-
Salt And Syncopy
Provided to YouTube by Second Wind Ltd.
Salt And Syncopy · Forget Cassettes
Salt
℗ 2007 Tangled Up!
Released on: 2007-03-05
Composer, Lyricist: Beth Cameron
Auto-generated by YouTube.
published: 01 Feb 2024
-
Salt and Syncope
Provided to YouTube by The Orchard Enterprises
Salt and Syncope · Forget Cassettes · Beth Cameron
Salt
℗ 2022 WOMAN WITH A MISSION MUSIC (ASCAP)
Released on: 2022-09-09
Music Publisher: WOMAN WITH A MISSION MUSIC (ASCAP)
Auto-generated by YouTube.
published: 08 Sep 2022
-
Forget Cassettes - Salt and Syncope
Forget Cassettes
Salt, 2006
http://forgetcassettes.bandcamp.com/
published: 05 Nov 2013
-
Track by Track: Forget Cassettes - Salt
Repost from @weownthistown
---
We Own This Town: Music sits down with Beth Cameron, Jay Leo Phillips and Aaron Ford to discuss the 'Salt' era of Forget Cassettes. From the inception of the new lineup, the writing of the new songs and a track-by-track breakdown of each song on the album - they cover it all!
Original episode posting:
https://weownthistown.net/shows/wott-music/327-track-by-track-forget-cassettes-salt/
Forget Cassettes Bandcamp:
https://forgetcassettes.bandcamp.com/
Beth on Instagram
https://instagram.com/egcameron
Listen to Beth's new band BLACK BRA
https://www.instagram.com/blackbramusic/
Jay on Twitter
https://twitter.com/jayleophillips
Listen to Jay's solo work and his other band, Apollo Up!
https://jlp.computer/
https://apolloup.bandcamp.com/
Ford is not on the I...
published: 04 Nov 2022
-
WOTT MUSIC 327: Track by Track: Forget Cassettes – Salt
As you can tell from the title of this episode, we’ve got a special one for ya. This episode I had the absolute honor of sitting down with the members of Forget Cassettes – Beth Cameron, Jay Leo Phillips and Aaron Ford – to discuss the writing and recording of the album Salt.
To provide a little background, Forget Cassettes was a band that formed back in the early 2000’s. Their debut record, Instruments of Action, was released in 2003 and met with a lot of critical acclaim; locally, regionally and nationally. The songs on that record are largely comprised of just Cameron’s voice, guitar and drums – and every song is equal parts intimately quiet and outlandishly explosive, all while being deeply personal and earnest.
The followup record, Salt, was conceived and recorded in 2005 and releas...
published: 04 Nov 2022
-
Documentary: Tony McGuinness on the making of his album ‘Salt’
Buy/Stream 'Salt': https://anjunabeats.co/tms.oyd
Pre-order the CD: https://music.anjunabeats.com/release/460274-tony-mcguinness-salt
Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=iG_wkollRw2kbpqkw5C7_g
__________________
Film by Myles Desenberg
__________________
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond along...
published: 12 Jul 2024
-
Tony McGuinness - Babydoll White | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he pu...
published: 12 Jul 2024
-
Tony McGuinness - Love Me | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he pu...
published: 14 Jul 2024
-
Tony McGuinness - Salt | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he pu...
published: 13 Jul 2024
-
Tony McGuinness - Seven Flames | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he pu...
published: 14 Jul 2024
5:39
Salt And Syncopy
Provided to YouTube by Second Wind Ltd.
Salt And Syncopy · Forget Cassettes
Salt
℗ 2007 Tangled Up!
Released on: 2007-03-05
Composer, Lyricist: Beth Camero...
Provided to YouTube by Second Wind Ltd.
Salt And Syncopy · Forget Cassettes
Salt
℗ 2007 Tangled Up!
Released on: 2007-03-05
Composer, Lyricist: Beth Cameron
Auto-generated by YouTube.
https://wn.com/Salt_And_Syncopy
Provided to YouTube by Second Wind Ltd.
Salt And Syncopy · Forget Cassettes
Salt
℗ 2007 Tangled Up!
Released on: 2007-03-05
Composer, Lyricist: Beth Cameron
Auto-generated by YouTube.
- published: 01 Feb 2024
- views: 116
5:39
Salt and Syncope
Provided to YouTube by The Orchard Enterprises
Salt and Syncope · Forget Cassettes · Beth Cameron
Salt
℗ 2022 WOMAN WITH A MISSION MUSIC (ASCAP)
Released on...
Provided to YouTube by The Orchard Enterprises
Salt and Syncope · Forget Cassettes · Beth Cameron
Salt
℗ 2022 WOMAN WITH A MISSION MUSIC (ASCAP)
Released on: 2022-09-09
Music Publisher: WOMAN WITH A MISSION MUSIC (ASCAP)
Auto-generated by YouTube.
https://wn.com/Salt_And_Syncope
Provided to YouTube by The Orchard Enterprises
Salt and Syncope · Forget Cassettes · Beth Cameron
Salt
℗ 2022 WOMAN WITH A MISSION MUSIC (ASCAP)
Released on: 2022-09-09
Music Publisher: WOMAN WITH A MISSION MUSIC (ASCAP)
Auto-generated by YouTube.
- published: 08 Sep 2022
- views: 175
5:39
Forget Cassettes - Salt and Syncope
Forget Cassettes
Salt, 2006
http://forgetcassettes.bandcamp.com/
Forget Cassettes
Salt, 2006
http://forgetcassettes.bandcamp.com/
https://wn.com/Forget_Cassettes_Salt_And_Syncope
Forget Cassettes
Salt, 2006
http://forgetcassettes.bandcamp.com/
- published: 05 Nov 2013
- views: 1561
1:39:21
Track by Track: Forget Cassettes - Salt
Repost from @weownthistown
---
We Own This Town: Music sits down with Beth Cameron, Jay Leo Phillips and Aaron Ford to discuss the 'Salt' era of Forget Cassett...
Repost from @weownthistown
---
We Own This Town: Music sits down with Beth Cameron, Jay Leo Phillips and Aaron Ford to discuss the 'Salt' era of Forget Cassettes. From the inception of the new lineup, the writing of the new songs and a track-by-track breakdown of each song on the album - they cover it all!
Original episode posting:
https://weownthistown.net/shows/wott-music/327-track-by-track-forget-cassettes-salt/
Forget Cassettes Bandcamp:
https://forgetcassettes.bandcamp.com/
Beth on Instagram
https://instagram.com/egcameron
Listen to Beth's new band BLACK BRA
https://www.instagram.com/blackbramusic/
Jay on Twitter
https://twitter.com/jayleophillips
Listen to Jay's solo work and his other band, Apollo Up!
https://jlp.computer/
https://apolloup.bandcamp.com/
Ford is not on the Internet but you can dig up his old band, The Sincerity Guild
https://www.discogs.com/release/1606581-The-Sincerity-Guild-What-Its-Like-On-The-Inside
https://wn.com/Track_By_Track_Forget_Cassettes_Salt
Repost from @weownthistown
---
We Own This Town: Music sits down with Beth Cameron, Jay Leo Phillips and Aaron Ford to discuss the 'Salt' era of Forget Cassettes. From the inception of the new lineup, the writing of the new songs and a track-by-track breakdown of each song on the album - they cover it all!
Original episode posting:
https://weownthistown.net/shows/wott-music/327-track-by-track-forget-cassettes-salt/
Forget Cassettes Bandcamp:
https://forgetcassettes.bandcamp.com/
Beth on Instagram
https://instagram.com/egcameron
Listen to Beth's new band BLACK BRA
https://www.instagram.com/blackbramusic/
Jay on Twitter
https://twitter.com/jayleophillips
Listen to Jay's solo work and his other band, Apollo Up!
https://jlp.computer/
https://apolloup.bandcamp.com/
Ford is not on the Internet but you can dig up his old band, The Sincerity Guild
https://www.discogs.com/release/1606581-The-Sincerity-Guild-What-Its-Like-On-The-Inside
- published: 04 Nov 2022
- views: 59
1:39:21
WOTT MUSIC 327: Track by Track: Forget Cassettes – Salt
As you can tell from the title of this episode, we’ve got a special one for ya. This episode I had the absolute honor of sitting down with the members of Forget...
As you can tell from the title of this episode, we’ve got a special one for ya. This episode I had the absolute honor of sitting down with the members of Forget Cassettes – Beth Cameron, Jay Leo Phillips and Aaron Ford – to discuss the writing and recording of the album Salt.
To provide a little background, Forget Cassettes was a band that formed back in the early 2000’s. Their debut record, Instruments of Action, was released in 2003 and met with a lot of critical acclaim; locally, regionally and nationally. The songs on that record are largely comprised of just Cameron’s voice, guitar and drums – and every song is equal parts intimately quiet and outlandishly explosive, all while being deeply personal and earnest.
The followup record, Salt, was conceived and recorded in 2005 and released in 2006 by Theory 8 Records. Beth Cameron enlisted Jay and Aaron as new collaborators for the undertaking and the band’s sound evolved. It was no less intimately quiet, no less outlandishly explosive and still every bit as personal and earnest BUT there was just something magically more to it. They recorded the album with Jeremy Ferguson at Alex the Great studios and continued to receive well deserved praise.
I’ve known Beth Cameron since we were in high school in the late 90s and have followed every band she’s been in since that time. The first record from Forget Cassettes was a smack upside the head that put me in total awe of what she was capable of – in terms of songwriting, guitar playing and riveting performance. Salt doubled that awe, which I did not think was possible. The record is an unbelievably great piece of work from start to finish and I’ve loved it for sixteen years.
Forget Cassettes Bandcamp:
https://forgetcassettes.bandcamp.com/
Beth on Instagram
https://instagram.com/egcameron
Listen to Beth's new band BLACK BRA
https://www.instagram.com/blackbramusic/
Jay on Twitter
https://twitter.com/jayleophillips
Listen to Jay's solo work and his other band, Apollo Up!
https://jlp.computer/
https://apolloup.bandcamp.com/
Ford is not on the Internet but you can dig up his old band, The Sincerity Guild
https://www.discogs.com/release/1606581-The-Sincerity-Guild-What-Its-Like-On-The-Inside
----
We Own This Town Music: Showcasing new and notable music from Nashville and surrounding areas.
Follow Us!
Instagram: https://instagram.com/weownthistown
Twitter: https://twitter.com/weownthistown
Subscribe to Us!
Spotify: https://open.spotify.com/show/5gEp4WzAOcwafziZDfKQsK?si=P7r0_JpXTZW2IH6uWzQbDA
Apple Podcasts:https://itunes.apple.com/us/podcast/we-own-this-town-music/id136605426?mt=2
Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly93ZW93bnRoaXN0b3duLm5ldC9jYXRlZ29yeS9zaG93cy93b3R0LW11c2ljL2ZlZWQvcG9kY2FzdC8
Overcast: https://overcast.fm/itunes136605426/we-own-this-town-music
Stitcher: http://stitcher.com/s?fid=164050&refid;=stpr
----
A We Own This Town podcast
https://weownthistown.net
https://wn.com/Wott_Music_327_Track_By_Track_Forget_Cassettes_–_Salt
As you can tell from the title of this episode, we’ve got a special one for ya. This episode I had the absolute honor of sitting down with the members of Forget Cassettes – Beth Cameron, Jay Leo Phillips and Aaron Ford – to discuss the writing and recording of the album Salt.
To provide a little background, Forget Cassettes was a band that formed back in the early 2000’s. Their debut record, Instruments of Action, was released in 2003 and met with a lot of critical acclaim; locally, regionally and nationally. The songs on that record are largely comprised of just Cameron’s voice, guitar and drums – and every song is equal parts intimately quiet and outlandishly explosive, all while being deeply personal and earnest.
The followup record, Salt, was conceived and recorded in 2005 and released in 2006 by Theory 8 Records. Beth Cameron enlisted Jay and Aaron as new collaborators for the undertaking and the band’s sound evolved. It was no less intimately quiet, no less outlandishly explosive and still every bit as personal and earnest BUT there was just something magically more to it. They recorded the album with Jeremy Ferguson at Alex the Great studios and continued to receive well deserved praise.
I’ve known Beth Cameron since we were in high school in the late 90s and have followed every band she’s been in since that time. The first record from Forget Cassettes was a smack upside the head that put me in total awe of what she was capable of – in terms of songwriting, guitar playing and riveting performance. Salt doubled that awe, which I did not think was possible. The record is an unbelievably great piece of work from start to finish and I’ve loved it for sixteen years.
Forget Cassettes Bandcamp:
https://forgetcassettes.bandcamp.com/
Beth on Instagram
https://instagram.com/egcameron
Listen to Beth's new band BLACK BRA
https://www.instagram.com/blackbramusic/
Jay on Twitter
https://twitter.com/jayleophillips
Listen to Jay's solo work and his other band, Apollo Up!
https://jlp.computer/
https://apolloup.bandcamp.com/
Ford is not on the Internet but you can dig up his old band, The Sincerity Guild
https://www.discogs.com/release/1606581-The-Sincerity-Guild-What-Its-Like-On-The-Inside
----
We Own This Town Music: Showcasing new and notable music from Nashville and surrounding areas.
Follow Us!
Instagram: https://instagram.com/weownthistown
Twitter: https://twitter.com/weownthistown
Subscribe to Us!
Spotify: https://open.spotify.com/show/5gEp4WzAOcwafziZDfKQsK?si=P7r0_JpXTZW2IH6uWzQbDA
Apple Podcasts:https://itunes.apple.com/us/podcast/we-own-this-town-music/id136605426?mt=2
Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly93ZW93bnRoaXN0b3duLm5ldC9jYXRlZ29yeS9zaG93cy93b3R0LW11c2ljL2ZlZWQvcG9kY2FzdC8
Overcast: https://overcast.fm/itunes136605426/we-own-this-town-music
Stitcher: http://stitcher.com/s?fid=164050&refid;=stpr
----
A We Own This Town podcast
https://weownthistown.net
- published: 04 Nov 2022
- views: 6
10:01
Documentary: Tony McGuinness on the making of his album ‘Salt’
Buy/Stream 'Salt': https://anjunabeats.co/tms.oyd
Pre-order the CD: https://music.anjunabeats.com/release/460274-tony-mcguinness-salt
Watch the Official Biker B...
Buy/Stream 'Salt': https://anjunabeats.co/tms.oyd
Pre-order the CD: https://music.anjunabeats.com/release/460274-tony-mcguinness-salt
Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=iG_wkollRw2kbpqkw5C7_g
__________________
Film by Myles Desenberg
__________________
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release date: 12 July 2024
__________________
Subscribe to our channel: https://lnk.to/YTA_B
Stream us on Spotify: https://Anjunabeats.lnk.to/AboveBeyondSpotifyYo
Live dates: https://aboveandbeyond.nu/tour
Website: https://aboveandbeyond.nu
Facebook: https://facebook.com/aboveandbeyond
Twitter: https://twitter.com/aboveandbeyond
Instagram: https://instagram.com/aboveandbeyond
https://wn.com/Documentary_Tony_Mcguinness_On_The_Making_Of_His_Album_‘Salt’
Buy/Stream 'Salt': https://anjunabeats.co/tms.oyd
Pre-order the CD: https://music.anjunabeats.com/release/460274-tony-mcguinness-salt
Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=iG_wkollRw2kbpqkw5C7_g
__________________
Film by Myles Desenberg
__________________
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release date: 12 July 2024
__________________
Subscribe to our channel: https://lnk.to/YTA_B
Stream us on Spotify: https://Anjunabeats.lnk.to/AboveBeyondSpotifyYo
Live dates: https://aboveandbeyond.nu/tour
Website: https://aboveandbeyond.nu
Facebook: https://facebook.com/aboveandbeyond
Twitter: https://twitter.com/aboveandbeyond
Instagram: https://instagram.com/aboveandbeyond
- published: 12 Jul 2024
- views: 9481
5:40
Tony McGuinness - Babydoll White | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel...
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
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Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
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· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
https://wn.com/Tony_Mcguinness_Babydoll_White_|_From_His_Solo_Rock_Album_‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
· Spotify: https://anjunabeats.ffm.to/newreleases.oyd/spotify
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· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
- published: 12 Jul 2024
- views: 1885
4:05
Tony McGuinness - Love Me | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel...
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
· Spotify: https://anjunabeats.ffm.to/newreleases.oyd/spotify
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· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
https://wn.com/Tony_Mcguinness_Love_Me_|_From_His_Solo_Rock_Album_‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
· Spotify: https://anjunabeats.ffm.to/newreleases.oyd/spotify
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· Twitch: https://twitch.tv/anjuna
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· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
- published: 14 Jul 2024
- views: 1116
3:37
Tony McGuinness - Salt | From his solo rock album ‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel...
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
· Spotify: https://anjunabeats.ffm.to/newreleases.oyd/spotify
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· TikTok: https://www.tiktok.com/@anjunabeats
· Twitch: https://twitch.tv/anjuna
· SoundCloud: https://soundcloud.com/anjunabeats
· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
https://wn.com/Tony_Mcguinness_Salt_|_From_His_Solo_Rock_Album_‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
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#Anjunabeats #TonyMcGuinness #Rock
- published: 13 Jul 2024
- views: 1480
4:36
Tony McGuinness - Seven Flames | From his solo rock album ‘Salt’
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· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
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· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
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Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
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#Anjunabeats #TonyMcGuinness #Rock
https://wn.com/Tony_Mcguinness_Seven_Flames_|_From_His_Solo_Rock_Album_‘Salt’
· Buy/Stream: https://anjunabeats.co/tms.oyd
· Watch the Official Biker Babe Music Video: https://youtu.be/QoHOL-v5kjc?feature=shared
· Subscribe to our channel: https://www.youtube.com/anjunabeats?sub_confirmation=1
· Stream Tony McGuinness on Spotify: https://open.spotify.com/artist/1zLJrgyCBc6rszAuVayjyy?si=cxhOqnKiSECus_S85hJ96g
· Follow the Anjunabeats New Releases playlist: https://anjunabeats.co/newreleases.OYD
· Listen to the Anjunabeats Discography: https://anjunabeats.co/anjbeatsdisc.OYD
· Listen to Anjunabeats Radio 24/7: https://anjunabeats.co/ytradio.OYD
· Join our newsletter for updates: https://anjunabeats.co/join.OYD
Salt is the great lost solo project from Tony McGuinness, the songwriter who would become the chief “male voice” lyricist in Above & Beyond. That is, as he puts it, “pretty much anything that a man is singing for Above & Beyond, I will have written it”. Salt is the singer-songwriter sound of McGuinness feeling his way towards the musician he would become – and, as one third of Above & Beyond alongside Jono Grant and Paavo Siljamäki, the band they would become, too.
Now, at last, in 2024, the fans, the followers and the fascinated can hear the DNA of that songwriting mastery. The heart of Salt’s nine tracks were written by McGuinness in a heady six-month burst between 1995 and 1996, the result of classic ’90s whirlwind romance in a London that was popping off with the explosion of club culture in the UK.
“In my life in the mid-’90s there were lots of new things happening,” begins McGuinness. “There was the clubbing and the whole lifestyle that came with that – and there was writing songs about Shelley and me. That was something I’d never done, ever. I’d never thought my life exciting enough to write a song about, but it started to be the norm. And I guess as a songwriter, that would end up standing me in very good stead with the band who became my life.”
Back at his Wimbledon flat one (very) early morning after a night clubbing, coming down as the sun came up, the fag reek and the hormones swirling, Shelley said to Tony what he still describes as “the immortal words, which I will never forget: ‘Go and get your guitar and sing to me.’
“And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar.”
Over the next few months, as Tony rode the rocket of their romance, the songs poured out of him. Buying a sampler, eight-track tape-machine and mixing desk from the post-trip hop outfit Olive, he began recording the songs at home, helped and encouraged by Bob Bradley, a longtime friend and collaborator.
"He just started constructing these sound canvases," remembers Tony of Bradley's groundbreaking early productions of his songs. "I'd never seen anybody do anything like Bob was doing. Making the drums up in the sampler. Different kit for every song. Different vibe for every song, [while retaining an overall, coherent feel]. It blew my mind. He loved trip-hop, and we were both really into Angelo Badalamenti and Twin Peaks – and James Bond music, The Beach Boys and Steely Dan."
The result: a collection of alt-folk songs with glitter on their fingers and sweat – or, even, salt – on their skin. When, eventually, Shelley left, never to return, that tang of songwriterly salt was all Tony had to remember her by.
And then, for the best part of three decades, Tony McGuinness forgot about the album. But McGuinness never fully forgot about this memory capsule of emotion – and how it helped form the writer he is now. “That six-month period, with the willing audience I had – the muse, basically, of Shelley – gave me all the encouragement I needed to mine my own life in the future for subsequent songs. It became very natural to keep writing in that vein."
Having eventually managed to extricate the original recordings from the defunct kit, over the last few years, with the help of engineers and musicians who are part of the Anjunabeats family, he began sprucing up his distant recordings.
Finally, McGuinness felt the time was right.
Tony McGuinness ‘Salt’ is out now on Anjunabeats.
Release Date: 12 July 2024
Follow Anjunabeats:
· Website: https://www.anjunabeats.com
· Anjunastore: https://store.anjunabeats.com/
· Facebook: https://www.facebook.com/anjunabeats
· Twitter: https://www.twitter.com/anjunabeats
· Spotify: https://anjunabeats.ffm.to/newreleases.oyd/spotify
· Instagram: https://www.instagram.com/anjunabeats
· TikTok: https://www.tiktok.com/@anjunabeats
· Twitch: https://twitch.tv/anjuna
· SoundCloud: https://soundcloud.com/anjunabeats
· Reddit: https://reddit.com/r/AboveandBeyond
· Discord: https://www.discord.gg/anjuna
#Anjunabeats #TonyMcGuinness #Rock
- published: 14 Jul 2024
- views: 1117