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Felice Romani (January 31, 1788 – January 28, 1865) was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.
Born Giuseppe Felice Romani to a bourgeois family in Genoa, he studied law and literature in Pisa and Genoa. At the University of Genoa he translated French literature and, with a colleague, prepared a six-volume dictionary of mythology and antiquities, including the history of the Celts in Italy. Romani's expertise in French and antiquity is reflected in the libretti he wrote; the majority are based on French literature and many, such as Norma, use mythological sources.
After failing to obtain a post at the University of Genoa, he appears to have travelled to France, Spain, Greece and Germany before returning to Milan in either 1812 or 1813. There he became friends with important figures in the literary and musical world. He turned down the post of court poet in Vienna, and began instead a career as opera librettist. He wrote two librettos for the composer Simon Mayr, which resulted in his appointment as the librettist for La Scala. Romani became the most highly regarded of all Italian librettists of his age, producing nearly one hundred. In spite of his interest in French literature, he refused to work in Paris.
Domenico Gaetano Maria Donizetti (Italian: [doˈmeːniko ɡaeˈtaːno maˈriːa donidˈdzetti]; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century.
Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may not have ever been performed during his lifetime.
Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.
Anna Bolena is a tragedia lirica, or opera, in two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena and Alessandro Pepoli's Anna Bolena, both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII.
It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, Il castello di Kenilworth (1829), Anna Bolena (1830), Maria Stuarda (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and Roberto Devereux (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens."
The duet "Sul suo capo aggravi un Dio" between Anna (soprano) and Jane Seymour (mezzo soprano), who later became Henry VIII's third wife, is considered one of the finest in the entire operatic repertoire.
Anna Bolena premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's teacher, Johann Simon Mayr, "address his former pupil as Maestro." The composer had begun "to emerge as one of three most luminous names in the world of Italian opera", alongside Bellini and Rossini.
Romani may refer to:
The Vienna State Opera (German: Wiener Staatsoper) is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera (Wiener Hofoper). In 1920, with the replacement of the Habsburg Monarchy by the First Republic of Austria, it was renamed the Vienna State Opera. The members of the Vienna Philharmonic are recruited from its orchestra.
The opera house was the first major building on the Vienna Ringstraße commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlavka.
The Ministry of the Interior had commissioned a number of reports into the availability of certain building materials, with the result that stones long not seen in Vienna were used, such as Wöllersdorfer Stein, for plinths and free-standing, simply-divided buttresses, the famously hard stone from Kaisersteinbruch, whose colour was more appropriate than that of Kelheimerstein, for more lushly decorated parts. The somewhat coarser-grained Kelheimerstein (also known as Solnhof Plattenstein) was intended as the main stone to be used in the building of the opera house, but the necessary quantity was not deliverable. Breitenbrunner stone was suggested as a substitute for the Kelheimer stone, and stone from Jois was used as a cheaper alternative to the Kaiserstein. The staircases were constructed from polished Kaiserstein, while most of the rest of the interior was decorated with varieties of marble.
Actors: Carmine Gallone (writer), Antonella Lualdi (actress), Marina Berti (actress), Nino Vingelli (actor), Nadia Gray (actress), Dante Maggio (actor), Paola Borboni (actress), Fausto Tozzi (actor), Camillo Pilotto (actor), Lauro Gazzolo (actor), Jacques Castelot (actor), Jean Richard (actor), Maurice Ronet (actor), Luigi Tosi (actor), Agenore Incrocci (writer),
Plot: Appena diplomato al conservatorio di Napoli, Vincenzo Bellini incontra Maddalena Fumaroli e immediatamente si innamora di lei. Per farle un ritratto musicale scrive la romanza "Casta Diva" di cui le fa omaggio. Bellini è l'allievo più promettente del Conservatorio, ma desidera solo tornare in Sicilia e vivere con Maddalena. Rifiuta quindi l'offerta della famosa cantante Giuditta Pasta di andare a Milano con lei. Maddelana non vuole però che vincenzo rinunzi alla fama e lo lascia. Bellini parte allora per Milano con Giuditta dove ha successo con l'opera "Il Pirata" e si incontra-scontra con Donizetti. Maddalena è però sempre nel suo cuore e per questo lascia Giuditta e scrive un'opera aspra, "Norma", che non ha successo. Maddalena, saputolo, porta a Giuditta la romanza "Casta Diva" che viene aggiunta all'opera e la porta al successo. Bellini corre a Napoli, ma Maddalena, malata, è in fin di vita ed egli arriva troppo tardi per vederla.
Keywords: composer, opera, remake, sicily, singerActors: Liana Del Balzo (actress), Oreste Bilancia (actor), Fernando Tropea (editor), Vasco Creti (actor), Carmine Gallone (director), Giuseppe Amato (producer), Gerdago (costume designer), Achille Majeroni (actor), Walter Reisch (writer), Lamberto Picasso (actor), Giulio Donadio (actor), Gino Viotti (actor), Maurizio D'Ancora (actor), Carlo Simoneschi (actor), Mártha Eggerth (actress),
Genres: Biography, Drama, Music,Actors: Felix Aylmer (actor), Edmund Breon (actor), Donald Calthrop (actor), Edward Chapman (actor), Peter Gawthorne (actor), Phillips Holmes (actor), Arnold Pressburger (producer), Walter Reisch (writer), Emlyn Williams (writer), Gerdago (costume designer), Carmine Gallone (director), Fernando Tropea (editor), Benita Hume (actress), Mártha Eggerth (actress), Basil Gill (actor),
Genres: Musical,Théâtre musical / Allemagne LA SONNAMBULA / DAVID MARTON / VINCENZO BELLINI & FELICE ROMANI 12 + 13.01.2017 Maillon-Wacken Cet opéra en deux actes de Vincenzo Bellini met en scène un trio amoureux : deux femmes aiment un même jeune rentier. Il se croit d’abord trahi par sa promise qui déambule dans ses nuits somnambule, puis par sa seconde élue, l’aubergiste du village, dont on retrouve les traces de l’infidélité. Heureusement, le fils du comte viendra démêler les fils de cette énigme et réconcilier les deux amoureux qui pourront enfin fêter leur union. Le metteur en scène hongrois David Marton (« Die Heimkehr des Odysseus, Doppelgänger... ») déconstruit cet opéra pour le recomposer en un spectacle théâtral et musical imaginatif et facétieux. Maillon, Théâtre de Strasbourg - Scène europ...
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Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini.Romani was considered the finest Italian librettist between Metastasio and Boito. ---Image-Copyright-and-Permission--- License: Public domain ---Image-Copyright-and-Permission--- This channel is dedicated to make Wikipedia, one of the biggest knowledge databases in the world available to people with limited vision. Article available under a Creative Commons license Image source in video
Gaetano Donizetti (Bergamo, 29 novembre 1797 – Bergamo, 8 aprile 1848) “Anna Bolena” Tragedia lirica in due atti di Felice Romani Prima rappresentazione: Milano, Teatro Carcano, 26 dicembre 1830 Wiener Staatsoper, Release 04 Nov. 2011 Anna Bolena, Anna Netrebko Enrico VIII, Ildebrando D’Arcangelo Giovanna di Seymour, Elina Garanca Chor und Orchester der Wiener Staatsoper Direttore, Evelino Pidò IMPORTANTE Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
L'elisir d'amore (The Elixir of Love, pronounced [leliˈzir daˈmoːre]) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan.(Wikipedia)
Gioacchino Rossini (1792-1868) BIANCA E FALLIERO, O SIA IL CONSIGLIO DEI TRE (BIANCA AND FALLIERO, OR THE COUNCIL OF THREE) Melodramma in due atti di Felice Romani da Arnault Melodramma in two acts by Felice Romani from Arnault BIANCA: Majella Cullagh FALLIERO: Jennifer Larmore CONTARENO: Barry Banks CAPELLIO: Ildebrando d'Arcangelo COSTANZA: Gabriella Colecchia IL DOGE PRIULI: Simon Bailey PISANI: Ryland Davies UFFICIALE DELLA CORTE DUCALE (OFFICIAL OF DOGE'S COURT): Dominic Natoli GEOFFREY MITCHELL CHOIR LONDON PHILHARMONIC ORCHESTRA - DAVID PARRY ATTO I: 0:00 ATTO II: 1:46:06 Background picture: wallpaper from “Harukanaru Toki no Naka de 3”
Domenico Gaetano Maria Donizetti (1797-1848) L'ELISIR D'AMORE Melodramma in due atti di Felice Romani da Eugène Scribe THE ELIXIR OF LOVE Melodramma in two acts by Felice Romani from Eugène Scribe NEMORINO: Vincenzo la Scola ADINA: Alessandra Ruffini DULCAMARA: Simone Alaimo BELCORE: Roberto Frontali GIANNETTA: Mariangela Spotorno HUNGARIA STATE OPERA CHOIR AND ORCHESTRA Pier Giorgio Morandi Atto I: 0:00 Atto II: 1:14:03 Background Music: Gaku Namikiri from "Zettai Kareshi" (also called "Absolute Boyfriend") by Yuu Watase
Männer-Minne (6) Duett aus Norma Vincenzo Bellini / Felice Romani
La Sonnambula Libretto ,Felice Romani ( 1788- 1865 )
임유진 노래 / 가에타노 도니제티 작곡/ 펠리체 로마나 작사 Sung by Yoojin Lim / Music by Gaetano Donizetti / Lyrics by Felice Romani
Arietta, Nemorino How beautiful she is, how dear! Libretto by Felice Romani, music by William Copper
Domenico Gaetano Maria Donizetti (1797-1848) L'ELISIR D'AMORE Melodramma in due atti di Felice Romani da Eugène Scribe THE ELIXIR OF LOVE Melodramma in two acts by Felice Romani from Eugène Scribe NEMORINO: Vincenzo la Scola ADINA: Alessandra Ruffini DULCAMARA: Simone Alaimo BELCORE: Roberto Frontali GIANNETTA: Mariangela Spotorno HUNGARIA STATE OPERA CHOIR AND ORCHESTRA Pier Giorgio Morandi Atto I: 0:00 Atto II: 1:14:03 Background Music: Gaku Namikiri from "Zettai Kareshi" (also called "Absolute Boyfriend") by Yuu Watase
L'elisir d'amore, de Gaetano Donizetti (1797-1848) Melodramma giocoso in two acts Libretto by Felice Romani based on the libretto Le philtre by Daniel-François-Esprit Auber Orchestre de Chambre de Lausanne, Choeur de l'Opéra de Lausanne, Jesús López Cobos (conductor) Olga Peretyatko (Adina) Stefan Pop (Nemorino) George Petean (Belcore) Lorenzo Regazzo (Dulcamara) Eva Fiechter (Giannetta)
Gioacchino Rossini (1792-1868) BIANCA E FALLIERO, O SIA IL CONSIGLIO DEI TRE (BIANCA AND FALLIERO, OR THE COUNCIL OF THREE) Melodramma in due atti di Felice Romani da Arnault Melodramma in two acts by Felice Romani from Arnault BIANCA: Majella Cullagh FALLIERO: Jennifer Larmore CONTARENO: Barry Banks CAPELLIO: Ildebrando d'Arcangelo COSTANZA: Gabriella Colecchia IL DOGE PRIULI: Simon Bailey PISANI: Ryland Davies UFFICIALE DELLA CORTE DUCALE (OFFICIAL OF DOGE'S COURT): Dominic Natoli GEOFFREY MITCHELL CHOIR LONDON PHILHARMONIC ORCHESTRA - DAVID PARRY ATTO I: 0:00 ATTO II: 1:46:06 Background picture: wallpaper from “Harukanaru Toki no Naka de 3”
La Scala presents NORMA. Opera in four acts by Vincenzo Bellini. Libretto by Felice Romani. Based on the play by Alexandre Soumet. Norma - MARIA CALLAS soprano. Pollione - FRANCO CORELLI tenor. Adalgisa - CHRISTA LUDWIG mezzo soprano. Oroveso - NICOLA ZACCARIA bass. Clotilde - EDDA VINCENZI soprano. Flavio - PIERO DE PALMA tenor. Orchestra and Chorus of La Scala Opera House, Milan. TULLIO SERAFIN conductor. Chorus master Norberto Mola. LP 1972 Edition. http://www.limelightmagazine.com.au/Article/358421,maria-callas-the-ultimate-diva.aspx?utm_source=feed&utm;_medium=rss&utm;_campaign=Limelight+Opera+feed
00:00:01 Ouverture / Sinfonia 00:05:27 Act I 01:10:44 Act II Un giorno di regno è la seconda opera lirica di Giuseppe Verdi, di genere buffo, dramma giocoso, scritta su libretto di Felice Romani. Prima rappresentazione, Teatro alla Scala il 5 settembre 1840.
Gioacchino Rossini (1792-1868) AURELIANO IN PALMIRA Dramma serio in due atti di Felice Romani AURELIANO: Kenneth Traver ZENOBIA: Catriona Smith ARSACE: Silvia Tro Santafé PUBLIA: Ezgi Kutlu ORASPE: Julian Alexander Smith LICINIO: Vuyani Mlinde IL GRAND SACERDOTE DI ISIDE: Andrew Foster-Williams Geoffrey Mitchell Choir - Renato Balsadonna LONDON PHILHARMONIC ORCHESTRA - MAURIZIO BENINI Atto I: 0:00 Atto II: 1:30:30 Background picture: Giovanni Battista Tiepolo - Il trionfo di Aureliano
L'elisir d'amore (The Elixir of Love, pronounced [leliˈzir daˈmoːre]) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan.(Wikipedia)
The Turk in Italy Beverly Sills Susanne Marsee Alan Titus Henry Price Julius Rudel. Bartoli, Raimondi, Macias, Rumetz, Schmid, Welser-Most, Zurich Opera. Il Turco in Italia Dramma buffo per musica in due atti Libretto di Felice Romani Musica di Gioachino Rossini Ed. Critica a cura di Margaret Bent Edizioni della .
Norma (Italian: [ˈnɔrma]) is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after Norma, ou L'infanticide (Norma, or The Infanticide) by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer Casta diva in Act I is justly famous. Notable exponents of the title role in the post-war period have been Maria Callas, Joan Sutherland, Montserrat Caballé and, in the 2007 Biondi-Minasi critical edition based on Bellini's autograph score, Cecilia Bartoli.(Wikipedia
Gaetano Donizetti (1797-1848) ROSMONDA D'INGHILTERRA Tragedia lirica in due atti di Felice Romani ENRICO II, RE D'INGHILTERRA: Bruce Ford LEONORA DI GUIENNA: Nelly Miricioiu ROSMONDA CLIFFORD: Renée Fleming GUALTIERO CLIFFORD: Alastair Miles ARTURO: Diana Montague Geoffrey Mitchell Choir - Philharmonia Orchestra DAVID PARRY Atto I: 0:00 Atto II: 1:17:32 No copyright infringement intended. I don't make any money from this or any other video on my channel.
Measure for measure
Your love's so much pleasure
Like a haunting melody
You came inside and captured me
And I'm so happy
You're the rhythm of my rhyme
You and I together
We'll stand the test of time
You know how to love me (Sure you do)
You know to make it right (So nice)
You know how to love me (There's no denyin')
Sweet as the morning light
Sooner or later
I knew you'd come my way
You're welcome to my love
Just promise that you'll stay
You know how to love me
Right in a special way
You know how to love me
Tonight all I wanna say
You know how to love me
You're the real that I feel, never go away
Seeing's believin'
Don't you know you're a dream come true
Ain't nothin' deceivin'
'Bout the way that I'm lovin you, yeah
You know how to love me (You know, you know)
You know to make it right (I can feel it)
You know how to love me (No doubt about it)
Sweet as the morning light
Nothing's forever
That's what people say
But each time we're together
Forever and a day
You know how to love me
Right in a special way
You know how to love me
Tonight all I wanna say
You know how to love me
You're the real that I feel, never go away
You know how to love me (Oh, you know that you do)
(You know how to love me, baby)
Ooh, you know to make it right (Oh, I know you do, whoa)
Ooh, you know how to love me
(Seeing's believin, don't you know you're a dream come true, yeah)
Ooh, you know how to love me (Oh, oh, baby)
(Who will take this heart of mine) Ooh, you know how to love me
(Love me, baby, all the time, come on, give it to me, baby)
(You know how to love) Ooh, you know how to love me
(You know how to love me, yeah)
(Ooh, I can feel it) Ooh, you know how to love me (I can feel love, no, no, baby)
(You know how to love me, yeah) Ooh, you know how to love me
(Ooh, you know because you told me so, oh, oh)
Ooh, you know how to love me (There's no denyin)
Ooh, you know how to love me
Ooh, you know how to love me
(You and I were meant to be) Ooh, you know how to love me
(There's no doubt the world can see)
(That I love you, baby, ooh, oh, oh, oh, baby)
Ooh, you know how to love me (Ooh, ooh, baby)
(You know how to love me, sure you do)
Ooh, you know how to love me (Oh, ho)
Ooh, you know how to love me (You know how to love me, baby, I can feel it)
(No doubt about it, no, no)
Ooh, you know how to love me (Oh, you know how to love me, baby)
Ooh, you know how to love me (I love you, baby, and I need ya, baby)
Ooh, you know how to love me (I know, baby)
Ooh, you know how to love me
Ooh, you know how to love me (I wasn't born yesterday)