Love 12 Down In The Country 13 I Can't Hear You (bonus track Vee-Jay single 599) 14 Getting Mighty Crowded (bonus track Vee-Jay single 628) 15 Gonna Be Ready (bonus track Vee-Jay single 683) 16 The Real Thing (bonus track Vee-Jay single 683 ) 17 The Shoe Won't Fit (bonus track Vee-Jay single 716) 18 Let It Be Me (bonus track Vee-Jay single 613 with Jerry Butler) 19 Smile (bonus track Vee-Jay single 633 with Jerry Butler)
...served by Gyro1966...

"KINGS OF THE GOSPEL HIGHWAY" The Golden Age Of Gospel Quartets

Kings of the Gospel Highway presents selections from the top male a cappella groups of the 1940s and '50s, including the Soul Stirrers, the Swan Silvertones, and the Five Blind Boys of Mississippi. Songs range from light and upbeat numbers such as "Does Jesus Care" by R.H. Harris and the Soul Stirrers, to hand-clappers like the jubilee rendition of "Lord Hold My Hand" by the Pilgrim Travelers and Julius Cheeks and the Sensational Nightingales' take on "Lord Have Mercy." The compilation also includes slow and moving numbers, like "The Old Account" by the Swan Silvertones and hard-singing, spirited pieces such as the Silvertones' version of "All Aboard" and Archie Brownlee with the Five Blind Boys of Mississippi singing "I Was Praying." Other highlights include "Jesus Brought Me" by the Spirit of Memphis, with an anointed, hoarse-throated Silas Steele at the front, and the earliest recording on this collection, the Soul Stirrers' 1939 recording of "Walk Around," which has crackly sound quality but rousing spirit, with Harris sounding his best. Besides this one early recording, the rest of the Stirrers' songs come from the mid- to late '40s, while the Sensational Nightingales' tunes span the 1950s. The other groups' selections are drawn from the late '40s through the early '50s. (Allmusic)After digesting these 26 glorious tracks, it's easy to see just how much of an influence the gospel quartet had on everyone from doo-wop crooners such as Clyde McPhatter and soul belters such as Ray Charles to James Brown and Otis Redding. Without any instrumental firepower, the harmonizers establish a rock-solid groove while the lead singer passionately and often acrobatically testifies. Even with that basic template in place, the range of sounds can be remarkable. On the 1950 track by the Pilgrim Travelers, "Dear Lord Look Down Upon Me," leader Kylo Turner delivers a sweet and gentle falsetto vocal that will make you swoon with delight. On the Swan Silvertones' "Working on a Building," it's the intricate, vibrant arrangement that stands out. Then you have the Five Blind Boys of Mississippi's Archie Brownlee, a fiery, earthshaking lead vocalist whose raspy growls on a song like "Will My Jesus Be Waiting" will raise the hair on your neck and hurt your own throat just hearing it. And the Sensational Nightingales' Julius Cheeks, roaring through his "country gospel" adaptations, isn't far behind Brownlee. Other classic quartets such as the Soul Stirrers and the Spirit of Memphis are represented here as well. Though we tend to think of gospel as pretty simple, straightforward music, this compilation reveals all of the subtle nuances, the jazzlike improvisation, and the unbridled intensity that goes into it. Anyone with even a passing interest in secular postwar soul music will be thrilled to hear its deep roots in this record. --Marc Greilsamer, Amazon

trax:
1. Walk Around - The Soul Stirrers 2. Sleep On Mother - The Soul Stirrers 3. I Want To Rest - The Soul Stirrers 4. I'm Willing To Run - The Soul Stirrers 5. I'm A Soldier - The Soul Stirrers 6. Does Jesus Care - The Soul Stirrers 7. Dear Lord Look Down Upon Me - The Pilgrim Travelers 8. Go Ahead - The Pilgrim Travelers 9. I Wonder Will We Meet Again - The Pilgrim Travelers 10. Lord Hold My Hand - The Pilgrim Travelers 11. Lord I've Tried - The Swan Silvertones 12. Working On A Building - The Swan Silvertones 13. The Old Account - The Swan Silvertones 14. All Around - The Swan Silvertones 15. Jesus Jesus - Spirit Of Memphis 16. Sign Of The Judgement - Spirit Of Memphis 17. Tell Heaven - Spirit Of Memphis 18. Jesus Brought Me - Spirit Of Memphis 19. I Was Praying - The Five Blind Boys Of Mississippi 20. The Lord Will Make A Way - The Five Blind Boys Of Mississippi 21. Will My Jesus Be Waiting - The Five Blind Boys Of Mississippi 22. Someone Watches Over Me - The Five Blind Boys Of Mississippi 23. God's Word Will Never Pass Away - The Sensational Nightengales 24. Lord Have Mercy - The Sensational Nightengales 25. I'm Coming Up Lord - The Sensational Nightengales 26. Somewhere To Lay My Head - The Sensational Nightengales
...served by Gyro1966...

Friday, May 13, 2011

Dave Edmunds "Get It" 1977

This is arguably the best Dave Edmunds CD you can get. All the songs are great. True classic rock'n'roll from an authentic roots musician. Some tunes are rockabilly and some are more traditional country, but all are pure "Dave Edmunds" rockin' sounds. It's truly amazing that this brilliant recording artist hasn't become more mainstream in the U.S. and had more big hits here, even though he certainly isn't obscure by any means. Along with his other two albums from the late '70's, "Tracks on Wax 4" and "Repeat When Necessary", I highly recommend this. - By Bop CatLate 1977, Syracuse, NY. Working at the Record Theatre on Marshall Street. Drips and drabs of British New Wave were coming into the store. Curious, I played the Damned, Stranglers, Pistols, etc. It was a little too amateurish for me yet (until about 6 mos. later, but that's another story). I sliced open the shrink wrap on this LP b/c I knew just a wee bit about Edmunds.
This LP holds up today with the great Rock + Roll albums. It's so well played and produced and just rocks along in a great rockabilly, rock, crooning way. "Darlin" is still my favorite love song ever. Every time a customer came into the record store and asked for a suggestion, I would ALWAYS recommemnd this one and they would come back ecstatic the next day - I must have personally sold 50 copies of this LP. This also opened up the world of Nick Lowe, Stiff Records and the Flamin Groovies to me, and I have cherished them all ever since. Highly, highly recommended. - By Roger G. Williams (VA)

Dave & the boys:
Dave Edmunds (vocals, guitar, keyboards, bass, percussion); Bob Andrews (keyboards); Nick Lowe (bass, background vocals); Paul Riley (bass); Terry Williams, Billy Rankin, Steve Goulding (drums)
Recorded at Rockfield Studios and Pathway Studios, London, England.

trax:
01 Get Out Of Denver 02 I Knew The Bride 03 Back To School Days 04 Here Comes The Weekend 05 Worn Out Suits, Brand New Pockets 06 Where Or When 07 Juju Man 08 Git It 09 Let's Talk About Us 10 Hey Good Lookin' 11 What Did I Do Last Night? 12 Little Darlin' 13 My Baby Left Me

LEE DORSEY "The EP Collection"

See for Miles' series The EP Collection is always fascinating, since it not only provides collectors with a nifty compilation of pop artifacts, but it also provides a chance-taking, unpredictable singles collection. Such is the case with Lee Dorsey's The EP Collection. There's not a bad track to be found on this dynamite 26-track collection that boasts three original British EPs, two French EPs, and six A-sides from "Ya Ya" to "Sneakin' Sally Through the Alley." The very fact that there aren't any weak moments is a testament to just how damn good Lee Dorsey was. It wasn't just that he was backed by stellar musicians under the direction of Allen Toussaint -- it was that he was a supremely gifted vocalist with a sly turn of phrase. He could make throwaway songs sound substantial, and he brought unexpected twists to stronger numbers. These talents are readily apparent on any Dorsey collection, but this is one of the very finest, ranking just beneath the slightly tighter Arista compilation, Wheelin' and Dealin'. The truth of the matter is this -- Lee Dorsey sounds terrific in any context and the singles sound great in any sequence, so even if you buy this for the handful of tracks that you don't have, you'll be satisfied. And if you get this as your first Lee Dorsey album, you're bound to be converted. (by Stephen Thomas Erlewine, Allmusic)

trax:
01 Ya Ya 02 Do-Re-Mi 03 Ride Your Pony 04 Can You Hear Me 05 Work Work Work 06 The Kitty Cat Song 07 Get Out Of My Life Woman 08 Here Comes The Hurt Again 09 Shortnin' Bread 10 Hello Mama 11 You'Re Breaking Me Up 12 Messed Around 13 Working In The Coal Mine 14 Mexico 15 Confusion 16 Neighbour'S Daughter 17 Organ Grinder'S Swing 18 I Gotta Find A New Love 19 Holy Cow 20 Rain Rain Go Away 21 Gotta Find A Job 22 A Mellow Good Time 23 My Old Car 24 Love Lots Of Lovin' (With Betty Harris) 25 Everything I Do Gohn Be Funky (From Now On) 26 Sneakin' Sally Through The Alley 27 Hello Good Looking (bonus track - Smash Records single #1842)
...served by Gyro1966...

"I HATE CHERRIES" Serious '50's Female Jivers

Big-voiced female jumpers and jivers from the mid-1950s. This CD surveys some of the less-conspicuous examples of Rhythm & Blues The middle-1950s gave rise to a re-birth of the big-voiced female blues shouters who had first been heard on records some three decades earlier with the arrival of Ma Rainey, Bessie Smith and many others who followed in their footsteps. In the immediate aftermath of World War II, cocktail jazz and torchy ballad singers seemed to predominate among the femme record names, what with the popularity of Nellie Lutcher, Dinah Washington, at al holding sway with the recordbuying public. But the brand of jump blues pioneered by Louis Jordan and his followers also gave rise to the return of full-throated female warblers which seemed fully underway by 1953, when Willie Mae "Big Mama" Thornton and Big Maybelle Smith scored their Top 10 R&B; successes with "Hound Dog" and "Gabbin' Blues" among others. They would soon be followed by Ruth Brown, Lavern Baker, Etta James and other successful practitioners of the style, whose influence carried over into the pop field with recordings by Georgia Gibbs, Lillian Briggs, Helene Dixon and many more. This CD compilation attempts to survey some of the less-conspicuous examples of big-voiced female R&B; shouters, some of whose names have been lost to the archives, and others who went on to fame and fortune as their careers changed direction with the times. (Dusty Groove)

trax:
1. The Devil Hates You - Rebecca Lea 2. Somebody, Somewhere - Helen Foster 3. The Yodelin' Blues - Diana Cole w/Ernest Hayes Orch. 4. Let The Good Things Start - Pearl Woods 5. You Ain't Movin' Me - Linda Hayes w/Earl Warren Orch. 6. My Baby's Comin' Home - Ruth McFadden w/Sammy Lowe Orch. 7. Hey Joe (Let Me Know) - Sugar & Spice 8. Shake Till I'm Shook - Beverly Wright & The Students 9. My Heart's Delight - Dakota Staton w/Howard Biggs Orch. 10. Dilly Dally Darling - Anne Kaye w/Jimmy Wright Orch. 11. A Million Thanks - Anita Tucker 12. Rock And Roll Blues - Linda Hopkins 13. Wanna Be Loved (All Nite Long) - Bee Bee Queen w/Teacho's Orch. 14. I Can't Wait - Pearl Woods 15. Willie - Rebecca Lea 16. You Ain't So Such A Much - Blanche Thomas 17. Don't Mean Maybe - Dakota Staton w/Howard Biggs Orch. 18. Why Do You Hurt Me Darling - The Gay Charmers 19. When Are You Comin' Home - Chubby Newsom With David Clowney Orch. 20. My Loving Baby - Linda Hopkins 21. I Was A Fool For Leaving - Vikki Nelson 22. Doo-Ba-Dee - Dorothy Forbes w/David Clowney Orch. 23. Teenage Holiday - Vicki Evans 24. Come Back Baby - Linda Hopkins
...served by Gyro1966...

"WHEN GOSPEL WAS GOSPEL"

This is THE best rocking, shouting, one CD overview of Black Gospel from 1947 to 1963, produced by the man best qualified to do the job, historian and self-described gospel "monomaniac" Anthony Heilbut, who has devoted his life to the music. If you like the singing of Ray Charles, Aretha Franklin, Sam Cooke, Wilson Pickett, Whitney Houston or Lou Rawls, or `60's soul from Motown or Stax-Volt - you'll love this CD. This is where it all came from. It's all here, the sweet falsetto crooners (R.H. Harris, Claude Jeter), the church wrecking baritone shouters (Silas Steele), the earthshaking basso profundo's (the classically trained J. Robert Bradley, equally at home in German lieder or Gospel shouting), the choirs (St. Paul's Baptist Church), the quartets (Dixie Hummingbirds, Soul Stirrers, Swan Silvertones), the women (Mahalia Jackson, Clara Ward, Delores Barret Campbell), the men (Brother Joe May, Professor Alex Bradford), and one caught in between (Wilmer "Little Ax" Broadnax, a woman who lived her life as a man in the macho world of male gospel quartet as the much admired tenor lead for the Spirit of Memphis Quartet).
There is not a weak number on this album, and most are gloriously good. There are half a dozen rare "in the spirit" "LIVE" recordings, including the rarely recorded legend Queen C. Anderson, and an absolutely scorching Swan Silvertones medley that segues from a searing Dewey Young baritone shout to a soaring Claude Jeter falsetto tour de force. I think it is the best thing ever captured by this much recorded group. The packaging and liner notes are impeccable, including an authoritative 20 page history of the music and performers.
This project was clearly conceived as an ideal follow up to the seminal 2 CD set "The Gospel Sound" produced on Columbia 30 odd years ago by Heilbut and the legendary John Hammond. There is NO overlap at all between the two collections - they focus primarily on different artists, and where the same artists appear (Mahalia Jackson, Dorothy Love Coates, Dixie Hummingbirds) different (and equally powerful) songs are used. You'll want the Columbia collection as well, since one CD covers the pre-1947 roots, including the unbelievable precision harmonies of the Golden Gate Jubilee Singers on 3 tracks, and the second CD rivals this for coverage of the period from WWII to the 1960's. After these 2 albums you might check out Heilbut's other Gospel collections on Shanachie, "The Gospel Women, Vol 1 and Vol 2", "Kings of the Gospel Highway", "The Great Men of Gospel, Vol 1" or the Dorn/Friedlander collection "Gospel Music" or "Jubilation, Vol. 1 and Vol. 2". (Amazon)

trax:
1. Beams Of Heaven - Sister Rosetta Tharpe 2. Little Boy, How Old Are You - Sister Rosetta Tharpe 3. The Lord Will Make A Way - The Soul Stirrers 4. His Eye Is On The Sparrow - The Soul Stirrers 5. Yield Not To Temptation - Roberta Martin 6. The Old Ship Of Zion - Roberta Martin 7. Look For Me In Heaven - Professor J. Earle Hines 8. Power Of The Holy Ghost - Mahalia Jackson 9. Mahalia Moans - Mahalia Jackson 10. Mercy Lord - Brother Joe May 11. Jesus - Robert Anderson 12. A Queen C. Anderson Special - Queen C. Anderson 13. Standing On The Highway - The Angelic Gospel Singers & The Dixie Hummingbirds 14. Leave It There - Clara Ward 15. Time Is Winding Up - Clara Ward 16. Here Am I Send Me - Spirit Of Memphis Quartet 17. Jesus Steps Right In - The Davis Sisters 18. Too Close To Heaven - The Davis Sisters 19. Thank You Jesus And I Have A Friend - The Swan Silvertones 20. You Better Run - Dorothy Love Coates 21. Dot's Testimony - Dorothy Love Coates 22. Amazing Grace - J. Robert Bradley 23. Walk Through The Valley - Edna Gallmon Cooke 24. Sinner Man - Sensational Southern Nightingales 25. How About You - Sensational Southern Nightingales 26. Traveling Shoes - Marion Williams 27. Leak In The Building - Professor Alex Bradford 28. You're Gonna Need Him - Brother Joe May And Jacqui Verdell
...served by Gyro1966...