- published: 17 Oct 2016
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Imitation of Life is a 1959 American romantic drama film directed by Douglas Sirk, produced by Ross Hunter and released by Universal International, starring Lana Turner and John Gavin. It was Sirk's final Hollywood film and dealt with issues of race, class and gender.
The cast also features Sandra Dee, Dan O'Herlihy, Susan Kohner, Robert Alda and Juanita Moore as Annie Johnson. Kohner and Moore received Academy Award nominations for their performances. Gospel music star Mahalia Jackson appears as a church choir soloist.
Imitation of Life is the second film adaptation of Fannie Hurst's novel of the same name; the first was released in 1934 and starred Claudette Colbert. In 2015, the United States Library of Congress selected the Imitation of Life for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant" just like the original 1934 film.
In 1947, widow Lora Meredith (Lana Turner) dreams of becoming a famous Broadway actress. Losing track of her young daughter Susie at the beach (portrayed as a child by Terry Burnham), she asks a stranger named Steve Archer (John Gavin) to help her find the girl. Susie is found and looked after by Annie Johnson (Juanita Moore), a black single mother who also has a daughter, Sarah Jane (portrayed as a child by Karin Dicker), who is about Susie's age. Sarah Jane inherited her father's fair skin and can pass for white. She does this with fierce zeal and fervor, taking advantage of her European heritage and features. In return for Annie's kindness, Lora temporarily takes in Annie and her daughter. Annie persuades Lora to let her stay and look after the household, so that the widow can pursue an acting career.
Imitation of Life (1959)
1959 Imitation of Life
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Imitation of Life 1959 Full Movie
Imitation of Life Official Trailer #1 - Lana Turner Movie (1959) HD
Harrowing scene from Imitation of Life
Imitation of Life full movie
Online anschauen Imitation of Life 1959
Imitation of Life (1959) Full Movie English
Imitation of Life (1959) Full Movie [HD]
Jo Ann Greer - Susan Kohner's 'Empty Arms' from 'Imitation Of Life' (1959)
BBC - Culture - The 100 greatest American films
CAROLINE - A film by Mani Nasry
Great Directors: Douglas Sirk
A struggling young actress with a six year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight year-old daughter who rejects her mother by trying to pass for white.
Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDe Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Imitation of Life Trailer - Directed by Douglas Sirk and starring Lana Turner, John Gavin, Sandra Dee, Susan Kohner, Robert Alda. The story is a look at early 20th century American race relations. Today, Imitation of Life has been re-evaluated by critics and is now held up as a masterpiece of Douglas Sirk's directing style. Universal - 1959
The so-called "one-drop rule" was enacted into American state laws in the early 20th century. The idea was that anyone with any amount of African ancestry, even just "one drop of blood," would be legally deemed to be black. Furthermore, interracial marriage was widely thought to be so bad that laws criminalizing it were in the books in 30 states until the mid-20th century and after this movie was made. Consider what life was like for the people who were represented by the characters in this scene. In that time period, many white men were disgusted by interracial relationships. Thus, not only did mulatto people have to worry about discrimination in general because of things like the one-drop rule, but women of mixed race who were "passable" as white had to fear for their lives when dealing...
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Drama An http://yursl.blogspot.com/0052918 aspiring actress befriends a black widow, but trouble arises when the latter is Kohner and Juanita Moore in Imitation of Life (1959) Lana Turner and Juanita Moore in Imitation of Life (1959) Lana Turner in Imitation of Life (1959).
'Empty Arms' was a song written by Frederick Herbert and Arnold Hughes for 1939 'Arizona' -with Marlene Dietrich & James Stewart- maybe dispensable 1954 remake entitled 'Saltry'. However, once we enjoy the one minute and a half rendition performed with such grace by Susan Kohner and charmly sung by Greer one could understand the necessity of 'Saltry' to be. Mari Blanchard was surely dubbed but we don't kno by who. Just to compare: https://vimeo.com/44541919
This amazing video produced and made by BBC. (http://www.bbc.com/culture/story/20150720-greatest-us-films-an-a-z-analysis) http://www.sinefesto.com/sinema-tarihinin-en-iyi-100-amerikan-filmi.html The 100 greatest American films 100. Ace in the Hole (Billy Wilder, 1951) 99. 12 Years a Slave (Steve McQueen, 2013) 98. Heavenβs Gate (Michael Cimino, 1980) 97. Gone With the Wind (Victor Fleming, 1939) 96. The Dark Knight (Christopher Nolan, 2008) 95. Duck Soup (Leo McCarey, 1933) 94. 25th Hour (Spike Lee, 2002) 93. Mean Streets (Martin Scorsese, 1973) 92. The Night of the Hunter (Charles Laughton, 1955) 91. ET: The Extra-Terrestrial (Steven Spielberg, 1982) 90. Apocalypse Now (Francis Ford Coppola, 1979) 89. In a Lonely Place (Nicholas Ray, 1950) 88. West Side Story (Robert Wise and Jerome Ro...
http://www.imdb.com/name/nm1421199/ Director/Producer/Writer -MANI NASRY http://twitter.com/#!/ManiNasry Mani Nasry an exceptionally talented filmmaker, actor and artist with a sophisticated breadth of education, skills, experience, and professional accomplishments. He trained as an actor and director in New York with Salem Ludwig and with Donna DeMatteo for playwriting. For Mani, the decision to work in the film industry guided his academic decisions from an early age. He attended a Toronto high school renowned for excellence in the arts, and was accepted into one of the highly competitive film program at Ryerson university. It is notable that he went to Ryerson with an already well-established career in theatre, film, television and commercial work, and a range of multi-faceted achie...
Great Directors: Douglas Sirk February 26 - March 26, 2017 Though initially dismissed by his American contemporaries as facile βwomenβs weepies,β Sirkβs films achieved box office success and were celebrated by the vanguard of the French New Wave, who identified the subtle but searing social criticism running through their lavish stories. Shortly after the 1959 release of IMITATION OF LIFE, now considered a masterpiece, Sirk returned to his native Germany and never made another feature. His films are now widely appreciated as a rare intersection of mainstream film and high concept cinema, subversive works that were also seen by the masses.
A re-working of a 5 minute scene from the film 'Imitation of Life' using both the 1934 and the 1959 versions of the film.
DEATH & PERFORMATIVITY IN IMITATION OF LIFE (1959) Using the methods similar to those described by Laura Mulvey in her essay βThe Possessive Spectatorβ, this two-minute film reworks footage and audio from Imitation of Life (1959) through repetition and juxtaposition, in an attempt to uncover new and/or hidden meaning in the film in relation to the connection between death and performativity. Two concepts central to Douglas Sirkβs 1959 Imitation of Life are βactingβ and βimitationβ and, in particular, what these mean in regard to performances of womanhood as depicted by the film. According to The Oxford English Dictionary, βactingβ is defined as βthe action of feigning a particular emotion, feeling, or personality trait; pretenceβ, and to βimitateβ as βto do or try to do after the manner...
Inside my imagination
There is an imitation of life
You captured me for an instant
Still in your camera and in your life
The head of a hungry pack of hounds
Will track me down
Say it's not over
Let's say a prayer
Let's turn it over
Show that we care.
Walk in the desert
Lie in the shade
We'll be together
Don't be afraid.
Say it's not over.
I'll move to the other side of town
I'll lead you to the underground
We'll live within our hollow space
We're in a dream we both embrace
And if tomorrow is undone
You'll never hear me
Say it's not over
Let's say a prayer
Let's turn it over
Show that we care.
Walk in the desert
Lie in the shade
We'll be together
Don't be afraid.
Say it's not over.
Say it's not over.
Say it's not over.
Say it's not over.
Inside my imagination
There is an imitation of life
You captured me for an instant
Still in your camera and in your life
The head of a hungry pack of hounds