Saga is an annual musical festival organized by Royal College Colombo. The first SAGA was held in 2004 and since then has become an important event on Colombo's cultural calendar. It is named after the ancient Greek epic poems the Odyssey and the Iliad attributed to Homer. In the aspect of oriental music the term referred to the oriental version of sing musical scales as ‘Sa’ refers to the oriental equivalent of the 1st degree- “Do” while “Ga” refers to the equivalent of the 3rd degree, or “Me”
For many years before Saga, an annual concert performed by the by Royal College Hostel named Miyasi Meerawaya. Miyasi Meerawaya was limited to hostelers, however Upali Gunasekara, the newly appointed Principal of Royal College Colombo wished to broaden the scope for every one to perform. As a result Saga I was organized in 2004 with the leadership of Principal Upali Gunasekara and Music Teacher Ashoka Pushpakumara. The project was joined by the School Development Society of the College which was in the process of developing a fundraising event to help development projects within the school. With it the two projects merged becoming one of the largest national events. Over the years dance and drama were added to the event.
Saga (佐賀市, Saga-shi) is the capital city of Saga Prefecture, located on the island of Kyushu, Japan.
Saga was the capital of Saga Domain in the Edo period, and largest city of former Hizen Province.
As of February 1, 2009, the city has an estimated population of 238,934 and a population density of 554 persons per km². The total area is 431.42 km².
On October 1, 2005, Saga absorbed the towns of Fuji, Morodomi and Yamato (all from Saga District) and the village of Mitsuse (from Kanzaki District) to create the new and expanded city of Saga. With this creation, the city now neighbors the city of Fukuoka (in Fukuoka Prefecture).
On October 1, 2007 the towns of Higashiyoka, Kawasoe, and Kubota (all from Saga District) were also incorporated into Saga, further expanding its borders.
Although Saga is the capital of Saga Prefecture, it can also be said to be within the Greater Fukuoka metropolitan area, and by extension, Fukuoka-Kitakyushu Metropolitan Area.
In Norse mythology, Sága (Old Norse: [saːɣa], possibly meaning "seeress") is a goddess associated with the wisdom Sökkvabekkr (Old Norse: [sɔkːwabekːr]; "sunken bank", "sunken bench", or "treasure bank"). At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
The etymology of the name Sága is generally held to be connected to the Old Norse verb sjá, meaning "to see" (from Proto-Germanic *sehwan). This may mean that Sága is to be understood as a seeress. Since Frigg is referred to as a seeress in the poem Lokasenna, this etymology has led to theories connecting Sága to Frigg. Rudolf Simek says that this etymology raises vowel problems and that a link to saga and segja (meaning "say, tell") is more likely, yet that this identification is also problematic.
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.
Gazpacho are an art rock band from Oslo, Norway. The original core band of Jan-Henrik Ohme (vocals), Jon-Arne Vilbo (guitars) and Thomas Andersen (keyboards, programming, producer) started making music together in 1996 and the band has since expanded with Mikael Krømer (violin, co-producer), Lars Erik Asp (drums) and Kristian Torp (bass).
Gazpacho's music has been described by one critic as being "classical post ambient nocturnal atmospheric neo-progressive folk world rock". The music has been compared to A-ha, Radiohead, Marillion and Porcupine Tree.
Without the backing of a major label, Gazpacho is one of many bands now using the Internet to promote their music, specifically their own website and its forum, online shopping and MySpace. This allows the band to hold down full-time jobs, yet still manage to release an album a year with total artistic control over their compositions and distribution.
Childhood friends Jon-Arne Vilbo and Thomas Andersen had played together in a band called Delerium before, which in their own words "whittled away." After several years of separation, the two friends met again and started making music together again. Andersen had met Jan-Henrik Ohme through his work as radio commercial producer and brought him into the jam sessions, which laid the foundation for Gazpacho as it exists today.
Night trains, filling up, on a railway station in
Berlin
On the way to the Eastern Front, as winter was closing
Young soldiers who were on their way to a freezing,
living hell
For victory's dreams had faded now, amongst explosions
and deadly shells
(chorus)
Night trains, moving out
Moving on, to the distant east
Pride and love for the Fatherland
As they sought the road to victory
They choose to fight against all odds, against a foe
without a god
They fought for good, for all mankind, along death's
roads they bravely trod
Marching on to a fiery fate, their courage it did not
fail
To a land of fire and ice, they advanced up danger's
trails
(chorus)
instrumental break
(chorus)
As the they marched into the icy wastes, there was no
end in their sights
And all they had was their comradeship, and the bitter
cold of endless nights
Well so many died in graves of ice, never again to see
their Fatherland
As their blood was spilt, so died their dreams, before
the true ideal they took their stand