"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
The modern constellation Phoenix lies across one of the quadrants symbolized by the White Tiger of the West (西方白虎, Xī Fāng Bái Hǔ), and The Southern Asterisms (近南極星區, Jìnnánjíxīngōu), that divide the sky in traditional Chinese uranography.
According to the quadrant, constellation Phoenix in Chinese sky is not fully seen. Ankaa (Alpha Phoenicis) are bright stars in this constellation that possibly never seen in Chinese sky.
The name of the western constellation in modern Chinese is 鳳凰座 (fèng huáng zuò), which means "the phoenix constellation".
The map of Chinese constellation in constellation Phoenix area consists of :
Phoenix was a ship involved in the maritime fur trade of the Pacific during the late 18th century.
Her captain was Hugh Moore, and her home port was Bombay. She is known to have visited the Pacific Northwest in 1792, and to have wintered in the Columbia River in 1794. Phoenix visited a prominent Haida village on Langara Island in 1792. As historian F. Howay recounted:
Sailing south to Alta California during March 1795, Phoenix traded for sea otter furs in Santa Barbara before visiting the Kingdom of Hawaii and later the Qing port of Guangzhou.William Marsden later employed the ship to collect several nutmeg and cloves for agricultural efforts in Sumatra. Phoenix delivered the cargo in July 1798 "a complete success."
Phoenix was the namesake of the Russian-American Company brig Phoenix, the first vessel built in Russian America by Alexandr Baranov.
The Lucas Oil 150 is a NASCAR Camping World Truck Series race that takes place at Phoenix International Raceway. The 1995 edition was the inaugural Truck Series event.
From 1995 until 1998, two races were held each year at Phoenix for the series.
The ridiculous is that which is highly incongruous or inferior, sometimes deliberately so to make people laugh or get their attention, and sometimes unintended so as to be considered laughable and earn or provoke ridicule and derision. It comes from the 1540s Latino "ridiculosus" meaning "laughable", from "ridiculus" meaning "that which excites laughter", and from "ridere" meaning "to laugh". "Ridiculous" is an adjective describing "the ridiculous".
In common usage, "ridiculousness" is used as a synonym for absurdity or nonsense. From a historical and technical viewpoint, "absurdity" is associated with invalid argumentation and reasoning, "nonsense" with semantics and meaning, while "ridiculous" is most associated with laughter, superiority, deformity, and incongruity. Reductio ad absurdum is a valid method of argument, while reductio ad ridiculum is invalid. Argument by invective declaration of ridiculous is invalid, while arguments involving declarations of nonsense may summarize a cogent semantic problem with lack or meaning or ambiguity.