Adiemus /ædiˈeɪməs/ is a series of vocalise-style albums by Welsh composer Karl Jenkins. It is also the title of the opening track called "Adiemus" on the first album in the series, Songs of Sanctuary.
Each Adiemus album is a collection of song-length pieces featuring harmonised vocal melody against an orchestra background. There are no lyrics as such, instead the vocalists sing syllables and 'words' invented by Jenkins. However, rather than creating musical interest from patterns of phonemes (as in scat singing, or in numerous classical and crossover compositions), the language of Adiemus is carefully stylised so as not to distract the listener's attention from the pitch and timbre of the voice. Syllables rarely end in consonants, for example. In this respect it is similar to Japanese and several other languages. The core concept of Adiemus is that the voice should be allowed to function as nothing more than an instrument, an approach that was a trend in some New Age and World Music choral writing in the mid to late 1990s. (compare, for example Vangelis's score for the film 1492: Conquest of Paradise (1992), or "Dogora", a symphonic suite by French composer Étienne Perruchon).
Dawn (from an Old English verb dagian "to become day") is the time that marks, depending on the specific usage, the beginning of the twilight before sunrise, the period of the pre-sunrise twilight or the time of sunrise. When identified as the beginning of or the period of twilight, it is recognized by the presence of weak sunlight, while the Sun itself is still below the horizon.
Different definitions exist for the start of dawn. The difference between these definitions is the amount of sunlight that must be present. This can be correlated with the angular distance of the centre of the Sun (degrees) below the horizon, in the morning:
Astronomical twilight begins at the moment after which the sky is no longer completely dark. This occurs when the Sun is 18 degrees below the horizon in the morning. Though it is possible to localize the direction of the Sun during astronomical dawn and dusk, people in general experience astronomical dawn and dusk as night, even without clouds. The zenith is dark and more than just the brightest stars can be seen (except low above the horizon in the direction of the sun).
In everyday speech, a phrase may be any group of words, often carrying a special idiomatic meaning; in this sense it is roughly synonymous with expression. In linguistic analysis, a phrase is a group of words (or possibly a single word) that functions as a constituent in the syntax of a sentence—a single unit within a grammatical hierarchy. A phrase appears within a clause, although it is also possible for a phrase to be a clause or to contain a clause within it.
There is a difference between the common use of the term phrase and its technical use in linguistics. In common usage, a phrase is usually a group of words with some special idiomatic meaning or other significance, such as "all rights reserved", "economical with the truth", "kick the bucket", and the like. It may be a euphemism, a saying or proverb, a fixed expression, a figure of speech, etc.
In grammatical analysis, particularly in theories of syntax, a phrase is any group of words, or sometimes a single word, which plays a particular role within the grammatical structure of a sentence. It does not have to have any special meaning or significance, or even exist anywhere outside of the sentence being analyzed, but it must function there as a complete grammatical unit. For example, in the sentence Yesterday I saw an orange bird with a white neck, the words an orange bird with a white neck form what is called a noun phrase, or a determiner phrase in some theories, which functions as the object of the sentence.
Adiemus /ædiˈeɪməs/ is a series of vocalise-style albums by Welsh composer Karl Jenkins. It is also the title of the opening track called "Adiemus" on the first album in the series, Songs of Sanctuary.
Each Adiemus album is a collection of song-length pieces featuring harmonised vocal melody against an orchestra background. There are no lyrics as such, instead the vocalists sing syllables and 'words' invented by Jenkins. However, rather than creating musical interest from patterns of phonemes (as in scat singing, or in numerous classical and crossover compositions), the language of Adiemus is carefully stylised so as not to distract the listener's attention from the pitch and timbre of the voice. Syllables rarely end in consonants, for example. In this respect it is similar to Japanese and several other languages. The core concept of Adiemus is that the voice should be allowed to function as nothing more than an instrument, an approach that was a trend in some New Age and World Music choral writing in the mid to late 1990s. (compare, for example Vangelis's score for the film 1492: Conquest of Paradise (1992), or "Dogora", a symphonic suite by French composer Étienne Perruchon).