- published: 13 Oct 2014
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François Roland Truffaut ([fʁɑ̃.swa ʁɔ.lɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows came to be a defining film of the French New Wave movement. He also directed such classics as Shoot the Piano Player (1960), Jules et Jim (1961), The Wild Child (1970), Two English Girls (1971), Day for Night (1973) and The Woman Next Door (1981).
Truffaut was born in Paris on 6 February 1932. His mother was Janine de Montferrand. His mother's future husband, Roland Truffaut, accepted him as an adopted son and gave him his surname. He was passed around to live with various nannies and his grandmother for a number of years. It was his grandmother who instilled in him her love of books and music. He lived with his grandmother until her death when Truffaut was eight years old. It was only after his grandmother's death that he lived with his parents for the first time. The identity of Truffaut's biological father was unknown, though a private detective agency in 1968 revealed that their inquiry into the matter led to a Roland Levy, a Jewish dentist from Bayonne. Truffaut's mother's family disputed the findings but Truffaut himself believed and embraced them.
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
François (French pronunciation: [fʁɑ̃.swɑ]) is a French masculine given name and surname, equivalent to the English name Francis.
The Four Hundred may refer to:
The 400 Blows (French: Les Quatre Cents Coups) is a 1959 French drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who is thought by his parents and teachers to be a troublemaker. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character.
The 400 Blows received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959. The film was also nominated for an Academy Award for Best Writing in 1960. The 400 Blows had a total of 4,092,970 admissions in France, making it Truffaut's most successful film in his home country. It is widely considered one of the greatest films of all time; in their 2012 poll of all-time classics, Sight & Sound ranked the film 39th.
Actors: Marcel Mouloudji (actor), Michel Piccoli (actor), Jack Ary (actor), Alain Bouvette (actor), Daniel Mendaille (actor), Michel Nastorg (actor), Paul Bonifas (actor), Albert Dinan (actor), Georges Douking (actor), Gabriel Gobin (actor), Jean Brochard (actor), Paul Demange (actor), François Joux (actor), André Chanu (actor), Lucien Raimbourg (actor),
Plot: Le Fondu, a famous gangster, escapes from the hospital where he was detained, killing an inspector in the process. The colleague of the deceased inspector, Paul Vardier, vows to avenge him. The task seems hopeless: Le Fondu has disappeared without a trace and nobody has a clue about his hide-out. There is only one faint possibility left: coerce Le Fondu's nephew into becoming an informer. Paul gets assigned as buddy Gilbert Barot, fresh from the police academy, and whose alluring wife Lucie quickly arouses the interest of Paul. Paul is quickly led to play two dangerous games simultaneously seducing the wife of his colleague, and tracking with him Le Fondu, who himself does not remain inactive...
Keywords: based-on-novel, quai-des-orfèvresActors: André Legrand (writer), Jean Ferry (writer), Jean Ferry (writer), André Legrand (producer), Mischa Auer (actor), Ellen Kessler (actress), Enrico Glori (actor), Henri Vilbert (actor), Angelo Dessy (actor), Sonja Ziemann (actress), Annie Cordy (actress), Jean Lefebvre (actor), Michel Piccoli (actor), Alice Kessler (actress), Francis Lopez (composer),
Plot: Jacques Forestier, also a choreographer, an art decorator and a stage producer, is the very competent manager of "Tabarin", a renowned Parisian music-hall. A hard worker, he always wants the best for the public, at the expense of his health. He is assisted in his task by his wife Rosine and his lively secretary Mimi. Chance has it that one of the dancers he auditions for a new show is Florence, his former lover. He doesn't want her in the show but the spiteful belle has a rich influential protector who imposes her anyway. Some time later, Jacques falls victim of a heart attack...
Genres: Drama,Part one of a 80-minute François Truffaut documentary from 1996. Watch part two here: François Truffaut: The Man Who Loved Cinema - Love & Death http://www.youtube.com/watch?v=DJFJiuoBP_0&feature;=youtu.be
L'expo/rétro François Truffaut à la Cinémathèque Française commence cette semaine. Alors révisons un peu la bio du cinéaste des "400 coups" en 4 minutes chrono.
2004
THE 400 BLOWS Jan 10 at 8:00 pm Jan 12 at 2:00 pm Antoine Doinel, a 14-year-old Parisian latchkey kid, explores his fascinating city with best friend René, but also causes his parents so much grief that he is sent to reform school. ANTOINE ET COLETTE Jan 24 at 8:00 pm Jan 26 at 2:00 pm 16-year-old Antoine, now out of reform school and living on his own in Paris, works for a phonograph-record-pressing company, attends classical concerts and lectures, and falls hopelessly in love with a mature young woman. STOLEN KISSES Jan 24 at 8:00 pm Jan 26 at 2:00 pm Antoine Doinel, suddenly discharged from the army, finds a succession of odd jobs, but the most entertaining and rewarding employment is as a private detective, until love leads him astray once more. BED AND BOARD Feb 7 at 8:00 pm Fe...
In this supplement on Criterion's release of François Truffaut's DAY FOR NIGHT, film scholar Dudley Andrew talks about the major fight that Truffaut and former friend Jean-Luc Godard got into around the time of that film's release in 1973. DAY FOR NIGHT is available now on Blu-ray and DVD from the Criterion Collection.
Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture 13 avril 1984 Interview plateau par Bernard PIVOT de François TRUFFAUT à l'occasion de la sortie de l'édition définitive de son livre d'entretiens avec Alfred HITCHCOCK. Il rappele que les critiques Américains et Anglais ont longtemps été "condescendants" avec Alfred HITCHCOCK . Il raconte que le cinéaste Anglais a longtemps été "frustré", se considérant comme un monstre, et qu'il a projeté toutes ses émotions sur l'écran.Il explique qu'il avait besoin de "stars" pour jouer les personnages principaux de ses films et qu'il détestait les femmes qui avait "le sexe affiché sur la figure", comme Marylin MONROE.Le cinéaste Roman POLANSKI, également invité sur le plateau, intervient pour évoquer l'influence exercé par ...
Steven Spielberg came to AFI in 1978 for a seminar with AFI Fellows. In this clip he talks about working with François Truffaut. CONNECT WITH AFI: http://facebook.com/AmericanFilmInstitute http://twitter.com/AmericanFilm http://AFI.com/members AFI FACEBOOK APP: http://apps.facebook.com/afiytapp/
Recorded at the New York Public Library on February 27th, 2014 Watch the full 90 recording here: http://goo.gl/lV4k4l For more events by LIVE from the NYPL visit: http://www.nypl.org/events/live-nypl Wes Anderson's vivid cinematic aesthetic and idiosyncratic characters make his films both immediately recognizable and endearing. Anderson returns to LIVE to explore his passions, influences, and his newest film The Grand Budapest Hotel, in conversation with Paul Holdengräber. Wes Anderson was born in Houston, Texas. His films include Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, the short film Hotel Chevalier, the animated feature Fantastic Mr. Fox, and, most recently, Moonrise Kingdom. His new film, The Grand Budapest Hotel, i...
Fragmento de la película de Truffaut "El amante del amor" - "L'Homme qui Aimait les Femmes". PREMIOS 1977: Festival de Berlín: Sección oficial de largometrajes Premios César: 3 Nominaciones AÑO 1977 DURACIÓN 120 min. PAÍS FRANCIA DIRECTOR François Truffaut GUIÓN François Truffaut, Michel Fermaud, Suzanne Schiffman SINOPSIS Durante el funeral del protagonista, se ofrece una reflexión sobre las razones que podrían explicar la pasión de este soltero de mediana edad por las mujeres, su necesidad de amarlas y por qué también ellas le correspondían. En 1983, el director americano Blake Edwards hizo un remake sobre el mismo tema en la película "Mis problemas con las mujeres" ("The Man Who Loved Women"), protagonizada por Burt Reynolds. (FILMAFFINITY)
Jules et Jim es una película dirigida por François Truffaut en el año 1962, forma parte importante del movimiento cinematográfico denominado Nouvelle vague.
The 400 Blows (1959) - François Truffaut (trailer) | BFI. Subscribe: http://bit.ly/subscribetotheBFI The 400 Blows (Les Quatre cents coups), François Truffaut, 1959 Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
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MIT 21L.011 The Film Experience, Fall 2013 View the complete course: http://ocw.mit.edu/21L-011F13 Instructor: David Thorburn Introduce the French New Wave style, with comparisons to Italian neorealism and Hollywood, and use of improvisation, jump cuts, elliptical editing, and self-reflexiveness. Focus on Truffaut and his key films, especially The 400 Blows. License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
El documental de Kent Jones sobre el encuentro de los dos grandes es, a su vez, puro cine. Todo esto y mucho más en: http://www.rtve.es/television/dias-cine/ Suscríbete a : https://www.youtube.com/user/rtve
The illustrious François Truffaut describes seeing the films of Jean Vigo for the first time. Out now on Blu-ray and DVD: http://www.criterion.com/boxsets/819-the-complete-jean-vigo
Très rares images, en couleurs, du tournage du film "L'enfant sauvage" de François Truffaut. Mon blog : http://quelfilmregarder.blogspot.com/2015/09/lenfant-sauvage-de-francois-truffaut.html
Part one of a 80-minute François Truffaut documentary from 1996. Watch part two here: François Truffaut: The Man Who Loved Cinema - Love & Death http://www.youtube.com/watch?v=DJFJiuoBP_0&feature;=youtu.be
2004
MIT 21L.011 The Film Experience, Fall 2013 View the complete course: http://ocw.mit.edu/21L-011F13 Instructor: David Thorburn Introduce the French New Wave style, with comparisons to Italian neorealism and Hollywood, and use of improvisation, jump cuts, elliptical editing, and self-reflexiveness. Focus on Truffaut and his key films, especially The 400 Blows. License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
21 octobre 1984 Abonnez-vous http://www.youtube.com/subscription_center?add_user=inaactu présenté par Christine Ockrent les titres: - François Truffaut est mort à 52 ans - Jacques Abouchar condamné à 18 ans de prison en Afghanistan - attentats à Paris revendiqués par Action Directe - Alain remporte le grand prix F1 du Portugal Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr
is a 1959 French http://bit.ly/1TN1XLT drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier.
Essential viewing: La Leçon de Cinema: François Truffaut (1981). With English narration and subtitles http://explore.bfi.org.uk/4ce2b7a1c6c9b -- Also known as 'Truffaut on Truffaut.' According to IMDb there is also a 121 minute (French) version released in 1983 http://www.imdb.com/title/tt0345573/
François Truffaut, Antoine Doinel e Jean-Pierre Léaud. Un long métrage de 20 ans 1959-1979
Select themes from several Truffaut films, including Two English Girls, Jules and Jim, The Soft Skin, Such a Gorgeous Kid Like Me, Antoine and Collette, The Woman Next Door, Shoot the Piano Player, Day For Night, The Last Metro. Track List 1. La déclaration d'amour (Two English Girls) (0:00) 2. Jules et Jim (2:45) 3. Vacanes (Jules and Jim) (4:27) 4. Catherine et Jim (Jules and Jim) (7:16) 5. Brouillard (Jules and Jim) (12:51) 6. Finale (Jules and Jim) (16:27) 7. Pierre et Nicole (The Soft Skin) (18:34) 8. Such a Gorgeous Kid Like Me (21:16) 9. Stanislas et Camille (Such a Gorgeous Kid Like Me) (23:05) 10. Love at 20: Antoine and Colette (24:52) 11. Le Secret de Madame Jouve (The Woman Next Door) (26:10) 12. Anne et Claude (Two English Girls) (29:06) 13. La Rupture (Two English ...
In this episode: Youth, influences, first jobs Introduction: (interview starts at 2.47) In April 1962, François Truffaut wrote a long letter to Alfred Hitchcock. “Dear Mr. Hitchcock, along discussions with foreign journalists, especially in New York, I discovered that people often have a somehow superficial idea of your work. Moreover, the propaganda we did in ‘Cahiers du Cinema’ was great for France but not adapted for America, because too intellectual. Since I’m directing movies, my admiration for your work never decreased, at the contrary it increased and changed. I saw around 5 to 6 time every of your movies, and more and more with a making-process point of view. Lots of directors have love for Cinema but you have love for film, and that’s what I want to discuss with you. I’d real...
*Disclaimer: All audio & visual parts in my videos are the sole property of their respective owners. The video are purely for educational purposes. No Copyright infringement intended! Audio-visual content administered by: 0:19 INA - Institut National de l'Audiovisuel Audio-visual content administered by: 36:28 Mk2 Multimedia SA
Entrevue de la Cinémathèque Royale de Belgique dans laquelle François Truffaut parle de sa carrière, de son travail de critique dans les Cahiers du cinéma à ses premières réalisations, en passant par ses influences, son enfance ou encore sa méthode de tournage.
Le 03 janvier 2015, l'émission “Une vie une oeuvre” dirigée par Martin Quenehen et diffusée sur les ondes de France Culture, était consacrée à la figure et l'oeuvre du cinéaste français, François Truffaut. Par Mathilde Wagman. Réalisation : Ghislaine David. Prise de son : François RivalanIvan Turk et Yves Le Hors. Attachée d'émission : Claire Poinsignon. Avec la collaboration d'Annelise Signoret de la Bibliothèque de Radio France et d'Annie Lauzzana, documentaliste INA. Le 11 décembre 1974, François Truffaut envoie une longue lettre à Jean-Louis Bory, le célèbre critique de cinéma, parce qu’il n’arrive pas à digérer une phrase écrite par ce dernier dans Le Nouvel Observateur, et qu’il rumine depuis une dizaine de jours. La phrase qui l’agite est celle-ci : « Truffaut, Chabrol, Demy, Rohme...
El inadaptado (2006) Online Español Sinopsis : El inadaptado (2006) Andreas, sin saber cómo, acaba de llegar a una extraña ciudad. Tiene trabajo, casa e incluso esposa, pero nota que algo no va bien. La gente que lo rodea parece vacía y superficial, y sus intentos por escapar a ese tipo de vida se verán abocados al fracaso. Comparada por la crítica internacional con películas como "Fahrenheit 451" de François Truffaut o "Brasil" de Terry Gilliam. Director: Jens Lien Actores: Trond Fausa Aurvåg Petronella Barker Per Schaaning Pais: Noruega Genero: Surrealismo
A l'occasion de l'hommage rendu à François Truffaut par la ville de Cannes, les 2 et 3 mars, 2016, conférence de Gérard Camy, Président de "Cannes Cinéma", ancien professeur et critique de cinéma, qui présente le parcours et la filmographie du célèbre cinéaste.
watch here ➳➳➳ http://jrcinenow.blogspot.com/tt3748512 ➳➳➳ Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work. Cast: Kent Jones,Serge Toubaina,Martin Scorsese,Wes Anderson,David Fincher,Richard Linklater,Alfred Hitchcock,François Truffaut,
Parlons cinéma | FRANÇOIS TRUFFAUT Longue rencontre avec le réalisateur François Truffaut (Jules et Jim, Les 400 coups). ---- Consultez le passeport CinéTFO : passeportcine.org Rejoignez-nous sur Facebook : https://www.facebook.com/cinetfo/ Plus de vidéos sur notre site : http://tfoplus.org/cine-tfo
Bate-Papo realizado na Livraria Cultura com Fernando Brito e Marden Machado comentando e debatendo os filmes do digistack "Nouvelle Vague" e "A Arte de François Truffaut".
François Truffaut rentre des Etats-Unis et nous parle de la Nouvelle Vague.
François Truffaut speaks about how Alfred Hitchcock and Roberto Roinfluenced his own work at an AFI Harold Lloyd Master Seminar. CONNECT WITH AFI: http://facebook.com/AmericanFilmInstitute http://twitter.com/AmericanFilm http://AFI.com/members AFI FACEBOOK APP: http://apps.facebook.com/afiytapp/
Full interview available in the Criterion Collection special edition of Jules and Jim: http://www.criterion.com/films/218-jules-and-jim
Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture 13 avril 1984 Interview plateau par Bernard PIVOT de François TRUFFAUT à l'occasion de la sortie de l'édition définitive de son livre d'entretiens avec Alfred HITCHCOCK. Il rappele que les critiques Américains et Anglais ont longtemps été "condescendants" avec Alfred HITCHCOCK . Il raconte que le cinéaste Anglais a longtemps été "frustré", se considérant comme un monstre, et qu'il a projeté toutes ses émotions sur l'écran.Il explique qu'il avait besoin de "stars" pour jouer les personnages principaux de ses films et qu'il détestait les femmes qui avait "le sexe affiché sur la figure", comme Marylin MONROE.Le cinéaste Roman POLANSKI, également invité sur le plateau, intervient pour évoquer l'influence exercé par ...
Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture 9 août 1983 Interview plateau par Christine OCKRENT de François TRUFFAUT à l'occasion de la sortie de son dernier film "Vivement dimanche ". François TRUFFAUT raconte le thème du film et précise pourquoi il l'a tourné en noir et blanc. Il explique ensuite que les rôles féminins sont souvent très importants dans ses films et déclare que "Vivement dimanche" appartient à Fanny ARDANT, comme le "Dernier métro" était conduit par Catherine DENEUVE. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr
In this episode: Youth, influences, first jobs Introduction: (interview starts at 2.47) In April 1962, François Truffaut wrote a long letter to Alfred Hitchcock. “Dear Mr. Hitchcock, along discussions with foreign journalists, especially in New York, I discovered that people often have a somehow superficial idea of your work. Moreover, the propaganda we did in ‘Cahiers du Cinema’ was great for France but not adapted for America, because too intellectual. Since I’m directing movies, my admiration for your work never decreased, at the contrary it increased and changed. I saw around 5 to 6 time every of your movies, and more and more with a making-process point of view. Lots of directors have love for Cinema but you have love for film, and that’s what I want to discuss with you. I’d real...
This is an excerpt from a longer video essay by Kent Jones, available on our special edition Blu-ray and DVD editions of Truffaut's THE SOFT SKIN.
Steven Spielberg came to AFI in 1978 for a seminar with AFI Fellows. In this clip he talks about working with François Truffaut. CONNECT WITH AFI: http://facebook.com/AmericanFilmInstitute http://twitter.com/AmericanFilm http://AFI.com/members AFI FACEBOOK APP: http://apps.facebook.com/afiytapp/
The illustrious François Truffaut describes seeing the films of Jean Vigo for the first time. Out now on Blu-ray and DVD: http://www.criterion.com/boxsets/819-the-complete-jean-vigo
2004
Part one of a 80-minute François Truffaut documentary from 1996. Watch part two here: François Truffaut: The Man Who Loved Cinema - Love & Death http://www.youtube.com/watch?v=DJFJiuoBP_0&feature;=youtu.be
Le réalisateur François Truffaut évoque sa rencontre avec le cinéaste britannique Alfred Hitchcock. Cet entretien fera l'objet d'un livre, Le Cinéma selon Alfred Hitchcock, connu sous le nom de Hitchbook. La première partie du document ici: https://youtu.be/A1vyVAmShBc Retrouvez les archives de la Radio Télévision Suisse : Site: http://rts.ch/archives Facebook: https://facebook.com/lesarchivesdelaRTS Retrouvez la Radio Télévision Suisse sur : Site: http://rts.ch Portail vidéo: http://rts.ch/play YouTube: https://youtube.com/RTS Facebook: https://facebook.com/rts.ch Twitter: https://twitter.com/radiotelesuisse Instagram: http://instagram.com/radiotelevisionsuisse Google+: https://plus.google.com/+RadioTelevisionSuisse
François Truffaut: The Man Who Loved Cinema (Documentary) He couldn't help feeling very suspicious about directors who had hobbies, who really loved tennis or who loved flying planes. He couldn't understand how you could love two things in life. If you loved cinema, then it had to be just that—it couldn't be something else. François Truffaut: The Man Who Loved Cinema is a 77 minute documentary that explores the life and works of the celebrated French filmmaker. François Truffaut is remembered as one of the major faces in the Nouvelle Vague (the French New Wave), however, his influence stretches beyond the movement. Even before his early death at the age of 52, Truffaut became an example to follow for independent filmmakers. His low-budget and autobiographical debut film, The 400 Blows, ...
Cinéastes de notre temps - François Truffaut ou L'esprit critique (1965) Interviews with François Truffaut, Jean-Pierre Léaud, Claude de Givray & Albert Rémy.
Interview de François Truffaut en 1975
Domicile conjugal - François Truffaut & Claude Jade - interview March 1970
[Drapht:]
Oi Daz, do you think what I'm thinking?
I think that they're thinking that we care about what they think
But don't you think that their thinking about all this thinking a little too much?
Fuckin hell, alright
This going out to all you tough motherfuckers
[Dazastah:]
Check. D-r and Pegz will hang you high from a clothesline
Strip the sheep of wolves clothing with a dope rhyme
Head first, I'll throw you into my walls of passion
And still you fucking eggheads wouldn't know what's cracking
Stirring the pot, I scramble your brain for breakfast
SBX kid, the fathers of some next shit
Gotta dark iron flow like a pint of Guinness
Fuck Steve Irwin - I'm notable like the Indiginous
I never let you take my style out
Sick, fluent and loud like I worked out a way to make my bomb shout
Spit versatile on topics in life's list
While you scene jocks only battle emcees that don't exist
Fuck a hip hop scene, I make music for your mind
And turn bandwagon jumpers into followers for life
And on that note, I'm signing off on this tip
[? ] was all about your bitch
[Chorus: Drapht]
Yah think ya shit don't stink? Ya better think twice
All I see is soft pussies like a pair of pink tights
Ya think I shouldn't sing and just bring it to em raw?
But I'm bored of the wars and the way that you record
Yah think you're in a struggle, thinking that you're hungry
You live in paradise, not a third world country
You think you're the shit, yeah you're better than the rest?
YOU DON'T WANNA RISK DEATH
[Verse 2: Drapht]
In the heat of the moment D-r's known for getting malicious
My fucking issues in a penthouse, still I'm staying ambitious
So I won't be washing dishes (nah), won't be working for peanuts
Who's sposed to be dumped in trunks quicker than a mobsters cleanup
A pre-nup agreement when I'm reaming this rap scene
The pack's been infected and I'm leaving no vaccine
The cat's been, let out of the bag on you
Watched the rats run, so every doubt I had is true
Got gratitude for many, anyone in my vicinity
Battered and bruised egos wanted to fucking finish me
Who? I should've knew that you would scoop to the lowest path
Fucking animals treating this scene like it's Noah's Ark
Know your heart's in the wrong place
There's enough room for tough crews and hippies that are rhyming about mushrooms
Don't even start if you're thinking you will bust through
Obese and SBX, killing this? I fucking must do
[Chorus]
[Verse 3: Pegz]
9 to 5, works monotony
Tryna survive and serve the economy
Obese Creeew - burn methodically
Terminology experts learn it properly
Pegz and Drapht inspire passionate people
Live from the motherfucking Axis of Evil
Where fascists are people in this War Against Terror
How many gotta die for George's vendetta?
Born September, the Devil's advocate
Fear campaigns and mental arrogance
Our governments sold out, nothing's sacrilege
Except the Catholic Church and corporate affluence
Worse than liver disease, addiction to speed
Powers like smack for the rich and elite
[Drapht:]
We nurse the illest emcees with this diction we breed
Untraceable tracks from west to the EAST.
[DJ Selekt on the decks:]
"Possibly, you might try stopping me"
"Well obviously boy, you ain't thinking properly"
"Possibly, you might try stopping me"
"My philosophy is to keep this shit poppin"