When I wasn’t conducting deviant
sexual experiments with high-powered vacuum cleaners, the work with Benham’s
usually involved servicing boiler rooms up in the West End. But the one job
which stood out involved heading north into the wilds of Willesden. There was a
Wall’s sausage factory up there, and I remember having to see them slaughtering
the fucking pigs. These weird dudes with aprons covered in claret were doing
the deed. The strange faces these guys had – they looked like lunatics. The
pigs came in off a lorry and got shuffled into these little pens, then the
geezer would put the big electric prong on them. Before there was time to see
if they were dead or not, they’d get hooked up by their hooves and sent
whizzing up this fucking conveyor belt with their back feet at the top and
their heads hanging down. First they went through this furnace which would burn
all the skin off, then they’d be washed clean with jets of water. The poor
cunts didn’t stop on the conveyor belt till they were in a packet. I remember
watching up to the point where the geezer with his big knife slit open the
stomach and all the fucking claret came out the middle of it. That place was
just a fucking hellhole and I’d never seen anything like it. Not even when
Chelsea played Leeds.
"Sunday's the only day we have for a really long fuck."
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He was asked why he wished to
join the bank. Christie was lost, could not think of his answer. One was
shortly supplied for him: most young men joined the bank for the security, for
the very liberal pension which amounted to two-thirds of whatever salary the
employee was receiving at retiring age. And this retiring age itself was as an
act of generosity sixty, and not sixty-five! Not only was Christie simple, he
was young, too, a few weeks past his seventeenth birthday at the time of this
interview. Christie was silent even at the information that he had only
forty-three and not forty-eight years to wait before he was free ... Christie
had expected to have to work hard, and to find the work both uncongenial and
menial, at first. What he did not expect was the atmosphere in which he was
expected to work, and which was created by his fellow employees or colleagues
as they were in the habit of calling one another. This atmosphere was acrid
with frustration, boredom and jealousy, black with acrimony, pettiness and
bureaucracy.
smoky dance-halls, the meeting places of thieves, spivs and prostitutes.
He
got to know a blonde hostess with whom he fell in love. For days on end he was
away from his room in Montmartre, his wife and his monkey. The strange new life
he led with her had effects that were as enduring as they were beneficial. In
the space of a few months, he acquired an elegant bearing, decided to dress in
the approved manner. Soon, though, he was back in his little room in the Place
Emile-Goudeau, back with his wife and monkey. Those Montmartre hotel rooms! The foreigner
who frequents Gay Paree sees only the blazing neon signs along the Rue Pigalle,
the social round, money flowing as freely as champagne, the women who hang
about street-corners, the dance-halls, the dancers. But like those of
Marseille, or any other town, the Montmartre hotel rooms are small and square,
their flowered or striped wallpaper torn in places. A yellow or red satin
eiderdown covers the bed; net curtains hang drearily down each side of the
window, through which more dust than light comes in. The faded covers are
flecked with cigarette burns. The enormous cupboard holds all the tenant’s
belongings and in a shady corner a screen masks off the washbasin.
"I don't want you to do your own thing, I want you to do MY thing!"
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I asked Jim [Kweskin] what his new act was like. Did he
sermonize or what?
"We don't sermonize; but we don't always do what they think they want. I mean we demand that the audience get personally involved in what's happening, and a lot of times they just don't want to. We've been known to sit up on stage for hours and not do a thing. Sometimes you have to create an embarrassing or painful or angry situation just so that everybody's in the same place at the same time."
Wasn't this the sort of intimidation that people often associated with the Jesus freaks?
"Peace and love!" he said scornfully. "I mean, I walk down the street and I talk to some of the Jesus freaks or some of the peace and love people, you know? And they're dead. They're sound asleep. They feel absolutely nothing. All they do is spout out words. I mean, it's obvious we're not spouting out a bunch of words that somebody taught us how to say."
"We don't sermonize; but we don't always do what they think they want. I mean we demand that the audience get personally involved in what's happening, and a lot of times they just don't want to. We've been known to sit up on stage for hours and not do a thing. Sometimes you have to create an embarrassing or painful or angry situation just so that everybody's in the same place at the same time."
Wasn't this the sort of intimidation that people often associated with the Jesus freaks?
"Peace and love!" he said scornfully. "I mean, I walk down the street and I talk to some of the Jesus freaks or some of the peace and love people, you know? And they're dead. They're sound asleep. They feel absolutely nothing. All they do is spout out words. I mean, it's obvious we're not spouting out a bunch of words that somebody taught us how to say."
FATSO! Come in an git these. Brang me some summa sausage. Baby!
pdf, with thanks to the original sharer
Oh,
I used ta play Suppas fur my sister. Last time you caught me in a drunk, I got
over there an went ta drankin. Play a little while, drank some mow. An my
sister’s house was at the top of a little old hill. After a while, I went
outside. Git me a bit a fresh air an take a leak, you know. An my legs was
sorta wobbly. An direckly, I stumbled an rolled all the way down that hill,
into the ditch. An I found myself in that mud, water all on me. An couldn move.
So them people back in the house was waitin on me. One said, “That boy been
gone a long time. Lets git some music goin here.” A Mexican was in there said,
“Well, I’ll run out in the dawk there an holla at im. See kin I find im.” He
come on out off the poach: an I was down in the sank. Couldn do nothin but jest
roll around down there. Finely, they fooled around an found me. Carried me up the
hill ta my sister’s place. An set me down in the flow. Didn put me in no chair!
“Git out the way, you old drunken bastud! He’s jest reelin an rockin an fallin
down.” Talkin ta me. Guyin me. Cause I couldn do nothin fur myself. Jest had ta
lay there, take it. I rememba everthang they done. An some of em I got even wit
em after I got sober. Here they jest kickt me an walkt on me, they drug me an
pusht, pulled me round on the flow. “That old nigga aint good fur nothin. Put
im out the way! Roll that drunk bastud under the bed so we don’t trip over im!”
the Europeanization Movement of the Great Kingdom of Viet.
"Everyone is so civilized
nowadays! It's a damn shame! The streets used to be filled with depraved,
uncouth men and women - people who'd spit and piss wherever they pleased,
people who'd beat each other up in public. Remember the days when four people
rode together on a single bicycle!? Remember when people used to curse each
other in public and smack their neighbors around? Houses were filthy with
toilet water; dogs ran wild in the streets. Bicycles without headlights were
everywhere. Now everything has changed. Alas, the good old days of our parents
are gone forever! No one even curses anyone's ancestors anymore! The old order has broken
down completely! Kids today don't even know how to talk dirty!"
As a tractor driver, sex was always on my mind.
pdf, with thanks to the original sharer
Got
to the theater and discovered I was on the same bill as H. Bomb Ferguson. H.
Bomb was explosive, the extrovert of extroverts. His idol was Wynonie Harris.
H. Bomb was loud and cocky, one of those guys who seemed to know it all. Even though
H. Bomb was from Carolina, he’d been living in New York and acted so slick, he
made me feel like a hick. I’d brought the six-piece chart on “Three O’clock
Blues” by Bill Harvey. “Won’t work,” said Tiny Kennedy. “We got eighteen
pieces. This is a big band. You need a big-band chart.” “Where do I get one?” I
asked. “At the liquor store,” Tiny answered. “What does that mean?” “Buy some
booze for the cats writing the arrangements,” Tiny advised. “Let the cats fix
you up.” The cats fixed me up. For the price of a few bottles of Scotch, I got
me a kickin’ arrangement of “Three O’clock Blues” that let me shine at the
Howard Theater. H. Bomb, on the other hand, refused to give the guys anything,
so they played in keys that gave him fits.
Let us follow them to their lairs, watch their ordinary daily pursuits.
Among
these heaven-inhabitants were the Shakers, and the foundress of this particular
heaven was Ann Lee. Mrs. Lee had received the intimation, straight from heaven,
that the outward manifestation of love between the sexes was at the root of
this world's downfall; and, according to some rebels against this theory,
matters had come to a pretty pass; since the choice lay between the downfall of
the world, and the complete discontinuation of life on that planet. They
preferred the downfall, they said - every time! Even Mr. Lee, who had at first
been frightened by Mrs. Lee into respecting the results of this message from
heaven, and who for some time followed her about hoping that she might receive
counter-orders of some sort, in the end plumped for the downfall, and
disappeared in the company of a female Shaker whom he had converted to his
heresy.
they pleaded for tolerance, Boyd flipped a finger at everything
epub or mobi
Catholicism
has the appeal it has for all who lack sexual gifts: it assures them that the
thing they're not good at, sex, is wrong anyway. Soft cocked, hard hearted;
broad-hipped, narrow-minded; cold assed, hot tempered ... The middle class are
endlessly vulgar, with no redeeming obscenity. They represent themselves as
above sex, but they are beneath it - too cold, too frightened, too ambitious,
too conventional, too unattractive for sex. To this day they love lovely
things. They are themselves lovely things, robots like the
"straights," performing as programmed; they are the true
undesirables, the undesiring …
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