Extended play

An EP (short for extended play) is a musical recording that contains more music than a single, but is usually too short to qualify as a full studio album or LP. The term EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) records and LP records, but it is now applied to mid-length compact discs and music downloads as well. Ricardo Baca of The Denver Post said, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of length or four tracks (not counting alternative versions of featured songs, if present).

History

EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were vertically cut 78 rpm discs known as "2-in-1" records. These had finer than usual grooves, like Edison Disc Records. By 1949, when the 45 rpm single and 33¹⁄₃ rpm LP were competing formats, seven-inch 45 rpm singles had a maximum playing time of only about four minutes per side.

Play

Play may refer to:

In literature and publications

In films

In television

Sunset Strip

The Sunset Strip is the name given to the mile-and-a-half (2.4 km) stretch of Sunset Boulevard that passes through West Hollywood, California. It extends from West Hollywood's eastern border with Hollywood at Havenhurst Drive, to its western border with Beverly Hills at Sierra Drive. The Strip is probably the best-known portion of Sunset, embracing boutiques, restaurants, rock clubs, and nightclubs that are on the cutting edge of the entertainment industry. It is also known for its trademark array of huge, colorful billboards.

History

As the Strip lies outside of the Los Angeles city limits and was an unincorporated area under the jurisdiction of the County of Los Angeles, the area fell under the less-vigilant jurisdiction of the Sheriff's Department rather than the heavy hand of the LAPD. It was illegal to gamble in the city, but legal in the county. This fostered the building of a rather wilder concentration of nightlife than Los Angeles would tolerate, and in the 1920s a number of nightclubs and casinos moved in along the Strip, which attracted movie people to this less-restricted area; alcohol was served in back rooms during Prohibition.

Jeff Wall

Jeffrey "Jeff" Wall, OC, RSA (born September 29, 1946) is a Canadian artist best known for his large-scale back-lit cibachrome photographs and art history writing. Wall has been a key figure in Vancouver's art scene since the early-1970s. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay and postmodern and industrial featurelessness as their backdrop.

Career

Wall received his MA from the University of British Columbia in 1970, with a thesis titled Berlin Dada and the Notion of Context. That same year, Wall stopped making art. With his English wife, Jeannette, whom he had met as a student in Vancouver, and their two young sons, he moved to London to do postgraduate work at the Courtauld Institute from 1970–73, where he studied with Manet expert T.J. Clark. Wall was assistant professor at the Nova Scotia College of Art and Design (1974–75), associate professor at Simon Fraser University (1976–87), taught for many years at the University of British Columbia and lectured at European Graduate School. He has published essays on Dan Graham, Rodney Graham, Roy Arden, Ken Lum, Stephan Balkenhol, On Kawara, and other contemporary artists.

Theaster Gates

Theaster Gates (born August 28, 1973) is an American Social Practice installation artist. He was born in Chicago, Illinois, where he still lives and works. Gates' work has been shown at major museums and galleries internationally and deals with issues of urban planning, religious space, and craft. He is committed to the revitalization of poor neighborhoods through combining urban planning and art practices.

Early Life, education and career

Theaster Gates was born and raised in East Garfield Park on the West Side of Chicago. He was the youngest of nine children and the only son. His father was a roofer and his mother, a school teacher. His sisters passed on their interest in civil rights activism and the family attended a Baptist church where Gates, a choir member, became interested in performance. A good student, Gates attended Lane Technical High School. In 1996, he graduated from Iowa State University, with a B.S. in Urban Planning and Ceramics. His early art was in pottery, and he spent time studying the art in Japan. He decided he wanted to explore religion in South Africa, and in 1998 he received a M.A. at the University of Cape Town in Fine Arts, and Religious Studies.