"Let Me" is a song written by Marc Beeson and Danny Orton, and recorded by American country music singer Pat Green. It was released in June 2008 as the lead-off single from his album What I'm For, which was released on January 27, 2009. The song peaked at #12 on the Billboard Hot Country Songs chart, becoming his second highest-charting single, behind 2003's "Wave on Wave", which peaked at #3.
"Let Me" is a mid-tempo ballad in which the narrator promises to offer emotional support to the one that he loves.
Describing the song in a cut-by-cut synopsis of the album on Sony BMG Nashville's website, Green said that he liked the melody of the chorus (which contains multiple repetitions of the same note). He also said that the song drew his attention because it was a love song that did not explicitly use the word "love".
The song received a "thumbs down" review from the country music site Engine 145. Reviewer Brady Vercher criticized the song for being overproduced and trying to "garner radio success than pushing both [Green's and the producer's] boundaries to create something worthwhile." He also thought that vocally, Green got "lost" in the song and was unable to add any personality to the delivery.Washington Post critic Chris Richards said that Green's vocal delivery did not "sit right" in the "slow-burn" of the song, and Joey Guerra of the Houston Chronicle called it "stock country loverboy stuff."
Rancid (also known as Rancid 5 or Rancid 2000) is the eponymously titled fifth studio album by the American punk rock band Rancid. It is the second eponymous album and was released on August 1, 2000, through frontman Tim Armstrong's label, Hellcat Records. It was the band's first album released through Hellcat. It is Rancid's most hardcore offering to date, which was released as a follow-up to the more ska and reggae oriented Life Won't Wait. It spans 22 tracks in under 40 minutes, resulting in over 3/4 of the songs clocking at under 2 minutes. The Japanese version includes one bonus track, "Sick Sick World". Songs on the album make reference to famous gangster Al Capone, as well as Norse God Loki, John Brown, Ulysses S. Grant, Nelson Mandela, Charles Van Doren, Geoffrey Chaucer's Canterbury Tales and Don Giovanni. Brett Gurewitz (Bad Religion) reunited with Rancid and became their producer for this album. It was 6 years since he co-produced the band's second album Let's Go (1994), although he engineered the band's third album, ...And Out Come the Wolves (1995). Rancid and Gurewitz would continue their collaboration for their next three albums, Indestructible, Let the Dominoes Fall and Honor Is All We Know.
"Let Me Go" (labelled as Let Me Go! on the sleeve of the single) is a single by Heaven 17, taken from (and released several months before) their second album The Luxury Gap. It actually first appeared on the band's American self-titled compilation, Heaven 17, which was released in 1982. It reached #41 on the UK singles chart, the lowest chart placement among the singles from that album but their highest at the time of the single's release.
The song also spent five weeks at #4 on the American dance chart in 1983. Allmusic cites it as "a club hit that features Glenn Gregory's moody, dramatic lead above a percolating vocal and synth arrangement."
It was one of the first commercial releases to feature the Roland TB-303, a bass synthesiser which later played a pivotal role in the later acid house movement.
The song appeared at #81 on Q101 Top 500 Songs of "All Time".
"Let Me Go" is a single by American alternative rock band Cake, from their 1998 album Prolonging the Magic.
Shapeshifter (sometimes referred to as New Zealand Shapeshifter) are a live drum and bass act from New Zealand. They are known for their live shows and blend of heavy soul with drum and bass. They have made appearances at Glastonbury, The Big Chill, Big Day Out, Parklife plus sold-out performances across Europe, Australia and New Zealand.
Shapeshifter formed in 1999 after the four founding members met at Jazz School. They had a range of musical backgrounds ranging from dub, jazz, and hip-hop, to metal, funk and electronica. As a result, they decided to bring these influences together to create live drum & bass. After playing locally, they released an early EP entitled D.N.A.
In 2001, Shapeshifter released their debut LP entitled Realtime. The album included a collaboration with vocalist Ladi6 on the track "Move With Me" as well as Kaps (Fabel) and Tiki (Salmonella Dub) on production. Realtime was awarded the 'Best Electronic Release' title at the 2002 bNet NZ Music Awards, and was also nominated at the RIANZ NZ Music Awards for 'Best Electronic Album'
Daily News and Analysis (DNA) is an Indian broadsheet launched in 2005 and published in English from Mumbai, Ahmedabad, Pune, Jaipur, Bengaluru and Indore in India. It is the first English broadsheet daily in India to introduce an all-colour page format. It targets a young readership and is owned and managed by Diligent Media Corporation.
A high-profile advertising campaign with the tagline, "Speak up, it's in your DNA", preceded the birth of Daily News and Analysis in 2005. The context into which the publication was introduced was described by the Indian media as tumultuous, with price cuts and competitive activity occurring.
In an announcement on its front page on 1 February 2010, former editor-in-chief Aditya Sinha announced that DNA would drop its "edit page," the section containing editorials, analysis and opinion.DNA's decision was considered bold and attracted much criticism in the field. DNA subsequently began providing, where appropriate, expert opinion and comments in different pages of the newspaper.
Corporate DNA is business jargon for organizational culture. It is a metaphor based on the biological term DNA, the molecule that encodes the genetic instructions in living organisms.
In a 1997 book, Gareth Morgan defined the corporate DNA metaphor as the "visions, values, and sense of purpose that bind an organization together" to enable individuals to "understand and absorb the mission and challenge of the whole enterprise". Lindgreen and Swaen define it as an "organization's culture and strategy". Ken Baskin defines it as "flexible, universally available database of company procedures and structures" which develops from the company's history, and that the organization's employees behave to satisfy the resultant corporate identity. Baskin also likens the availability of information throughout an organization to the presence of DNA in all of an organism's cells.Arnold Kransdorff defines corporate DNA as the set of institution-specific experiences that "characterizes any organization's ability to perform".
Hey, I'll move out of the way for you
Hey, I'll move out of the way for her too
I never thought we'd end up here in separate cages
It doesn't go like this, you've left out some pages
Hey, when was the last time you laughed
And did you mean it when you did?
I'm just wondering, the sound in your voice it's abounding
It's astounding how you live so close to your cure
I never know what to do with my love
I never know what to do with my hands
So I'll put them behind my back
I'll put them behind my back
Behind my back
Hey, don't you know what I mean when I say
Hey, see it in my face, I'm breaking
I've waited for so long just to know
That you'd wrap yourself around me if you couldn't let go
I never know what to do with my love
I never know what to do with my hands
So I'll put them behind my back
(Put them behind my back)
I'll put them behind my back
(Behind my back)
Behind my back
(Put them behind my back)
Can I move out of the way tomorrow?