- published: 21 May 2011
- views: 190
Unknown or The Unknown may refer to:
Douglas Gordon Lilburn ONZ (2 November 1915 – 6 June 2001) was a New Zealand composer.
Lilburn was born in Whanganui and spent his early years on the family farm in the upper Turakina River valley at Drysdale. He attended Waitaki Boys' High School from 1930 to 1933, before moving to Christchurch to study journalism and music at Canterbury University College (then part of the University of New Zealand) (1934–36). In 1937 he began studying at the Royal College of Music, London. He was tutored in composition by Ralph Vaughan Williams and remained at the College until 1939. The two men remained close: in later years Lilburn would send Vaughan Williams gifts of New Zealand honey, knowing that the older man was fond of it.
Lilburn returned to New Zealand in 1940 and served as guest conductor in Wellington for three months with the NBS String Orchestra. He shifted to Christchurch in 1941 and worked as a freelance composer and teacher until 1947. Between 1946 and 1949 and again in 1951, Lilburn was Composer-in-Residence at the Cambridge Summer Music Schools.
New Zealand (/njuːˈziːlənd/ new-ZEE-lənd, Māori: Aotearoa [aɔˈtɛaɾɔa]) is an island country in the southwestern Pacific Ocean. The country geographically comprises two main landmasses – that of the North Island, or Te Ika-a-Māui, and the South Island, or Te Waipounamu – and numerous smaller islands. New Zealand is situated some 1,500 kilometres (900 mi) east of Australia across the Tasman Sea and roughly 1,000 kilometres (600 mi) south of the Pacific island areas of New Caledonia, Fiji, and Tonga. Because of its remoteness, it was one of the last lands to be settled by humans. During its long isolation, New Zealand developed a distinctive biodiversity of animal, fungal and plant life. The country's varied topography and its sharp mountain peaks, such as the Southern Alps, owe much to the tectonic uplift of land and volcanic eruptions. New Zealand's capital city is Wellington, while its most populous city is Auckland.
Somewhere between 1250 and 1300 CE, Polynesians settled in the islands that were to become New Zealand, and developed a distinctive Māori culture. In 1642, Abel Tasman, a Dutch explorer, became the first European to sight New Zealand. In 1840, representatives of the British Crown and Māori Chiefs signed the Treaty of Waitangi, making New Zealand a British colony. Today, the majority of New Zealand's population of 4.5 million is of European descent; the indigenous Māori are the largest minority, followed by Asians and Pacific Islanders. Reflecting this, New Zealand's culture is mainly derived from Māori and early British settlers, with recent broadening arising from increased immigration. The official languages are English, Māori and New Zealand Sign Language, with English predominant.
A piece by Lilburn. (1915-2001)
I went a bit fast in the right hand at some points. Sorry about the rubbish video quality.
I know there are better versions of this on YouTube but I thought I might as well post it. Sorry about the rubbish video quality.
Joshua Thomas' first piano video playing Rondino from Occasional Pieces, by Douglas Lilburn from the Grade 6 Trinity Guildhall 09 Sylabus, hope you enjoy it ! Also, Check out: http://joshthomasguitar.wordpress.com/
8.6.2015 rec. only violin part, played by myself. this time, I recorded this music 2 times, used 2 different Violins & Bows I have. take1(~3:07)Vln: semi-old one,labeled J.Rocca 1842 but unknown, Bow: W.E.Hill & Sons 1960 by A.Bultitude take2(3:08~)Vln: Marco Osio 2000 Cremona,contemporary Master, Bow: J.S.Finkel c.1980, Master Bow T/G-englaved クライスラー,ベートーヴェンの主題によるロンディーノ (異なる楽器と弓使用による2録音)
Douglas Lilburn - A Song of Islands, tone poem for orchestra. William Southgate / New Zealand Symphony Orchestra Here's a highly accessible piece by New Zealand's Douglas Lilburn, who studied under Ralph Vaughan Williams, but later went on to produce electro-acoustic music. I can hear the traces of Vaughan Williams in this, but not so much in his symphonies that I believe came later. For the video, the obvious pictorial element had to be scenes from New Zealand. My goodness! Is there a more enchanted other worldly place on Earth? I'd love to go there and explore.
This pair of preludes takes inspiration from the work of Douglas Lilburn by trying to recreate a New Zealand landscape as he did in pieces such as Aotearoa, Drysdale Overture, A Song of Islands, and Landfall in Unknown Seas. In particular, when I think of Lilburn I think of when I was first introduced to his work by Peter Adams, and Peter's lecture on Lilburn's goal of creating a musical identity for New Zealand. In response, I have created a musical representation of a New Zealand landscape of personal importance. My family owns a holiday house in Waihola and this piece recreates the property and its surroundings (particularly the nearby lake) at two different times - as it is currently, and as I remember it as a child. The first movement depicts the beauty of the property, especially i...
A piece by Lilburn. (1915-2001)
I went a bit fast in the right hand at some points. Sorry about the rubbish video quality.
I know there are better versions of this on YouTube but I thought I might as well post it. Sorry about the rubbish video quality.
Joshua Thomas' first piano video playing Rondino from Occasional Pieces, by Douglas Lilburn from the Grade 6 Trinity Guildhall 09 Sylabus, hope you enjoy it ! Also, Check out: http://joshthomasguitar.wordpress.com/
8.6.2015 rec. only violin part, played by myself. this time, I recorded this music 2 times, used 2 different Violins & Bows I have. take1(~3:07)Vln: semi-old one,labeled J.Rocca 1842 but unknown, Bow: W.E.Hill & Sons 1960 by A.Bultitude take2(3:08~)Vln: Marco Osio 2000 Cremona,contemporary Master, Bow: J.S.Finkel c.1980, Master Bow T/G-englaved クライスラー,ベートーヴェンの主題によるロンディーノ (異なる楽器と弓使用による2録音)
Douglas Lilburn - A Song of Islands, tone poem for orchestra. William Southgate / New Zealand Symphony Orchestra Here's a highly accessible piece by New Zealand's Douglas Lilburn, who studied under Ralph Vaughan Williams, but later went on to produce electro-acoustic music. I can hear the traces of Vaughan Williams in this, but not so much in his symphonies that I believe came later. For the video, the obvious pictorial element had to be scenes from New Zealand. My goodness! Is there a more enchanted other worldly place on Earth? I'd love to go there and explore.
This pair of preludes takes inspiration from the work of Douglas Lilburn by trying to recreate a New Zealand landscape as he did in pieces such as Aotearoa, Drysdale Overture, A Song of Islands, and Landfall in Unknown Seas. In particular, when I think of Lilburn I think of when I was first introduced to his work by Peter Adams, and Peter's lecture on Lilburn's goal of creating a musical identity for New Zealand. In response, I have created a musical representation of a New Zealand landscape of personal importance. My family owns a holiday house in Waihola and this piece recreates the property and its surroundings (particularly the nearby lake) at two different times - as it is currently, and as I remember it as a child. The first movement depicts the beauty of the property, especially i...
My private tape recording of a performance by the Netherlands Woodwind Ensemble, conducted by it's founder Thom de Klerk in the Royal Concertgebouw Amsterdam on January 28 in 1966. THE PLAYLIST: 1. Jurriaan Andriessen: Respiration Suite for Woodwind Ensemble 2. Beethoven: Rondino in E-flat for Wind Octet 3. Van Delden: Fantasia, opus 87, per arpa e 8 instrumenti a fiato 4. C.Ph.E. Bach: Sinfonia (WQ unknown) 5. Albinoni: Concerto (Opus unknown) 6. Stravinsky: Octeto for Winds 1923 (suffers from crosstalk problems on the audio tape) THE PLAYERS: Bassoon: Joep Terweij, Kees Olthuis Flute: Paul Verhey, Ruud Maas, Mieke Stuart (also Piccolo) Oboe: Marion Mosler, Frank van Kooten Clarinet: George Pieterson, Hans Mossel Hornpipe: Jaap Verhaar, Rudy van Velsen Trumpet: Ad Filius Harp on track 3...
.Listening to this program is like traveling on a TIME MACHINE! AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE THE BEGINNING OF THE RECORDING ERA A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty. The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century. Rare examples from the beginning of the Recording Era ...
Listening to this program is like traveling on a TIME MACHINE! AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE THE BEGINNING OF THE RECORDING ERA A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty. The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century. Rare examples from the beginning of the Recording Era f...
Listening to this program is like traveling on a TIME MACHINE! AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE THE BEGINNING OF THE RECORDING ERA A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty. The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century. Rare examples from the beginning of the Recording Era f...
The aliens has it.