Russian movies with English subtitles:The Meeting Place Should Not Be Changed (part 5)

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• published: 11 Nov 2016
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Please, donate: https://www.paypal.me/Russianforeducation The Meeting Place Should Not Be Changed (The Meeting Place Cannot Be Changed, Russian: Место встречи изменить нельзя, translit. Mesto vstrechi izmenit nelzya) is a 1979 Soviet five-part television miniseries directed by Stanislav Govorukhin. The series achieved the status of a cult film in the USSR, and along with Seventeen Moments of Spring became a part of popular culture with several generations of russophone TV viewers. The series stars singer-songwriter Vladimir Vysotsky in one of his final screen appearances (his death at the age of 42 came less than a year after the film's release). Soviet screen and stage legends Sergey Yursky, Armen Dzhigarkhanyan, Zinovy Gerdt, Yevgeniy Yevstigneyev, and Leonid Kuravlev also appear in the film. The film was released in the West as The Age of Mercy, the title of the novel by the writing duo of Vayner Brothers (Arkadiy Vayner and Georgiy Vayner), on which the film is based. Plot: The film is set in post-WWII Moscow. Lieutenant Vladimir Sharapov (Vladimir Konkin) is a young reconnaissance officer and a decorated war hero who has just returned from the war and is assigned to peacetime service with the famous MUR (Moscow Department of Criminal Investigations). There he becomes part of an elite detective team led by the brilliant, tough, no-nonsense Captain Gleb Zheglov (Vysotsky). The duo becomes embroiled in two seemingly separate investigations: that of the murder of young aspiring actress Larisa Gruzdeva, and the hunt for a vicious gang of armed robbers that calls itself "Black Cat" and constantly manages to evade capture. While suspicion in Gruzdeva's murder initially falls on her estranged husband Dr. Gruzdev (Yursky), it gradually becomes apparent that the two cases are connected, as a Black Cat mobster Fox (Aleksandr Belyavsky) is implicated in the murder. As a result of Zheglov's successful high-stakes operation to capture Fox, Sharapov inadvertently finds himself undercover at the Black Cat hideout, sparring with the gang's menacing leader The Hunchback (Dzhigarkhanyan). What ensues is arguably one of Soviet television's most memorable and suspenseful finales. Much of the series revolves around the relationship between Zheglov and Sharapov. While the two become close friends and roommates, they are essentially opposites who often clash throughout the film. The source of the conflict is the idealistic Sharapov's disagreement with Zheglov's "ends justify the means" approach to law enforcement. Zheglov, hardened and cynical from spending the war years in the rear fighting organized crime thinks that "a thief's place is in prison, and the public couldn't care less how I put him there". To that end, Zheglov thinks nothing of using dubious tactics such as planting evidence to justify the arrest of a known pickpocket. Sharapov, on the other hand, considers that law is a higher value for its own sake and cannot be used merely as a tool. A tense conflict also arises when, in order to mislead Fox, Zheglov elects to continue to hold Gruzdev under arrest even after it becomes clear that the man is innocent.