"Subdivisions" is a song by Canadian progressive rock group, Rush, released as the second single from their 1982 album Signals.
The song has been a staple of the band's live performances, is played regularly on classic-rock radio, and appears on several greatest-hits compilations. It was released as a single in 1982, and despite limited success on the UK charts, the song had significant airplay in Great Britain. In the United States, it charted at #8 on the Album Rock Tracks chart. Played live prior to its release, numerous pre-release live versions have circulated among collectors for years.
The song is a commentary on societal pressure to adopt a certain lifestyle: the "cool" youth culture of a comfortable, mundane suburban existence in a housing subdivision. Anyone who does not conform to these expectations is regarded as an outcast.
"Subdivisions" was one of five Rush songs inducted into the Canadian Songwriters Hall of Fame on March 28, 2010. The band asked Jacob Moon to perform his version of the song at the gala in their absence.
Rush is a 2012 Bollywood thriller film directed by Shamin Desai. The film features Emraan Hashmi, Aditya Pancholi, Neha Dhupia and Sagarika Ghatge. The storyline is based on media and crime. The film released on 26 October 2012 on Dussehra. After the death of director Desai, the film was completed by his wife Priyanka Desai. It generally received negative response from critics and was declared a disaster at box-office.
The story follows media, politics, crime and sex at the point of life and death. Samar Grover (Emraan Hashmi) is a struggling news reporter. Even though his talk show is at the pinnacle of success, his personal life has turned upside down due to problems with his wife (Sagarika Ghatge). Seeing no way out, he accepts an assignment offered by a dynamic media tycoon named Lisa (Neha Dhupia), which he believes can make him millions. However, along with Lisa, one of India's most richest man, Roger Khanna (Aditya Pancholi), together play a game on Samar, which plunges him into a vortex of violence in a deadly game of cat and mouse. Beneath the veneer of glamour, money, power and the enviable life of media, lays a truth that is at once unbelievable and shocking.
In video games, rushing is a battle tactic similar to the blitzkrieg or the human wave attack tactics in real-world ground warfare, in which speed and surprise are used to overwhelm and/or cripple an enemy's ability to wage war, usually before the enemy is able to achieve an effective buildup of sizable defensive and/or expansionist capabilities.
In real-time strategy (RTS), real-time tactical (RTT), squad-based tactical shooter (TS), and team-based first-person shooter (FPS) computer games, a rush is an all-in alpha strike, fast attack or preemptive strike intended to overwhelm an unprepared opponent. In massively-multiplayer online first-person-shooters (MMOFPS), this also describes the masses of hundreds of players in massive, unorganized squabble in effort to win by gross numerical superiority. In these contexts, it is also known as swarming, cheese, mobbing, goblin tactics or zerging, referring to the Zerg rush tactic from StarCraft. In fighting games, this style of play is called rushdown. In sport games, this style of play is called blitz or red dog. This also has a different meaning in massively multiplayer online role-playing games (MMORPGs) and competitive online role-playing games (CORPGs), where characters frequently deploy summoned creatures (pets) for use in mob control tactics known as mob control, sapping tactics known as minion bombing, or use of tactics that involve repeatedly throwing themselves (dying and reviving) at a boss mob. Collectible card games (CCG) and trading card games (TCG) can employ a strategy of weening, flooding or aggroing the opposing player with small, cheap and expendable targets rather than strong, well-coordinated units.
Rush is the eponymous debut studio album by Canadian rock band Rush, released on March 1, 1974 and later remastered in 1997. Their first release shows much of the hard rock sound typical of many of the popular rock bands emerging earlier in the decade, and it is the only album to not have Neil Peart as drummer. Rush were fans of such bands as Led Zeppelin and Cream, and these influences can be heard in most of the songs on this album. Original drummer John Rutsey performed all drum parts on the album, but was unable to go on extended tours because of complications with his diabetes and was respectfully let go by the band after the album was released. Rutsey contributed to the album's lyrics, but never submitted the work to the other members of the band. The lyrics were instead entirely composed by Lee and Lifeson. Rutsey was soon replaced by Peart, who has remained the band's drummer ever since.
Originally the recording sessions were produced by Dave Stock at Eastern Sound in Toronto. They were scheduled late at night during the 'dead' time in studios because of the band's low budget and the rates during this period were the cheapest. Stock had also worked on the band's debut single (a cover of Buddy Holly's "Not Fade Away", with an original composition, "You Can't Fight It", on the B-side). "You Can't Fight It" was to be included on the album but was scrapped. Two of the Eastern Sound recordings, "In the Mood" and "Take a Friend" were included on the final album.
Sprawling on the fringes of the city
In geometric order
An insulated border
In between the bright lights
And the far unlit unknown
Growing up it all seems so one-sided
Opinions all provided
The future pre-decided
Detached and subdivided
In the mass production zone
Nowhere is the dreamer or the misfit so alone
(Subdivisions)
In the high school halls
In the shopping malls
Conform or be cast out
(Subdivisions)
In the basement bars
In the backs of cars
Be cool or be cast out
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to soothe the restless dreams of youth
Drawn like moths we drift into the city
The timeless old attraction
Cruising for the action
Lit up like a firefly
Just to feel the living night
Some will sell their dreams for small desires
Or lose the race to rats
Get caught in ticking traps
And start to dream of somewhere
To relax their restless flight