'Taxi Driver' is featured as a movie character in the following productions:
5ive (2011)
Actors:
Jax Kearney (director),
Jax Kearney (editor),
Jax Kearney (writer),
Jax Kearney (actor),
Greg Savage (actor),
Kelly Frances Hager (actress),
Leonardo Santaiti (actor),
Marcy Martorana (miscellaneous crew),
Hugh Higgins (actor),
Christopher Santaiti (actor),
C. Dick Steele (actor),
Franklin Biggins (actor),
Shakir Abiola (actor),
Josh Thompson (actor),
Plot: Frank desperately tries to escape his current, unexpected circumstances. Drawn mysteriously into a dangerous game of clues and illusions he can't escape, he continues forward hoping the next clue will be the one that lets him escape his involvement. What's the secret behind the car? Who are the men following him? Who is the beautiful, mysterious Sarah, and the good looking stranger Mister V? Will the next clue be the one to finally set him free of set him free from the web of deceit, or will it be the one to seal his fate?
Genres:
Drama,
Mystery,
Short,
Thriller,
Lipstikka (2011)
Actors:
Lon Haber (miscellaneous crew),
Jonathan Sagall (director),
Jonathan Sagall (writer),
Jonathan Sagall (producer),
Rebecca Gore (costume designer),
Martin Walker (miscellaneous crew),
David Willing (producer),
Richard Blackburn (miscellaneous crew),
Daniel Caltagirone (actor),
Alex Darby (miscellaneous crew),
Olivia Poulet (actress),
Nigel Betts (actor),
Guy Allon (producer),
Clara Khoury (actress),
Wuzza Conlon (actor),
Genres:
Drama,
Thriller,
Monsters (2010)
Actors:
Scoot McNairy (actor),
Allan Niblo (producer),
Cotter Smith (miscellaneous crew),
Rupert Preston (producer),
James Richardson (producer),
Nick Love (producer),
Whitney Able (actress),
Christopher Key (miscellaneous crew),
George McKenzie (miscellaneous crew),
Eduardo Roman (miscellaneous crew),
Christopher Brown (miscellaneous crew),
Thomas Dixon (miscellaneous crew),
Jose Angel Hernandez (miscellaneous crew),
Alyson Pengelly (miscellaneous crew),
Annalee Jefferies (actress),
Plot: Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life form began to appear and half of Mexico was quarantined as an INFECTED ZONE. Today, the American and Mexican military still struggle to contain "the creatures"...... Our story begins when a US journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the US border.
Keywords: adultery, air-strike, ak-47, alien, alien-creature, alien-invasion, alien-life-form, american-abroad, american-flag, arm-in-sling
Genres:
Drama,
Sci-Fi,
Thriller,
Taglines: Now, It's Our Turn To Adapt. After Six Years, They're No Longer Aliens. They're Residents. Beware
Quotes:
Samantha Wynden: Doesn't that kind of bother you, that you need something bad to happen to profit from it?::Andrew Kaulder: You mean, like a doctor?
[first lines]::Title Card: Six years ago... NASA discovered the possibility of alien life within our solar system. A space probe was launched to collect samples but broke up during re-entry over Mexico. Soon after new life forms began to appear and half of the was quarantined as an INFECTED ZONE. Today... The Mexican & US military still struggle to contain 'the creatures'...
Soldier: We've located one man and one female, We're headed there now. Come on, it's not safe, let's go...
Sign on Wall: PASSAGE TO AMERICA TICKETS / free gas mask! / only $5,000.00 / NO PASSPORT / NO VISA required
Andrew Kaulder: I'm going to be a meteorologist, because it's the only job where I can be wrong every day, and not get fired.
[last lines]::Samantha Wynden: I don't want to go home.
Autumn Heart (2003)
Actors:
Andrew Davidson (writer),
Andrew Davidson (editor),
Andrew Davidson (actor),
Andrew Davidson (writer),
Andrew Davidson (director),
Andrew Davidson (producer),
Kevin Brett (actor),
Katherine Reeve (actress),
Katherine Reeve (miscellaneous crew),
Katherine Reeve (writer),
Katherine Reeve (producer),
Richard Amor Allan (actor),
John Walters (actor),
Ray Johnson (actor),
Angela Slade (writer),
Plot: Darren McAree is James Hadley in Andrew Davidson's unforgettable tale of guilt, disillusionment, and fear. Hadley arrives at a station in a whirlwind of terror and bewilderment, fleeing from a troubled past that threatens to reappear and turn his world upside down. Along the way, a chance encounter with the mysterious Lara forces Hadley into an emotional reckoning, facing up to everything that he has come to fear. 'Autumn Heart' is a poignant and powerful exploration of love, loss and what's left behind.
Keywords: crisis, independent-film, love, spiritual
Genres:
Drama,
Short,
WillFull (2001)
Actors:
Reza Mokhtar (miscellaneous crew),
C. Thomas Howell (actor),
Charles 'Bud' Tingwell (actor),
Antony Partos (composer),
Nicholas Beauman (editor),
Jill Coverdale (miscellaneous crew),
Robin Clifton (miscellaneous crew),
Felix Williamson (actor),
Ken Cameron (actor),
Stephan Elliott (producer),
Stephan Elliott (actor),
Karen Mansfield (miscellaneous crew),
Christopher Stollery (actor),
Paul Barry (actor),
Rebel Penfold-Russell (director),
Genres:
Comedy,
Fantasy,
Pink Prison (1999)
Actors:
Alberto Rey (actor),
Lars von Trier (producer),
Peter Aalbæk Jensen (producer),
Mr. Marcus (actor),
Katja Kean (actress),
Lene Børglum (producer),
Ronny Nielsen (actor),
Anders Nyborg (actor),
Evil Eve (actress),
Mark Duran (actor),
Nils Lassen (composer),
Sanne Münster Swendsen (miscellaneous crew),
Thorbjørn Kjærbo (actor),
Niels Aalbæk Jensen (actor),
Rolf Messerschmidt (actor),
Plot: 36-year old Mila makes a bet that she can make a photo-report from inside the Pink Prison. She does not manage to get in legally, but at night she breaks into the prison. This is the start of a different erotic adventures.
Keywords: catfight, hardcore, interracial-sex, photo-reporter, prison, sadism, sex, shower
Genres:
Adult,
Thriller,
The Prisoner of Second Avenue (1975)
Actors:
Marvin Hamlisch (composer),
Joel Schumacher (costume designer),
Neil Simon (writer),
Neil Simon (writer),
F. Murray Abraham (actor),
Dee Carroll (actress),
Elizabeth Wilson (actress),
Joe Turkel (actor),
Gary Owens (actor),
Melvin Frank (producer),
Anne Bancroft (actress),
M. Emmet Walsh (actor),
Jack Lemmon (actor),
Melvin Frank (director),
Sylvester Stallone (actor),
Plot: The story of Mel and Edna ('Jack Lemmon (I)' and 'Anne Bancroft (I)' (qv)), a middle-class, middle-aged, middle-happy couple living in a Manhattan high rise apartment building. Mel loses his job, the apartment is robbed, Edna gets a job, Mel loses his mind, Edna loses her job . . . to say nothing of the more minor tribulations of nosy neighbors, helpful relatives and exact bus fares. The couple suffers indignity after indignity (some self-inflicted) and when they seem on the verge of surrender, they thumb their noses defiantly and dig the trenches for battle.
Keywords: apartment, based-on-play, brother-brother-relationship, burglary, frustration, husband-wife-relationship, midlife-crisis, neighbor, nervous-breakdown, new-york
Genres:
Comedy,
Taglines: ...and you think you've got problems.
Quotes:
Mel: Oh am I gonna get that guy Jacoby! I know exactly what time he comes home.
Mel: Drunk on what? They took the liquor!
Mel: If you're a human being, then you reserve the right to complain, to protest. If you give up that right then you cease to exist.
Mel: I don't know either where I am or who I am. I'm disappearing, Edna. I don't need an analyst, I need Lost & Found!
Mel: The vice president in charge of my department used the same paper clip for six months. *Nobody* ever came to work late anymore. They were all afraid if you didn't show up, somebody'd sell your desk!
Harry Edison: You're 113 years old between the two of you, and neither one of you makes any sense.
Edna: I have no strength left. Nothing. I couldn't even open my pocketbook on the bus today. A little boy hadda help me.::Mel: You have strength, Edna.::Edna: I have ANGER! No strength.
Mel: I haven't had a real piece of bread in thirty years. If I'd known I would have saved some rolls when I was a kid.
Edna: Why you havin pain's in your chest?::Mel: Because I don't have a job! Because I don't have a suit to wear. Because I'm having a God-damned nervous breakdown and they didn't even leave me with a decent pair of pajamas.
Mel: Sons of bitches! Dirty rotten bastards! You heard me. [gesture's middle finger]
Girl Trouble (1942)
Actors:
Don Ameche (actor),
Lee Bennett (actor),
Fortunio Bonanova (actor),
Frank Coghlan Jr. (actor),
Jeff Corey (actor),
Frank Craven (actor),
Joseph Crehan (actor),
Alan Dinehart (actor),
Arno Frey (actor),
Robert Greig (actor),
John Kelly (actor),
George Lessey (actor),
Arthur Loft (actor),
Matt McHugh (actor),
Eddie Acuff (actor),
Genres:
Comedy,
Taglines: It's a riot... you won't deny it!
Gallant Sons (1940)
Actors:
Frank Hagney (actor),
Eddie Acuff (actor),
Edward Cooper (actor),
Leo Gorcey (actor),
El Brendel (actor),
Bill Cartledge (actor),
Ernie Alexander (actor),
Jackie Cooper (actor),
Richard Cramer (actor),
Dick Botiller (actor),
Harry Depp (actor),
John Dilson (actor),
Donald Douglas (actor),
Ralph Dunn (actor),
Ian Hunter (actor),
Genres:
Mystery,
-
Taxi Driver (1976) - [Official Trailer HD]
Taxi Driver 1976 - [Official Trailer HD] Director: Martin Scorsese
A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Director: Martin Scorsese
Writer: Paul Schrader
Stars: Robert De Niro, Jodie Foster and Cybill Shepherd
http://culturafilmesonline.blogspot.com.br/
published: 18 Mar 2012
-
-
Taxi Driver - The Ending Scene
Taxi Driver - The Ending Scene
published: 16 Jan 2009
-
Taxi Driver (5/8) Movie CLIP - You Talkin' to Me? (1976) HD
Taxi Driver movie clips: http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (Robert De Niro) looks into the mirror, drawing his gun, and practices his intimidation routine for a battle on the streets.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde p...
published: 15 Jan 2014
-
Taxi Driver (1/8) Movie CLIP - Travis Visits Betsy (1976) HD
Taxi Driver movie clips: http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (Robert De Niro) comes into the Palantine volunteer headquarters and asks Betsy (Cybill Shepherd) out for coffee.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential...
published: 15 Jan 2014
-
Taxi Driver (1976) scene - Travis Buys Guns
Time to arm up.......... for the cleansing of the filth
published: 30 Sep 2010
-
Taxi Driver - Trailer
Paul Schrader's gritty screenplay depicts the ever-deepening alienation of Vietnam Veteran Travis Bickle (Robert De Niro in a tour-de-force performance), a psychotic cab driver who obsessively cruises the mean streets of Manhattan. © 1976, renewed 2004 Columbia Pictures Industries, Inc. All Rights Reserved.
published: 10 Mar 2014
-
Taxi Driver (4/8) Movie CLIP - A Sick Passenger (Martin Scorsese Cameo) (1976) HD
Taxi Driver movie clips: http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (Robert De Niro) sits quietly as his passenger (Martin Scorsese) describes what it would be like to kill his adulterous wife.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde ...
published: 15 Jan 2014
-
Taxi Driver 1976 All The Animals Come Out At Night
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagin...
published: 09 Feb 2016
-
[ Taxi Driver - 1976 ] - "Here's a man who would not take it anymore."
"Here's a man who would not take it anymore."
published: 18 Apr 2010
Taxi Driver (5/8) Movie CLIP - You Talkin' to Me? (1976) HD
videos
Taxi Driver movie clips:
http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST
NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (
Robert De Niro) looks into the mirror, drawing his gun, and practices his intimidation routine for a battle on the streets.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
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https://wn.com/Taxi_Driver_(5_8)_Movie_Clip_You_Talkin'_To_Me_(1976)_Hd
Taxi Driver movie clips:
http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST
NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (
Robert De Niro) looks into the mirror, drawing his gun, and practices his intimidation routine for a battle on the streets.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
SUBSCRIBE TO OUR MOVIE CHANNELS:
MOVIECLIPS: http://bit.ly/1u2yaWd
ComingSoon: http://bit.ly/1DVpgtR
Indie &
Film Festivals: http://bit.ly/1wbkfYg
Hero Central: http://bit.ly/1AMUZwv
Extras: http://bit.ly/1u431fr
Classic Trailers: http://bit.ly/1u43jDe
Pop-Up Trailers: http://bit.ly/1z7EtZR
Movie News: http://bit.ly/1C3Ncd2
Movie
Games: http://bit.ly/1ygDV13
Fandango: http://bit.ly/1Bl79ye
Fandango FrontRunners: http://bit.ly/1CggQfC
HIT US UP:
Facebook: http://on.fb.me/1y8M8ax
Twitter: http://bit.ly/1ghOWmt
Pinterest: http://bit.ly/14wL9De
Tumblr: http://bit.ly/1vUwhH7
- published: 15 Jan 2014
- views: 797143
Taxi Driver (1/8) Movie CLIP - Travis Visits Betsy (1976) HD
videos
Taxi Driver movie clips:
http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST
NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (
Robert De Niro) comes into the
Palantine volunteer headquarters and asks
Betsy (
Cybill Shepherd) out for coffee.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast:
Albert Brooks, Robert De Niro, Cybill Shepherd
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
SUBSCRIBE TO OUR MOVIE CHANNELS:
MOVIECLIPS: http://bit.ly/1u2yaWd
ComingSoon: http://bit.ly/1DVpgtR
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https://wn.com/Taxi_Driver_(1_8)_Movie_Clip_Travis_Visits_Betsy_(1976)_Hd
Taxi Driver movie clips:
http://j.mp/1iS0mkM
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CLIP DESCRIPTION:
Travis (
Robert De Niro) comes into the
Palantine volunteer headquarters and asks
Betsy (
Cybill Shepherd) out for coffee.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast:
Albert Brooks, Robert De Niro, Cybill Shepherd
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
SUBSCRIBE TO OUR MOVIE CHANNELS:
MOVIECLIPS: http://bit.ly/1u2yaWd
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- published: 15 Jan 2014
- views: 106107
Taxi Driver (4/8) Movie CLIP - A Sick Passenger (Martin Scorsese Cameo) (1976) HD
videos
Taxi Driver movie clips:
http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST
NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (
Robert De Niro) sits quietly as his passenger (
Martin Scorsese) describes what it would be like to kill his adulterous wife.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro, Martin Scorsese
Director: Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
SUBSCRIBE TO OUR MOVIE CHANNELS:
MOVIECLIPS: http://bit.ly/1u2yaWd
ComingSoon: http://bit.ly/1DVpgtR
Indie &
Film Festivals: http://bit.ly/1wbkfYg
Hero Central: http://bit.ly/1AMUZwv
Extras: http://bit.ly/1u431fr
Classic Trailers: http://bit.ly/1u43jDe
Pop-Up Trailers: http://bit.ly/1z7EtZR
Movie News: http://bit.ly/1C3Ncd2
Movie
Games: http://bit.ly/1ygDV13
Fandango: http://bit.ly/1Bl79ye
Fandango FrontRunners: http://bit.ly/1CggQfC
HIT US UP:
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Tumblr: http://bit.ly/1vUwhH7
https://wn.com/Taxi_Driver_(4_8)_Movie_Clip_A_Sick_Passenger_(Martin_Scorsese_Cameo)_(1976)_Hd
Taxi Driver movie clips:
http://j.mp/1iS0mkM
BUY THE MOVIE: http://amzn.to/rUvwen
Don't miss the HOTTEST
NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Travis (
Robert De Niro) sits quietly as his passenger (
Martin Scorsese) describes what it would be like to kill his adulterous wife.
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro, Martin Scorsese
Director: Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
SUBSCRIBE TO OUR MOVIE CHANNELS:
MOVIECLIPS: http://bit.ly/1u2yaWd
ComingSoon: http://bit.ly/1DVpgtR
Indie &
Film Festivals: http://bit.ly/1wbkfYg
Hero Central: http://bit.ly/1AMUZwv
Extras: http://bit.ly/1u431fr
Classic Trailers: http://bit.ly/1u43jDe
Pop-Up Trailers: http://bit.ly/1z7EtZR
Movie News: http://bit.ly/1C3Ncd2
Movie
Games: http://bit.ly/1ygDV13
Fandango: http://bit.ly/1Bl79ye
Fandango FrontRunners: http://bit.ly/1CggQfC
HIT US UP:
Facebook: http://on.fb.me/1y8M8ax
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Pinterest: http://bit.ly/14wL9De
Tumblr: http://bit.ly/1vUwhH7
- published: 15 Jan 2014
- views: 156408
Taxi Driver 1976 All The Animals Come Out At Night
videos
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
...
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (
Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone,
Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader,
Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
https://wn.com/Taxi_Driver_1976_All_The_Animals_Come_Out_At_Night
FILM DESCRIPTION:
"All the animals come out at night" -- and one of them is a cabby about to snap. In
Martin Scorsese's classic
1970s drama, insomniac ex-Marine
Travis Bickle (
Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s
New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone,
Travis cannot connect with anyone, not even with such other cabbies as blowhard
Wizard (
Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker
Betsy (
Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by
Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate,
Charles Palatine (
Leonard Harris), to violently "saving" teen hooker
Iris (
Jodie Foster) from her pimp,
Sport (
Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by
Paul Schrader,
Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated
Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of
John Ford's late
Western The Searchers (
1956), aligning Travis with a mythology of
American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as
Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by
Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a
Manhattan skewed through Travis' point-of-view, where
De Niro's now-famous "
You talkin' to me" improv becomes one more
sign of Travis' madness.
Shot during a
New York summer heat wave and garbage strike, Taxi Driver got into trouble with the
MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit.
Released in the Bicentennial year, after Vietnam,
Watergate, and attention-getting attempts on
President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted
Reagan assassin and
Foster fan
John W. Hinckley. Taxi Driver went on to win the
Palme d'Or at the
Cannes Film Festival, but it lost the
Best Picture Oscar to the more comforting
Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s
Hollywood.
CREDITS:
TM & ©
Sony (
1976)
Cast: Robert De Niro
Director:
Martin Scorsese
Producers:
Phillip M. Goldfarb,
Julia Phillips,
Michael Phillips
Screenwriter: Paul Schrader
- published: 09 Feb 2016
- views: 13516