Posts from March 2016
24
Mar 16
Of Was And When
Rebel Rebel, by Chris O’Leary (Zero Books)
One of the many remarkable things about David Bowie’s career is that it came so close to not happening. Bowie seems like an archetype of individual genius – even his most misguided detours have something interesting about them, as Chris O’Leary’s blog (collected in part in this book) patiently shows. But his career had a multiplicity of false starts – even once he’d scored a big hit, five years in, there was no particular sense he’d become a constant presence in pop. Let alone rewrite or dominate it.
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8
Mar 16
DJ OTZI – “Hey Baby (Uhh, Ahh)”
So the cruddiest number one of 2001 lands at the top in a week when a lot of people were not caring about music. And certainly, spending £1.99 on “Hey Baby” is one of the more aggressive ways you could find to not care about music. The song is a mugging of a rather sweet #2 hit from 1962 by Bruce Channel: his “Hey Baby” was hayseed bubblegum, a bag of folksy candyfloss with a harmonica hook hot enough that people assumed the Beatles swiped his idea.
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5
Mar 16
BOB THE BUILDER – “Mambo No. 5”
The last time we met Bob, I made a tantalising suggestion that his “Mambo No.5” was the superior version. This theory does not survive contact with reality. Whatever the merits of this hymn to the tools of Bob’s trade, ultimately it’s still Neil Morrissey trying to swing over a Woolworths backing, and nobody really needs to hear that.
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2
Mar 16
BLUE – “Too Close”
The differences between Blue’s “Too Close” and Next’s “Too Close” don’t seem profound – four years, a few production gewgaws, a mild shift in context between male US R&B group and UK boyband – so why does the original make me smile and the cover make me wince? Might it just be that I don’t like Blue? Simon Cowell, who managed Five, had his fingers all over a pre-incarnation of Blue. But every boyband is pitched a little differently, however similar the origin stories. If Five were a cartoon attempt at the Spice Boys, Blue were All Saints’ younger brothers. A little cooler than the average boyband; a lot more knowing. They owed something to East 17 – the first British boyband to drop the niceties and sing about fucking – but they were a hell of a lot smoother and less awkwardly intriguing than Tony Mortimer’s mob.
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