- published: 18 Dec 2016
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Rope is a 1948 American psychological crime thriller film directed by Alfred Hitchcock, based on the 1929 play of the same name by Patrick Hamilton and adapted by Hume Cronyn and Arthur Laurents.
The film was produced by Hitchcock and Sidney Bernstein as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall and Farley Granger, this is the first of Hitchcock's Technicolor films, and is notable for taking place in real time and being edited so as to appear as a single continuous shot through the use of long takes. It is the second of Hitchcock's "limited setting" films, the first being Lifeboat. The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb.
Two brilliant young aesthetes, Brandon Shaw (Dall) and Phillip Morgan (Granger), strangle to death a former classmate, David Kentley (Dick Hogan), in their apartment. They commit the crime as an intellectual exercise; they want to prove their superiority by committing the "perfect murder".
Actors: Piêru Taki (actor), Chad Mullane (actor), Rikako Murakami (actress), Ryô Fukawa (actor), Mariko Shinoda (actress), Ryosuke Aoike (writer), Ryosuke Aoike (director), Yûji Uchiyama (director), Yûji Uchiyama (actor), Masanori Kusakabe (producer), Yûji Uchiyama (writer), Bakarizumu (actor), George Williams (actor),
Genres: Animation,Actors: Pauli Virtanen (director), Kalevi Kahra (actor), Kullervo Kalske (actor), Uljas Kandolin (actor), Martti Kuisma (actor), Oiva Lohtander (actor), Saara Pakkasvirta (actress), Sylva Rossi (actress), Maija-Leena Soinne (actress), Pauli Virtanen (writer), Ekke Hämäläinen (actor), Martti Katajisto (actor), Kosti Klemelä (actor), Aimo Tepponen (actor), Lauri Komulainen (actor),
Genres: Drama,Actors: Ivor Barnard (actor), Sebastian Cabot (actor), Basil Radford (actor), Tom Walls (actor), Norma Varden (actress), Michael Balcon (producer), Jack Beaver (composer), Tom Walls (director), Alfred Roome (editor), Mervyn Johns (actor), Cecil Parker (actor), Robertson Hare (actor), Ben Travers (writer), Marie Lohr (actress), Ralph Lynn (actor),
Genres: Comedy,
Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDe Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Rope (1948) Official Trailer #1 - Alfred Hitchcock Movie Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.
Ending from one of Alfred Hitchcock's greatests
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.
Support NMG on Patreon! http://patreon.com/needsmoregay ---- Rantasmo unwinds Alfred Hitchcock's suspenseful and gay-coded 1948 thriller, ROPE.
A review and plot breakdown of the 1948 Alfred Hitchcock murder mystery - ''Rope'', starring Jimmy Stewart. Be sure to subscribe to keep up with the latest uploads from SledgeHammerMovies... __________ Twitter : @CORRUPTED_DISC Vine : HammerStudiosGaming Instagram : hammer_studios_gaming
Alfred Hitchcock is worldwide recognized as the Master of Suspense. But how did he actually manage to create such a strong emotional state in the mind of the audience? Join me today as I study the way he subtly build tension in his most experimental film Rope. Elements considered: 1) Information 2) Location 3) Movement of the Camera 4) Blocking of the Characters 5) Sound and Silence 6) Humor Watchout, SPOILERS! Video Author’s Statement: This video is intended for educational purposes only, and falls under the Fair Use provision of the British and United States Copyright Law. Therefore, there is no copyright infringement intention. You can find me here: www.mrt-zephyr.tumblr.com/ www.instagram.com/mrt_zephyr www.facebook.com/martaruggerizephyr
Alfred Hitchcock is worldwide recognized as the Master of Suspense. But how did he actually manage to create such a strong emotional state in the mind of the audience? Join me today as I study the way he subtly build tension in his most experimental film Rope. Elements considered: 1) Information 2) Location 3) Movement of the Camera 4) Blocking of the Characters 5) Sound and Silence 6) Humor Watchout, SPOILERS! Video Author’s Statement: This video is intended for educational purposes only, and falls under the Fair Use provision of the British and United States Copyright Law. Therefore, there is no copyright infringement intention. You can find me here: www.mrt-zephyr.tumblr.com/ www.instagram.com/mrt_zephyr www.facebook.com/martaruggerizephyr
FULL ARTICLE: http://vashivisuals.com/alfred-hitchcock-hiding-cuts-rope/ ROPE (1948) is Alfred Hitchcock's murder/suspense film that showcases the killing in its second shot. ROPE is often described as the film with no edits or cuts. On further examination...Hitchcock's gem actually contains 10 edits. Five of them are hidden as the camera lens is filled by foreground objects. The other five edits are regular hard cuts that not many people either realize or acknowledge. I've isolated all 10 edits in the video below so you can learn from the Master of Suspense on how to hide your edits without losing momentum in your story.
'Skipping ROPE' is a videographic assemblage of all the edits in Alfred Hitchcock's 1948 ROPE, together with adjacent dialogue. You can see and hear more about this project here: http://framescinemajournal.com/article/bonus-tracks/; see a version of it with an explanatory audio commentary track here: https://vimeo.com/44572446; and you can read more about it, and about Hitchcock's film, here: http://filmanalytical.blogspot.co.uk/2012/05/on-hitchcocks-rope-and-blackmail-or.html. Finally, there are lots more videographic studies of Hitchcock's films here: http://filmstudiesforfree.blogspot.co.uk/2012/05/audiovisual-alfred-hitchcock-studies.html. The above video essay was made in support of the "For the Love of Film: The Film Preservation Blogathon", May 13-18, 2012 (https://www.facebook.co...
Sir Alfred Hitchcock reached the climax of suspense in his movies across this kind of shots. This video-essay is a summary of the best of them. Films than appear: - Rebecca (1940) - Foreign Correspondent (1940) - Suspicion (1941) - Saboteur (1942) - Shadow of a Doubt (1943) - Spellbound (1945) - Notorious (1946) - Rope (1948) - Strangers on a Train (1951) - Dial M for a Murder (1954) - Rear Window (1954) - To Catch a Thief (1955) - The Trouble with Harry (1955) - The Man Who Knew Too Much (1956) - Vertigo (1958) - North by Northwest (1959) - Psycho (1960) - The Birds (1963) - Marnie (1964) - Frenzy (1972) - Family Plot (1976)
Skijoring is a winter sport where a skier is traditionally pulled by an animal or motor vehicle across the snow. Middlebury College created a new variation in February 1948, when Flying Panthers’ pilot Lin Meacham ’50, looped a 100-ft. rope around the tailskid of his Aeronca plane, maintained a low-flying speed of 70mph, and hauled members of the ski team over the frozen surface of Lake Champlain. Dubbed “aero-skijoring”, it required plenty of stamina, and was enjoyed by men and women members alike, and Men’s Ski Coach Bob Sheehan. For more information or for permission to use this clip contact SpecialCollections@middlebury.edu. Original 16mm film in the Middlebury College Archives. Filename: s6ff1947_48StudLife_01. clip aer
The final shot of Hitchcock's 1948 film Rope, best known for its almost-perfect illusion of having been filmed in a single shot, is subjected to the slitscan technique, in which time is smeared across the horizontal axis of the film. The original film is already verging on the abstract: The center of focus of the movie, more than the characters themselves, is the gaze of the camera as it transverses and explores the claustrophobic space of the single room in which the action takes place. By stretching that movement across the screen, we have a new perspective not only on the action of that wandering eye, but also that of the characters, as the transformations of their facial expressions, and the mergings and severances of their very bodies lead us to contemplate the work anew. The audio...
«The Rope» (1948) où Alfred Hitchcock réalise des passages agiles et discrets d’une bobine à l’autre afin de simuler un plan séquence sur toute la durée du film.
La Soga es una exploración narrativa que combina esquemas, secuencias de imágenes y pictogramas para una libre adaptación de las intrigas, reflexiones y relaciones de la genial película “The Rope". El director Alfred Hitchcock filmó en 1948 un guión que es a su vez una adaptación de la obra de teatro «Rope» escrita por Patrick Hamilton en 1929 y tiene grandes similitudes con el asesinato real, que tuvo una gran repercusión en su época, de Bobby Franks a manos de Nathan Freudenthal Leopold Jr. y de Richard A. Loeb en 1924. Video: Gonzalo Sánchez Música: Cotton Picker'Rag de Harry O.Sutton Edita Ultrarradio 2012
A Video Presentation by Catherine Grant for the S23 Workshop "Writing with Video: Beyond the Illustrated Text", Society for Cinema and Media Studies Conference, Chicago, March 6-10, 2013. My presentation to this workshop has a somewhat strange take on the notion of the capacity for "video-writing" to move beyond the "illustrated text". The video it presents not only uses a good deal of text, but was also originally inspired by the idea of audiovisually amplifying, or supplementing, a long pre-existing written study of Alfred Hitchcock's 1948 film ROPE. What making it demonstrated to me is that, in scholarly settings, even the simplest videographic act of presenting an assemblage of compiled film sequences involves medium-specific forms of argumentation, for example, the selection and pr...
Hollow this - and maybe you can swallow this - I don't know
I guess it always seems that something in this life is diseased
But guess what I know - Here's something that you can't devour
It's something moving with the tide and now it's ripping you from inside
Follow me into the Abyss of the windfall that's tearing you down
It's OK to believe that there's something in nothing now
I'm at the end of my rope
If I could give - I'll bet I would play dead
If I could live - I'd fall apart again
If I could fly - away from all this pain
If I could run - I'd crumble again
Please rewind - retrace your life - and then you'll find
That everything you learned in this - is just a pile of worthlessness
So suffocate - and maybe you can separate
And in the end - it's no surprise - that only in death will you realize
I'm at the end of my rope
If I could give - I'll bet I would play dead
If I could live - I'd fall apart again
If I could fly away - from all this pain
If I could run - I'd crumble again
If it's true - it's just to pass the time - just to pacify my will to bind
You can't drive when you're blind - and it burns your eyes
You can't hold me to a place in time - where I'm stuck behind
You can't climb out of the flood -the sign - listen to the lies that cut
you up inside - and the blood will stain our lives
If I could.....
I'm at the end of my rope
If I could give more - yeah
If I could cut me in any way I could
If I could fly away
If I could....If I could run