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Robert

The name Robert is a Germanic given name, from Proto-Germanic *χrōþi- "fame" and *berχta- "bright". Compare Old Dutch Robrecht and Old High German Hrodebert (a compound of hruod "fame, glory" and berht "bright"). It is also in use as a surname.

After becoming widely used in Continental Europe it entered England in its Old French form Robert, where an Old English cognate form (Hrēodbēorht, Hrodberht, Hrēodbēorð, Hrœdbœrð, Hrœdberð) had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto.

Similar to the name, Richard, "Robert" is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Danish, and Icelandic. It can be used as a French, Hungarian, Finnish, and Estonian name as well.

Variations

Trivia

Robert, and also the name Joseph, were in the top 10 most given boys' names in the US for 47 years, from 1925 to 1972.

In Italy during the Second World War, the form of the name, Roberto, briefly acquired a new meaning derived from, and referring to the Rome-Berlin-Tokyo Axis.

Jonathan Scales

Jonathan Scales (born September 14, 1984) is an American steel pannist and composer. He has recorded and produced five albums, the most recent being Mixtape Symphony, released on 2014 on Ropeadope Records. The album features guest performances by Victor Wooten and Howard Levy. Since 2007, Scales has recorded and performed with Victor Wooten, Howard Levy, The Duhks, Roy "Future Man" Wooten, Jeff Coffin, Jeff Sipe, Casey Driessen, Oteil Burbridge, Kofi Burbridge, and Yonrico Scott. His albums have been reviewed by Modern Drummer and Jazz Times. Scales graduated from Appalachian State University in 2006.

Early life and career details

Scales was born in San Francisco and was raised in a military family, spending time in Maryland, Virginia, Fort Bragg, and Germany before settling in North Carolina around the age of fifteen. A saxophonist since high school, Scales took up the steelpan in 2002 and fell in love with the sound of the instrument. Scales enrolled at Appalachian State University in 2002, and after graduating, formed the jazz fusion quartet Jonathan Scales Fourchestra whose current lineup includes Chaisaray Schenck on drums and Cody Wright on bass. The band's collaborative debut, Fourchestra, was released in 2013 on Ropeadope Records. 2014 ushered in "Mixtape Symphony," a long-form album inspired by Roy "Futureman" Wooten, also released on Ropeadope Records, featuring compositions by both Scales and bassist Wright.

Asheville, North Carolina

Asheville is a city in and the county seat of Buncombe County, North Carolina, United States. It is the largest city in Western North Carolina, and the 11th largest city in North Carolina. The city's population was 83,393 according to the 2010 United States census. It is the principal city in the four-county Asheville metropolitan area, with a population of 424,858 in 2010. Asheville is home to the United States National Climatic Data Center (NCDC), the world's largest active archive of weather data.

History

Origins

Before the arrival of the Europeans, the land where Asheville now exists lay within the boundaries of the Cherokee Nation. In 1540, Spanish explorer Hernando de Soto came to the area, bringing the first European visitors along with European diseases, which seriously depleted the native population. The area was used as an open hunting ground until the middle of the 19th century.

The history of Asheville, as a town, began in 1784. In that year, Colonel Samuel Davidson and his family settled in the Swannanoa Valley, redeeming a soldier's land grant from the state of North Carolina. Soon after building a log cabin at the bank of Christian Creek, Davidson was lured into the woods by a band of Cherokee hunters and killed. Davidson's wife, child and female slave fled on foot overnight to Davidson's Fort (named after Davidson's father General John Davidson) 16 miles away.

Music hall

Music hall is a type of British theatrical entertainment that was popular from the early Victorian era circa 1850 and lasting until 1960. It involved a mixture of popular songs, comedy, speciality acts and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. British music hall was similar to American vaudeville, featuring rousing songs and comic acts, while in the United Kingdom the term "vaudeville"' referred to more working-class types of entertainment that would have been termed "burlesque" in America.

Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences, so much so, that during the 1850s, the public houses were demolished and specialized music hall theatres developed in their place. These theatres were designed chiefly so people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place. This differed somewhat from the conventional type of theatre, which until then seated the audience in stalls with a separate bar-room. Major music halls, were based around London and included Early music halls like the Canterbury Music Hall in Lambeth, Wilton's Music Hall in Tower Hamlets and The Middlesex, in Drury Lane, otherwise known as the Old Mo.