- published: 10 Apr 2019
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Yol (Turkish for "The Road" or "The Way") is a 1982 Turkish film directed by Yılmaz Güney. The screenplay was written by Güney, and it was directed by his assistant Şerif Gören, who strictly followed Güney's instructions, as Güney was in prison at the time. Later, when Güney escaped from prison, he took the negatives of the film to Switzerland and later edited it in Paris. As a result, the film was selected as the Swiss entry for the Best Foreign Language Film at the 55th Academy Awards, but was not accepted as a nominee.
The film is a portrait of Turkey in the aftermath of the 1980 Turkish coup d'état: its people and its authorities are shown via the stories of five prisoners given a week's home leave. The film has caused much controversy in Turkey, and was banned until 1999 due to Yılmaz Güney's involvement rather than its content.
Yol tells the story of several prisoners on furlough in Turkey. Seyit Ali (Tarık Akan) travels to his house and finds that his wife (Şerif Sezer) has betrayed him and works as a prostitute. She was caught by her family and held captive for Seyit Ali to end her life in an honor killing. Though apparently determined at first, he changes his mind when his wife starts to freeze while travelling in the snow. Despite his efforts to keep her alive, he eventually fails. His wife's death relieves Seyit Ali from family pressure and he is saved from justice since she freezes but he has an internal struggle and must return to jail.
Yol is a cantonment town in Kangra district in the Indian state of Himachal Pradesh.
The town gets its name from YOL (Young Officers Leave camp), a small town established by British Indian Army around 1849. The Yol Cantt. (cantonment) was built in 1942. Formerly it was known as "majhaitha" village. Yol is the headquarters of the 9 Corps of Indian Army. The cantonment area is very beautiful and has a picturesque view.
Yol was the location of a Prisoner-of-war camp which hosted German soldiers in the First World War and Italian soldiers in the Second World War.
Frogman Elios Toschi, a member of the pre-Armistice Decima Flottiglia MAS and inventor of the "maiale", was one of the very few to escape from the camp. After the war, the former POW facility hosted ethnic Tibetan refugees from China.
Yol is located at 32°10′N 76°12′E / 32.17°N 76.2°E / 32.17; 76.2 in Kangra district. It has an average elevation of 1,221 m (4,006 ft).
Yol is situated 10 km southeast of Dharamsala on the Dharamshala-Chamundi Devi-Palampur road and about 15 km northeast of Kangra town. The nearest railway station is Nagrota Bagwan about 12 km away in south on 762 mm (2 ft 6 in) narrow gauge railway line originating at Pathankot. The nearest broad gauge railhead is Pathankot. The nearest airport is Gaggal airport (IATA airport code DHM), also known as Kangra airport, about 15 km to the west through Dharamshala.
Djolé (also known as Jolé or Yolé) is a mask-dance from Temine people in Sierra Leone. It is played traditionally with a large square drum called sikko.
Although a mask depicts a female, it is carried by a male.
Djolé is played usually during big feasts which involve many villages to celebrate a good harvest, the end of the Ramadan or a marriage.
Nowadays the rhythm has been rearranged to be played with the djembé and is very popular in particular in Guinea.
Laila i ko korobé, korobé, korobé, mami watoné, aya, sico leleleko aya
sico la i ko na, sico la i ko, wa wango sico la i ko, wa wango sico la i ko
Maya may refer to:
Maya is a 2001 Hindi film directed by Digvijay Singh with Nitya Shetty, Mita Vashisht, Anant Nag and Nikhil Yadav in lead roles.
12-year-old Maya lives with her aunt Lakshmi, uncle Arun and cousin Sanjay, a typical middle-class family in rural India. The cousins enjoy a playful summer indulging in mischiefs and youthful pranks. But then the young girl has her first period that proves to be a turning point in her life. Maya's family begins making plans for a celebratory feast that involves a ritual rape.
The Film won international acclaim at the major film festivals it participated in. The music score by the America based duo of Manesh Judge and Noor Lodhi won Critics Mention at the Flanders Film Festival in Belgium. The music also received an award in England and came in third behind John Williams' score for Star Wars Episode III: Revenge of the Sith, and Leonardo DiCaprio's Catch me if you Can. The movie was first runners-up in People's Choice Award at the Toronto Film Festival, one spot ahead of Mira Nair's well known hit, Monsoon Wedding.
Maaya is a 1972 Malayalam-language Indian feature film directed by Ramu Kariat for Jaya Maruthi starring Thikkurissi Sukumaran Nair in the lead role.Prem Nazir and Sharada also plays pivotal roles, supported by Vijayasree, Sujatha, Sankaradi and T. R. Omana playing other important roles. The film was based on an award winning 1963 novel with the same name by popular novelist K Surendran
Sankarappillai (Thikkurissi Sukumaran Nair) is the local business man who runs grocery shop in the village center. He also owns the little textile shop of the village which his son Raghuvaran Pillai (Adoor Bhasi) operates. Sankarappillai's family also includes his second wife Eeswari (T. R. Omana) and daughter Gomathy (Sharada). Sankarappillai is separated from his first wife Kalyani (Adoor Bhavani) but visits and supports his daughter Omana in the first marriage.
Gomathy is in love with Madhavankutty (Prem Nazir) an educated but unemployed young man. Sankarappillai and Eeswary also encourages their relation. Madhavankutty takes up job in a news paper in the town. Raghu wishes to expand the textile business, Madhavankutty introduces Raghu and Sankarappillai to his old class mate Vasukkutty (K. P. Ummer). Vasukkutty's uncle Pankippillai(GK Pillai) run a bigger textile shop in the town. Though two head-strong men clashes at first Pankippillai agrees to loan textiles worth Rs 30,000 to Sankarappillai. Vasukkutty meets Gomathy during a business visit to Sankarappillai's home and falls head over heals for the beautiful girl. Seeking business advantage Sankarappillai decides to arrange Gomathy's wedding with Vasukkutty leaving a heart broken Madhavankutty resort to writing.
“Boş Yapma” Tüm dijital platformlarda yayında! Spotify’dan dinlemek için: https://spoti.fi/2KEl3ZR Instagram’dan beni takip etmek için: https://www.instagram.com/zeynepbastik Söz - Müzik: Fikri Karayel Akustik Gitar: Tolga Akyıldız Bass: Kerim Türkoğlu Cajon: Cenk Saraç Kayıt-Mix: Akın Erdem Kadız "Fikri Karayel - Yol" şarkı sözleriyle Bariz telaşım, saydam yaralarımla Senden saklanmadım, yol arkadaşım Şimdi yollar daralır çıkmaz sokaklarında Tutma bırak içinde kalmayayım... Geçiyor bir ömür, düşüne düşüne Kalmıyor hiçbir şey benden, yetmiyor birine Biz hep sustuk, yol almadık ve... Öyle güzel kalmadık Tutmayın yol verin gidene gidene Cevap da vermem artık gücüme gidene Yoktur tavsiyem bile beni kaybedene Doldu sığmaz içime Tutmayın yol verin gidene gidene Cevap da vermem artık gücüm...
Fikri Karayel'in teklisi 'Yol feat. Tolga Erzurumlu' dijital platformlarda! Apple Music: https://apple.co/2pAtSpl iTunes: https://apple.co/2pAtSpl Spotify: https://spoti.fi/2HZlzLJ Muud: https://bit.ly/2IDUj5G Deezer: https://bit.ly/2pykSSr YOL (2018 / DOKUZ SEKİZ MÜZİK) Yönetmen: Miğfemiral Söz - Müzik: Fikri Karayel Aranje: Tolga Erzurumlu Mix & Mastering: Özgür Yurtoğlu Kayıt:Tolga Erzurumlu Stüdyo: Müzikal İşler Ney: Türker Dinletir Görüntü Yönetmeni: Batuhan Özpekcan Bariz telaşım, saydam yaralarımla Senden saklanmadım, yol arkadaşım Şimdi yollar daralır çıkmaz sokaklarında Tutma bırak içinde kalmayayım... Geçiyor bir ömür, düşüne düşüne Kalmıyor hiçbir şey benden, yetmiyor birine Biz hep sustuk, yol almadık ve... Öyle güzel kalmadık Tutmayın yol verin gidene gidene Cevap da ve...
Hadise'nin, Pasaj Müzik etiketiyle yayınlanan "Küçük Bir Yol" isimli tekli çalışması, video klibiyle netd müzik'te. Söz: Devrim Karaoğlu - Mete Özgencil Müzik: Devrim Karaoğlu Prodüktör ve Düzenleme: Devrim Karaoğlu Mix: Will Brierre Stüdyo: “Elephant in the Room” Mastering: Howie Weinberg and Will Borza Yönetmen: Şenol Korkmaz Görüntü Yönetmeni: Veli Kuzlu Senaryo: Hadise Açıkgöz Oyuncular: Gui Fedrizzi, Benek, Bilbey "Küçük Bir Yol" şarkı sözleri ile; Buralar yalan, uzak bir de Bir arasan, bu kalp delirir Umutsuz olmaz aşksız yaşanmaz Kuşku duyanlar ve yanmadan sönenler… Küçük bir yoldayım en başındayım Kendi kendimle hep sıfırdayım Senin dağların benim yollarım O sen olsaydın Benim yanımda Sağımda solumda ufkumda… Senin yanında Yazında kışında tüm baharlarında… Oralar nasıl? Uzak...
NİYAZİ KOYUNCU - YOL Albüm: LİVA Yapım: KALAN MÜZİK Söz & Müzik: EVREN ARKMAN Yönetmen: CEVAHİR ÇOKBİLİR Oyuncu: MELİSSA ÖZGE YILDIRIMER Akerdeon: ALPER BULUT Mandolin: ÇAĞATAY KADI Gitar: EMRE PEHLİVANLAR Perküsyon: DOĞAN GÜRKAN Görüntü Yönetmeni: EVREN ÖZGÜR Yardımcı Yönetmen: MUHAMMET BEYAZDAĞ Işık: ŞEREF ÖZKAN Kurgu: CEVAHİR ÇOKBİLİR / DOĞACAN AKTAŞ Color Correction & Effect: DOĞACAN AKTAŞ Yapım Sorumlusu & Makyaj: TÜRKAN ESRA ALTINAY Yapım Asistanı: GİZEM ALİCA Hava Çekimleri: MUSTAFA TUNÇ Storyboard & Minibüs Tasarım: MEHMET KARASU Set Asistanı: BARIŞ ÇOKBİLİR Kamera Arkası: TÜRKAN ESRA ALTINAY / MUHAMMET BEYAZDAĞ Ulaşım: İHSAN GÜN TEŞEKKÜRLER: ULAŞ SIĞIRTMAÇ, TALİP ÇOKBİLİR, NACİYE ÇOKBİLİR, ANTALYA FİLM EKİBİ, DOLMA © 2016
Oğuzhan Koç'un, BKM Müzik etiketiyle yayınlanan "Yol Arkadaşım Film Müziği" albümünde yer alan "Vermem Seni Ellere" isimli şarkısı, video klibiyle netd müzik'te. Söz & Müzik: Harun Kolçak Düzenleme: Çağrı Telkıvıran Yönetmen: Bedran Güzel "Vermem Seni Ellere" şarkı sözleri ile Sevdirdin kendini bana hiç sorma Bundan sonra sana gözüm gibi ben bakarım Seni hiç kimseler alamaz unutma Kimseler üzemez karşılarına ben çıkarım Bana göre sen benim olmalısın İçime nefes gibi dolmalısın Kaderime yön verecek bir ışık gibi doğmalısın Ara sıra bazı yok olsanda Geceleri üşüdüğüm anlarda Yanıma koşarak beni kor gibi yakmalısın Vermem seni ellere vermem Allah şahidim olsun Vermem seni ellere vermem Söz verdim bir kere dönemem Türkçe Pop oynatma listesi: http://bit.ly/ndm-turkcepop Yeni Hit Şarkılar:...
Yol (Turkish for "The Road" or "The Way") is a 1982 Turkish film directed by Yılmaz Güney. The screenplay was written by Güney, and it was directed by his assistant Şerif Gören, who strictly followed Güney's instructions, as Güney was in prison at the time. Later, when Güney escaped from prison, he took the negatives of the film to Switzerland and later edited it in Paris. As a result, the film was selected as the Swiss entry for the Best Foreign Language Film at the 55th Academy Awards, but was not accepted as a nominee.
The film is a portrait of Turkey in the aftermath of the 1980 Turkish coup d'état: its people and its authorities are shown via the stories of five prisoners given a week's home leave. The film has caused much controversy in Turkey, and was banned until 1999 due to Yılmaz Güney's involvement rather than its content.
Yol tells the story of several prisoners on furlough in Turkey. Seyit Ali (Tarık Akan) travels to his house and finds that his wife (Şerif Sezer) has betrayed him and works as a prostitute. She was caught by her family and held captive for Seyit Ali to end her life in an honor killing. Though apparently determined at first, he changes his mind when his wife starts to freeze while travelling in the snow. Despite his efforts to keep her alive, he eventually fails. His wife's death relieves Seyit Ali from family pressure and he is saved from justice since she freezes but he has an internal struggle and must return to jail.
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us when you can
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us now and then.
When you live in the country everybody is your neighbor
On this one thing you can rely
They'll all come to see you and never, never leave you
Saying y'all come to see us by and by.
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us when you can
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us now and then.
The kinfolks 're coming, coming by the dozen
Eatin' everything from soup to hay, hay, hay
And right after dinner they ain't looking any thinner
And here's what you'll hear them say.
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us when you can
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us now and then.
--- Instrumental ---
Oh, old grandma's a wishing they'd come out to the
kitchen
And help her do the dishes right away
But they all start leavin', even though she's a
grievin'
You can still hear grandma say.
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us when you can
Y'all come, (y'all come), y'all come, (y'all come)
Oh, y'all come to see us now and then.
Oh, y'all come to see us now and then...