- published: 20 Mar 2012
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A concert band, also called wind ensemble, symphonic band, wind symphony, wind orchestra, wind band, symphonic winds, symphony band, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, along with the double bass.
A concert band's repertoire includes original wind compositions, transcriptions/arrangements of orchestral compositions, light music, and popular tunes. Though the instrumentation is similar, a concert band is distinguished from the marching band in that its primary function is as a concert ensemble. The standard repertoire for the concert band does, however, contain concert marches.
In the 18th century, military ensembles were doing double duty as entertainment at the royal courts, either alone or combined with orchestral strings. Composers such as Mozart were writing chamber music for these groups, called Harmonie bands, which evolved to a standard instrumentation of two oboes, two clarinets, two horns, and two bassoons. In addition to original compositions, these groups also played transcriptions of opera music.
The Eastman Wind Ensemble is an American concert band founded by Frederick Fennell at the Eastman School of Music in 1952. It is often credited with helping popularize wind music. Through the group, Fennell redefined wind ensemble to refer to a specific kind of wind band with only one player per part, and focusing on original wind music rather than orchestral transcriptions. The Eastman Wind Ensemble has premiered over 150 works, including works by composers Bernard Rands and Joseph Schwantner.
In 1987, the Eastman Wind Ensemble was nominated for a Grammy Award for Best Classical Performance - Instrumental Soloist or Soloists (with or without orchestra) for its 1986 album Carnaval, a collaboration with trumpeter Wynton Marsalis.
Wind is the flow of gases on a large scale. On the surface of the Earth, wind consists of the bulk movement of air. In outer space, solar wind is the movement of gases or charged particles from the Sun through space, while planetary wind is the outgassing of light chemical elements from a planet's atmosphere into space. Winds are commonly classified by their spatial scale, their speed, the types of forces that cause them, the regions in which they occur, and their effect. The strongest observed winds on a planet in the Solar System occur on Neptune and Saturn. Winds have various aspects, an important one being its velocity; another the density of the gas involved; another is the energy content or wind energy of a wind.
In meteorology, winds are often referred to according to their strength, and the direction from which the wind is blowing. Short bursts of high speed wind are termed gusts. Strong winds of intermediate duration (around one minute) are termed squalls. Long-duration winds have various names associated with their average strength, such as breeze, gale, storm, and hurricane. Wind occurs on a range of scales, from thunderstorm flows lasting tens of minutes, to local breezes generated by heating of land surfaces and lasting a few hours, to global winds resulting from the difference in absorption of solar energy between the climate zones on Earth. The two main causes of large-scale atmospheric circulation are the differential heating between the equator and the poles, and the rotation of the planet (Coriolis effect). Within the tropics, thermal low circulations over terrain and high plateaus can drive monsoon circulations. In coastal areas the sea breeze/land breeze cycle can define local winds; in areas that have variable terrain, mountain and valley breezes can dominate local winds.
Armenian Dances is a musical piece for concert band, written by Alfred Reed (1921–2005). It is a four-movement suite, of which Armenian Dances (Part I) comprises the first movement and Armenian Dances (Part II) comprises the remaining three. Each part consists of a number of Armenian folk songs from the collection of Komitas Vardapet (1869–1935), an Armenian ethnomusicologist.
Armenian Dances (Part I) was completed in the summer of 1972 and first performed by the University of Illinois Symphonic Band on January 10, 1973. The piece is dedicated to Dr. Harry Begian, the director of that ensemble. The work includes five distinct sections:
MIT Wind Ensemble: "Awakening" I
UNC Wind Ensemble Jupiter, by Gustav Holst
Korean Elementary School Wind Ensemble!!
Festive Overture. Eastman Wind Ensemble.
โรงเรียนรัตนบุรี วงWind Ensemble
Stravinsky: Symphonies of Wind Instruments, by the Eastman Wind Ensemble (1957)
ARMENIAN DANCES ☆ Tokyo Kosei wind Orchestra
UNC Wind Ensemble - Overture to Candide by Leonard Bernstein, arr. Grundman
UNT Wind Symphony: Mackey's Frozen Cathedral
Wind Ensemble Performance
MIT Wind Ensemble playing Jamshied Sharifi's "Awakening" Movement I: Maghreb / Bouazizi / The Uprisings World Premier - Kresge Hall, Sat. Mar. 17th, 2012
The UNC Wind Ensemble, Evan Feldman, conductor, performs "Jupiter" from The Planets, by Gustav Holst (arr. Patterson) on October 15, 2013 at Memorial Hall, Chapel Hill, NC.
JinJoo JoongAhn Elementary School in Korea. They are awesome. Even they're playing without music sheet. Especially I like the principal trumpet of this band. She sounds great. 진주중안초등학교 학생들의 연주입니다. 본 비디오는 다음카페 '관악의 세계'의 이상용 회원님께서 제공해주셨습니다.
Recording of the Eastman Wind Ensemble. A Composition by Dmitri Shostakóvich.
เเข่งขันศิลปะหัตกรรมนักเรียน ที่ สวค. ทรัมเป็ท :เป้ เอก น้องเบว คราริเน็ต : นุ่น ฟิว เเซ็ก อัลโต้ : เอ็นจอย เมลโลโฟน : บ๊อบบี้ บาริโทน : เอ ม่อน ทูบา: เเซ็ก
Stravinsky: Symphonies of Wind Instruments (1920, rev. 1947) Eastman Wind Ensemble conducted by Frederick Fennell Recorded on March 24, 1957, in the Eastman Theatre, Rochester, New York. First issued late in 1957 as Mercury Living Presence MG-50143, and the stereo issue, SR-90143, followed in about 1960. Reissued in the mid-1970s as Mercury Golden Imports SRI-75057 (stereo), which is my source. In both cases the coupling was Hindemith's Symphony for Band and Schoenberg's: Theme and Variations, Op. 43a, which have both been uploaded separately.
Tokyo Kosei wind Orchestra Live at Fumon Hall Cond. Keiko Kobayashi ARMENIAN DANCES is a musical piece for concert band, written by Alfred Reed (1921–2005). It is a four-movement suite, of which Armenian Dances (Part I) comprises the first movement and Armenian Dances (Part II) comprises the remaining three. Each part consists of a number of Armenian folk songs from the collection of Komitas Vardapet (1869–1935), an Armenian ethnomusicologist. Part I Armenian Dances (Part I) was completed in the summer of 1972 and first performed by the University of Illinois Symphonic Band on January 10, 1973. The piece is dedicated to Dr. Harry Begian, the director of that ensemble. The work includes five distinct sections: 1. Tzirani Tzar (The Apricot Tree) (mm. 1–29) (Broadly, and sustained), which...
The UNC Wind Ensemble, Evan Feldman, conductor, performs Leonard Bernstein's "Overture to Candide" on October 3, 2012, in Memorial Hall, Chapel Hill, NC.
The Frozen Cathedral (2013)........John Mackey (b. 1973) UNT Wind Symphony Eugene Migliaro Corporon, conductor Recorded live April 10th, 2014 Winspear Hall, College of Music University of North Texas http://music.unt.edu/windstudies
The entirety of the Wind Ensemble’s final concert of the season will be David Maslanka’s monumental Symphony No. 9. In four movements, with a duration of about 75 minutes, the symphony opens with a reading of the poem Secrets by W. S. Merwin, which is paralleled in the fourth movement by a reading of the composer’s own Whale Story. Maslanka describes the symphony as “a large collection of instrumental songs which create a continuously moving tapestry of thoughts and images relating to the nature of memory, the life giving creative force of water, and compassion, forgiveness, and rest. The flow of the entire Symphony is toward the Chorale melody O Sacred Head Now Wounded at the end of the fourth movement.” The performance of this symphony is the culmination of the ensemble’s artistic and pe...
MIT Wind Ensemble playing Jamshied Sharifi's "Awakening" Movement I: Maghreb / Bouazizi / The Uprisings World Premier - Kresge Hall, Sat. Mar. 17th, 2012
The UNC Wind Ensemble, Evan Feldman, conductor, performs "Jupiter" from The Planets, by Gustav Holst (arr. Patterson) on October 15, 2013 at Memorial Hall, Chapel Hill, NC.
JinJoo JoongAhn Elementary School in Korea. They are awesome. Even they're playing without music sheet. Especially I like the principal trumpet of this band. She sounds great. 진주중안초등학교 학생들의 연주입니다. 본 비디오는 다음카페 '관악의 세계'의 이상용 회원님께서 제공해주셨습니다.
Recording of the Eastman Wind Ensemble. A Composition by Dmitri Shostakóvich.
เเข่งขันศิลปะหัตกรรมนักเรียน ที่ สวค. ทรัมเป็ท :เป้ เอก น้องเบว คราริเน็ต : นุ่น ฟิว เเซ็ก อัลโต้ : เอ็นจอย เมลโลโฟน : บ๊อบบี้ บาริโทน : เอ ม่อน ทูบา: เเซ็ก
Stravinsky: Symphonies of Wind Instruments (1920, rev. 1947) Eastman Wind Ensemble conducted by Frederick Fennell Recorded on March 24, 1957, in the Eastman Theatre, Rochester, New York. First issued late in 1957 as Mercury Living Presence MG-50143, and the stereo issue, SR-90143, followed in about 1960. Reissued in the mid-1970s as Mercury Golden Imports SRI-75057 (stereo), which is my source. In both cases the coupling was Hindemith's Symphony for Band and Schoenberg's: Theme and Variations, Op. 43a, which have both been uploaded separately.
Tokyo Kosei wind Orchestra Live at Fumon Hall Cond. Keiko Kobayashi ARMENIAN DANCES is a musical piece for concert band, written by Alfred Reed (1921–2005). It is a four-movement suite, of which Armenian Dances (Part I) comprises the first movement and Armenian Dances (Part II) comprises the remaining three. Each part consists of a number of Armenian folk songs from the collection of Komitas Vardapet (1869–1935), an Armenian ethnomusicologist. Part I Armenian Dances (Part I) was completed in the summer of 1972 and first performed by the University of Illinois Symphonic Band on January 10, 1973. The piece is dedicated to Dr. Harry Begian, the director of that ensemble. The work includes five distinct sections: 1. Tzirani Tzar (The Apricot Tree) (mm. 1–29) (Broadly, and sustained), which...
The UNC Wind Ensemble, Evan Feldman, conductor, performs Leonard Bernstein's "Overture to Candide" on October 3, 2012, in Memorial Hall, Chapel Hill, NC.
The Frozen Cathedral (2013)........John Mackey (b. 1973) UNT Wind Symphony Eugene Migliaro Corporon, conductor Recorded live April 10th, 2014 Winspear Hall, College of Music University of North Texas http://music.unt.edu/windstudies
The entirety of the Wind Ensemble’s final concert of the season will be David Maslanka’s monumental Symphony No. 9. In four movements, with a duration of about 75 minutes, the symphony opens with a reading of the poem Secrets by W. S. Merwin, which is paralleled in the fourth movement by a reading of the composer’s own Whale Story. Maslanka describes the symphony as “a large collection of instrumental songs which create a continuously moving tapestry of thoughts and images relating to the nature of memory, the life giving creative force of water, and compassion, forgiveness, and rest. The flow of the entire Symphony is toward the Chorale melody O Sacred Head Now Wounded at the end of the fourth movement.” The performance of this symphony is the culmination of the ensemble’s artistic and pe...
Concerto for Soprano Sax and Wind Ensemble by John Mackey I. Prelude II. Felt III. Metal IV. Wood V. Finale The University of Texas Wind Ensemble Stephen Page, Soprano Saxophone Jerry Junkin, conductor Live in Bates Recital Hall - Austin, Texas September 27, 2015
Michigan State University Wind Symphony Kevin L. Sedatole, Conductor Live at Cobb Great Hall, Wharton Center | 12.2.2012
The entirety of the Wind Ensemble’s final concert of the season will be David Maslanka’s monumental Symphony No. 9. In four movements, with a duration of about 75 minutes, the symphony opens with a reading of the poem Secrets by W. S. Merwin, which is paralleled in the fourth movement by a reading of the composer’s own Whale Story. Maslanka describes the symphony as “a large collection of instrumental songs which create a continuously moving tapestry of thoughts and images relating to the nature of memory, the life giving creative force of water, and compassion, forgiveness, and rest. The flow of the entire Symphony is toward the Chorale melody O Sacred Head Now Wounded at the end of the fourth movement.” The performance of this symphony is the culmination of the ensemble’s artistic and pe...
Oklahoma State University Wind Ensemble Dr. Joseph P. Missal, Conductor Dr. Douglas S. Henderson, Guest Conductor Tad Suzuki, Guest Conductor Dr. Jeffrey Loeffert, Soprano Saxophone Forty-Fourth Japan Band Clinic ACT City Concert Hall Hamamatsu City, Japan May 18, 2013
Concerto for Alto Saxophone and Wind Ensemble Zechariah Goh Chien-Kwan Lin, alto saxophone solo Orchestra Collective Lien Boon Hua, Conductor Singapore Saxophone Symposium 2013 Gala Concert Sunday, 20 July 2013, 8pm Lee Foundation Theatre Audio: Lee Guo Sheng Video: Lu Heng
UNCW Wind Ensemble and Symphonic Band, directed by John LaCognata uncw.edu/music
In this segment (1 of 3): Chorale and Alleluia (Hanson) Panis Angelicus Alleluia (Mozart) Eternal Father, Strong to Serve (Smith) Nov. 9, 2016. Staller Center for the Arts. Stony Brook University.