- published: 06 Oct 2011
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Commedia dell'arte (Italian pronunciation: [komˈmɛːdja delˈlarte]) is a form of theatre characterized by masked "types" which began in Italy in the 16th century and was responsible for the advent of the actresses and improvised performances based on sketches or scenarios. The closest translation of the name is "comedy of craft"; it is shortened from commedia dell'arte all'improvviso, or "comedy of the craft of improvisation". Originally, it was called commedia all'improviso. This was to distinguish the form from commedia erudita or learned comedy that was written by academics and performed by amateurs. Commedia dell'arte, conversely, was performed by professional actors (comici) who perfected a specific role or mask. Italian theater historians, such as Roberto Tessari, Ferdinando Taviani, and Luciano Pinto, believe commedia was a response to the political and economic crisis of the 16th century and, as a consequence, became the first entirely professional form of theater. This is debated though, as evidence shows that there were possibly acting unions prominent as far back as the Greek Times.
Arte (Association relative à la télévision européenne) is a Franco-German TV network, a European channel, that promotes programming in the areas of culture and the arts. It is made up of three separate companies: the Strasbourg-based European Economic Interest Grouping, Arte GEIE, plus two member companies acting as editorial and programme production centres, Arte France in Paris (France) and Arte Deutschland in Baden-Baden (Germany). As an international joint venture (an EEIG), its programmes cater technically to audiences from both France and Germany. This implies double-titling, opposite-language subtitling, dubbing, hosts who speak both languages alternately, and two separate audio tracks (through DVB-T, satellite television and digital cable).
Three-quarters of ARTE's programming are provided in equal proportion by the two member companies Arte France and Arte Deutschland while the remainder is being provided by Arte GEIE and the channel's European partners.
Arte France was formerly known as La Sept (La Société d'édition des programmes de télévision, but also a play on words, given that the name means the seventh (network) and La Sept existed while the fifth network was still La Cinq; it made satellite television programs at the time) and by ARTE Deutschland GmbH, a subsidiary of the two main public German TV networks ARD and ZDF.
National Theatre or National Theater may refer to:
This film is an introduction to the world of Commedia dell'Arte. Learn about all of the stock characters in Commedia, the masked and the unmasked, their status, their physical shapes and their characters. This film was made from a two day workshop with young actors held at the National Theatre with Didi Hopkins from Commediaworks. The film was made by Deborah May. Discover more about the art of making theatre with the National Theatre: http://www.nationaltheatre.org.uk/discover Bookshop: http://www.nationaltheatre.org.uk/bookshop Twitter: http://www.twitter.com/nationaltheatre Facebook: http://www.facebook.com/national.theatre.london iTunes: http://www.nationaltheatre.org.uk/itunes TES: http://www.tes.co.uk/nationaltheatre
Each commedia character has a specific physical shape and way of moving. This film was made over a two day workshop with a group of young actors and lead by Didi Hopkins. The film was made by Deborah May. Discover more about the art of making theatre with the National Theatre: http://www.nationaltheatre.org.uk/discover Bookshop: http://www.nationaltheatre.org.uk/bookshop Twitter: http://www.twitter.com/nationaltheatre Facebook: http://www.facebook.com/national.theatre.london iTunes: http://www.nationaltheatre.org.uk/itunes TES: http://www.tes.co.uk/nationaltheatre
Stage Internazionale di Commedia dell'Arte 2014 Canovaccio 3 Directed by Antonio Fava
A short film giving an overview of the history of Commedia dell'Arte. In this film Didi Hopkins from commediaworks describes the influence of commedia dell'arte on modern theatre and other dramatic formats such as film and television. The film was made by Deborah May. Discover more about the art of making theatre with the National Theatre: http://www.nationaltheatre.org.uk/discover Bookshop: http://www.nationaltheatre.org.uk/bookshop Twitter: http://www.twitter.com/nationaltheatre Facebook: http://www.facebook.com/national.theatre.london iTunes: http://www.nationaltheatre.org.uk/itunes TES: http://www.tes.co.uk/nationaltheatre
Split your sides as our acclaimed Commedia dell' Arte duo take your students on a hilarious journey al' Italia! Watch out Il Dottore! The poor Doctor tries to win the heart of lovely Colombina by baking 'The Greatest Pie in the World'. But of course nothing goes to plan with tricksters Scaramouche and Arlecchino around! Drawing on the classic Italian renaissance theatre style of 'Commedia Dell' Arte', this is a loud, slapstick comedy with zany characters that will have your students laughing for days! It uses basic Italian words accessible to all primary levels! For more information on this program, visit: http://www.culturalinfusion.org.au
Spectacle de "commedia dell'arte", mise en scène Carlo Boso, par la Cie Théâtre dell'Arte, avec Gustavo Araujo, Ciro Cesarano, Clothilde Durupt, Fabio Gorgolini, Adeline Hocdet, Sophie Magnaud, Nicolas Marthot, Audrey Saad et Adrien Zerbib.
Are some things always funny? While most jokes rely on cultural context, comic performers throughout history have found common sources of amusement that transcend linguistic or national boundaries. Actor and historian Matthew R. Wilson finds the funny in character types from Greco-Roman comedy, Commedia dell'Arte, Kyōgen, and contemporary film and television. Matthew R. Wilson is an Assistant Professor of Performance in the Department of Theatre Arts at the University of Mississippi and one of America’s leading experts in Commedia dell’Arte. He is a published theatre historian and playwright as well as a professional actor, director, combat choreographer, and physical comedy specialist. His credits include touring his one-man show across Europe, performing at the John F. Kennedy Center f...
navigando sulle rotte del teatro dalla commedia dell' arte ai nuovi linguaggi navigating the routes of the theater from the commedia dell'arte to new languages
Commedia dell'Arte International Workshop - Finale Emilia (Modena - Italy) directed by Fabio Mangolini next: July 7-27 2014 Finale Emilia (Modena - Italy) informations: website: www.fabiomangolini.com e-mail: info@fabiomangolini.com
(2002, 17 minutes) The story takes place in a sculpture installation created by Lydia Venieri. The music is improvised from children's toys and the voices generated with an Apple mac's synthesizer. It was filmed with a Canon ZR10 and edited with Apple's iMovie. Yuri, a mad scientist, attempts to awaken the human conscience. He imagines a Sleeping Beauty Conscience imprisoned at the deepest level of Universal Sleep. He decides to force people into deep hibernation and then steal their dreams. He cultivates mythological beings: Humans crossbred with everlasting plants. His dream compressor brings dreams from the immaterial world into our dimension. In Yuri's Paradise the little boy and the little girl are captives. Esmet, his Caucasian assistant, wanders around and Maria Callas appears some...
The Gorey Cabinet opens the gates to it's dark and fascinating world, step inside - if you dare! "What You Most Fear Is Coming Near" WINNER of the PARACOSM video competition "..Recalls the darkly humorous illustrations of Edward Gorey with a quirky commedia dell'arte flavor in an imaginary world portrayed with a winning blend of movement, art, and technology." - La République Internationale Des Arts Concept & Characters: THE GOREY CABINET Starring: The Ungewinster www.ungewinster.com Le Pustra www.mrpustra.com Directions, Contraptions, Projections: THE UNGEWINSTER Camera Wizard: MATT JOLLY Music: REID WILLIS (The Strings of Saturn) Eternal Gratitude: SILVIA CRUZ DEL ALAMO SAM HAMILTON ROBIN HARVEY ROSIE JONES SASHA KROHN ROBERT QUINN JOEL SEBASTIAN www.facebook.com/thegoreycab...
Tragedy tomorrow, commedia tonight! This video was made with our friends Major Scales and Jinkx Monsoon, the season 5 champion of RuPaul's Drag Race. We're defining more theatre terms at http://www.theatredictionary.org The Theatre Dictionary is your expert guide to theatre terms. Created by Theatre Development Fund, it uses videos and articles to define the theatre's unique words and phrases. Subscribe! If you've enjoyed this video be sure to "Like" it. And if you want to see more great videos, follow our channel! Facebook! http://www.facebook.com/theatredevelopmentfund Twitter! http://www.twitter.com/tdfnyc Theatre Development Fund! http://www.tdf.org
Commedia dell'arte is a form of theater characterized by masked "types" which began in Italy in the 16th century and was responsible for the advent of the actress and improvised performances based on sketches or scenarios. The closest translation of the name is "comedy of craft"; it is shortened from commedia dell'arte all'improvviso, or "comedy of the craft of improvisation". Here, arte does not refer to "art" as we currently consider the word, but rather to that which is made by artigiani (artisans). In fact, the term arte was coined much later, for in the early period the term used in contemporary accounts is commedia all'improviso. This was to distinguish the form from commedia erudita or learned comedy that was written by academics and performed by amateurs. Commedia dell'arte, conve...
Between Wars 1918-1936 :: Classicism and Surrealism === In 1918, Olga and Picasso got married. The young couple moved to an apartment that occupied two floors at 23 Rue La Boétie, acquired servants, a chauffeur, and began to move in different social circles, no doubt due to Olga’s influence. The chaotic get-togethers Picasso had with his artist friends gradually changed into formal receptions. Picasso’s image of himself changed as well, and this was reflected in the more conventional style he adopted in his art and the way in which he consciously made use of artistic traditions and ceased to be provocative. In 1921, he painted his Cubist Three Musicians, in which he used a group of people as a cubist subject for the first time. The three figures are characters from the Italian Commedia d...
Durante o carnaval no Rio, grupos de jovens suburbanos cariocas passam os quatro dias de folia dentro de fantasias inspiradas nos antigos Clows (palhaços da ialiana Commedia Dell'Arte). Elas pesam acima de 30 kilos. e custam no mínimo R$ 1.200,00 e é uma tradição que, de pai para filho (e agora filhas!), ainda resiste.