Dogū

Dogū (土偶)(meaning "clay figures") are small humanoid and animal figurines made during the late Jōmon period (14,000–400 BC) of prehistoric Japan. Dogū come exclusively from the Jōmon period. By the Yayoi period, which followed the Jōmon period, Dogū were no longer made. There are various styles of Dogū, depending on exhumation area and time period. According to the National Museum of Japanese History, the total number found throughout Japan is approximately 15,000. Dogū were made across all of Japan, except Okinawa. Most of the Dogū have been found in eastern Japan and it is rare to find one in western Japan. The purpose of the Dogū remains unknown and should not be confused with the clay haniwa funerary objects of the Kofun period (250 – 538).

Origins

Some scholars theorize the Dogū acted as effigies of people, that manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogū, then destroyed, clearing the illness, or any other misfortune.

Dog (zodiac)

The Dog (狗) is one of the 12-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar. The Year of the Dog is associated with the Earthly Branch symbol 戌. The character 狗 refers to the actual animal while 戌 refers to the zodiac animal.

Years and the Five Elements

People born within these date ranges can be said to have been born in the "Year of the Dog", while also bearing the following elemental sign:

Basic astrology elements

See also

External links

References

Dog in Chinese mythology

Dogs are an important motif in Chinese mythology. These motifs include a particular dog which accompanies a hero, the dog as one of the twelve totem creatures for which years are named, a dog giving first provision of grain which allowed current agriculture, and claims of having a magical dog as an original ancestor in the case of certain ethnic groups.

Myth versus history

Chinese mythology is those myths found in the geographic area called China, which of course has evolved and changed throughout its history. These include myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups (of which fifty-six are officially recognized by the current administration of China). (Yang 2005:4)

In the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one which tradition which presents a more historicized and one which presents a more mythological version.(Yang 2005: 12-13) This is also true of some accounts related to mythological dogs in China.

Culture (disambiguation)

Culture may refer to:

Science

Biological cultures

Microbiological culture

A microbiological culture, or microbial culture, is a method of multiplying microbial organisms by letting them reproduce in predetermined culture media under controlled laboratory conditions. Microbial cultures are used to determine the type of organism, its abundance in the sample being tested, or both. It is one of the primary diagnostic methods of microbiology and used as a tool to determine the cause of infectious disease by letting the agent multiply in a predetermined medium. For example, a throat culture is taken by scraping the lining of tissue in the back of the throat and blotting the sample into a medium to be able to screen for harmful microorganisms, such as Streptococcus pyogenes, the causative agent of strep throat. Furthermore, the term culture is more generally used informally to refer to "selectively growing" a specific kind of microorganism in the lab.

Microbial cultures are foundational and basic diagnostic methods used extensively as a research tool in molecular biology. It is often essential to isolate a pure culture of microorganisms. A pure (or axenic) culture is a population of cells or multicellular organisms growing in the absence of other species or types. A pure culture may originate from a single cell or single organism, in which case the cells are genetic clones of one another.

The Culture

The Culture is a fictional interstellar anarchist utopian society created by the Scottish writer Iain M. Banks, which features in a number of his space opera novels and works of short fiction, collectively called the Culture series.

In the series, the Culture is composed of several inter-bred humanoid species, as well as machines with intelligences ranging from basic computers, to human-equivalent drones, to superintelligent artificial intelligences called Minds. The Culture's economy is maintained automatically by its non-sentient machines, with high-level work entrusted to the Minds' subroutines, which allows its humanoid and drone citizens to indulge their passions, romances, hobbies, or other activities, without servitude. Many of the series' protagonists are humanoids who choose to work for the Culture's elite diplomatic or espionage organisations, and interact with other civilisations whose citizens hold wildly different ideologies, morals, and technologies.

The Culture has a grasp of technology which is advanced relative to most of the other civilisations which share the galaxy. There are a few Elder civilizations far more advanced than the Culture, but they tend to keep to themselves. Other civilizations have "Sublimed," or transitioned to some unknowable higher dimension or state of existence and have apparently lost interest in the mundane goings on of more corporeal beings. Most of the Culture's citizens do not live on planets but in or on artificial habitats, such as huge orbitals, or on ships, the largest of which are home to billions of individuals. Biologically, the Culture's citizens have been genetically enhanced to live for centuries, and have modified mental control over their physiology, including the ability to introduce a variety of psychoactive drugs into their systems, change gender, or switch off pain.