Sword

A sword is a bladed weapon intended for both cutting and thrusting. The precise definition of the term varies with the historical epoch or the geographical region under consideration. A sword in the most narrow sense consists of a straight blade with two edges and a hilt, but depending on context, the term is also often used to refer to bladed weapons with a single edge (also referred to as a backsword).

Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to ca. 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word sword continues the Old English, sweord.

The use of a sword is known as swordsmanship or (in an early modern or modern context) as fencing. In the Early Modern period, western sword design diverged into roughly two forms, the thrusting swords and the sabers:

Post-production

Post-production, or postproduction, is part of the process of filmmaking, video production and photography. It occurs in the making of motion pictures, television programs, radio programs, advertising, audio recordings, photography, and digital art. It is a term for all stages of production occurring after shooting or recording individual program segments.

Traditional (analogue) post-production has been eroded away by video editing software that operates on a non-linear editing system (NLE).

Processes

Post-production is many different processes grouped under one name. These typically include:

Production coordinator

A production coordinator (officially called production office coordinator and abbreviated POC) is a unionized position in stagecraft under the International Alliance of Theatrical Stage Employees (IATSE) and is governed in Los Angeles by Local 871.

The production coordinator serves under the production manager, producer or UPM to coordinate the various groups and personnel that come together in filmmaking to a movie and video production to make a television show. It is a supervisory position to the Production assistant staff. The position requires adept organizational skills, resourcefulness and the ability to handle a multitude of tasks simultaneously under often high-pressure situations. The POC serves as the gatekeeper of company policy and is usually responsible for ensuring the rest of the production television crew follows the requirements of the Production Company or Studio.

The duties of a POC are often undefined and extremely varied ranging from office manager, to human resources, to controller, to accountant. The POC is one of the only positions with the IATSE (USA and Canada) which no longer has a scale or set wage. The IA bylaws simply state the POC’s wage is “subject to negotiation with the Producer”. Fringe benefits include inclusion with the (USA)industry’s Motion Picture Industry Pension & Health Plans. Currently the production company is required to contribute 60 pensions hours per week, which equates to about 35-percent of the weekly gross wage. Most all POCs are hired an "on-call" weekly status and are basically paid a flat rate per week, no matter how many or few hours they work. Working conditions can vary on the medium (half-hour, hour-long television, reality, live, soap and feature) and daily hours can range from 8 to 16 hour days. The POC is often the first person in the office and the last to leave since they hold the responsibility of tending to the needs of the crew.